libraries, culture, typewriters
If you step back from the endless flow of social media and the internet more generally, and sit down with a book from the past that appears to have absolutely nothing to do with the affairs of the moment, something curious and rather wonderful can happen. Unexpectedly and randomly — stochastically — you begin to perceive resonances with your own moment, with the concerns that you may have turned to the past in order to escape.
See also: synchronicity.
I’ve mentioned the podcast This Movie Changed Me before. In its new season, Naomi Alderman talks about how the transformation of Phil Connors in Groundhog Day inspired her to look at the world differently. Once in a while she’ll experience what she calls a “benediction”:
I will suddenly become aware of the incredible beauty and richness of everything around me. So I would look at a brick wall and suddenly be completely struck by the difference and the there-ness, the this-ness, of every single brick in that wall and how much has gone into just even creating that single wall, and then, look — someone’s put windows in there. And look at the plants — there’s a little bee that just buzzed past me. And when you look at the world that way, when you look at the world with Phil Connors’s eyes, when you go right through the sense of ennui, through the despair, right through to the other side, and all you can see is how amazing it is to just be allowed to be alive right now.
The whole episode is worth a listen.
I’ve only made it through the preface of Underland: A Deep Time Journey by Robert Macfarlane—an “epic exploration of the Earth’s underworlds as they exist in myth, literature, memory, and the land itself”—yet rich quotes abound:
“The same three tasks recur across cultures and epochs: to shelter what is precious, to yield what is valuable, and to dispose of what is harmful. Shelter (memories, precious matter, messages, fragile lives). Yield (information, wealth, metaphors, minerals, visions). Dispose (waste, trauma, poison, secrets). Into the underland we have long placed that which we fear and wish to lose, and that which we love and wish to save.”
“Force yourself to see more deeply.”
“The underland is vital to the material structures of contemporary existence, as well as our memories, myths and metaphors.”
“Our ‘flat perspectives’ feel increasingly inadequate to the deep worlds we inhabit, and to the deep time legacies we are leaving.”
“‘Deep time’ is the chronology of the underland. Deep time is the dizzying expanses of Earth history that stretch away from the present moment. Deep time is measured in units that humble the human instant: epochs and aeons, instead of minutes and years.”
“When viewed in deep time, things come alive that seemed inert. New responsibilities declare themselves. A conviviality of being leaps to mind and eye. The world becomes eerily various and vibrant again. Ice breathes. Rock has tides. Mountains ebb and flow. Stone pulses. We live on a restless Earth.”
“When we make our art, we are also making our lives. And I’m sure that the reverse is equally true.”
— Wendell Berry, in the beautiful documentary Look & See. Might have found my new life motto.
Here are four context-free quotes I like from The Overstory by Richard Powers, a book I’ve only just started and am not sure if I’ll even finish:
“Makes you think different about things, don’t it?”
“Now, that next best of times, is long, and rewrites everything.”
“A tree is a passage between earth and sky.”
“They can’t believe a kid worked for months on an original idea, for no reason at all except the pleasure of looking until you see something.”
Goodreads tells me I read 72 books this year. Though I didn’t read as many as last year, with a baby on the way I’ve been trying to read abundantly while I can, for both quality and quantity. Here are the books published in 2018 that I enjoyed the most. (See previous best-of book lists.)
You might have heard good things about this book. I’m here to tell you all of them are true. The pleasure I felt from the first page on is a feeling I chase with all my reading. Your mileage may vary, of course, but this kaleidoscopic story of Oklahoma City is more than just a rote retelling of a city’s history. Anderson wraps the OKC Thunder, tornadoes, Timothy McVeigh, city planning, a truly insane founding process, Wayne Coyne of the Flaming Lips, and much more into a cohesive, sure-handed, wry, and enlightening narrative.
Choice quote:
Radar data, like starlight, is information about the past: it tells you about the distant object it bounced off seconds or minutes before. This can tell you a lot—that conditions are perfect for a big storm, that something is in the air—but it can’t actually look at the storm for you. For that, you still need people. Storm chasers provided the stations with what they call “ground truth.”
My highest-ever ranking of a novel, and it damn near took the first spot. A retelling of the story of Circe, daughter of the sun god Helios, this isn’t something I’d normally read, but the rave reviews made me give it a try. Boy am I glad I didn’t let my woeful lack of knowledge on Greek mythology stop me. I found Miller’s prose to be so rich and empathetic, powerful yet tender. Read half of it on audiobook and friggin’ loved Perdita Weeks’ narration. I just started reading The Odyssey for the first time; I sense it will be that much richer having gone through this odyssey.
