There are tons of books about filmmaking and filmmakers, but I have a particular appreciation for books written about just one specific movie. These microhistories (a genre I love) go deep on their film’s influences, development, production, and extended cultural relevance, and through that can tell us a lot about the power of cinema beyond opening weekend.
Because I’m a psycho, I’ve slowly been accumulating a list of all the books I could find that fall into this category. Some are written by people involved with the film’s production, while others are by journalists or critics. I’ve read several of them but far from all, so this list is aspirational as much as informational.
See below for what I’ve gathered thus far, listed alphabetically by film title. I also created a list on Letterboxd and will update both as I discover more. Let me know if I’m missing any!
There’s just no way I wasn’t gonna go for this, a sincere coming-of-age story with timeless and universal themes at its center like friendship, love, and taking the next step at the precipice of adulthood. Kudos to director Jared Isaac and cinematographer Brandon Somerhalder for so lovingly capturing summer in the Northwoods of the upper Midwest, where the lakes and forests and sand dunes play host to the kind of playful and probing conversations that only a group of eighteen year olds untainted by cynicism can hold.
19. Blue Moon
Ethan Hawke is an all-time talker, whether as a podcast guest, motivational speaker, or at the helm of a Richard Linklater movie as he’s been many times—including here in one of his best performances as the renowned Broadway lyricist Lorenz Hart. More of a filmed play than cinematic achievement, this is a showcase of great writing and great actors who bring it to life.
18. Eephus
On top of being a great fall movie, baseball movie, and hangout movie, Carson Lund’s indie about the last game being played at a rec stadium by an amateur league before its destruction is a touching tribute to the things we hold onto. I know Interstellar already beat it to death, but the Dylan Thomas poem “Do not go gentle into that good night” is an excellent readalike.
17. Bugonia
Essentially a two-hander between Emma Stone as a pharma executive who may or may not be an alien and Jesse Plemons as a conspiracy theorist who kidnaps her, Yorgos Lanthimos’ latest has a few images/moments I’ll be thinking about for a long time. And while I’m eager for Stone and Lanthimos to find new creative partners after four straight movies together, there’s no denying their complete commitment to a kind of acidic absurdity that’s unique in contemporary cinema.
16. Presence
Steven Soderbergh described the conceit of this low-budget haunted-house thriller—one of two films he released this year—as “the camera is the ghost.” It’s a high-concept, solid-execution kind of movie, which I’ll take any day of the week. Also a great double feature with Here, another unjustly maligned single-house story.
15. Marty Supreme
Basically a sports movie (in a good way) set in 1950s New York City with ‘80s music, Josh Safdie’s electrifying, quasi-nonfictional saga of table tennis hustler Marty Mauser triggered the disconcerting feeling of half-hating and half-rooting for a narcissist who creates a lot of wreckage on his quest—but also a lot of fist-pump moments.
14. If I Had Legs I’d Kick You
We’re in a rather challenging phase of parenthood at the moment, so this visceral, Safdie-esque anxiety dream of a movie from writer-director Mary Bronstein (who’s married to Marty Supreme co-writer Ronald Bronstein) starring Rose Byrne as a beleaguered mother really spoke to me. (As did the various men featured throughout, but in a “well, at least I’m not that bad” kind of way.)
13. Wake Up Dead Man
Rian Johnson’s latest Benoit Blanc mystery returns to the gothic roots of Knives Out with another elaborate whodunit, this time with Josh O’Connor as a former boxer turned Catholic priest at the center. During the press tour Johnson revealed insights from his evangelical past that not only made me appreciate him even more as a writer and filmmaker, but also explain why this was a shoo-in for my Best 21st Century Religion Movies list.
12. It Was Just An Accident
In this Jafar Panahi film that’s part morality play, part screwball comedy, part skin-tingling thriller, a makeshift group of former Iranian political prisoners wrestle with whether to exact revenge on their captor. How each ensnared person deals with this dilemma is how all of us would. Somehow this was my first Panahi picture, but it won’t be the last.
11. The Assessment
It’s been a minute since a movie gave me as many belly laughs of recognition as chills up my spine like this one did. Set in a dystopian near-future when reproduction is strictly regulated by the state and prospective parents must pass an immersive seven-day assessment, Fleur Fortuné’s directorial debut establishes a rather Villeneuvean tone and aesthetic early on—sleek, serious, slightly sci-fi—only to puncture it with very relatable vignettes depicting the harsh realities of child-rearing, while also addressing the pain of wanting to raise a child but being unable to do so.
