review – Page 7 – Chad Comello

13 In ’13: A Pop Culture Omnilist

Standard operating procedure for making year-end culture lists says to rank your ten favorite films/albums/books, but I’ve recently soured against this convention. Choosing a pre-determined number of “the best” among many great works, as all award shows do, is great entertainment but entirely arbitrary. So this time around, I decided to institute my own arbitrary yet entertaining convention of naming the best 13 films, albums, and books from 2013 I encountered last year.

This omnilist honors the fact that consuming art doesn’t happen in a vacuum. I don’t wait to watch a movie until I finish reading a book, or until I’ve listened all the way through an album. These things happen concurrently, swirling around my head and heart together like cultural stew. With that in mind, I heard, saw, and read a lot in 2013, but these are the ingredients (divided by form and alphabetized) that came together the best in 2013.

Books

An Astronaut’s Guide to Life on Earth by Chris Hadfield
I followed Hadfield, the Canadian astronaut and ISS commander, on Twitter during his mission last year. In addition to the beautiful ISS-view photos of cities he’d frequently post, Hadfield made several short videos documenting how quotidian tasks like cutting fingernails and using the toilet are accomplished in zero gravity. Likewise, his memoir brought his life as a pilot and astronaut down to earth, describing the lessons on leadership, work, and sacrifices he’s learned both on this earth and outside of it. Entertaining, informative, and very insightful, this book shows that Neil DeGrasse Tyson isn’t the only Space Publicist out there.

The Little Way of Ruthie Leming by Rod Dreher
I heard about this book after I started reading Dreher’s blog at The American Conservative. At times memoir, biography, history, and cultural commentary, Little Way documents Dreher’s struggle to come to peace with the small Louisiana hometown he fled, and his saintly sister Ruthie, a schoolteacher who happily stayed put. When Ruthie gets terminal cancer, Dreher sees how the town he couldn’t wait to leave rally around his sister and her family, leading him on his own emotionally-fraught journey home. Dreher writes honestly, lovingly, and critically of his sister while pondering the true meaning of home.

The Ocean at the End of the Lane by Neil Gaiman
This was the first book I read in my nine-novel November marathon, and it ended up being one of my favorites. It also initiated me into the Gaiman oeuvre, something I’m keen on exploring more after reading this novel. The prose’s lean style allowed the fantastical elements of the story to interplay nicely with the more grounded parts, like the boy’s interactions with his father and the new woman in his life. I often forget how life could seem more terrifying as a child, but I forget just as often that we undervalue the strength that kids have to overcome that terror.

Unapologetic by Francis Spufford
I found this very much of a feather with N.D. Wilson’s Notes from the Tilt-A-Whirl, another whirlwind theology book I read this year. While I also enjoy the earnest, intellectual theological writings of C.S. Lewis and the like, books like this one breathe much-needed fresh air into the faith-based discourse that can often come off as stuffy and anticultural. This is a book of and for the heart. Spufford isn’t asking if we can believe the reality of God; he’s asking if we can feel it. The Message translation of the Bible set out to rewrite the scriptures in contemporary language to keep its message “current and fresh and understandable,” but I think Unapologetic does this far better.

Film

Honorable mention films here.

12 Years A Slave
It’s hard to avoid the trap of talking about a film like this in award-season terms, judging its quality and worth by its viability as an award contender. This film is and will be an award-winner, but that descriptor in itself doesn’t say much about the tense, focused interpretation of Solomon Northup by Chiwetel Ejiofor, or Michael Fassbender’s typically immersive and impressive performance as a strident slaveowner. Two decades before the Civil War, Northup fought against the dehumanizing institution of slavery as an unwilling combatant, a Northern free man in a Southern slave’s shoes. If Abraham Lincoln became the biggest political lever of the Civil War, then Northup was the fulcrum. This film duly honors the pressure and pain Northup endured serving as the metaphorical fulcrum of the struggle against slavery’s destructive regime.

Before Midnight
When I saw this with Jenny in Chicago this summer, we got to the showing a few minutes early and walked into the theater. The movie was already playing, which I found odd since I knew we were a bit early. But we sat down and watched what we soon figured out was the very last scene. Lightbulb: we were in the wrong screening room. We went to the correct room and watched it from the beginning, but I found this snafu altogether fitting: seeing the end of this film at the beginning echoed the start of the whole Before trilogy, which found Jesse trying to convince Celine, despite all the odds and circumstances, to take a chance on him. Kudos to Richard Linklater & Co for making this beautifully wrenching and wrenchingly beautiful series happen.

Gravity
Though another (very fine) 2013 film already has this title, Gravity could have just as easily been named The Spectacular Now. For all its fireworks and heart-pounding brinksmanship and wide-eyed views of Earth and outer space, Gravity never departs from the now, the relentlessly present moment Sandra Bullock and George Clooney’s astronauts are experiencing. Director Alfonso Cuarón grabs hold of us right away and says, Better hold on… and we do, barely. But the spectacle of the ensuing ninety minutes, for me, wasn’t just a nonstop roller-coaster (which it pretty much was), but a series of beautiful images like the one at top: Bullock’s capsule, accompanied by flaming space debris, catapulting toward Earth like a chariot of fire.

Her
In a year full of thoughtful, challenging films, this one has inspired the most post-viewing contemplation. It’s a kind of Rorschach test for the digital age: when you see this story of a broken, unsocial man who is befriended by, then falls in love with, a highly intelligent and customized operating system, do you think it’s a dream or a nightmare? Does this futuristic fable portend the end of human interaction, or does it show technology’s restorative promise? That the similarities between Her‘s near-future setting and the present day are so many—the constant connection to mobile devices, the self-imposed social isolation—suggests that we don’t have to wait for the future to answer that question.

Like Someone In Love
I don’t watch horror films because I don’t want to be haunted. Little did I know that Abbas Kiarostami’s follow-up to Certified Copy would be as haunting as anything I’ve seen in a while. There’s nothing paranormal in this Tokyo drama, but rather a fraught, mysterious air that permeates the simple story of an elderly widower connecting with a prostitute in unexpected ways. Like This Is Martin Bonner (below), the restraint Kiaronstami shows tightens everything on screen like a vice. No shot or line of dialogue is wasted. (This was released in 2012 but not in the U.S. until 2013).

Short Term 12
If Her is for the brain, then Short Term 12 is for the heart. This portrait of the staff and patrons of a short-term foster care facility for at-risk teens focuses on Brie Larson’s Grace, but moves around the facility’s sphere, capturing connections between Grace and the kids, and between the kids themselves. When Grace’s own troubled past starts hijacking her attempts to guide the teens through their own crises, her tough shell starts to crack. In addition to having young actors who can actually act, this movie sympathizes with the risk opening up requires.

This Is Martin Bonner
“I’m inclined to believe that director Chad Hartigan is some kind of superman when it comes to restraint.” That was critic Jeffrey Overstreet (who has been a particularly passionate supporter of this film) on This Is Martin Bonner, which follows a pastor and a prisoner on their interweaving paths through life. Overstreet rightly praises the film’s restraint, which other faith-based films often lack. But the faith in This Is Martin Bonner isn’t didactic or caricatured; it’s real, which means it’s messy and imperfect but infused with love. This is currently available on Netflix, so see it while you can.

TV

House of Cards
Like any good work of art, House of Cards rewards repeated viewings. Knowing the full trajectory of the first season allowed me, when rewatching it, to see all of Frank Underwood’s gears turning as his master plan progressed. It’s also a visual feast, taking the noir aesthetic from the David Fincher-directed pilot and propelling us further into the dark underworld of politics and power-wielding. Not sure if I have Valentine’s Day plans yet, but I hope season 2 will be part of them.

Music

Lucius EP by Lucius & Days Are Gone by Haim
(I’m cheating here by listing two separate albums in one slot: my omnilist, my rules.) Wedding receptions are pretty much the only place I full-on dance. But when listening to Lucius and Haim, I can’t help myself. How can you not move and sing along to the Michael Jackson-flavored “Falling”? Or to Lucius’ “Turn It Around”? If women-powered dance rock groups is becoming a trend, consider this guy on the bandwagon.

(image via)

January 14, 2014

Seeing In Black And White

Rod Dreher recently wrote about Duck Dynasty star Phil Robertson’s comments about, essentially, how happy he believed Black Southerners were in the 1950s before the civil rights movement. To Dreher, Robertson’s comments demonstrate the power of narrative, of the stories we tell ourselves and how they affect how we see the “truth” of our own situations, even when we don’t see the whole truth:

You can tell a lot about who has the power in a particular culture by what you are not allowed to talk about without drawing harsh censure. And in turn, the thoughts you are not allowed to have become internalized, such that you train yourself not to see things that violate those taboos. In the 1950s rural South, a white man was not allowed to speak out against the injustices inflicted on blacks; is it any wonder that he wouldn’t “see” them?