Choice quote:
Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
Archaeology, anthropology, sociology, philosophy, imagination—all come into play in this meaty and winding travelogue around North America to investigate notable Ice Age locations. Made me immensely grateful for our (not so) distant human ancestors.
Choice quote:
We have all but forgotten how to inhabit this kind of fear. We gave up spears and skins and the weather on us day and night for cup holders and cell phones and doors that close behind us. What, I wonder, was lost?
Picked this up on a whim and luckily was in the right mood for its meditative style and mix of mind-expanding ruminations on astrophysics, God, philosophy, nature, and the meaning of life. Do not read if you don’t want your worldview—or really, galaxyview—bent like spacetime.
Choice quote:
[Earth is] a large family of noisy and feeling animals—the living, throbbing kingdom of life on our planet, of which we are a part. A kingdom that consecrates life and its possibilities even as each of its individuals passes away. A kingdom that dreams of unity and permanence even as the world fractures and fades. A kingdom redesigning itself, as we humans now do. All is in flux and has always been so. … Flux is beyond sadness and joy. Flux and impermanence and uncertainty seem to be simply what is.
Learned about this when I stumbled upon the author’s Twitter, which proved to be quite the hotbed of interesting replies about people’s habits. The book does a great job laying out practical tools and ways of thinking about behavior, especially in how conceptions of identity and systems influence it far more than emotions and willpower.
Choice quote:
You get what you repeat.
From the author of The Botany of Desire, one of my favorite narrative nonfiction books, comes this new revelatory exploration of practical and transformative uses of psychedelics. Probably because I’ve never done psychedelics, I was eager to learn about them from a reputable and investigative source with an open mind like Pollan. He explores the history of psychedelics, how they were used in clinical trials in the 1950s before Timothy Leary and the damned dirty hippies ruined them for everyone (my words), and how modern science is discovering their powerful affects on the brain and mental health.
Choice quote:
Psychedelic experiences are notoriously hard to render in words; to try is necessarily to do violence to what has been seen and felt, which is in some fundamental way pre- or post-linguistic or, as students of mysticism say, ineffable. Emotions arrive in all their newborn nakedness, unprotected from the harsh light of scrutiny and, especially, the pitiless glare of irony. Platitudes that wouldn’t seem out of place on a Hallmark card glow with the force of revealed truth.
A big and beautiful book of essays on the works of America’s most reliably excellent filmmakers. Nayman covers every Coen film from Blood Simple to Hail, Caesar! and includes interviews with frequent collaborators. It made me appreciate the Coen Cinematic Universe much more.
Richly drawn characters in modern Atlanta dealing with a false imprisonment and how it upends life’s expected narratives. I think this is the second Oprah’s Book Club selection I’ve read while it was still reigning—the first being The Underground Railroad—so I’m 2 for 2 so far.
Wouldn’t you know it, all I wanted to do after reading this was rewatch 2001: A Space Odyssey.
Discovered Mari Andrew on Instagram. She packs so much insight, emotional intelligence, and artistry into deceptively simple illustrations, and has a great eye for the little things in life and how to turn them into art.
Honorable mentions: Farsighted: How We Make the Decisions That Matter the Most by Steven Johnson, The Good Neighbor: The Life and Word of Fred Rogers by Maxwell King, The Library Book by Susan Orlean
Caroline Fraser’s Prairie Fires: The American Dreams of Laura Ingalls Wilder is about 150 pages too long, and spends a lot more time with Laura’s daughter Rose than I expected or desired. But the first third of the book, with the Ingalls family and Laura as a young adult, was quite illuminating. (Great Scott am I glad I don’t live on the prairie in the late 1800s!)
The Little House novels and TV show were, shall we say, not quite accurate. But they certainly contain a grain of truth, as Fraser writes about the Ingalls family’s time in Kansas in 1870-71:
In a brief and concentrated span of time, the Ingallses had experienced virtually everything that would come to be seen as quintessentially Western: encounters with wolves and Indians, angry disputes over open range, prairie fires, neighbors coming to their aid. Although they would retreat for a time to Wisconsin, an enduring impression had been made, one that would strengthen over the years as the family moved. From the open doorway of a tiny log cabin, Laura had watched as a parade of Western iconography passed by. It was as if the spirit of manifest destiny had been imprinted in her memory, leaving a series of stereoscopic images, each more dramatic than the one before, each intensely experienced and utterly unique, yet emblematic of all western settlement. The family spent little more than a year on the Kansas prairie, but it shaped her temperament and outlook for the rest of her life. That year made her who she was.