10. A Little Prayer
Twenty years after his feature debut Junebug scored an Oscar nomination for Amy Adams, writer/director Angus MacLachlan revisits similar ground here with a quiet, unpretentious dramedy tightly focused on the domestic travails of a small-town family reckoning with each other and themselves. Jane Levy gives a quiet knockout of a performance as the unassuming daughter-in-law, whose endearing relationship with David Strathairn’s patriarch forms the emotional anchor of the film.
9. The Naked Gun
Cheers to a movie that knows exactly what it is and how to be that for just the right amount of time—in this case a joke-a-minute reboot of the classic Leslie Nielsen spoof from Lonely Islander Akiva Schaffer. Casting Liam Neeson was an inspired choice given his ability to blend gruff gravitas with solid comedy chops. I still giggle about random bits months later.
8. The Summer Book
Writer-director Charlie McDowell beautifully captures the spirit of Swedish-Finnish author (and Moomin creator) Tove Jansson’s autobiographical novel, which is not an easy feat given the book’s languorous vibe and sparse plot. If you’re willing to dive in and surrender to its gentle, deliberately paced wavelength, you’ll be rewarded with a moving, nature-drenched meditation on loss, parenting, and coming of age before you’re ready to.
7. Sinners
This has several A+, capital-C Cinematic sequences that had me thinking “Here we go, hell yeah.” It’s always a pleasure to watch an exciting original story told within genre traditions by a talented auteur with a point of view and brought to vibrant life with visual panache by a kickass cast and crew. How blessed we are to be alive at the same exact time stories like this are channeled through conjurers of the cinematic arts like Ryan Coogler.
6. The Testament of Ann Lee
A biopic has to try really hard to avoid the pitfalls of the genre for me to enjoy it. While this technically does fit the bill as a cradle-to-grave story of the founder of the Shakers movement, any stumble it makes just subsumes itself into an ecstatic communal dance of a film—the likes of which I’ve just never seen (or heard) before. Amanda Seyfried FTW.
5. The Condor Daughter
A discovery from the Chicago International Film Festival, this story of an Andean midwife’s apprentice caught between following her indigenous traditions and pursuing her dreams in the big city knocked with me out with its stunning natural-light cinematography, incisive cultural commentary, and captivating stillness.
4. Weapons
I’m typically a matinee guy but I stayed up past my bedtime to go see this in a theater, and I’m glad I did because we were all in this thing together. (I’ll never forget experiencing that nighttime car scene. IYKYK.) The confidence with which writer-director Zach Cregger both establishes a world and propels us through it is such a thrill to behold. And it’s why this former horror scaredy cat now has season tickets to whatever screwed-up stories Cregger comes up with next.
3. Black Bag
“Cate Blanchett and Michael Fassbender in a Steven Soderbergh spy thriller” is all I needed to know before wanting to see Black Bag, which not only lives up to the potential of that combination but elevates beyond it thanks to its stylistic choices and delightfully twisty story. It’s a dinner-party-worthy meal of a movie with delicious, edge-of-your-seat drama.
2. Train Dreams
My word if this kaleidoscopic fable of the life of an early 20th century logger isn’t a gosh-darn movie. There’s just nothing like seeing real humans walking amongst real trees with real sunlight and firelight on their faces, experiencing real joys and tragedies and the fleeting moments in between of feeling connected to it all. Shame it’s destined for the Netflix abyss and not the biggest screens possible.
1. One Battle After Another
The more I think about Paul Thomas Anderson’s latest saga the more I love it. Synthesizing the ambitious scope of There Will Be Blood with the propulsive dramedy of Punch-Drunk Love—the two other PTA films I love that also have crazy-good scores, lead performances, and supporting casts among other things—One Battle After Another feels both set out of time and fiercely of the current moment. To quote Bob: Life, man. Life! (Double feature that comes to mind: Anora, a similarly ambitious, distinctively three-act saga with chases and violence and slapstick comedy and a scrappy rebel just trying to survive against brutal systemic forces. “American Girl” indeed.)
Still haven’t seen:Sentimental Value, Hamnet, Frankenstein, The Secret Agent
As a lover of nonfiction books, I’ve noticed many of the same phrases being used for subtitles—something that doesn’t happen with fiction since “A Novel” or “Stories” are basically the only options. Some templates I’ve noticed:
Continuing the trend of the last few years, this is a “books I managed to read” list rather than a curated selection of favorites as my reading hit an all-time low. I could blame any number of attention grabbers in my life, but ultimately I’m just not In My Reading Era like I used to be.
Still, here are the titles that tickled my fancy in 2025, with links to anything I wrote about them.
Joined my buddy Nicole Kidman at AMC for a 9:15am showing of Marty Supreme. Don’t think I’ve ever done such an early showtime before, but it’s a great way to start the day.
