Tag: history

In praise of microhistories

Clive Thompson on the appeal of microhistories:

When you drill down deeply into a single subject, you nearly always realize: Holy crap, this is more complex than I’d have thought. This is true of just about any subject, right? And it’s exactly the opposite feeling you get from a “big” book, which strives to make you feel like you understand how Everything Is Explained By This One Specific Idea. When you gloss over a subject from 50,000 feet in the air, as those big books often do, you can feel a sense of dangerous knowingness. You’ve been insulated from the gnarly details; you think you know what’s going on, but you really don’t.

In contrast, when you dive obsessively into a single, narrow subject, it humbles you about about the state of your overall knowledge. If there’s this much to know about cod — or pencils, or champagne and salt and ice and gramophones? Then you become usefully aware not of your knowledge but of your overall ignorance. You’re reminded that, as ever, that the devil’s in the details.

To paraphrase Rick from Casablanca, when it comes to history books I’m a true (small-d) democrat. I’ll take ‘em long or short, expansive or narrow. But I totally share Thompson’s love of microhistories. I just finished one recently for a book club (American Buffalo: In Search of a Lost Icon by Steven Rinella) and have enjoyed many more, including:

  • Now I Sit Me Down: From Klismos to Plastic Chair by Witold Rybczynski
  • A Thread Across the Ocean: The Heroic Story of the Transatlantic Cable by John Steele Gordon
  • The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century’s On-Line Pioneers by Tom Standage
  • Longitude by Dava Sobel

Presidential trivia pursuit

One of the chief pleasures of my presidential biography mission is the accumulation of historical trivia.

These factoids aren’t good for much except trivia nights and some Jeopardy! categories, but they fascinate me nevertheless—and illustrate that history is a lot richer than just a boring list of dates in a textbook.

A few tidbits I’ve gathered:

  • James Buchanan is the only bachelor president
  • Woodrow Wilson was the first president since John Adams to deliver his State of the Union address before Congress in person
  • Herbert Hoover was the first president to have a phone on his desk
  • Theodore Roosevelt chased down boat thieves for 36 hours straight in the Dakota Territory while also reading Anna Karenina
  • Andrew Jackson killed a man in a duel
  • The only two 20th century presidents not to golf while in office: Harry Truman and Jimmy Carter (heroes)
  • Per Thomas Jefferson’s utopian vision of self-government, the University of Virginia (which Jefferson founded) had no president until 1904
  • To avoid attending the Republican National Convention in summer 1928, Calvin Coolidge stayed in northern Wisconsin and fished on the Brule River; Herbert Hoover visited and they fished together
  • James Polk’s first client as a lawyer in 1820 was his father for public fighting; he secured his release for a $1 fine
  • George Washington presided over the Constitutional Convention but, perhaps unsurprisingly, spoke only once
  • James Madison technically had two birthdates due to the change from Julian to Gregorian calendar systems
  • As an 8 year old, John Quincy Adams personally witnessed the Battle of Bunker Hill
  • John Tyler was in 1844 the first president to decline to seek a second term
  • William McKinley and Rutherford B. Hayes served in the same Ohio regiment during the Civil War
  • Hayes’ wife Lucy hosted the first White House Easter Egg Roll in 1878 after Congress banned it at Capitol
  • Harry Truman was the first vice president to have Secret Service protection, and the first president to invite his successor (Eisenhower) to the White House post-election

My favorite presidential biographies (so far)

Ever since reading Doris Kearns Goodwin’s excellent Abraham Lincoln biography Team of Rivals years ago, I’ve been fascinated by the lives and times of U.S. presidents. So much so that I made a goal to read a substantive biography of every U.S. president.

This goal isn’t motivated by politics. If anything the legislative minutiae, policy discussions, and battlefield play-by-plays are usually the dullest parts of these books. I’m simply fascinated by the peculiar power of the presidency and the stories of the men who have wielded it—even if (and when) they don’t live up to our twenty-first century expectations.

Any biography I read will teach me something, regardless of the likeability of the subject or overall quality of the book. But the best of them combine compelling prose, insightful commentary, and strong storytelling that fairly recount the person’s life while contextualizing and sometimes criticizing their decisions or behavior.

With 19 down out of 45 currently, I’m nearing halfway through this literary mission, so I thought it would be a good time to check in with what I’ve read so far.

I’ve mostly stayed away from more recent presidents, preferring books that have at least a little historical distance from their subjects. (Outside of George Bush Sr., the most recent president I’ve tackled is Harry Truman.) I also endeavor to only read meaty, single-volume biographies that make this expedition feel substantive and worthwhile (if slightly masochistic).

All that said, here are a few titles that have stood out thus far, in no particular order. 

Rutherford B. Hayes: Warrior & President by Ari Hoogenboom

For a long time the only things I knew about Hayes were that his heavily disputed 1876 election ended the Reconstruction era in the former Confederacy, and that he was one of those forgotten presidents between Lincoln and Roosevelt with cool facial hair. But I soon learned that Hayes was a lawyer who became an abolitionist and defended escaped slaves, a brigadier general in the Civil War who was shot in the arm in the Battle of South Mountain yet still led his men to victory, and a post-presidency education reform advocate who helped found Ohio State University. Not bad for a forgotten one-term president.

The Rise of Theodore Roosevelt by Edmund Morris

This is the first (and Pulitzer Prize-winning) book in a trilogy about Teddy Roosevelt, who might be the most impressive president we’ve ever had. It chronicles the crowded years of his pre-presidency life, which began as a sickly yet bright child who by 25 became a best-selling author and bull-headed New York legislator, then continued as a young widower who served as a Dakota sheriff, New York City police commissioner, Navy secretary, Army colonel, and New York governor, all before becoming president at 42. Energetic, fun-loving, and extremely intelligent, Roosevelt is a biographer’s dream and one of my history crushes.