This is a very insightful way at contextualizing Robertson’s ignorant and hurtful comments. Dreher spotlights Alan Ehrenhalt’s (excellent) book The Lost City to add further context to Robertson’s remarks, but I’m finding just as much relevant background and insight in my current read: The Race Beat: The Press, the Civil Rights Struggle, and the Awakening of a Nation by Gene Roberts and Hank Klibanoff.

This amazing book takes an angle I’d never considered before when thinking about and studying the civil rights movement of the 1950s and 1960s: that of the journalists, publishers, and other press figures who were instrumental in wrestling the civil rights struggle to the front page as the movement simmered after World War II to its boiling point in the ’60s.

In newsreels and history books we’ve seen a great deal of the figures directly involved in the decades-long civil rights fight: Martin Luther King, Malcolm X, Emmett Till, Medgar Evers, the Little Rock Nine, Bull Connor, George Wallace, and many others. But what of the people behind the cameras, the ones braving the fire hoses of Birmingham and angry mobs in Greensboro right along with activists to capture the moment for print, radio, or the nascent television news?

For a thesis statement of sorts, Roberts and Klibanoff go back to what they view as the foundational work from which all academic and journalistic interpretations of the postwar civil rights movement emerged: An American Dilemma, a comprehensive study of race in America underwritten by the Carnegie Foundation and spearheaded by Gunnar Myrdal, a Swedish economist and sociologist.

The study found the central problem to be an overwhelming ignorance among Whites (in the North and South alike) about the lives and living conditions of Black Americans. It was easy for Whites to ignore the discrimination Blacks faced every day because they didn’t see it. White newspapers completely ignored the Black community and the Black press along with it. Myrdal believed that to overcome “the opportunistic desire of the whites for ignorance,” the Black community needed one thing: publicity. “There is no doubt,” he wrote, “that a great majority of white people in America would be prepared to give the Negro a substantially better deal if they knew the facts.”

Facts, they say, are stubborn things. But so were the segregationists. And the thought of high-minded out-of-towners coming into the South to tell good Christian people what’s wrong with them and upend generations of tradition didn’t sit well with angry sheriffs and townspeople, who would have every judge and jury (all white, of course) on their side should they decide to teach someone a lesson, or worse.

As a Mississippi attorney put it to Freedom Summer volunteers venturing into the South: “a dark highway at midnight was no place to lecture a Mississippi deputy sheriff with a second-grade education on the niceties of constitutional law.”

Still, the whole point of the civil rights movement, and one that Martin Luther King understood deeply, was to shine a light into the dark places. To walk through the valley of the shadow of death, and bring reporters along for the walk. King knew, as did the other movement leaders in SNCC, CORE, and NAACP, what Myrdal knew: publicity meant power. The more White America would be exposed to the everyday injustices Black Americans faced, the more likely they would be to sympathize and inspire positive action.

The Emmett Till trial was the catalyst. That gruesome murder and clear miscarriage of justice coupled with the earth-shattering Brown v. Board of Education decision to start the movement snowballing toward bus boycotts and Little Rock, through the Woolworth’s lunch counter sit-ins and Ole Miss, each encounter seeming to attract more attention than the last.

While the Freedom Riders and marchers were enduring fire hoses and batons and angry mobs, journalists were close by to report on it. They understood as much as their subjects the power of the pen and camera, and had to wield that power in unexpected ways.

Peter Kihss, a New York Times reporter who was reporting the Autherine Lucy saga at the University of Alabama, decided to abandon traditional journalistic remove and intervene when an elderly Black man became surrounded by an unruly mob. “If anybody wants to start something, let’s go,” he told the crowd. “I’m a reporter for The New York Times and I have gotten a wonderful impression of the University of Alabama. Now I’ll be glad to take on the whole student body, two at a time.”

A similar situation involved John Chancellor, newspaperman turned NBC broadcaster, in the infancy of television news. Chancellor was gathering reactions in Mississippi after the Till trial when “a flying wedge of white toughs” descended on him and a Black woman he was interviewing:

Chancellor squared off against them and held up the only object he could find to defend himself, an object whose power he had not, until that moment, truly fathomed. Thrusting his tiny microphone toward the men, Chancellor blurted out, “I don’t care what you’re going to do to me, but the whole world is going to know it.”

He later called his microphone “the technological equivalent of a crucifix.” The microphone and the newspaper and the camera collectively became a tool and a weapon. They performed the basic service of documenting reality, ugly and unvarnished as it was, while also fighting back against the South’s deeply entrenched culture of silence and racial hegemony.

Their power seemed to coalesce in the fall of 1963 when they broadcasted Dr. King’s “I Have A Dream” speech and then the news of the Birmingham church bombing that killed four Black children. Having the nation witness events like those up close, according to Jack Gould of the New York Times, was a major hurdle overcome for the Negro race as a whole, because until then its biggest challenge had been “communicating and dramatizing” its struggle: “Not to the integrationists, not to the unyieldingly prejudiced, but to the indifferent white millions for whom integration or segregation was of scant personal concern.”

In other words, to the Phil Robertsons of the day. The story White Southerners like him had been telling themselves (and anyone else who had dared to disrupt the narrative) about race and their culture disagreed with the reality of being Black in America. It took over a decade of protests and violence and struggle and political hand-wringing, but finally, Myrdal’s prescription for publicity was working. It wasn’t a panacea, but it was progress.

However, when hit with the reality of someone else’s story, some, like Gov. George Wallace, ignored the cognitive dissonance and dug in their heels. While Phil Robertson is no George Wallace, their shared inability to see beyond the stories they told themselves left them blind to what the cameras were showing in bright lights.

It’s easy to judge from afar in situations like this without thinking about the blind spots we’ve self-imposed today. Racism isn’t over, nor discrimination writ large. The press is different today, as is its power. We’re not so enthralled by television or newspaper editorials anymore. Publicity itself seems an inadequate solution for dealing with the problems we face today when all people do in our selfie-obsessed world is publicize. Simply getting a hashtag trending on Twitter won’t solve homelessness or end abortion.

In that way, our problem is the same as that of generations before us: we need the courage to hear new stories, to not wait for tragedy to spur us to action, and to follow the Atticus Finch model of walking (or marching?) a mile in someone else’s shoes.

The Race Beat goes into great detail about the individuals and institutions involved in this decade-long story. Courage, cowardice, and great copy abound on every side of the tales told that, all together, paint a lush picture of how the movement and its press worked together to change the country forever.

(photo via NYT)

January 2, 2014

An Astronaut’s Guide to Life on Earth

Chris Hadfield couldn’t just be a fighter pilot, engineer, astronaut, photographer, musician, or the first Canadian commander of the International Space Station: he just had to be a damn good writer too.

At one point in his superb memoir An Astronaut’s Guide to Life on Earth, Hadfield describes what it’s like to exit the ISS into the vacuum of space for the first time:

What’s coming out of my mouth is a single word: Wow. Only, elongated: Wwwooooowww. … It’s like being engrossed in cleaning a pane of glass, then you look over your shoulder and realize you’re hanging off the side of the Empire State Building, Manhattan sprawled vividly beneath and around you. … It’s overpowering, visually, and no other senses warn you that you’re about to be attacked by raw beauty.

There was something similarly surreal and dreamlike about the sight in front of me now, which I couldn’t reconcile with my prosaic fumbling with the tether hook a moment before. Holding onto the side of a spaceship that’s moving around the Earth at 17,500 miles per hour, I could truly see the astonishing beauty of our planet, the infinite textures and colors. On the other side of me, the black velvet bucket of space, brimming with stars. It’s vast and overwhelming, this visual immersion, and I could drink it in forever.

In addition to telling the story of his life’s journey to the ISS, Hadfield dispenses great life advice he’s learned over the years and dishes on the culture of NASA. Contrary to the view we have of astronauts as swashbuckling daredevils, Hadfield is humble and forthright about his failings. He’s also candid about the sacrifices he and his family has had to make for him to pursue his dream. Reading this along with Mary Roach’s Packing For Mars provides great insight into the weirdness and wonder of space travel, and the men and women who are just crazy enough to do it.

December 3, 2013

A Novel Ninevember

Fiction usually isn’t my thing, but I want to get better at it. So I’m reading nine novels in November’s thirty days and writing about them here. I’ll update this post as I go along. Some spoilers, natch. Update: Just made it through the ninth book, with only hours to spare. I’m very glad to have deepened my exposure to and enjoyment of fiction in its many faces, but just a little bit gladder to be able to read nonfiction again. Thanks for joining me on this fictional escapade.