Here’s a snapshot of what this year looked like for me:
Honestly, just keeping up with everything between two active boys, my day job, a part-time job I added in the fall, and everything else life is throwing at us has been a lot. I’m grateful for everything we have and the joys of this particular stage, and I’m eager to see how the next stage will look.
This blog turned 19 years old. Thanks for reading, whoever and wherever you are. Some favorite posts I wrote this year:
In the spirit of my band names list, here’s an alphabetical list of every nickname I can think of that friends, family, colleagues, or acquaintances have given me over the years. Some make more sense than others, but I will not be explaining any of them.
For years I’ve kept a running list of random phrases I’ve seen or heard in the wild—or inadvertently made myself—that sounded like they’d make a great name for a band, album, movie, or other work of art. I can’t remember where most of them came from, but that’s what makes them kinda fun.
Rather than let them languish in my Notes app, I figured I’d fling them out into the internet for anyone to claim and use. (I’ll probably keep adding to this as I encounter more.) Enjoy!
Double Edged Brownies
Bigass Cherries
Janky Knobs
Chocolate Situations
Elegant Neck
Mucky Thud
Sleepish Fits
The Yonder Colors
Tiny & The Carpenter’s Wife (somehow I remember this is a very obscure direct quote from the novel My Ántonia by Willa Cather)
Owl Dogs
Buckthorn & the Invasive Species
Inspiring Sandwiches
Punkass Mist
Bagel Czar
Letters of an Unknown Alphabet
Patron with the Bird
Serious Cheeks (something I said about our firstborn as a baby, who had some seriously chunky cheeks)
I’ve been to many concerts in my life. But I noticed the ones I remember most keenly have a specific song or moment that locked into my consciousness. Here, in chronological order with their venue and specific date (thanks internet!), are the ones that have stuck with me the most.
“The City, The Airport” by Loney Dear
The Metro. Chicago. April 13, 2007. My former bandmate and I had a connection with Matt and Seth of Anathallo (see below), and they invited us to go see Low. We arrived during the opener, a Swedish group called Loney Dear, as they were playing this propulsive bop. I found Low’s show to be slow and forgettable, but I’ll never forget Loney Dear.
“On the Safest Ledge” by Copeland
The Bottom Lounge. Chicago. October 30, 2008. I went with my friend Whitney to see one of my favorite bands at the time (and one I’ve been writing about since this blog’s beginning). You Are My Sunshine has just come out and I was really steeped in Eat, Sleep, Repeat so getting to see them live was a real treat, and this particular song was absolutely electric.
“Why Can’t It Be Christmastime All Year?” by Rosie Thomas
Schuba’s Tavern. Chicago. December 7, 2008. This was a Christmas-themed show, with Rosie and her bandmates dressed in ugly holiday sweaters and pajamas and playing festive tunes—including this bouncy original that’s become a staple in my annual Yuletide listening. I emerged from this concert into the unrivaled winter wonderland vibes of Christmastime in Chicago with its snow and cold and twinkling lights.
“All the First Pages” by Anathallo
The Union. Naperville. February 20, 2009. This is what inspired me to do this list. I’d seen them before, but this particular song played by an eight-piece group packed snugly onto a small stage in an intimate venue with a standing-room-only crowd… well, let’s just say when the bridge explodes into the final chorus, it felt like the roof blew open and confetti was flying everywhere. Transcendent.
“You Should’ve Seen the Other Guy” by Nathaniel Rateliff
The Pabst Theater. Milwaukee. May 25, 2010. About to graduate from college, I drove up to Milwaukee with my friends Steve, Tim, and Andrea to see The Tallest Man On Earth. He was a great show in itself, but Rateliff and his band (not yet “& the Night Sweats”) were a wonderful surprise as the opening act. I could feel his primal yell in this chorus even from the nosebleeds.
“Hey Jude” by Paul McCartney
Wrigley Field. Chicago. August 1, 2011. Technically I didn’t go to this concert; my friend Brian and I just joined the crowds gathered right outside the stadium to listen to legendary music reverberating out into Wrigleyville. But that didn’t matter—it was basically a free Beatles show, and singing this song live with thousands of people is an experience I’ll never forget. (The photo at top captures our freeloaders’ view—the big white light is the giant screen in the stadium.)
“Emmylou” by First Aid Kit
Lincoln Hall. Chicago. April 6, 2012. My now-wife and I had just started dating when we went to see this Swedish duo who had blown up with the release of The Lion’s Roar, so it’s no wonder hearing this buoyant song about love and winter and music stuck with me. Just as good: watching Emmylou Harris tear up hearing it live.