John Quincy Adams: A Public Life, A Private Life by Paul Nagel

From birth, John Quincy Adams lived within a shadow. His father, John, the legendary Founding Father and fiery orator, pushed John Quincy hard in his studies and inspired him to greatness. But the greatness JQA achieved—e.g. speaking multiple languages, serving as George Washington’s minister to the Netherlands at age 26—always seemed to forestall his desire to live a quiet, scholarly life away from politics and his father’s prodding. Historian Paul Nagel captures all of this in addition to Adams’ unimpressive term as president and surprising final act as an ardent abolitionist congressman. (Another bit of trivia: He was probably the only person to have known both George Washington and Abraham Lincoln personally.)

The Presidents Club: Inside the World’s Most Exclusive Fraternity by Nancy Gibbs and Michael Duffy

The standard photo-op of a new president standing cordially with all of his living predecessors is common, but that wasn’t always so. Herbert Hoover and Harry Truman created the so-called “former presidents club” in the 1950s, and since then the relationships formed behind the scenes between members have often been surprising (like with rivals-turned-best-friends George Bush Sr. and Bill Clinton) and sometimes subversive (like when Richard Nixon deliberately sabotaged Lyndon Johnson’s peace talks in Vietnam to aid his own 1968 campaign). The book is a fascinating account of how the private and public lives in “the world’s most exclusive fraternity” have interweaved throughout modern political history.

Other favorites:

On Paper Trails and Typewriting Females

I just finished reading Cameron Blevins’ new book Paper Trails: The US Post and the Making of the American West, which I learned a lot from (see my full notes and quotes from the book below).

One thing that popped out to me was the role of women in the Post Office’s workforce. Women made up two-thirds of all Post Office employees by the end of the 1870s, with the Post Office itself accounting for 75% of all federal civilian employees at the time. This made it a vital source of work for women early in the movement for women’s suffrage.

Their chief work was within the Topographer’s Office, which produced maps of postal routes. The layout and drawing of the maps was done by men (it was actually called “gentlemen’s work”). But the “ladies’ work” of coloring the routes according to frequency of delivery was arguably just as if not more important, because it added the dimension of time to the otherwise inert graphics and kept the maps up to date and therefore useful.

This wasn’t easy given the constantly changing routes and limitations of paper. As Blevins put it: “These women were, in effect, trying to paint a still life while someone kept rearranging the fruit.”

All this was on my mind when I saw Richard Polt’s Instagram post for International Typewriter Day.

I’m not sure how much typewriters factored into the work of the female “colorists” given its graphical nature, but the people’s machine without a doubt contributed to the societal sea change happening concurrently as women marched first into offices and then, eventually, the voting booth.

Anyway, I recommend Paper Trails primarily for history nerds—specifically 19th century America. The academic writing is refreshingly accessible and peppered with illustrative graphs throughout. I’m happy to file it under my “technically first” series of books about how innovative technologies came into being.

Notes & Quotes

(more…)

Down from Basswood: Voices from the Boundary Waters

A friend of mine recently moved to northern Minnesota’s Iron Range. He said he’d been looking online for information about the region when he stumbled upon mention of an obscure book that was supposed to really capture the area well. It was the short story collection Down from Basswood: Voices from the Boundary Waters by Lynn Maria Laitala, and having now finished it I can say it’s one of my favorite reads in a long time.

I’ve never been to the Boundary Waters. I had a chance in high school to take a canoe/portaging trip with other kids in my youth group, but I didn’t go and regret it. I do, however, have lots of memories in northern Wisconsin, where I’ve spent time fishing, hunting, and exploring. That experience, combined with my interest in the stories of people from the Northwoods and my family history (more on this later), made this book a big, bright green light.

If not for my friend’s strong recommendation, I probably would have never heard of this book or given it much of a chance if I had. This is mostly for superficial reasons: it has an amateur, self-published look (excepting the beautiful chapter-heading illustrations by Carl Gawboy, as sampled in this post) and contains far too many basic and frankly egregious editing errors.

I’m glad I pushed past my pedantry and focused on the storytelling, because it’s exceptional.

About the book

Spanning several generations, from the early twentieth century to the 1970s, each of the 27 relatively short and standalone stories are told from a different person’s perspective around the northern Minnesota town of Winton. (The Genealogy of Characters was very helpful for orienting myself throughout the book.) Each story intertwines and overlaps with the others, both explicitly—through shared characters and setting—and implicitly, through common themes of people struggling against nature, their kin, and themselves.

Laitala’s brief preface is worth quoting in full because it sets the stage well for the rest of the book:

The Minnesota Historical Society hired me to collect oral histories in northern Minnesota after I went home to Winton in 1974. I designed a questionnaire to elicit information for scholarly use. My first aged informant patiently answered the formula questions; then he said, “That isn’t how it was, Lynn.” When I learned to listen, people told me intimate stories of love and loss, failure and grief.

In 1978 federal legislation made the Boundary Waters—including Basswood Lake—a legal wilderness, a place without history. Inspired by the oral histories and wanting to memorialize the old spirit of the border country, I began to write these stories.

Down from Basswood is told in many voices, the way I learned the history of the place.

Laitala movingly memorializes “the old spirit” of this region by exploring two of its people groups—the Chippewa natives and the Finnish immigrants—and how they struggled to cobble together an existence in a hardscrabble time and place.

