Tag: Steven Spielberg

A cheerful failure

For Filmspotting’s latest poll, they ask which of the provided movie failures you are the biggest cheerleader for. The criteria: “These are movie ‘failures’ that paired well-respected, ‘auteurist’ filmmakers with existing properties—and high expectations—resulting in significant disappointments critically and (usually) at the box office.”

Check out the poll for all the options. I’ve only actually seen two of them, but there was only really one answer: Steven Spielberg’s Hook.

Sure, as a ’90s kid there was a little bit of nostalgia that influenced my vote. But it wasn’t nostalgia alone. I’ve rewatched it as an adult and found it to be a superbly directed, campy, and effervescent reimagining of a classic story, with a dynamic Robin Williams performance and jubilant John Williams score.

And as the father of a toddler, the part that really hit me on the rewatch was what Peter’s wife Moira said to him after he snaps at his kids:

Your children love you. They want to play with you. How long do you think that lasts? Soon Jack may not even want you to come to his games. We have a few special years with our children, when they’re the ones that want us around. After that you’ll be running after them for a bit of attention. It’s so fast, Peter. It’s a few years, then it’s over. And you are not being careful. And you are missing it.

Grant me a Roosevelt biopic

Why didn’t anyone tell me there are Ulysses Grant and Theodore Roosevelt biopics in the works from Steven Spielberg and Martin Scorsese? And that Leonardo DiCaprio is attached to star in both of them?

The Hollywood Reporter asked a bunch of historians whether Leo should play Grant or Roosevelt. Looking at their pictures above I’d say he could pull off either. My preference is that he plays Roosevelt and Jared Harris plays Grant as he did in Spielberg’s Lincoln.

More important to me, though, is what kind of biopic they will be. Will they be like Lincoln, beautifully made, regal, and safe but not comprehensive, focused on a specific moment instead of the full life? Will they be like J. Edgar—or a Scorsese’s The Aviator for that matter—which tried to pack in decades of history and aging makeup, to the detriment of a cohesive and compelling portrait?

Or will they be something else entirely? I hope so. Love me some Lincoln, but Grant was no Lincoln. He deserves a director willing to go dark and gritty and avoid the hagiography that has recently started to envelope Grant.

Scorsese doing Roosevelt is growing on me though. Being a New Yorker himself will help him capture the fiery aspect of TR’s spirit, which has some modern resonance.

I’m gonna watch the hell out of these projects regardless.

The Post

Ready Player One took my esteem for Spielberg down a notch, but The Post—made after Ready Player One but released before it—has elements of his best work, even if it doesn’t rise above the sum of its parts. Generally it’s standard Spielberg, with old-school liberal and institutionalist views on the press, akin to Lincoln in its reverence for American mythologies. But cinematically it’s much more robust and limber than a lot of his recent stuff, with closely observed moments like the shot of Bob Odenkirk’s reporter character typing at his desk as the Washington Post‘s printing press rumbles to life in a climactic moment. I think the lack of prep time did him good.

Also, I am 99% sure Tom Hanks did this movie because of all the typewriters. Working with Spielberg and Meryl Streep was merely a bonus.