“She Lit A Fire” by Lord Huron
The House Cafe. DeKalb. July 23, 2013. Their album Lonesome Dreams had been my personal soundtrack the previous winter, so it was a thrill to see them live—with a bonus of my friend Kevin Prchal as the opener. As with First Aid Kit, this song’s lyrics (“she lit a fire, and now she’s in my every thought”) spoke directly to my burgeoning feelings for my soon-to-be-fiancée.
“Miami 2017 (Seen the Lights Go Out on Broadway)” by Billy Joel
Wrigley Field. Chicago. August 11, 2017. Back at Wrigley with my sister to see one of our mutual favorites as an early birthday outing, we’d planned to hang outside like at the McCartney show but then out of curiosity checked the box office when we arrived. Tickets weren’t exorbitant, so my sister decided to spring for them and we went in, this final song from Turnstiles leading off the show as we found our seats for what became a magical evening.
“Send My Love (To Your New Lover)” by I’m With Her
Thalia Hall. Chicago. January 6, 2018. We didn’t know it at the time, but this ended up being the last concert my wife and I went to together before our first child was born. And while their original songs were delightful, their a cappella cover of this Adele song was so unexpected and brought the house down.
Though I usually do a Top 10 with some honorable mentions, once this year’s list of honorable mentions creeped past 10 movies I figured why not just do a full top 20? The more movies the merrier.
Here are the 2024 dramas, documentaries, dystopias, debuts, and other delights I dug.
A funny and sometimes wistful sci-fi remix of When Harry Met Sally that doesn’t overstay its welcome. Zosia Mamet and Aristotle Athari are a winning pair and fun hang as the will-they-won’t-they leads.
19. Peacock
Echoing the deliciously deadpan humor of Force Majeure, this debut feature from German filmmaker Bernhard Wenger follows a man so talented at blending into the fictions of his work that when his personal life begins to suffer, his ensuing existential crisis has him questioning his entire reality. It’s a darkly absurd and deliberately paced dramedy that serves as a wake-up call to people pleasers everywhere.
18. Mom & Dad’s Nipple Factory
A really nice discovery thanks to the chance to interview the director Justin Johnson. Spotlighting Johnson’s parents and the secretive prosthetic nipple business they started after his mom’s breast cancer diagnosis, this documentary also reckons with his conservative Christian upbringing in Wisconsin and subsequent religious deconstruction in a wholesome and humane way. Really nice portrait of family, faith, and life’s contradictions.
17. The Greatest Night in Pop
I’d heard “We Are the World” like everyone else, and knew vaguely that it was sung by famous musicians. But until watching this documentary I had no idea about its background or the logistics of making it happen, let alone the insane star wattage it harnessed in one room. Fascinating to watch the dynamics play out among these very different artists and personalities during an all-nighter for the ages.
16. Wallace & Gromit: Vengeance Most Fowl
We told our six year old we were going to watch the new Wallace & Gromit movie. “I don’t want to,” he said, “they are far too silly.” We still watched it, and guess who was laughing and totally locked in the whole time? Me, that’s who. And also our six year old. Anyway, any Aardman joint should automatically win Best Picture given how insanely difficult it is to make any stop-motion animated feature film, let alone a great one.
15. Conclave
How Edward Berger turned ecclesiastical proceedings into a pulpy, beautifully shot mystery thriller better than it has rights to be shows just how powerful cinema is as an art form. And watching Ralph Fiennes play a character who’s basically the opposite of his role as Gustave in The Grand Budapest Hotel shows just how compelling powerful actors can be.
14. Rebel Ridge
Jeremy Saulnier knows how to make a damn thriller. In this latest pot-boiler, a former Marine has his bag of cash unjustly seized by local police, instigating his one-man revenge plot where with every slight escalation and provocation the stakes get higher and your heart beats faster. Civil asset forfeiture reform now!
13. Dìdi
I like the Google summary of this: “an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love his mom.” As someone who was only a few years older than Dìdi was in the movie, I found much of this both very relatable (hello AIM and MySpace Top 8 and Motion City Soundtrack needle-drops) and also painful to realize how much I saw my own 13-year-old self in Dìdi’s adolescent angst.
12. September 5
A worthy ancestor of Spotlight in how it dramatizes a real-life moment of media ethics and production colliding with a dark chapter in history, in this case the hostage crisis at the 1972 Munich Olympic Games. For me the tactility of the period technology—analog phones, walkie-talkies, film cameras, buttons and knobs, typewriters, hand-lettered TV chyrons—made this even better and more thrilling than it would have been if set during our current digital era.
11. Challengers
I rather flippantly called this “your typical sports movie featuring a throuple of sweaty, smirking scumbags swirling into a sadomasochistic, psychosexual spiral.” Which I think is accurate but also doesn’t make clear how fun and funny this movie is in spite of (or rather because of) that. If tennis is a relationship, as Zendaya’s Tashi claims in the movie, then this tennis/relationship movie is worth the commitment.