Another quote rang relevant to today. Powell, a Civil War hero and the director of the U.S. Geological Survey, warned that the West (today’s Great Plains states) was too arid for farming and spelled bankruptcy for farmers. He advocated cooperative irrigation and grazing schemes, but “bonanza farms” promoted by Big Business at the time offered get-rick-quick fantasies that were much more alluring:
Fundamentally, the question was whether national decisions of significant economic import, affecting thousands of citizens, would be governed by Enlightenment science or by huckster fantasy. The outcome was immediately clear to anyone reading the newspapers: fantasy won. In a campaign comparable to modern-day corporate denial of climate change, big business and the legislators in its pocket brushed Powell’s analysis aside. Railroads were not about to capitulate to the geologist’s limited vision, and his plans as director of the U.S. Geological Survey to limit western settlement would be undermined by intense political attacks. James B. Power, land agent for the Northern Pacific—who had earlier admitted that Dakota was a “barren desert”—dismissed Powell as an elite intellectual, lacking the experience of “practical men.” “No reliance can be placed upon any of his statements as to the agricultural value of any country,” Power said. For good measure, he called the geologist “an ass.”
Shorter Power: “Fake news!”
1. “What needs to be remembered here,” he wrote the next day, after he’d done [the trade], “is that this is $100 million. That’s an insane amount of money. And it just gets thrown around like it’s three digits instead of nine.”
2. “In retrospect, their ignorance seems incredible—but, then, an entire financial system was premised on their not knowing, and paying them for this talent.”
3. “The ability of Wall Street traders to see themselves in their success and their management in their failure would later be echoed, when their firms, which disdained the need for government regulation in good times, insisted on being rescued by government in bad times. Success was individual achievement; failure was a social problem.”
— Michael Lewis, The Big Short
See also: “Move along, nothing to see here.”
Reading Brene Brown’s Rising Strong, this quote surprised me:
Creativity embeds knowledge so that it can become practice. We move what we’re learning from our heads to our hearts through our hands. We are born makers, and creativity is the ultimate act of integration—it is how we fold our experiences into our being.
Fully agree. But I expected the first sentence to end with wisdom, not practice. Probably because my bias, whether I like it or not, is toward matters of the head. This is a blessing that can become a curse when I fail to externalize ideas and knowledge through some kind of outward expression.
It is counterintuitive that sending knowledge from the head to the heart is not the direct route it appears. To become truly meaningful, it must take the long way. Perhaps that’s why creativity is so challenging yet so rewarding.
Then again, there’s the Ron Swanson perspective:
This is a great profile of Steve Miller of the Steve Miller Band, written by musician Max Marshall, whom Miller befriended as a middle schooler and has mentored ever since. In one part Marshall describes the enduring appeal of Miller’s music:
To a lot of Steve Miller Band fans, the seventies hits are like “chocolate cake.” They’re warm and pleasurable comfort food, reminiscent of a Summer of ’76 picnic. They’re rock without the chaos, the blues without the pain, an America with the freedom of an endless road trip.
That’s exactly right. Though I was born long after the Steve Miller Band and his contemporaries were popular, growing up with 94.9 WOLX in Madison helped introduce me to all the good stuff long before I even knew which bands wrote which songs.
More recently I’ve started compiling a list of the songs that—at least for me—fit into that “chocolate cake” vein. Ranging from pop to rock to country, their strong hooks and smooth rhythms are perfect for long summer days and windows-down road trips. (My wife, to my shame, is not a fan, so I usually have to save it for solo driving.)
For a long time I couldn’t figure out a good name for this subgenre, but chocolate cake rock works for me. Suggestions for further additions welcome:
“Take the Money and Run” – Steve Miller Band
“Danny’s Song” – Loggins & Messina
“Dance With Me” – Orleans
“Running On Empty” – Jackson Browne
“Ramblin Man” – Allman Brothers
“Rich Girl” – Hall & Oates
“Come and Get Your Love” – Redbone
“The Weight” – The Band
“Amie” – Pure Prairie League
“Reelin’ in the Years” – Steely Dan
“Lake Shore Drive” – Aliotta Haynes Jeremiah
“I Just Want to Celebrate” – Rare Earth
“Brandy” – Looking Glass
“Time in a Bottle” – Jim Croce