Book 9 of 9: Fortunately, The Milk, Neil Gaiman

Reason number one I read yet another juvenile book: it was short and I was on a (self-enforced) deadline. Reason number two: ending my fictional month with the same author I started it seemed fitting. What a delightfully madcap yarn this one is. Beautifully illustrated too. I greatly appreciate in artists, specifically writers and filmmakers, the ability to tell different kinds of stories in different genres yet still retain their style throughout. That Gaiman can publish something as composed and heart-full as The Ocean at the End of the Lane (see Book 1 below) in the same year as something so zany as Fortunately, the Milk is a great testament to his durability and literary prowess. (Thanks to Jenny for loaning me the book.)

Book 8 of 9: The Giver, Lois Lowry

Continuing my accidental quest to read books most kids read in middle or high school, I was eager to pick this one up because I knew so little about it — the elderly bearded man on the cover being my only clue. (Bunny trail: I knew this was an unorthodox book choice for a twenty-something dude like me when a woman on the train asked me out of the blue why I was reading it. Turns out she was an eighth grade teacher who taught the book regularly to her students, so we got to talking about our love of dystopian stories and other great YA literature.) I was delighted to find in The Giver an excellent coming-of-age story sitting atop an undercurrent of dystopia and, as the book would call it, “stirrings.” While I’m not surprised it has been so frequently challenged in schools and libraries due to certain scenes, I’m glad adolescents are exposed to it because it meets them where they are in life. Like Jonas, tweens and teens approach junctions in their lives thinking they know everything, only to be challenged, sometimes painfully, when the curtain falls and real life reveals itself.

Book 7 of 9: The Perks of Being a Wallflower, Stephen Chbosky

I’ve been searching, so far in vain, for a book or movie that accurately captures my high school experience. This isn’t it, but it’s closer than most other depictions I’ve seen. Where it diverges most distinctly is the protagonist; I don’t subscribe at all to the “real men don’t cry” machismo thing, but Charlie cries so much in this story, often for no discernible reason, that I started losing some sympathy for him. Pull it together! I often thought. The epistolary style was the right narrative choice, because it was refreshingly different, and the stream-of-consciousness diary-like model is an expository format that most teenagers can relate to.

Book 6 of 9: Fahrenheit 451, Ray Bradbury

A decade later, I’m still getting around to reading books I didn’t get a chance to read in high school. I’m a much bigger fan of Nineteen Eighty-Four (which I did read back then) than this one, but its focus on books and literacy is especially relevant to me after having gone to library school. The central theme seems at once antiquated and prescient, given that it was written in 1953 in response to the rise of television and McCarthy-era threats of censorship but also rings true with today’s book burnings and the dumbification of news. While the amount of and access to knowledge has never been greater thanks to the Internet, we’re losing something important in the increasing obsolescence of physical books. Books in reality aren’t being cast off out of fear, but disinterest. It’s fitting that the group of vagabonds at the end of the novel became books themselves, stand-in vessels for the knowledge being willfully destroyed. We ought to preserve as much knowledge as we can of whatever we can in whatever ways possible — through oral tradition, manuscript, digitization, or other means — and not take for granted the privilege of such knowledge. To do otherwise is folly.

Book 5 of 9: Stargirl, Jerry Spinelli

This was like a fantasy thriller disguised as a high-school YA novel. Like the protagonist, I kept trying to figure out who, or what, Stargirl was, what she would do next, and why. Whether she had a grand life plan I can’t say, but what I did figure out pretty quickly was that she was a textbook example of the Manic Pixie Dream Girl archetype, a proto-Zooey Deschanel for the adolescent crowd. The ukulele and friendship with a rat were especially in keeping with the MPDG’s propensity for quirk and kindness. While a little MPDG-ness goes a long way, the moral of Stargirl’s changing favors within her peer group is a good one for teens to hear: It’s hard to see it in the moment, but you’ll regret not being yourself. (Thanks to Jenny for the recommendation.)

Book 4 of 9: Gilead, Marilynne Robinson

I get a special thrill when a book I’m reading has a word in it that’s also on my cool-word list. (This time it was crepuscular.) While this book, perhaps purposely, meandered a bit, I found the diary narrative to be pleasant and redemptive. Ames was almost too likeable and saintly, and very self-aware. But perhaps the end-of-life letters he was writing to his son brought that out in him.

Book 3 of 9: The Alchemist, Paul Coelho

It felt like my opinion of this book changed every few pages. Just when its hippyish mysticism became too Oprah to be taken seriously, Coelho dropped a surprisingly deep thought nugget that kept me reading. For example, amid talk of “listening to your heart” and discovering the Soul of the World (eye roll), the titular character tells the boy on the quest that “the fear of suffering is worse than the suffering itself. And that no heart has ever suffered when it goes in search of its dreams, because every second of the search is a second’s encounter with God and with eternity.” A bit trite, yes, but it rings true. The central fable, though anchored by a few strong key points, seems overly simplistic and eager to fit into any and every spiritual worldview. Perhaps this is an effect of the language translation from the original Portuguese, in which no doubt the story would be more beautiful. (Thanks to Nainita for the recommendation.)

Book 2 of 9: Ender’s Game, Orson Scott Card

Read this as a youngster but didn’t remember it, so in anticipation of the movie I thought I’d revisit it. The boy in me enjoyed the zero-gravity battleroom scenes, which seem like high-tech laser tag. The biggest hurdle to clear for me was how well-spoken the kids were. I suppose that since it’s set in the future, Card made the choice to make kids sound more adult (though I thought kids are getting dumber thanks to the Internet, or “nets” as Ender’s Game calls it), but it’s jarring nevertheless. I never really grokked Ender himself, but I cheered for his struggle against The Man and was happy with how things ended.

Book 1 of 9: The Ocean at the End of the Lane, Neil Gaiman

My entrance, beside seeing Coraline, into the Gaiman oeuvre. Since I’ve nothing to compare it to, I can only say that I really enjoyed this book’s lean, loving style and deep sense of wonder. A favorite passage:

“Do you still know everything, all the time?”
She shook her head. She didn’t smile. She said, “Be boring, knowing everything. You have to give all that stuff up if you’re going to muck about here.”
“So you used to know everything?”
She wrinkled her nose. “Everybody did. I told you. It’s nothing special, knowing how things work. And you really do have to give it all up if you want to play.”
“To play what?”
“This,” she said. She waved at the house and the sky and the impossible full moon and the skeins and shawls and clusters of bright stars.

The pièce de résistance was the view I had when I finished reading:

November 12, 2013

Information In The Little Way

Rod Dreher, in his new book The Little Way of Ruthie Leming, writes about his sister Ruthie’s fight with lung cancer and about his complicated relationship with his family and small-town life in Louisiana. After her diagnosis, Ruthie told her doctors and loved ones not to tell her specifics about her condition, nor even how long she should expect to live. Dreher didn’t understand why:

If I had cancer, I’d demand to know everything at once, on the theory that information is power. And then, me being me, I would surely brood over it incessantly. Ruthie, on the other hand, figured that information would be disempowering. She understood that she was in some respects living an illusion, but if she was going to live at all, she had to be able to curtain off the terror of death.

Dreher later expands on how Ruthie’s way of dealing with information that collided with her worldview or pre-existing opinions was often handicapping to her and harmful to him, but this is an instance where it seems her ruthless resolve served her well.

Like Dreher, I am someone who values information-gathering for a number of reasons: to expand my mind, to gain sympathy for the other side of an argument, to weigh all consequences of a decision or action. I’ve found this trait has served me well in a number of ways.

But I also get stuck in my own head, and the constant theorizing and hand-wringing and countering my own inner arguments gets very tiresome. In a situation like Ruthie’s, throwing on more hard truths wouldn’t have helped: “All the extra information could only sap her will to resist. The truth — the whole truth, that is — would not set her free, but would make her captive to anxiety, and tempt her to despair.”

Though I’m not battling cancer, I know that the more voices and information I add to my thought-stream, the more overwhelming it seems to get. (Maybe I’m the type of person Matthew 11:28-30 is talking to.) Sometimes I would love to be more like Ruthie Leming — sure of my life’s purpose, simple in my goals, and sacrificial above all. But I’m not. At least, not always. This has been Dreher’s discovery, documented in Little Way, and will continue to be part of mine. The book contemplates what made him eager to leave his hometown of St. Francisville, Louisiana, and decades later what brought him back. Ruthie’s way is central to this story, and it’s one that will stick with me for a long time.

(Meanwhile, Dreher’s blog at The American Conservative has become essential reading.)

October 30, 2013

12 Years A Slave

I was having a bad day. And then I saw 12 Years A Slave and regained some perspective.

Director Steve McQueen’s adaptation of Solomon Northup’s incredible memoir was remarkable in its restraint. Though a strange thing to say about a film that has been lauded for depicting the horrors of slavery accurately and harrowingly, it’s not surprising given McQueen’s adeptness in showing versus telling, and capturing a moment’s deeper truth without resorting to platitudes or judgement.