10. My Old Ass
How many boxes did this check for me? Let me count: ☑ Earnest, bittersweet coming-of-age dramedy ☑ Light magical realism ☑ Frequency and Arrival homage ☑ Includes Little Women motif ☑ Birkenstocks-wearing character named Chad Can’t wait to see what star Maisy Stella and writer-director Megan Park do next.
9. Here
To paraphrase Doc Brown, the critics crapping on this Robert Zemeckis adaptation of Richard McGuire’s 2014 graphic novel (one of the best books of the 2010s) just weren’t thinking fourth-dimensionally. We live in time, people! You can’t fathom how much has happened throughout human history and prehistory on the very patch of earth you’re standing on now because it’s awesomely unknowable! The movie lovingly portrays the book’s intra-panel time-jumping, its timeless themes of life and death and love and loss, and its deft intertwining of the everyday and eternal—all while rocking an Alan Silvestri score that goes right for the jugular. And I’m here for that.
8. Dune: Part Two
I couldn’t see Dune in theaters so I was happy to be able to see this one on a big screen. It’s a sequel that very much stands on its own as a stunningly rendered experience while simultaneously bearing structural burdens that middle sequels often have. Still, anytime I can see big, weird, tactile, religion-infused spectacle like this is a good time for me.
7. Good One
In stark contrast to the bombast of Dune: Part Two, India Donaldson’s debut feature about a teenaged girl on a hiking trip with her dad and his friend thrives in the smallest gestures and pauses and looks—in what’s said and left unsaid. It’s Reichardt-core to the core: quietly portentous, nature-drenched, and oh so gently damning of parental obtusity.
6. Saturday Night
It’s hard not to be impressed by how Jason Reitman pulled off depicting in real time the 90 minutes before the first episode of SNL in 1975, complete with spot-on portrayals of the original cast and other figures. In that way it’s like the groovy ‘70s love child of Steve Jobs and Birdman. (It’s also a fascinating double feature with September 5, the other 2024 film set backstage of a seismic mid-‘70s television event.) More fables about the beautifully chaotic process of making art, please and thank you!
5. Civil War
One criterion for making my best-of lists is being something I just couldn’t shake. That’s definitely true for Alex Garland’s latest, which depicts a United States embroiled in a violent civil war and a crew of journalists trying to interview the embattled president. I find the criticism about the ideological vagueness of the different political factions to be beside the point—what matters is how different individuals choose to engage with the turmoil, from a young photojournalist compelled to capture frontline combat to a store employee blithely dismissing the conflict altogether. Let’s hope this doesn’t become more prescient than it already is.
4. Nickel Boys
Sure-handed, tough-minded, clear-eyed, and full-hearted, RaMell Ross’s adaptation of Colson Whitehead’s novel takes cinema’s power as an empathy machine to the extreme with its first-person POV perspective, strapping us along for a turbulent yet touching ride along with two friends weathering life at a Florida boarding school. I found this to be in accidental conversation with the next movie on this list, both being searing 2024 films that dramatize the triumphs and travails of mid-20th century Black life.
3. Soundtrack to a Coup d’État
As a lover of history and jazz, this documentary spotlighting famous ‘50s jazz musicians and their role in the Cold War geopolitics surrounding Congo’s push for independence bebopped me right on the nose. It plays out much like a jazz track, with different people trading solos and the frequent context-setting intertitles like punchy drum riffs and an ensemble of colorful characters making the whole thing sing. As sharp and smooth as a Miles Davis solo, and a revelation for the documentary form.
2. Anora
From Tangerine (a favorite of 2015) to The Florida Project (my #1 of 2017) to Red Rocket (a favorite of 2022) and now this Palme d’Or-winning tale of a Brooklyn sex worker’s misadventures with a Russian oligarch’s son, Sean Baker has become American cinema’s most reliable anthropologist of the restless strivers and scrappy survivors at society’s margins. How this turns from high-flying Cinderella story to shambolic chase movie to gut-wrenching character study feels like a crossover of Scorsese with the Dardenne brothers, but also a continuation of Baker’s characteristically compassionate yet clear-eyed treatment of even his most challenging characters.
1. Furiosa: A Mad Max Saga
If Fury Road was the New Testament of George Miller’s Mad Max saga, bringing redemption to both the story’s characters and the action genre itself, then Furiosa is its Old Testament: brutal, beguiling, mercurial, and thrillingly epic. Call it a Pentateuch for a new (post-apocalyptic) age. Also really interesting to rewatch this right before another Fury Road rewatch as it provided the backstory to Furiosa’s journey and the events of Fury Road that I didn’t have the first (several) times watching it. In that way Fury Road felt more like the sequel/conclusion to Furiosa than vice versa, and made me appreciate both even more. This whole saga is a really rich text on gender, power, politics, and what we do to survive.