A family connection

Being one-third Finn myself, I take a vicarious pride in Finlanders both past and present. My grandpa Cliff was even more Finnish than I am: he spoke the language and, as an FBI agent, was eventually stationed in Superior, Wisconsin, largely due to his heritage. (According to his memoir, it was his supervisor who thought “because I was of Finnish extraction that I should go where the Finns were.”) He was there for 24 out of his 25 years in the FBI—an unusual feat given how most agents were in multiple offices. He would have had lots of experience with the Finnish community and specifically the Finnish communists, given how virulently anti-communist J. Edgar Hoover’s FBI was at the time.

Also part of his job was investigating crimes in the region’s Native American reservations, which at the time were under federal (rather than state) jurisdiction. Undoubtedly this would have influenced his views of the indigenous tribes he encountered, but how exactly I’ll never know.

A master class of insight

I do wonder what he would have thought of this book, because it doesn’t succumb to the worn tropes of Native Americans in fiction. Quite the opposite: Laitala’s ability to empathize with all her characters while maintaining an observer’s distance turns the book into a master class of keen insight, both at the sentence level and through the overarching narrative.

Like this sentence from chapter 4 (“Burntside Spring”):

Frogs were singing along the riverbanks and the great cloud of sorrow that enveloped me lifted just enough for me to realize that Matt must be lonely.

This is from the perspective of Kaija Lahti, a grieving and pregnant widow who took in Matt, a stranger and fellow Finnish immigrant, as a farm worker. He’d returned wearily from a long day. By pausing to take note of the frogs and other sensory cues from her surroundings, Kaija could get present, step outside her own skin, and see another person’s struggles as just as important as hers.

Another thing that was so invigorating about the book was how much I learned. Knowing it’s based on real people’s testimonies and the author’s own experience helped illuminate a whole world and collective of people that are too often kept in the dark.

Chapter 5, for instance (“When Darkness Reigns”), serves as a mini seminar on Finnish communists, logging camps, the IWW, and how abuses of power by corrupt governments and bosses can perpetuate socioeconomic hardship. Other stories shine a light on the gritty work of mining, conflicts with the Bureau of Indian Affairs, true outdoorsmanship as a way of life, and the immigrant’s struggle between expectations and reality.

The book also follows people finding grace even in defeat, as is the case with Aina in chapter 7 (“Children of God”):

I would never find happiness if I had to change the world in order to be happy but that didn’t mean that I had to accept persecution and abuse. I found happiness doing what I knew was right. When I defied people who abused their power—the steel trust, the clergy, the deputies, my brother, my father, my husband—I had felt God’s grace. “You’re smiling,” Arvo said to me one day, angrily, reproachfully. I smiled more broadly.

Updating my priors

Another unexpected development was the appearance of Sigurd Olson, the late wilderness guide, nature writer, and author of The Singing Wilderness, one of my favorite nature books. He’s portrayed in a few of the stories as a well-meaning but patronizing buffoon—and worse, as an opportunistic interloper who exploited the lands and indigenous people he romanticized for his own financial gain.

Specifically, chapter 10 (“Jackfish Pete”) has Olson waxing rhapsodic about the supposed uncivilized wilderness his indigenous guides know actually to be long settled and familiar land to the locals. On the contrary, they claim:

There’s more to living up here than paddling and portaging. It takes skill for a man to provide for others. It’s not as simple as paddling through, catching a few fish, maybe shooting some ducks. A man gets his honor by taking care of other people, being generous. That was the Chippewa way.

How closely Laitala’s portrayal of Olson hews to reality is hard to discern, but given her source material and Olson’s documented role in promoting the Boundary Waters, it’s not hard to imagine it being uncomfortably incisive.

Making wilderness

But that’s just what she does in Down from Basswood, chapter after chapter. At just over 200 pages it has the concise, spartan writing style of a journalist not wanting to waste words, yet beneath those words are an evocative depth befitting the multi-generational epic it truly is. In that way it felt like Wendell Berry’s Port William stories and Joel & Ethan Coen’s 2018 anthology film The Ballad of Buster Scruggs condensed into a single volume you’d be able to read in a day but actually couldn’t for its sheer richness.

I’ll conclude with a passage I consider to be one of the defining metaphors of the whole book. It’s from chapter 21 (“Clearances”), which finds Emily—a second-generation Finnish American teen who’d endured a traumatic childhood like most of her peers—walking with her date alongside a work zone demolished in preparation for the coming freeway:

I got off the wall, walked up the front walk that ended in a pile of rubble and picked a tulip. I peered into its dark center.

“On Basswood they say they’re restoring the past and here they’re supposed to be clearing for the future,” I said, “but it looks the same. Making wilderness—places where man passes through and does not remain.”

Eric didn’t answer. He was already moving on.