An example (with spoilers): years after being kidnapped and sold into slavery, Northup meets a white man who is serving as an indentured field hand on the same plantation. Downtrodden after years of humiliation and forced labor, Northup finally works up the courage to ask the white man whether he would be willing to send a letter for Northup without telling his plantation master. The man agrees but quickly betrays Northup, which almost gets him killed by his sadistic, mercurial master if not for Northup’s quick wit and evasion. Nonetheless, McQueen shows Northup burning the letter, focusing on his face as the light from the alit letter — his desperate grasp at liberation — slowly extinguishes, along with his dwindling hope.

It’s a small moment, played beautifully by Chiwetel Ejiofor, that in other directorial hands could have been something lesser, like the protagonist shaking his fists at the sky or angrily monologuing. Instead, it was the perfect image of what slavery’s power did to beat down the slave’s hope and determination for freedom. Northup overcomes this oppression, but he was fortunate compared to his fellow slaves.

The film is full of other subtly strong moments like this, driven by a cast of heavy-hitters. It also follows Northup’s memoir very well, though I hope viewers will be compelled to go back to the book to read the details of this story in Northup’s strong literary voice.

October 18, 2013

Electrick Children

And you’ll see the glitter of crashing cymbals
and you’ll hear the thunder of rolling drums
and the shimmer of trumpets.
Ta-ta-ta!
And you’ll feel something akin to the electric thrill
I once enjoyed.
— “Seventy Six Trombones” from The Music Man

How does God speak? Through nature, according to the book of Job. Through Jesus and a holy spirit, says the New Testament. But ask Rachel, a teenaged fundamentalist Mormon who believes she has experienced an immaculate conception in Rebecca Thomas’ 2012 film Electrick Children, and she would tell you God spoke to her through a song.

On a rustic Utah compound, Rachel, dressed in plain Amish-type clothing, lives simply and dutifully within her Mormon sect’s rigid culture. On the day she undergoes “ecclesiastical interview” by her pious father that is documented on a tape recorder, the existence of which she only then learned. The device is intriguing and mysterious, but according to her pious father, “can be used for evil” and must be guarded only by those who can be trusted.

But when Rachel can’t shake the allure of this (to her) new thing, she does what many teenagers do when confronted with the forbidden fruit: she breaks the rules. Picking out a cassette seemingly at random, she sneaks a listen of The Nerves’ 1976 song “Hanging On the Telephone” (covered by Flowers Forever) and is immediately transfixed. It’s like lightning through her body, an electric thrill that fills her with a spirit she hasn’t known before.

Weeks later, her thoughts (via narration) are told as if recorded onto a tape. “A few weeks ago, I experienced a miracle. An angelic voice came unto me and when I heard it, I was troubled… The only voice I heard was from a song on a tape. Could it be that he did this to me? This wonderful blessing of heavenly light. The voice that sang those words, wonder and spirit: Don’t leave me haaaaaaaaaangin’ on the teeeeelephone. Is he the one who felled me with this Jesus baby?” Juxtaposed with a telling of the story of Mary’s virgin birth, Rachel’s symptoms of pregnancy allude to a possibility too confounding to believe.

But it’s a possibility that her father does not believe, which leads Rachel to flee from an arranged shotgun wedding out into Las Vegas, the wilderness of civilization to her. “I travel beyond the walls of a home I cannot again call my home, in search of the father of my holy child — the man who sings on the cassette tape.” Static clogs her thoughts as she enters the unknown land. She’s on a quest and, though her zealous brother Will follows her in search of a confession of Rachel’s sins, she’s on her own.

The theme of encounter continues along Rachel’s journey. She meets a ragamuffin skater rebel, Clyde, who must have experienced the same electric thrill in Rachel as she did in the tape, for he becomes her shepherd even though he himself is a lost sheep. Later on she even finds the source of the voice on the tape, in an encounter that adds new light to her search for the father.

Spirit is alive in this story’s searchings. Rachel, Will, and Clyde all seek an encounter and a resolution to the dissonant tones clouding their minds. They are infused with an unnamable aura compelling them to act: Rachel, to find a (or is it The?) father; Will, to find atonement for (or escape from) sin; Clyde, to find reconciliation with his family and purpose for his connection with Rachel.

Electrick Children tells this nuanced fable with visual snap and a serene flow. Thomas, who also wrote the script, demonstrates care for the characters and respect for the wide-eyed searching that Rachel undergoes. This is a film not about where a journey ends but about how and where it begins. And the how and the where for Rachel’s odyssey happen to be the same electric thrill of encounter with a simple cassette tape. From there her quest, and that of the other wandering souls, is merely a response to the voice’s exhortation: Don’t leave me haaaaaaaaaangin’ on the teeeeelephone…

September 27, 2013

Stupid Is As Rosewater Does

If what happened to Maziar Bahari is the trend in Iran, the country just hasn’t figured it out yet. Bahari, an Iranian journalist, was imprisoned and tortured in Iran during the “Green Revolution” in Iran, which was the reformist response to the 2009 reelection of Mahmoud Ahmedinejad. His memoir Then They Came For Me details his 118-day stint in one of Iran’s most feared prisons and sheds light on the controversial country’s tumultuous history (and will soon be a movie directed by Jon Stewart).

A big takeaway from Bahari’s experience, and something he writes about a lot in the book, is this: petty dictators + stringent fundamentalist religious dogma = bad, bad news. Bahari’s interrogator, whom he dubbed Rosewater due to his distinct smell, was a cruel mix of ignorant, dogmatic, pompous, and sadistic, but he was in charge of Bahari’s life. So Bahari had to stifle any hint of his anger, confusion, and religious irreverence simply to survive Rosewater’s erratic treatment and foolish reasons for falsely imprisoning innocent people. The true reason Bahari and his many of his jailed compatriots were behind bars wasn’t because they were criminals; while some were indeed drug dealers or something like that, most were merely critics of Khamenei’s regime and hadn’t been afraid to hide it.

Making the situation worse was the fact that Khamenei’s current regime, like other despotic governments, has no sense of humor. One of the pieces of “evidence” brought against Bahari during his imprisonment was a Daily Show piece he filmed a few weeks before he was arrested in which the correspondent Jason Jones pretended to be a spy and Bahari criticized Iran and Ahmadinejad. Rosewater thought Bahari was talking to an actual spy. In a cafe. On TV. As Jon Stewart said in an interview with Bahari, “we hear so much about the banality of evil, but so little about the stupidity of evil.”

Though this clearly was an experience that shouldn’t have happened, I look forward to seeing Bahari’s memoir come to life on screen, if only to understand what life is like for other prisoners who weren’t as lucky and well-connected as Bahari. The warmongering sabre-rattlers in both Iran and the U.S. will continue their campaigns for war or worse, but I believe what Bahari said in the Daily Show segment: that the two sides don’t understand each other. Here’s hoping that changes for the better.

September 2, 2013

A Ship-Shape Ticker

John Harrison in a 1767 portrait.

If I could bring back Google Maps to early eighteenth-century Britain, I’d be a millionaire. See, figuring out a ship’s longitudinal coordinates was a huge problem back then. So much so that the British Parliament offered a prize of what amounts to $2.2 million in today’s dollars to anyone who could produce a practical method for pinpointing a ship’s location.

Latitude was pretty easy: All you needed was the sun and some charted data. But longitude had theretofore only been discernible by sheer instinct and guesswork, which often led to ships crashing into unforeseen hazards and hundreds of casualties. Even renowned navigators armed with a compass (which were still unreliable at the time) had to basically hope they weren’t going the opposite way or that the ship didn’t run aground.

That’s where John Harrison came in. Dava Sobel’s Longitude: The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time tells the story of this lovably odd son of a carpenter with no formal scientific training who created a revolutionary maritime clock. Previous ship clocks couldn’t keep time in bad weather, but Harrison’s was self-stabilizing and self-lubricating so that it wouldn’t wear down and wouldn’t be affected by the briny sea air and turbulent waters.

Harrison responded to Parliament’s challenge for a longitudinal tool, but unlike other people with crackpot submissions, he wasn’t in it for the money. He was like the Nikola Tesla of maritime horology: eccentric, hermetic, obsessive, but in it only for the joy of the scientific challenge itself. And like Tesla with Thomas Edison, Harrison had a natural antagonist in Nevil Maskelyne, a royal astronomer appointed to Parliament’s “Board of Longitude,” which controlled the terms of the prize money. Maskelyne had his heart set on the lunar distance method, which involved gauging the moon’s distance from another star to calculate the local time, and gave Harrison all kinds of politically motivated headaches along the way in order to get the lunar method some headway. Harrison’s son even had to resort to writing King George III (the King George) to get some help moving the intransigent Board along. Turns out the young monarch was a science geek himself and gladly helped the Harrisons out (just as he was levying heavy taxes on an increasingly disgruntled colonial America).