Still haven’t seen: Nosferatu, A Complete Unknown, The Brutalist, All We Imagine As Light, Wicked
Non-2024 movies I watched and enjoyed: The Taking of Pelham One Two Three, Populaire, Little Children, Green Room, The Thing
It would be more accurate to title this post merely “Books I Read in 2024” because man oh man did I slack on reading this year. Long gone is my 80+ per year pace (pre-kids, crucially), replaced by not even hitting double digits. There are various reasons for this, but suffice it to say I hope to significantly raise that number in 2025.
Here’s what I did read and enjoy in 2024:
BoyMom: Reimagining Boyhood in the Age of Impossible Masculinity by Ruth Whippman
A Brief History of Motion: From the Wheel, to the Car, to What Comes Next by Tom Standage
Catch and Kill: Lies, Spies, and a Conspiracy to Protect Predators by Ronan Farrow
Creating Back to the Future The Musical by Michael Klastorin
Fear Not!: A Christian Appreciation of Horror Movies by Josh Larsen
The Infernal Machine: A True Story of Dynamite, Terror, and the Rise of the Modern Detective by Steven Johnson
Long Island by Colm Tóibín
The Notebook: A History of Thinking on Paper by Roland Allen
A red-tailed hawk plopped itself on our backyard power line this morning, making for a colorful breakfast companion on an otherwise gloomy New Year’s Eve. May we all seek to achieve its steady serenity in 2025.
Interviewed Matthew Aldrich (Coco, Lightyear), Robin Swicord (Little Women), Antonio Sanchez (Birdman), Erin Moriarty (Catching Dust, The Boys), Michael Felker (Things Will Be Different)
Introduced a screening of Dazed and Confused at our local community college
Noted some choice quotes from the 5 year old, including:
“This bonfire is like a waving hand. I could stare at it every day forever.”
“It smells like days I remember.”
[to his baby brother] “Don’t distract me, this is one yummy taco.”
[about the toilet he just flushed] “It was as dirty as a mud puddle but now it’s as clean as a diamond.”
Acquired Criterion Blu-rays of Double Indemnity, Badlands, Days of Heaven, and Paper Moon
Read 9 books and watched 87 movies
Watched probably the least amount of TV in my life, sticking with just three excellent limited series (Masters of the Air, OJ: Made in America, and Midnight Mass) and one mediocre season (The Bear season 3)
I’m very proud to share this list of Cinema Sugar’s Top 50 Movies of the 21st Century, something the team has worked on for months in anticipation of celebrating our favorite films from the last quarter century.
Please take a look (and share with other movie lovers!) for my short thoughts on Palm Springs, Lord of the Rings, Arrival, WALL-E, and a bunch of other movies dear to my heart.
We also picked our favorites in different subcategories. Here are mine…
Favorite film scores:
Lord of the Rings, Howard Shore
The Social Network, Trent Reznor & Atticus Ross
The Village, James Newton Howard
Interstellar, Hans Zimmer
Brokeback Mountain, Gustavo Santaolalla
Favorite theatergoing experiences:
Seeing Toy Story 3 with college friends right after graduation
Dressing up with high school friends to see Ocean’s Twelve
Seeing Her with my then-girlfriend (now wife) and discussing it afterward
Going blindly into—and getting blindsided by—The LEGO Movie
Getting sucked into the whirlwind of The Florida Project
I’ve encountered a lot of board books and picture books in my nearly six years of parenting. Many of them are bad, with either poor writing or an off-putting illustration style or both. But several of them hit that sweet spot of beautiful design and quality storytelling. Here are some of those:
Counting with Barefoot Critters by Teagan White
Jazz for Lunch by Jarrett Dapier
How Beautiful by Antonella Capetti
The trilogy of Creepy Carrots, Creepy Pair of Underwear, and Creepy Crayon by Aaron Reynolds
I’m creating my movie best-of lists retroactively. See all of them.
Hard to believe my last retrospective list in this series was almost two years ago. But I recently rewatched what ended up as my top two movies on this list and realized I hadn’t done this movie year yet, so here we are.
I was 10-11 years old in 1998, so the movies I saw at the time were thusly limited: Mighty Joe Young at the theater, Spice World at a sleepover, The Prince of Egypt and The Parent Trap on steady VHS rotation. None of which, alas, made my list, but thanks anyways for the memories…
On to the list…
1. The Truman Show
I knew I loved this movie but a recent rewatch confirmed it’s an all-timer. It’s easy to forget just how dark the premise is, and how deeply the in-movie cast and crew had to commit to perpetuating this illusion for so long in spite of the many ethical concerns. But the concept, the cast, and the execution are all A+ work. And it’s only 1 hour and 40 minutes. So glad it’s that and not some 12-episode limited series.