Favorite quotes

  • Charlie called Ira “bourgeois”, or big shot, because he sat between them in the middle of the canoe. In the fur trade days, the bourgeois were the men who didn’t want to work. The Indians laughed at them because paddling is the joy of traveling.
  • When Aunt lay dying she said to me, “Don’t harden yourself to death, Mary, because if you do, you will harden yourself to life.”
  • Frogs were singing along the riverbanks and the great cloud of sorrow that enveloped me lifted just enough for me to realize that Matt must be lonely.
  • I was wounded in the Battle of Mukden. Over 8000 men were killed, more than 50,000 wounded. It’s hard to imagine, when you hear those numbers, that each was a man who once delighted in the freshness of spring.
  • As I carried gear into the tents, Magie jerked his head in my direction. “Finlander,” he said. One of the officials laughed. “Weak minds but strong backs.”
  • Spring peepers trilled their shrill evening song and I heard them with my heart.
  • I would never find happiness if I had to change the world in order to be happy but that didn’t mean that I had to accept persecution and abuse. I found happiness doing what I knew was right. When I defied people who abused their power—the steel trust, the clergy, the deputies, my brother, my father, my husband—I had felt God’s grace. “You’re smiling,” Arvo said to me one day, angrily, reproachfully. I smiled more broadly.
  • There’s nothing I like better than a meal of fresh fish—but fight fish for sport? If you look at it one way, it’s torturing creatures for fun. Look at it another, you’re playing with your food.
  • There’s more to living up here than paddling and portaging. It takes skill for a man to provide for others. It’s not as simple as paddling through, catching a few fish, maybe shooting some ducks. A man gets his honor by taking care of other people, being generous. That was the Chippewa way.
  • In school, the teachers talked about a great America beyond the woods and lakes, beyond men in ragged overalls who worked on rock farms and in lumber camps, beyond women who spoke Finnish and danced to accordion music on Saturday nights. America, the land of opportunity, was somewhere else.
  • My cheek pressed into the rough wool shirt. I smelled spruce and woodsmoke, heard the thumping of Jake’s heart. “Do you have to go home today?” he asked. “No,” I said. I was home.
  • Legend has it that a Finnish man once loved his wife so much that he almost told her.
  • Only sometimes, when I sit near the shore at my cabin watching the waves ebb in the waning light of the midsummer sun, does my heart fill with old yearnings.
  • My parents say the immigrants were fools who expected to find streets paved with gold. They got hardship and misery. But if you go out walking in the early spring when the marsh marigolds run riot, you will find the woods carpeted with gold.
  • On Basswood they say they’re restoring the past and here they’re supposed to be clearing for the future, but it looks the same. Making wilderness—places where man passes through and does not remain.
  • It’s easier to find two sides in history than in life.
  • The sounds that break the silence of the north are haunting sounds—the crying of the wolves, the loons, the wind.
  • Things seldom turn out the way we expect them to.
  • You know what I liked about the culture? Tolerance, frugality, humor, generosity. How do you restore that with funding? Those are the things that money destroys.

Winston Churchill’s memo on brevity

I’m reading Erik Larson’s latest book The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz and appreciated his spotlighting a memo Churchill sent out to his cabinet with the title “Brevity.” Highlights:

To do our work, we all have to read a mass of papers. Nearly all of them are far too long. This wastes time, while energy has to be spent in looking for the essential points.

I ask my colleagues and their staffs to see to it that their Reports are shorter. …

Let us have an end of such phrases as these: “It is also of importance to bear in mind the following considerations…”, or “Consideration should be given to the possibility of carrying into effect…”. Most of these woolly phrases are mere padding, which can be left out altogether, or replaced by a single word. Let us not shrink from using the short expressive phrase, even if it is conversational.

Reports drawn up on the lines I propose may at first seem rough as compared with the flat surface of officialese jargon. But the saving in time will be great, while the discipline of setting out the real points concisely will prove an aid to clearer thinking.

Despite being a fan of all things typewritten, I don’t envy all the poor secretaries who had to bang out said “woolly phrases” in countless memos and copies of memos and replies to memos—all of which would have required a lot more physical exertion than whipping out an email does today.

The full memo:

Hernando Columbus at the Sistine Chapel

Edward Wilson-Lee’s The Catalogue of Shipwrecked Books: Christopher Columbus, His Son, and the Quest to Build the World’s Greatest Library is a fascinating book for many reasons. It covers an era of history I’ve rarely visited, so that in itself felt like an adventure.

By following the life of Hernando Columbus, the bastard son of Christopher Columbus, the book takes detours that venture beyond the well-worn paths of history that are familiar to most people.

One such detour finds Hernando in Rome on legal business:

As the Sacra Rota was not in session on All Souls’ Day (November 1) 1512, Hernando was free to go to the Apostolic Palace that day to witness the unveiling of Michelangelo’s ceiling frescoes in the Sistine Chapel, as the rest of Rome did (according to an eyewitness) “even before dust that had been raised from taking down the scaffolding had settled.”

The Sistine Chapel in The Vatican

He just happened to be in Rome and just happened to have the day off, so he was able to see the debut of one of the most famous artworks in history. Of all the gin joints in all the world…

This kind of thing is one of the many reasons I love reading history. You get to watch people cross paths with other historically significant people, places, or things before they’re historically significant. It’s like being an omniscient time traveler with Ebenezer Scrooge-like observation powers, but untethered from your own life.

In other words: “History has its eyes on you.”

An Iceberg to Remember

One of my favorite books of all time is Walter Lord’s A Night to Remember, a retelling of the Titanic’s demise. I finally got around to watching Roy Ward Baker’s 1958 film adaptation of the book on a beautiful Criterion Blu-ray from the library, and it got me wondering: what about the iceberg?

In both the 1958 film and James Cameron’s mega-blockbuster, we get some ominous shots of the iceberg as the ship tries to avoid it, and then some ice chunks sliding across the deck. But after that, the iceberg disappears. For how much we know about the Titanic and its passengers, there’s far less out there about what turned the Titanic story into legend.

I love this article from Gizmodo that charts the iceberg’s incredible journey, beginning as “snowfall on the western coast of Greenland somewhere around 1,000 BCE” and ending when it “likely broke off from Greenland in 1910 or 1911 and was gone forever by the end of 1912 or sometime in 1913.” In all likelihood, “the iceberg that sank the Titanic didn’t even endure to the outbreak of World War I, a lost splash of freshwater mixed in imperceptibly with the rest of the North Atlantic.”