Overall, Sobel’s book, though heavily biased toward Harrison, is an accessible, breezy account of his engineering process, the radical innovations he made in every version of his “chronometer,” and the obstacles he had to surmount to achieve recognition from a skeptical scientific community. Take some time to read it.

July 31, 2013

Twelve Years A Slave

I recently saw the above trailer for Steve McQueen’s upcoming film 12 Years a Slave and immediately got excited to see it on the merits of the trailer, cast, and director alone. But then at the library the following day I happened to see the memoir upon which the film is based and decided to read it.

Twelve Years A Slave is the Solomon Northup’s first-hand account of his kidnapping into the cruel slavery world of the antebellum South and his long-awaited deliverance. Great Scott is his story breathtaking. The book is short yet wonderfully written, so I’d highly encourage you to read it before the movie comes out so you can read for yourself Northup’s concisely poetic narrative.

One particular passage that stood out was his description of Christmas day, one of the few days all year that the slaves didn’t work:

That morning [the slave] need not hurry to the field, with his gourd and cotton-bag. Happiness sparkled in the eyes and overspread the countenances of all. The time of feasting and dancing had come. … There were to be re-unions, and joy and laughter. It was to be a day of liberty among the children of Slavery.

One of the few ebullient passages in what is otherwise a dark and suffering-filled story, I like how it shows the slaves drawing their own joy and tangible meaning out of a holiday that was also celebrated by the very men who unjustly enslaved Solomon and his brethren.

Read the book. (And while you’re at it, check out the director Steve McQueen’s film Hunger, which chronicles the harrowing prison hunger strike of IRA rebel Bobby Sands.)

July 21, 2013

The Pleasures of Whim

Brett McCracken was right to name Alan Jacobs’ The Pleasures of Reading in an Age of Distraction one of the five books recent college graduates should read. A quick yet deeply insightful read, this book was written, in the words of the author, for “those who have caught a glimpse of what reading can give—pleasure, wisdom, joy—even if that glimpse came long ago.” Jacobs writes not to those who have never liked reading, but instead to those who have grown accustomed to academic (i.e. obligated) reading or to “checklist” reading, whereby only “classic” or “important” books are deemed worthy of a reader’s time.

Jacobs provides some guidelines for how to read for fun:

Whim: read what you want, when you want to, without shame…
Aspiration: …but don’t get stuck reading the same stuff—branch out
Upstream: seek out the older works that inspired your favorites and be challenged to “swim upstream”
Responsiveness: don’t be afraid to take notes and respond to the text
Slow: you’ll miss the little things if you view reading as simply uploading information; slow down and you’ll absorb more

Though I read a lot as a kid and through adolescence (if mostly in school), I didn’t start reading for fun again until after college graduation. Faced with an entire life ahead of no-requirements reading (save for the brief graduate school detour), I plunged head first into reading books that greatly interested me. My palate has consisted mostly of history (specifically the presidential kind), nonfiction, and cultural topics, though I try to throw in a novel once in a while.

Like many people, I’m sure, I struggle with the concept of “so many books, so little time,” wanting to read as much as I can so I can get onto the next book. But in our distracted age, it’s important to practice mindfulness and deep thinking in order to buoy our increasingly attention-deficit brains. I want my mind to be strong and agile now and forevermore, if only so I can still shout out Jeopardy! answers when I’m an old man. Taking notes helps in that regard. Since I mostly use library books and can’t write in the books themselves, I keep a notebook nearby to jot down key points, new words, or cool names for future reference. I don’t take notes on everything; some books, like novels and memoirs, I think should just be enjoyed without the interruption of notes.

But whatever your strategy, I encourage you to read and read a lot. Jacobs’ book is the perfect defibrillator for those who have fallen off the reading wagon but want to get back on. As a formerly indifferent reader, I’m glad I rediscovered some literary locomotion. I can’t wait to see where it takes me.

July 5, 2013

Rutherford B. Hazy (In History)

Marching onward in my quest to read a biography of every U.S. president, I finally made it through Ari Hoogenboom’s Rutherford B. Hayes: Warrior and President. I confess to having held the same vague notions of Hayes that Hoogenboom writes he’s commonly known for: that he won the disputed 1876 presidential election, ending Reconstruction, and that he was just another forgettable (yet unforgettably bearded) president who fell through the cracks between Abraham Lincoln and the twentieth century.

But Rud, as he was known, is a perfect exemplar of the purpose of my biblio-presidential journey: to fill in the gaps of my U.S. history knowledge and give the lesser-known figures a fairer shake than high school textbooks give them. In the end I found Hayes to be a fascinating figure, whose presidency was as bland as his pre- and post-presidency years were compelling.

Hayes was raised in Ohio by a widowed mother and a strong-willed sister who both felt very protective of him. When twentysomething Rud was in Boston attending Harvard Law School, both women would constantly needle him about studying and finding a woman. I’m sure he was glad he took his time looking for a mate because the woman he married, Lucy Webb (the first First Lady to graduate from college), helped sway him away from his social-issue indifference toward support for abolition, temperance, and Christianity (though he could only latch onto very liberal Christian orthodoxy).

His newfound moralism continued into the Civil War, which he entered as a major in the Ohio 23rd infantry (fighting alongside future president William McKinley, who was a private in the 23rd, and James Garfield, a brigadier general and another eventual POTUS). In the Battle of South Mountain, Hayes led a charge and got shot in the left arm, fracturing his bone, but in a total Teddy Roosevelt move he stanched the wound and continued on in battle, eventually getting stranded between the lines. Seeing the end, he left notes for his family with wounded Confederate soldier nearby, only to be scooped up by his troops and brought to the hospital. Later in the war, Hayes earned plaudits from General Ulysses Grant that Hayes would brag about for the rest of his life: “His conduct on the field was marked by conspicuous gallantry as well as the display of qualities of a higher order than that of mere personal daring.”

After the war, Rud served in Congress and then as Ohio governor for two non-consecutive terms, the later of which he parlayed into the Republican nomination for president in 1876. Support of the 14th and 15th amendments and reform of the civil service/appointments system were Rud’s bread and butter during the campaign, which culminated in the “Compromise of 1877,” a.k.a. the most controversial election before 2000. The compromise boiled down to this: If Hayes were awarded the disputed presidency, he would agree to remove all remaining federal troops from the former Confederacy, thereby abandoning the fledgling Republican state governments in the South to the reemergent (erstwhile Confederate) Democrats. In exchange, the Democrats wouldn’t violently storm the inauguration in protest. Some deal. However, Hayes and the Republicans chose the presidency over the already withering GOP governments in the South and have earned scorn for ending Reconstruction ever since.

Rud’s presidency continued on, mostly filled with drama over Hayes’ attempted reform of how political appointments were dolled out (Hayes: “The president should make appointments instead of Congress!” Congress: “No.”) and more drama over returning to the gold standard, in addition to the drama over the Great Railroad Strike of 1877. (Two fun bits of trivia: Lucy Hayes hosted the first White House Easter Egg Roll in 1878 after Congress banished it from the Capitol grounds, and Rud hosted the 30-year-old Thomas Edison and his new phonograph.) But why the flippancy over Hayes’ single term? Because what he did after it was way more interesting.

In a nod to the third act of John Quincy Adams’ storied career, Hayes unleashed his very progressive views on race, education, and big business and became social justice crusader way before it was trendy. Among other things, he advocated for universal education as a means to ensure the suffrage and advancement of the recently freed yet woefully unsupported slaves. He served on the National Prison Reform Association board with the young New York state assemblyman Teddy Roosevelt and railed against income disparity and the plight of the poor that corrupt monopolies exacerbated. He was a trustee of Ohio State University (a school he helped to found as Ohio governor) and endorsed the 24-year-old W.E.B. DuBois for an educational scholarship.

Judged strictly on his presidential tenure, Hayes doesn’t inspire much praise. He came about during a time when the party bosses held as much if not more political power and control than the presidents did. I don’t think all forgotten presidents deserve to have their low reputation reconsidered (I’m coming for you, John Tyler), but viewed holistically I’d say Hayes deserves more than the middling (and slowly dropping) rank he often gets.

June 30, 2013

Attested Development

After years of hype and speculation, Arrested Development is back thanks to the tireless work of Mitch Hurwitz and the show’s writers. Watching these characters again has been surreal. I had the same feeling when I saw Toy Story 3 and The Hobbit: I’d watched the previous installments (the LOTR trilogy in the case of The Hobbit) so many times that seeing the same characters in new situations was delightful yet a bit disorienting. Which is how I can best describe the new fourth season of Arrested. The narrative Hurwitz and his writers have created is so labyrinthine and arcane that it will certainly require repeated viewings to fully grasp, just like the show’s first three seasons.