2. Saving Private Ryan
A foundational cinematic text for my budding cinephile self who saw it at around 12 years old. Funny how the cascade of supporting players (Ted Danson, Dennis Farina, Bryan Cranston, Nathan Fillon) meant nothing to me at the time but now looks both impressive and odd.
3. You’ve Got Mail
This is Peak Romcom. Hanks and Ryan and Ephron and New York City and witty repartee and dramatic stakes and bookstores—it’s all there in a literary love note to love itself. See also: 1940’s The Shop Around the Corner, the movie this is based on.
4. Armageddon
Unequivocally one of Bruce Willis’s best roles, not to mention the cavalcade of character actors filling out the ensemble. Story-wise it makes no sense, but as a comedic blockbuster adventure there are few better.
5. A Bug’s Life
Feels like the forgotten Pixar at this point, coming out at the beginning of their run and nestled between the first two Toy Story movies. But it has all the elements Pixar is known for, on top of being a Seven Samurai rehash with insects.
6. Pleasantville
I’ve never forgotten the scene of Bud helping his mom reapply her makeup to cover up her post-transformation color. In a movie that’s basically one giant metaphor, that tactility really packs a punch.
7. American History X
Speaking of never forgetting, there are some brutal moments in this one—both physically and rhetorically.
8. The Thin Red Line
It would be a while before I became familiar with Terrence Malick and the significance of this movie as his return to filmmaking. But looking back now, it makes for a great contrast with Saving Private Ryan.
9. A Simple Plan
As a late-‘90s, midwestern, snow-laden crime noir with peculiar characters, it’s like Fargo’s more serious older brother. And if both of those movies can teach us anything, it’s to never, ever take the money. Very pleasing to see Bill Paxton in a full-fledged leading role, displaying the chops he exhibited in so many supporting roles.
10. Ever After
One of the many romcoms I grew up with on steady rotation. It’s been a minute since I’ve seen it but I was always impressed with the humor and drama and romance of it all.
As with last year’s list, I decided to skip the usual pressure to make a top 10 by the end of the year without having seen a bunch of the eligible movies. Instead I took my time, waiting to watch titles as they hit streaming or Blu-ray so I’d have a better shot at a list that more accurately reflected my favorites from 2023.
There are still several I haven’t gotten to yet unfortunately (RIP my moviegoing after child #2). But with the Oscars upon us, I figured now would be the best time to close out another year in movies.
On to my top 10…
10. Please Don’t Destroy: The Treasure of Foggy Mountain
Odds are your enjoyment of this will be directly proportional to your enjoyment of the video shorts of Please Don’t Destroy, who wrote and starred in this rather ridiculous romp. I’m a huge fan, therefore I had a great time with this. Does it suffer from the SNL Movie Syndrome of feeling stretched out beyond its sketch-based form? A little bit. Is it also consistently hilarious? You bet.
9. Still: A Michael J. Fox Movie
If you make a documentary related to Back to the Future, I’m gonna watch it. This one also happens to be really well done, making creative use of reenactments alongside Fox’s talking heads, memoirs, and TV/movie appearances to tell his life story. And he’s still funny as hell despite the effects of Parkinson’s. (I had a blast interviewing the movie’s editor and geeking out about all things BTTF.)
8. Poor Things
There’s just nothing like a Yorgos Lanthimos movie. And there’s no one acting quite like Emma Stone these days. Their creative alchemy yielded this deeply weird, dark, funny, and feminist picaresque that had me alternating between “ha” and “huh?” quite frequently.
7. Theater Camp
I never cease to marvel at the magic of musical theater, whatever the context. To go from absolutely nothing to a collection of songs, complex choreography, manufactured sets and costumes, all combined into an entertaining story? Sign me up every time. Cheers to this ensemble cast of young performers who managed to do that in this mockumentary while selling both the over-the-top satire of showbiz life and the earnest appreciation of doing what they love.
6. Oppenheimer
Christopher Nolan, call your agent: I’ve got a long list of supposedly “uncinematic” history books filled with people talking in rooms that Oppenheimer proves should in fact be turned into IMAX-worthy epics.
5. The Killer
WeirdhowDavid Fincher can drop a sleek “The Bourne Identity meets Adaptation” gem like this starring A-lister Michael Fassbender and have it feel completely forgotten by year’s end. (That’s the Netflix Effect for you, I guess…) This story of an assassin cleaning up a botched job really opens up when you realize it’s actually a comedy, with said assassin the butt of the joke just as often as he is a savvy operator. More Fassbender/Fincher collabs, please.