Despite that, we have pictures of it! Not an easy feat in 1912:

In the parlance of The Rewatchables podcast, this may be one of the greatest heat-check performances by a natural formation in history. Basically comes out of nowhere, ventures far beyond where it should be, gets suddenly and violently rammed in the middle of the night by an enormous ship, then melts away within the year.

Such an improbable journey dovetails with the fate of the Titanic itself, as Lord wrote in the original book:

What troubled people especially was not just the tragedy—or even its needlessness—but the element of fate in it all. If the Titanic had heeded any of the six ice messages on Sunday . . . if ice conditions had been normal . . . if the night had been rough or moonlit . . . if she had seen the berg fifteen seconds sooner—or fifteen seconds later . . . if she had hit the ice any other way . . . if her watertight bulkheads had been one deck higher . . . if she had carried enough boats . . . if the Californian [just ten miles away] had only come. Had any one of these ifs turned out right, every life might have been saved. But they all went against her—a classic Greek tragedy.

Ghost Papas: Fatherhood in ‘The Patriot’ and ‘Interstellar’

I recently rewatched The Patriot for the first time in a long while. I was big into this movie as a lad, so rewatching it as a thirtysomething dad was something of an experiment to see how my adolescent tastes hold up.

There’s good (John Williams’ score, Mel Gibson as likeable movie star) and bad (how benign slavery is depicted in colonial South Carolina, a lot of the writing and acting to be honest).

But there was one aspect of The Patriot I appreciated completely differently than before, and that’s the depiction of fatherhood. I also noticed just how much the movie shares in common in that regard with an entirely different movie: Christopher Nolan’s 2014 sci-fi epic Interstellar.

(Here be spoilers.)

There were two moments in The Patriot that kinda breezed past me before but totally annihilated me this time around.

“We named him Gabriel”

The first act finds Gibson’s Benjamin Martin as a kindly if emotionally distant father butting heads with his oldest son Gabriel (Heath Ledger), who joins the Continental Army against Benjamin’s wishes, and his second-oldest, Thomas, who’s eager to join once he’s old enough.

When the British kill Thomas and capture Gabriel, Benjamin enlists the younger sons, Nathan and Samuel, to ambush the British unit and rescue Gabriel. All three sons survive but then witness, a bit stunned, their father’s repressed brutality unleashed in a fit of rage and grief for Thomas.

Benjamin and his sons respond to this differently. Gabriel rejoins the war effort. Nathan expresses pride in the ambush. The younger Samuel withdraws into a post-traumatic cocoon. And Benjamin succumbs to shame: for failing to protect Gabriel and Thomas, for subjecting the younger boys to the terrors of war, and for letting his violent past overcome him.

Yet the ambush earns him a serendipitous (for my purposes) nickname: the Ghost. It’s fitting for his subsequent militia fighting style, with its emphasis on guerrilla tactics and ability to evade capture. But it also signifies his presence—or lack thereof—in his children’s lives.

He carries all of this and more into the climactic battle, where he finally avenges the deaths of Gabriel and Thomas at the hands of the ruthless Colonel Tavington. Before heading home, Benjamin says goodbye to his friend and fellow soldier General Burwell (Chris Cooper), who tells him that his wife recently gave birth to a son.

“We named him Gabriel,” he says. It’s such a simple moment, elegantly delivered by Cooper, that manages to avoid mawkishness and serve as an emotional capstone to Benjamin’s long journey, which included losing two sons and his home.

“Papa, don’t go!”

Back on the daughter side of the Martin family, Susan is the youngest child and most distant to Benjamin. She refuses to speak to him, whether due to her still grieving the loss of her mother or being resentful of Benjamin’s long absences. Even after he visits the family while on furlough, she continues to stonewall him.

But when he sets off yet again, she finally lets go:

Papa! Papa, please don’t go. I’ll say anything. Just tell me what you want me to say and I’ll say it.

Reader, I cried. It’s a wrenching moment of a father and child equally longing for connection before yet another separation. I couldn’t bear to consider such a moment ever befalling me and my son—now a rascally and wondrous 18 month old.

It didn’t matter to Susan that Benjamin was riding off to avenge his sons and fight for a political cause. Her Ghost was disappearing again, and she finally had something to say about it.

And this is where Interstellar comes in.

(Again I warn of spoilers.)

“Ghost of your children’s future”

A key motif in Christopher Nolan’s near-future, time-bending space drama (a recent subject on Filmspotting’s Oeuvreview, a series I helped coin) is the “ghost” that young Murphy claims is haunting her room and sending her messages in Morse code. Her pilot father, Matthew McConaughey’s Cooper, is leaving on a mission that will take him decades in Earth-time to complete, but the despondent Murph insists the ghost’s message is telling him to stay.

In a heartbreaking scene, Cooper comes to her room to say goodbye and offers a bittersweet reflection on parenting:

After you kids came along, your mother said something to me I never quite understood. She said, ‘Now we’re just here to be memories for our kids.’ And I think that now I understand what she meant. Once you’re a parent, you’re the ghost of your children’s future.

Cooper’s prophecy comes true when he completes his mission and then, in another heartbreaking scene, watches years’ worth of messages from his kids, who bitterly rue his absence:

We also discover that the ghost in Murph’s room was actually Cooper himself, trying to communicate with Murph from across spacetime.

And that’s where Benjamin and Cooper—an 18th-century soldier and a 21st-century astronaut—also have now magically linked across spacetime: as fathers desperate to return to their children, and not merely as phantoms of themselves. They even share their goodbyes:

  • Benjamin to Susan: “I promise I’ll come back.”
  • Cooper to Murph: “I love you forever, and I’m coming back.”