After one run through the season, my main critique is that unlike the original run, the new season lacks a core. Instead of focusing on the family unit throughout the narrative, each episode centers on one main character, with the others coming and going while engaged in their own overlapping story. It’s hard to fall back in love with the family when we only see them in bits and pieces over fifteen episodes. When the story falters, it’s because it upended the show’s tried-and-true structure of Michael being the reliable straight-man, the eye of the Bluth storm. He held the show together — sometimes only barely — so that the rest of the ensemble could wig out. However, with this new season’s decentralized narrative and Michael’s uncharacteristic recklessness, there is no reliable foundation; the inmates are now running the asylum. Whenever we’re following a new wacky non-Bluth character (and there are many of them this season) instead of the family we’ve come to love (or at least be amused by), the show almost always lags. This, combined with the fact that episodes are now 30-35 minutes long instead of their network TV-sanctioned 22, makes for an Arrested Development that doesn’t quite feel like the Arrested Development of yore.

I realize this (lack of) structure was largely a logistical one; they had to film it in discrete pieces simply because it was so hard to get the full cast together at one time. But that challenge turned into a net positive for the show. Its brand of postmodern meta-comedy is perfectly equipped to handle the structureless vacuum season four has created, as NPR’s interactive guide of the show’s running gags illustrates. When so much of the show’s humor is derived from its interconnected meta-jokes, allusions (or illusions), and sight gags, the central storyline — if there even is one this season — is often irrelevant.

In fact, I sometimes found myself disengaging with the main story of each episode with the hope of catching the many in-jokes, callbacks, and other background tidbits that zoom by. One critic found this meta-humor distracting, saying the season “trades far too easily on callbacks to the early seasons, a sort of unpleasant fan service that is depressing to watch.” Indeed, there are a lot of callbacks, but that’s nothing unique to this season. As the aforementioned guide points out, even season one was making callbacks and allusions to itself on dozens of jokes. I’m sure the in-jokes this season felt like a fan service because the fans are essentially why this season exists at all, but they have been the show’s lifeblood since its infancy and almost always impress rather than depress.

And that’s why ~~you always leave a note~~ I’ve attested to the new season development and give a hearty Huzzah! to Mitch Hurwitz & Co. for giving in to the Internet’s collective conch call to bring the gang back together and for going all-out on it. Often I stared at Netflix in wonder, wanting to slow-clap the writers for what they have attempted with this season. While it might have a slightly lower batting average than in the first three, it was a swing for the fences. And like Maeby this season, I think they made it home.

May 27, 2013

Action Andrew Jackson

438px-78yo_Andrew_Jackson — Photo of Jackson at 78 years old.

When I look back on my nearly 19 years of classroom education in elementary, middle, high school, college, and grad school, I think I’ll remember my junior year AP U.S. history class in high school as my favorite. What I loved about it was what probably bored most other students in class: it was a data dump of historical facts and anecdotes; a pure, unadulterated stream of Americana. Mr. Friedberg would spend each class throughout the semester explaining persons, places, dates, key events, and political concepts from the Revolutionary War to the Clinton presidency, and I would gleefully take notes.

I had a buddy in this class who shared the same affection for the subject matter, and more importantly, the detailed note-taking thereof. We would compare notes outside of class and discuss what we were learning, so much so that after the semester we planned to create a website where we would maintain an archive of our notes in narrative form as a resource for other Web denizens, but also because we just enjoyed writing about it. I recently found one of the documents we created for this endeavor titled “Jacksonian Democracy,” which detailed the politics and people of the period between 1824 and 1848 that was defined by the attitudes, actions, and aftermath of Andrew Jackson.

Re-reading these notes from high school was a kick because they retrod the same narrative of Andrew Jackson: His Life and Times, a biography of the seventh president by H.W. Brands that I just finished reading. In my quest to read a biography of every U.S. president (eight down, 35 to go), I recently tackled John Quincy Adams, Jackson’s presidential predecessor, bitter rival, and polar opposite. I knew after reading the JQA biography (John Quincy Adams by Paul Nagel) that I would need to read Jackson next, so I could give “Old Hickory” a fair shake after having read about him from JQA’s perspective, which, unsurprisingly, isn’t very adoring.

What I knew about the tempestuous Tennesseean before this was what most other people knew: he turned a hardscrabble upbringing into a career as a soldier, famously defeating the British at New Orleans in the War of 1812 and parlaying his fame into the first man-of-the-people election in the young nation’s history, which ushered in a new era of democratic reform. But seeing that life story rendered in detail by Brands gives me a new (qualified) appreciation for the General.

Brands’ take on the man, who was left fatherless before birth, shows a young boy deprived of formal education, adequate adult supervision, and a decent standard of living, the lack of which conspired to create a pugnacious, immature, and defiant ruffian who often (and sometimes purposefully) got in over his head. One such instance occurred during the Revolutionary War when as a 13-year-old courier he was captured by the British and implored to clean the boots of an English officer. When Jackson proudly refused the officer gashed his hand and head, leaving him with lifetime scars and a hatred of all things British. He later acquired more wounds from the countless duels he either initiated or was compelled to engage in. Seriously, I lost count of all the duels he was in one way or another involved in.

A huge part of Jackson’s life and identity was his wife Rachel. They married in the 1790s under scandalous circumstances: Rachel had divorced an abusive knave named Lewis Robards and apparently shacked up with Jackson before the divorce was finalized. Jackson’s fierce loyalty for his friends and intense hatred for anyone who betrayed that loyalty or besmirched his or his wife’s honor were revealed in this situation, in another during his presidency, and throughout his life.

Jackson’s insatiable defense of honor is what provided such a stark contrast with his predecessor Adams. Both men were children of the Revolution, though with extremely different upbringings. While Jackson was orphaned early on and as a teen fought British regulars in South Carolina, John Quincy was getting schooled at Harvard and traipsed around Europe with various Founding Fathers. JQA was self-loathing and depressed, which constantly stymied his intellectual ambitions; Jackson was a man of action, basically seeking out conflict and unabashedly fighting his way through court cases, wars, and political scandals, even while suffering through lifelong debilitating ailments. While Adams defended Jackson at times, the 1824 election imbroglio, its subsequent political skullduggery, and Adams’ Federalist leanings inevitably made him Jackson’s natural enemy.

There’s a lot not to like about Andrew Jackson. He was brash, bordering on unhinged, especially when dealing with an adversary. He could be annoyingly obstinate, like when he refused to honor or even acknowledge various Supreme Court decisions (mostly due to his ire for the federalist Chief Justice John Marshall). And, oh yeah, he owned a bunch of slaves. This, along with his involvement in the removal of Native American tribes, is usually the deal-breaker for people when considering his presidential greatness.

But his failings could also be interpreted as his strengths. His obduracy paid off for his democratic and anti-elite ideology in his fight against the banker Nicholas Biddle (yet another hated rival) and the National Bank. When faced with a tariff-induced constitutional crisisthat was spearheaded by his former VP John Calhoun and his South Carolinian brethren, Jackson brought the hammer down on his home state in favor of preserving the Union. Add to all this the fact that he narrowly escaped becoming the first assassinated president due to two pistols misfiring at point-blank range. God must have loved Andrew Jackson.

He wasn’t a lovable guy, but he was important for his time. He was the first president not from Virginia or Massachusetts, or from the elite establishment that until then had essentially dictated the course of public policy without a whole lot of input from average citizens. Jackson carried to Washington the mantle of idealized agrarianism and equality for the common man that was established by Jefferson, and from which the Jacksonian brand of democracy was sowed for future generations.

April 2, 2013 1 Comment

The Summum Bonum Identity

Someone on the Internet once said something to the effect of: “I’m not a writer; I write.” Writing, for example, is something you do, but it’s not who you are. You might really love writing and consider it integral to your life, but it isn’t your very essence–at least, it shouldn’t be.

I’m re-reading Tim Keller’s The Reason for God. In a section about the social consequences of sin, Keller argues that when societies and individuals cling too strongly to any belief or entity other than God, that ultimately broken belief will become the essence of their identity and will let them down. He quotes Jonathan Edwards’ The Nature of True Virtue, which argues that a human society fragments when anything but God is its highest love: “If our ultimate goal in life is our own individual happiness,” Keller summarizes Edwards, “then we will put our own economic and power interests ahead of those of others. Only if God is our summum bonum, our ultimate good and life center, will we find our heart drawn out not only to people of all families, races, and classes, but to the whole world in general.”

The question then becomes: What is your summum bonum? What is your utmost identity? Our recently endured presidential election season provided ample proof that many people cling so tightly to their political views that it basically becomes who they are instead of merely what they believe. When that happens, civil discourse becomes impossible and anything approaching compromise is deemed impure and even cowardly. Keller sees the problem with this: “If we get our very identity, our sense of worth, from our political position, then politics is not really about politics, it is about us. Through our cause we are getting a self, our worth. That means we must despise and demonize the opposition.”