4. Reality
Much like Oppenheimer, this is an excellent 2023 movie featuring a government contractor being interrogated for their motivations and questionable conduct related to sensitive national security intelligence. Unlike Oppenheimer, it’s only 82 minutes—yet remains a riveting, slow-burn docudrama with an impressive performance by Sydney Sweeney as Reality Winner.
3. Are You There God? It’s Me, Margaret
A great coming of age story, family dramedy, exploration of religion, female-centric story, and year-in-the-life movie all in one. Kudos to writer-director Kelly Fremon Craig for sticking the landing in adapting a legendary story while also launching a career in Abby Ryder Fortson and surrounding her with A+ supporting talent.
2. Spider-Man: Across the Spider-Verse
Reports about the death of multiverse storytelling have been greatly exaggerated. As a middle sequel continuing the story of its predecessor and setting up the third installment, it has structural limitations that prevent it from hitting the same level as Into the Spider-Verse. But, much like its titular hero Miles Morales, damned if it doesn’t overcome the odds to spin an extraordinary web nevertheless.
1. Four Daughters
This documentary follows a Tunisian family whose two eldest daughters succumbed to fundamentalism and joined ISIS, with the spin that the director (Kaouther Ben Hania) has hired actors to play the disappeared daughters and recreate scenes from the family’s history along with the remaining sisters and mother. This unique approach leads to some stunning emotional moments, not to mention a complicated and cathartic journey for the real family as they try to make sense of the ineffable with humanity, gravity, and even comedy. (Another riveting documentary—and favorite of 2021—I had top of mind while watching this was Netflix’s Procession, which also featured real survivors of a different sort reckoning with their trauma through artifice.)
Still haven’t seen:American Fiction, The Zone of Interest, Anatomy of a Fall, The Taste of Things, Perfect Days
I read 15 books in 2023, which is the lowest number since I started keeping track in 2010. A few factors contributed to this, including having a second baby in May and opting more often to watch movies in my free time.
So it goes. I’ll get back on the reading train in 2024. Until then, here are the books I did manage to read and enjoy last year.
Blankets by Craig Thompson
The Art and Science of Arrival by Tanya Lapointe
Opposable Thumbs: How Siskel & Ebert Changed Movies by Matt Singer
MCU: The Reign of Marvel Studios by Joanna Robinson, Dave Gonzales, Gavin Edwards (including an interview with the authors)
The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann
The President Is A Sick Man by Matthew Algeo
The Church of Baseball: The Making of Bull Durham by Ron Shelton (including an interview with Shelton)
Ducks: Two Years in the Oil Sands by Kate Beaton
Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman (including an interview with Michael)
The overwhelming and overarching fact of my life this year was welcoming a second child in May. We’ve been living in the wake of that event ever since, for better (cuteness, brother silliness) or worse (his reflux and terrible sleep).
On the professional front:
In January my job got reduced to half time with a day’s notice, so…
I had to pick up a second, full-time job to stay afloat. Worked not-great hours between both jobs for about two months, until…
My original job went back to full time. However…
After that experience I started looking hard for different job, and…
Finally got one, which I started in June and am very happy at.
Enjoyed hangout times with friends and family
Saw a shooting star at one of said hangout times
Saw the Okee Dokee Brothers at Ravinia, and were first in line to get a vinyl signed and picture with the Bros
Many visits to the children’s museum and local pools
Went to a carnival and did a spinny ride for the first time
Took him to his first minor league baseball game and on the way out one of the parking attendants gave him a foul ball that had been hit out of the stadium
Did Halloween trick-or-treating in the snow with a fussy infant in tow but still managed to have a good time
Got an electronic adjustable desk for my home office so I can work standing up or sitting down
Read 15 books and watched 102 new movies
Watched some good TV (Quarterback and Emergency NYC on Netflix) and great TV (The Bear)
Added more quality discs to my collection, including the Back to the Future trilogy on Blu-ray, a Babylon SteelBook, and Criterion Blu-rays of Malcolm X, Summer Hours, Inside Llewyn Davis, and Sound of Metal
In the latest issue of his newsletter The Imperfectionist, Oliver Burkeman posits that we should treat our to-do lists more like menus:
One great benefit of doing this more consciously, though – of facing the fact that lists are menus – is that it shifts the source of gratification. The reward of pleasure, or a sense of meaning, no longer gets doled out stingily, in morsels, en route to some hypothetical moment of future fulfillment when the list is finally complete. Instead, it comes from getting to pick something from the menu – from getting to dive in to one of the vast range of possibilities the world has to offer, without any expectation of getting through them all. Which also means you get to have the reward right now.