A Hollywood cliché? Maybe. Would I say it and mean it to my own child? Absolutely. Which is not something I would have predicted as a youngster.

Perhaps that’s the benefit of rewatching movies at different life stages. As Roger Ebert wrote about why he loved La Dolce Vita so much: “Movies do not change, but their viewers do. The movie has meant different things to me at different stages in my life… It won’t grow stale, because I haven’t finished changing.”

Having been working from home since mid-March, I’m incredibly lucky to have had more time with my son that I would have otherwise spent away at work or on my commute. “Kids spell love T-I-M-E,” my own dad has said. It’s an insight that The Patriot and Interstellar have made ever more resonant.

Statues and ‘Star Wars’

In an email thread about the controversies surrounding the removal of statues, I suggested we relocate all statues to museums and use the space for parks and Little Free Libraries.

But that’s destroying history! First Amendment!

Statues aren’t history, as this Twitter thread by Elle Maruska articulates well:

Statues are mythology. Statues are hagiography. If you care about history as a discipline, as a way of analyzing the past, tear down every single statue.

Somehow, the history of Nazi Germany is available without statues of Hitler in every German square.

We can somehow still access the history of Mussolini’s rule without having statues of him in Rome.

We know about Ceaușescu without his stone visage glaring out over Bucharest.

Statues tell us about how we understand the present, not the reality of the past. Statues teach us nothing but who we find worth elevating into godhood. Statues are about the lies with think are worth believing in. Statues aren’t history.

The recent spate of statue removals run the gamut from coordinated (Theodore Roosevelt’s) to chaotic (Madison’s). But all of them share the same underlying sentiment, as articulated by Kylo Ren in The Last Jedi (the only good Star Wars movie):

Let the past die. Kill it if you have to. That’s the only way to become what you were meant to be.

The irony of this sentiment is Kylo spends the entire movie trying to actually kill connections to his past but still can’t fully shake them. (After all, the past isn’t past.) As James Whitbrook writes:

So maybe “Let the past die” needs to be paired with another great quote about legacies from The Last Jedi—something Yoda says to Luke, as they watch the glowing embers of the burning tree on Ahch-To: “We are what they grow beyond.”

Just as Rey learns and grows beyond what Luke and his failures can teach her—just as she steals away those ancient Jedi texts before they can be destroyed forever, to potentially build upon their ideas herself—so must Star Wars as a franchise if it’s going to keep adding more and more stories to its ever-growing saga. Respect its past, learn from it, and let it go and move on.

As a long-running franchise and “ever-growing saga” itself, America needs to take the best of its past and let go of the rest.

Which isn’t the same as forgetting or destroying it. To me it means severing ties from two contrasting yet equally toxic and “bitter clinging” impulses: nostalgia, which insists the past was better than the present, and resentment, which only finds fault with it.

Let the past be only what we grow beyond.

Ideology and ‘Information Hunters’

When I first heard of the new book Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe by Kathy Peiss, I thought it was so far up my alley it should have just moved in.

The book tells two primary, interweaving stories:

  • how the information-collecting missions of the Library of Congress, OSS, and the Allied forces conflicted and aligned before, during, and after the war
  • how individuals engaged with those missions on the ground

One person’s story that stood out was Maria Josepha Meyer, employed by the Library of Congress and the publisher Hachette to collect books, documents, propaganda, and any other useful material in pre-occupation Paris. When the Nazis invaded in June 1940, she found herself trapped in Paris with no money and an expired passport. She eventually got an export permit from the Germans for her professional library, personal effects, and furniture, and at the last minute swapped her furniture for the war collection she would have been forbidden to ship.

Another was Adele Kibre, an academic who found herself spearheading a clandestine microfilming operation in Stockholm as a way to send foreign publications to OSS for intelligence gathering. Microfilm technology was in its infancy, so quality varied generally. But Kibre’s results were clear and consistent despite her limitations and the secrecy required.

A central figure in the book was Archibald MacLeish, the poet and writer who served as Librarian of Congress from 1939-1944. His work with William Donovan to develop the Research & Analysis branch of OSS helped modernize the Library of Congress and push it beyond the traditional understanding of libraries as neutral providers of books and information.

Peiss:

With the growing international crisis, [MacLeish] raised the stakes for books and democracy, calling upon librarians to be not merely custodians of culture but defenders of freedom. Like Donovan, he had perceived the dangers of fascism early and believed in American intervention. As an artist, intellectual, and the nation’s leading librarian, he was convinced, as he later put it, that ‘the country of the mind must also attack.’

As MacLeigh wrote in 1940, the keeping of war-related records “is itself a kind of warfare. The keepers, whether they wish so or not, cannot be neutral.”

As much as I’d like to view libraries as places that don’t discriminate or take ideological stands, the right to read is itself an ideology, as are the rights to privacy and access. Despite being taken for granted in democratic and literate societies, they must be believed in, fought for, and defended like any other ideology. (Notice too the war-like language.)

Peiss’s book examines how people and institutions reckoned with that dilemma in extraordinary situations. Overall, I found the parts about the people much more engaging than the broader institutional machinations, which often get bogged down in the acronyms and esoterica endemic to academia, government, and the military.

But if that sort of thing is your jam, Information Hunters is right on target.

(See also: The Book Thieves by Anders Rydell and When Books Went to War by Molly Guptill Manning.)

Making Migrant Mother

You probably know of Dorothea Lange’s famous 1936 photograph “Migrant Mother” (aka Florence Owens Thompson), an icon of the Great Depression. Perhaps you don’t know, as I didn’t, just how much the photo was staged and later altered.