I think it’s especially easy for religious people to fall into this trap, despite good intentions. It understandably becomes hard not to transfer the ardent passion attached to a deep-seated belief in God or whomever onto other less divine issues. But as Stephen Colbert said, the road connecting politics and religion runs both ways; if we insist on forcing our religious identity into our politics, our muddied and corrupt politics will come right back into our religion.

Walt Whitman was right: I contain multitudes. I act as a son, brother, friend, significant other; I study, I write, I read, I work, I create… I identify with all of these roles, but any one of them doesn’t define me because I don’t rely on one to give my life meaning. I can argue with people who disagree with my views on politics or music or religion because my views aren’t me. They’re just the tools I use to try to make sense of life. They can be beautiful, inspiring, enraging, or intriguing–but they can’t be everything.

March 6, 2013 1 Comment

Courage Under Fire Hoses

I just finished reading Hampton Sides’ Hellhound On His Trail: The Stalking of Martin Luther King, Jr., a recounting of the assassination of the famous civil rights leader through the perspectives of the people involved in the run-up to and aftermath of King’s slaying. I highly recommend this book for its extensive background on King’s assassin—the hermetic convict James Earl Ray—and its fast-moving report of the events in Memphis on April 4, 1968.

Meanwhile, I have been watching the 1987 miniseries Eyes On The Prize, which chronicles the Civil Rights movement from Brown vs. Board of Education to the Selma-Montgomery marches. It tells a gripping narrative of key events in the 1950s and 1960s, mostly in the South, through news footage and first-hand accounts by marchers, activists, politicians, and other figures involved in the struggle for freedom, for better or worse. It’s interesting learning about the development of the Civil Rights movement while reading about the MLK assassination, which in retrospect became the nadir of the movement and end of a transformational yet tumultuous chapter in civil rights history.

Watching the progression of the movement up close, via the documentary-style footage in Eyes On The Prize, has been fascinating and a bit distressing. The violence and unmitigated bigotry of the white communities that black citizens had to face every single step along the way never fails to bewilder me.

Maybe it’s my modern bias speaking here, but only one generation in the past, fire hoses and attack dogs and police brutality and miscarriages of justice met anyone—mostly black freedom fighters but also sympathetic white activists—who sought equal protection under the law. That troubles me greatly.

Those freedom fighters needed a hefty load of courage to face that persecution and risk of death for the sake of the Cause. Men and women like Rosa Parks, Martin Luther King, Malcolm X, Minnijean Brown, Medgar Evers, James Farmer, Stokely Carmichael, Andrew Goodman, Michael Schwerner, James Earl Chaney, and countless others risked life and limb (and often lost them) in an uphill battle for rights we take for granted today.

It makes me wonder what I as a white middle-class male would have believed or done if I were transported to 1960s Mississippi. Would I have linked arms in an anti-segregation march, or would I have been one of the townsfolk lining the street cursing out the marchers for upsetting the peace? More likely, I probably would have been in the middle—sympathizing with the pursuit of basic civil rights but not outwardly acting on or against that pursuit’s behalf. Moderation is key, the saying goes, but in this case it wouldn’t be enough.

The people featured in Eyes On The Prize decided to fight for their lives and the lives of others but without resorting to violence, facing an opposition that was armed and very invested in keeping the status quo. Those men and women chose liberty over life. How many of us could make that choice?

I ask these questions because I’m trying to sort through them myself. I’ve written before about how the orthodoxies we have today may be considered antiquated or even pernicious to future generations looking back. With this in mind, I think it’s important not to judge previous times too harshly without fully understanding the context and realities within which they lived. Since what I know of the Civil Rights movement generally consists of the remnants of a few years of history courses, I hope I will continue to learn about it in order to better understand the struggle of the people it involved.

February 6, 2013 Add Comment

Favorite Films of 2012

With a fortnight now between us and 2012, I’ve had time to consider which films I liked in what I think was overall a weaker year for films than previous ones. Keeping in mind I’ve yet to see a few key films, here (in alphabetical order) are seven movies from last year that grabbed hold of me in some way:

The Avengers. How fun was this one? Sure, there was nearly too much going on and the villain was sub par, but this band-of-misfits story was popcorn fare at its most alchemic and thrilling. And though it’s a clear money-grabbing ploy, Marvel’s inter- and multi-film thread between the Captain America, Thor, Iron Man, and Avengers movies thrills me to no end.

Les Misérables. I hear and understand all of your protestations, Les Mis Haters, but I still don’t care. This being my first experience with the show, I was thoroughly impressed by the simultaneous scope and intimacy in this hugely emotive (if occasionally uneven) epic. Seeing the stage version might change my mind, but right now I’m immensely satisfied with Hugh “The Dancing Wolverine” Jackman and his crooning compatriots.

Lincoln. Ever since this project was originally announced—way back when Liam Neeson was set to play Lincoln—I’ve followed every rumor and development, attempting along the way to telepathically convince Spielberg to stop wasting his time on dumb movies (Tintin and Indiana Jones 4 anyone?) and get to the good stuff. It finally worked, and once Daniel Day-Lewis signed on I knew it would be gold. Seeing those pre-release images of Day-Lewis in half and full Lincoln regalia brought on history-laced tears. My only complaint is that this wasn’t a miniseries; if John Adams can get the 8-hour treatment, why can’t the most documented and revered American figure ever?

Looper. Complaint up front: this seemed like two movies, with the first act feeling like a gritty, sci-fi noir with a great concept, and the second part morphing into a child-centered domestic drama. Despite this uneasy bifurcation, writer/director Rian Johnson (Brick, The Brothers Bloom) deserves much adulation for crafting such a creative and emotional story, and for boosting Joseph Gordon-Levitt’s already burgeoning career.

The Master. Like other P.T. Anderson films, this was a confounding and compelling narrative that was won by its performances yet greatly supported by a rich production design and savory soundtrack. Casting either Philip Seymour Hoffman or Joaquin Phoenix will give any film a heavy dose of tortured gravitas, so having both of these men together, working at a high level, makes for an intense ride. Though rightly labeled as an enigma, it’s one of those movies that requires multiple viewings for a worthy commentary.

Oslo, August 31st. A Norwegian cinéma vérité-style film, this is an engaging portrait of a man in quiet despair who tries valiantly to get out of it. Roger Ebert said this film was “quietly, profoundly, one of the most observant and sympathetic films” he’s seen, one that spotlights a life of what must be constant brinksmanship and inner turmoil for the recovering drug addict main character. The choices he makes, or doesn’t make, are the same ones we all make in our own lives—if not about drugs, then about the other things that keep us captive.

Zero Dark Thirty. I consider this a “clinical” thriller, because it trimmed all superfluous frills and subplots for the sake of a clean and concise story (despite being 160 minutes). I second Jessica Chastain’s comments at the Golden Globes, which lauded her character as a strong, capable, independent woman who stands on her own—an unfortunate rarity in Hollywood. The debate surrounding the film is a good one to have; meanwhile, I enjoyed this second recent high-wire thriller from director Kathryn Bigelow.

A few of my other favorites: Argo, End of Watch, Flight, Frankenweenie, Moonrise Kingdom, Queen of Versailles, 21 Jump Street.

January 14, 2013 1 Comment

Science Blows My Mind

Like many English majors, science and mathematics were two subjects that gave me trouble throughout my primary, secondary, and college education. I think it was geometry class sophomore year of high school where I hit a wall and everything after that was a blur. Ditto with chemistry that year (what in the name of Walter White is a mole anyway?). But that didn’t hinder me from being wholly fascinated with science and nature, and more particularly with the people who know way more about those things than I do.

I just finished reading Jennifer Ouellette’s Black Bodies and Quantum Cats: Tales from the Annals of Physics, a collection of short essays on various topics within the world of physics. Ouellette, also a former English major and self-professed “physics phobe,” adapted the essays from her column in APS News, a monthly publication for members of the American Physical Society. She tackles scientific topics from the earliest and most fundamental – like DaVinci and the golden ratio, Galileo and the telescope – to more recent discoveries like X-rays, wireless radio, and thermodynamics.

True to her writing roots, Ouellette manages to take what can be very esoteric and labyrinthine scientific concepts and make them fascinating by linking them to things we regular people can understand: how Back to the Future explains Einstein’s theory of special relativity; Dr. Jekyll and Mr. Hyde representing the dual nature of light; induced nuclear fission as seen in Terminator 2: Judgement Day. These connections are lifesavers for right-brained humanities majors like me, who instead of seeing “SCIENCE” blaring on the cover and fleeing get to experience an “A-ha!” moment nearly every chapter.

But here’s the thing: I love science. I don’t love it like a scientist does, by learning theories and experimenting. I don’t love it because I understand it – Lord knows that’s not the case. Rather, I love it because of what it does. I am consistently flabbergasted by what have become quotidian occurrences in our 21th century lives. Telephone technology is so quaint these days, but the fact that I can pick up a small device, speak into it, and instantaneously be heard by someone thousands of miles away blows my mind. The fact that I can get inside a large container that will propel itself through the air and arrive at a destination relatively quickly blows my mind. The fact that we can send a small, man-made vehicle into outer space and have it land on another planet blows my freaking mind.