Evan Puschak of the video series The Nerdwriter breaks down the photo’s origin, the alterations (ghost thumb!), and the other photos from the session (h/t Kottke):

Long Quotes on the ‘Prairie Fires’

Caroline Fraser’s Prairie Fires: The American Dreams of Laura Ingalls Wilder is about 150 pages too long, and spends a lot more time with Laura’s daughter Rose than I expected or desired. But the first third of the book, with the Ingalls family and Laura as a young adult, was quite illuminating. (Great Scott am I glad I don’t live on the prairie in the late 1800s!)

The Little House novels and TV show were, shall we say, not quite accurate. But they certainly contain a grain of truth, as Fraser writes about the Ingalls family’s time in Kansas in 1870-71:

In a brief and concentrated span of time, the Ingallses had experienced virtually everything that would come to be seen as quintessentially Western: encounters with wolves and Indians, angry disputes over open range, prairie fires, neighbors coming to their aid. Although they would retreat for a time to Wisconsin, an enduring impression had been made, one that would strengthen over the years as the family moved. From the open doorway of a tiny log cabin, Laura had watched as a parade of Western iconography passed by. It was as if the spirit of manifest destiny had been imprinted in her memory, leaving a series of stereoscopic images, each more dramatic than the one before, each intensely experienced and utterly unique, yet emblematic of all western settlement. The family spent little more than a year on the Kansas prairie, but it shaped her temperament and outlook for the rest of her life. That year made her who she was.

Another quote rang relevant to today. Powell, a Civil War hero and the director of the U.S. Geological Survey, warned that the West (today’s Great Plains states) was too arid for farming and spelled bankruptcy for farmers. He advocated cooperative irrigation and grazing schemes, but “bonanza farms” promoted by Big Business at the time offered get-rick-quick fantasies that were much more alluring:

Fundamentally, the question was whether national decisions of significant economic import, affecting thousands of citizens, would be governed by Enlightenment science or by huckster fantasy. The outcome was immediately clear to anyone reading the newspapers: fantasy won. In a campaign comparable to modern-day corporate denial of climate change, big business and the legislators in its pocket brushed Powell’s analysis aside. Railroads were not about to capitulate to the geologist’s limited vision, and his plans as director of the U.S. Geological Survey to limit western settlement would be undermined by intense political attacks. James B. Power, land agent for the Northern Pacific—who had earlier admitted that Dakota was a “barren desert”—dismissed Powell as an elite intellectual, lacking the experience of “practical men.” “No reliance can be placed upon any of his statements as to the agricultural value of any country,” Power said. For good measure, he called the geologist “an ass.”

Shorter Power: “Fake news!”

Go Pack Horse Librarians, Go!

One podcast that survived my recent purge is The Keepers, a series from The Kitchen Sisters and NPR.  The series features:

“stories of activist archivists, rogue librarians, curators, collectors and historians. Keepers of the culture and the cultures and collections they keep. Guardians of history, large and small, protectors of the free flow of information and ideas, eccentric individuals who take it upon themselves to preserve some part of our cultural heritage.”

The latest episode is about the “Pack Horse Librarians,” a group of women in 1930s rural Kentucky who brought books to isolated areas. The Depression-era WPA paid their salary of $1 per day; everything else was their responsibility, including renting the horses and collecting donated books and magazines to distribute.

It’s an inspiring, well-told story that shows the value of preserving local history.

The Opposition in the WCTU archives

The Frances Willard House Museum & Archives has an extensive collection of books, articles, reference material, and other educational media on topics of all kinds. I’ve looked through hundreds of books and boxes in the WCTU archives, which hold some material as old as Willard herself. Among these titles are subjects you’d expect: medical treatises, temperance sermons and literature.

But I also found things you wouldn’t expect, like the back catalog of The Brewers Journal and anti-temperance literature. One of these “opposition” titles popped out in my recent archival digging. A Prohibition Primer, published in 1931 by an anonymous author and a “liberty-loving Publisher”, is a short but sharp tongue-in-cheek rejoinder to Prohibition and the temperance movement.

Chapters like “What Is Silly About Prohibition?” and “Why Is It Right To Disobey Prohibition?” are embellished by cheeky illustrations that show the “horrors of drink according to Prohibitionists” and caricature temperance advocates as a ghastly, scolding jack-in-the-box. Conversely, a bootlegger with a dapper three-piece suit is given a halo and deemed “a necessary evil.”

Paired with the illustrations, the simple and didactic writing style is aimed directly at children (or adults looking for a laugh):

“At school, if there is anybody you hate more than a big, bullying candy-stealing boy, it is a tattletale. Well, Prohibition is filling up our country and especially its Government offices with the kind of men and women who were tattletales when they were children and have never learned enough to get over it.”

What’s probably obvious by now is that it’s not terribly generous toward the temperance movement:

“From about 1820 on they began trying to force their ideas on everybody. They made speeches in halls, at lectures, in the churches, on the streets. They had ministers preach from their pulpits that it was wicked to drink alcohol. The more they talked the more excited they got. The more excited they got the more things they said that weren’t true and couldn’t be proved.”

How seriously the WCTU worried about their public reputation is hard to say. The book was published not long before the 21st Amendment repealed Prohibition, so the movement’s influence was already waning. Regardless, call it opposition research or just plain savviness; the WCTU knew it was important not just to “Do Everything“, but to Know Everything, especially their rhetorical enemies.

Grant me a Roosevelt biopic

Why didn’t anyone tell me there are Ulysses Grant and Theodore Roosevelt biopics in the works from Steven Spielberg and Martin Scorsese? And that Leonardo DiCaprio is attached to star in both of them?