Science has improved our lives and advanced our knowledge of creation in a million ways. I’m simply grateful for the multitudes of geeks who have labored in that noble cause of discovery. Because of you, we have cell phones and airplanes and cameras and Velcro (did you know that term is a portmanteau of the French words velours [velvet] and crochet [hook]?) and Mars Curiosity and lasers (an acronym for Light Amplification by Stimulated Emission of Radiation) and automobiles and Xerox machines and countless other inventions, many of them engineered by the men and women Ouellette spotlights in her book.

And that’s just physics. Think about what we know of biology, chemistry, geology, astronomy, and every other sub-category of science. If my mind hadn’t already been blown away earlier, it would have exploded now just thinking about what we know about our Earth and the things that it contains, and also what we have yet to discover.

Though our country is in turmoil, the Curiosity roves a distant planet. Though we often disagree about basic scientific principles, we still seek to discover. As Carl Sagan said: “For all our failings, despite our limitations and fallibilities, we humans are capable of greatness.” As a sci-curious liberal arts nerd, I can’t wait to see what else we can achieve.

August 24, 2012 Add Comment

Bringing Old Orthodoxies to a Boil

I just finished reading Fergus Bordewich’s Bound for Canaan: The Underground Railroad and the War for the Soul of America, a history of the Underground told through a series of vignettes. I enjoyed learning about the unheralded individuals of all stripes who served on the Railroad as “stationmasters” or support staff along the way. But one particular passage stood out for its relevance in today’s tempestuous times.

Some context: The Fugitive Slave Law, passed in 1850, was part of Congress’ infamous compromise of that year and was arguably the most controversial part of an already contentious piece of legislation. The Act imposed legal consequences upon those who aided in the escape of fugitive slaves to the North in order to support Southerners’ legal right to their slave property. But the Act’s draconian measures perturbed even non-abolitionists outside of the South, so much so that the law, according to Bordewich, “became a virtual dead letter” in the North.

This spirit of civil disobedience was not unique to the 1850s, as the book thoroughly illustrates; rather, it was who was being disobedient that was novel after the Act passed. Benoni Fuller, a county sheriff in Indiana—a nominally free state with a proslavery bent – had this reply for proslavery citizens who complained to him about the hundreds of fugitives coming through: “Let ’em!” What made Fuller’s response unique was that he wasn’t an abolitionist nor Underground Railroad stationmaster, but a Democrat, a member of the party of the South and of slavery. Bordewich’s conclusion: “Old orthodoxies were boiling away.”

That last line is what stuck out to me. Even then, before the Civil War had even been fought, the antebellum orthodoxy that said slavery had been and ought to remain a protected social and economic institution was beginning to crumble. While in many ways the orthodoxy continued for decades after slavery was constitutionally disallowed through Jim Crow laws and state-sanctioned discrimination, the idea that a Democratic sheriff who most likely disagreed with abolitionism in a state that was sympathetic to slaveowners would openly balk at implementing a proslavery law demonstrated that the culture was being changed, at least partially, by the Underground Railroad and its lofty ideals.

This is significant because culture changes very slowly. Perhaps it was the animus produced by the Civil War and the events that preceded it that accelerated the culture change, or perhaps it was the overarching sense of divine destiny promulgated by the Quakers and evangelicals who founded and propelled the abolition movement. Whatever it was, it all contributed to the heat that, as per Bordewich, was boiling away the old traditions.

Which got me thinking: what are the beliefs and conventions our culture holds today that are in the process of being “boiled away”? The attitude toward gay marriage is the first one that comes to mind; like the slavery proponents of old, opponents of gay marriage often cite Biblical precedence and the importance of tradition as reasons for keeping the status quo (as Fox News’ [!] Megyn Kelly recently pointed out). But old assumptions about gay people and marriage, especially in the last decade, have been slowly boiling away.

On the issue of slavery, things began to change when regular people, who were neither abolitionists nor slaveholders, started becoming exposed to the horrors and humiliations of slavery (often because of the fugitive slaves that came through their towns on the Underground Railroad). Similarly, opposing gay rights likely becomes more difficult when you merely know a gay person as a friend and can empathize with their struggle to win basic civil rights.

I wonder if the average slaveholding Southerner, knowing now in hindsight that the institution for which he fought and died would crumble and that he would be viewed dismissively as an enemy of what we now consider basic human rights, would still cling tooth and nail to his (at the time) legal right to own a slave. With this in mind, what are the chances our great-grandchildren will look back on this decade and cultural era and judge us harshly for clinging to unjust or flat-out wrong beliefs and dogmas for too long? What sort of blind spots can we see, without the benefit of hindsight, in our own lives?

Will we, for lack of a better phrase, be on the right side of history? For some, that won’t matter: They believe what they believe and that’s that. But for others, it’s an important question to keep in mind when pondering what you believe, why you believe it, and what societal good you do to support those beliefs.

If you consider all of these things yet are not satisfied with the answers, perhaps that which you hold dear—for better and for worse—will one day be boiled away.

August 5, 2012 3 Comments

Conan O’Brien Can’t Stop

Watching Conan O’Brien Can’t Stop made me realize something I’ve suspected for a long time: I don’t ever want to be famous.

There’s a scene in this documentary about the “Legally Prohibited From Being Funny On Television” stage tour Conan created immediately after his inauspicious exit from The Tonight Show in 2010 where Conan does a meet-and-greet after one of the New York City shows outside of the venue. Before this moment we’ve seen Conan, despite his insatiable need to perform, get slowly and painfully worn down by the unending demands of life on the road as a folk-hero celebrity, the meet-and-greets being an especially draining post-show ritual the erstwhile talk-show host openly bemoaned to his staff. And yet, out he goes into the alley packed with euphoric fans cordoned off behind a barrier that Conan nearly straddles in his earnest attempt to sign anything and everything his acolytes present to him.

He does his duty as the accommodating star, making chit-chat and signing posters, t-shirts, beer cans, and even someone’s back (“so I can get a tattoo of it,” she says). But after awhile he’s had enough, bids farewell to the fawning phalanx, and retreats to a waiting car. He hops in, clearly agitated, and waits for someone to close the door. “Someone close the f***ing door,” he says to no one in particular. The attention he had just received, willingly or otherwise, was his life-blood, and the reason he did the tour in the first place, but he still can’t help being completely obliterated by it night after night, only to jump on stage and fulfill the “buffoon” role he readily affixes to himself.

That whole sequence to me illustrated the paradox of celebrity, and why I hope never to experience it. To be so in need of something, like Conan is of the act of performing for an audience, yet to be rendered nearly incapacitated by it after a certain point is a tough way to live life. To be sure, we all have this something in our lives we feel we need yet drags us down – the approval of our peers, alcohol, crappy reality shows, you name it – but seeing it play out on camera in the life of a public figure like Conan (one whom I greatly admire and enjoy as a performer) shows me specifically the perils of doing what you want even when it’s killing you.

Kevin Costner said in his tribute to the late Whitney Houston that the singer’s immense talents were at once “the burden that made her great and the part that caused her to stumble.” While Conan does not (hopefully) struggle with the same drug problems that led to Houston’s sad death, the principles between them are the same: it doesn’t have to be drugs that kill you. Whatever our own That Thing is, it may prop us up for a time, but it can also kill us if we let it. Conan probably won’t be killed by his fame, but if for example he continues, as he says caustically in the film, to “give away part of [his] soul” through the meet-and-greets for the sake of That Thing, he’ll soon discover than physical death and pneumatic death aren’t all that dissimilar.

I don’t mean to portray Coco or this documentary as quite so sullen – in fact, they are the opposite. Sure, we bear witness to Conan’s biting, often vindictive jabs at NBC for their treatment of him during the late-night debacle and to his sardonic teasing of his assistants and staff. But Conan is a funny guy and gives a damn about others, if in his own way, and the film shows this dichotomy well.

But Conan’s “luck”—and this brings me back to my initial thought—is that the moments he’s most unlikeable and fallible (read: human) are recorded by a camera and spliced together into a wide-release documentary. While that was the point of this project, I’m sure glad I get to make my mistakes when only the people around me I know and love know about them. And that’s why I never have nor ever will desire the fame Conan and so many other public figures receive, willingly or otherwise.

So this is me giving thanks for the ability to go grocery shopping, read in a bookstore uninterrupted, take an evening walk alone, make dumb mistakes, and be human without flashing cameras and obsessive eyes finding me, or even wanting to. I’m sure Conan would like that too once in a while, but something keeps pulling him back into the fray that only he and God can understand.

All that said, watch the movie. It’s a gripping portrait of a curious man in transition. Also, I miss his beard.

February 19, 2012 1 Comment