The Hollywood Reporter asked a bunch of historians whether Leo should play Grant or Roosevelt. Looking at their pictures above I’d say he could pull off either. My preference is that he plays Roosevelt and Jared Harris plays Grant as he did in Spielberg’s Lincoln.

More important to me, though, is what kind of biopic they will be. Will they be like Lincoln, beautifully made, regal, and safe but not comprehensive, focused on a specific moment instead of the full life? Will they be like J. Edgar—or a Scorsese’s The Aviator for that matter—which tried to pack in decades of history and aging makeup, to the detriment of a cohesive and compelling portrait?

Or will they be something else entirely? I hope so. Love me some Lincoln, but Grant was no Lincoln. He deserves a director willing to go dark and gritty and avoid the hagiography that has recently started to envelope Grant.

Scorsese doing Roosevelt is growing on me though. Being a New Yorker himself will help him capture the fiery aspect of TR’s spirit, which has some modern resonance.

I’m gonna watch the hell out of these projects regardless.

Atlas of a Lost World

We think of ourselves as different from other animals. We extol our own tool use, congratulate our sentience, but our needs are the same. We are creatures on a planet looking for a way ahead. Why do we like vistas? Why are pullouts drawn on the sides of highways, signs with arrows showing where to stand for the best view? The love for the panorama comes from memory, the earliest form of cartography, a sense of location. Little feels better than knowing where you are, and having a reason to be there.

— from Atlas of a Lost World: Travels in Ice Age America by Craig Childs, a meaty and winding travelogue around North America investigating notable Pleistocene spots, like the Bering land bridge in Alaska and the woolly mammoth remains in Clovis, New Mexico.

I recently realized how fascinated I am with prehistoric people and their times: What was life like back then? How similar were Ice Age humans to us? Childs goes a long way in finding out, hiking through tundra and camping out in a polar vortex and trudging through Floridian swamps. Archaeology, anthropology, sociology, mythology, and philosophy all come into play.

“Science is useful,” he writes. “It fills in the blanks with precision, but history is ultimately more about stories and the unfolding of human whims.”

For the records

Dan Cohen ponders why some recent sci-fi films prominently feature libraries, archives, and museums:

Ever since Jyn Erso and Cassian Andor extracted the Death Star plans from a digital repository on the planet Scarif in Rogue One, libraries, archives, and museums have played an important role in tentpole science fiction films. From Luke Skywalker’s library of Jedi wisdom books in The Last Jedi, to Blade Runner 2049’s multiple storage media for DNA sequences, to a fateful scene in an ethnographic museum in Black Panther, the imposing and evocative halls of cultural heritage organizations have been in the foreground of the imagined future. …

… At the same time that these movies portray an imagined future, they are also exploring our current anxiety about the past and how it is stored; how we simultaneously wish to leave the past behind, and how it may also be impossible to shake it. They indicate that we live in an age that has an extremely strained relationship with history itself. These films are processing that anxiety on Hollywood’s big screen at a time when our small screens, social media, and browser histories document and preserve so much of we do and say.

Ready Player One is another recent example. And let’s give some love to the historical society in Back to the Future Part III. Read the rest here.

Quisling: What’s in a name?

In July 2016 I visited the Norway Resistance Museum in Oslo, which told the story of Norway’s occupation by the Nazis during World War II. A name that kept popping up throughout the museum was Vikdun Quisling, the Norwegian politician who collaborated with Hitler and seized control of Norway’s government during the occupation.

I wanted to know more about the man who put himself in that position. What compelled him? What happened in an occupied country during World War II? And how did his name instantly and internationally become synonymous with “traitor”?

Luckily there’s a book on him: Quisling: A Study in Treachery by Hans Fredrick Dahl. It’s definitely niche history—I had to get one of the few library copies via interlibrary loan—but as a part-Norwegian World War II buff this happened to be right up my alley.

The crux of this story is that Quisling honestly believed he was doing the right thing. Highly intellectual, aloof, and humorless, he dreamt of establishing Universism—his homegrown philosophy combining Lutheranism and science—as the “new world religion”, with Norway as the homeland of the supreme Nordic race. In that respect, along with his anti-Bolshevism and anti-Semitism, his eventual partnership with Hitler made perfect sense.

Once the Nazis occupied Norway, and its King and legislature had fled London with the other governments-in-exile, Quisling and his National Union party quickly filled the power vacuum, working with their Nazi occupiers to establish a fascistic, one-party authoritarian state.

But being an occupied country that officially was neither at peace nor at war with Germany stymied Quisling’s ambitions for a “new order” in Norway. (The goal of this new order? To stamp out the “destructive principles of the French Revolution: representation, dialogue, and collegiality”.) And since Hitler refused to discuss peace terms until the Axis had won the war, Quisling in his quasi-legitimate government was left to tussle with his German commissars from above and the Norwegian resistance movement from below.

Throughout it all, Quisling remained naively optimistic about leading an independent Norway into his utopian future. Even when Germany capitulated and the war was over, he assumed he’d take part in a peaceful transition back to the old Norwegian government. Instead, he was arrested, tried, and executed by firing squad at the Akershus Fortress, which, in a delightful irony, now houses the aforementioned Norway Resistance Museum.

Dahl’s book is admirably thorough, so most people will probably prefer the Wikipedia summary of his life story to a 400-page book elucidating the same. But I’m glad for such an in-depth study of a tragic figure at a crucial historical moment.

(And for the realization that one of the few spots the Quisling name lives on is in my hometown of Madison, Wisconsin, at the super-cool looking Quisling Clinic, which was founded by Quisling’s cousins.)

Notes & Quotes from the book

  • At military academy Quisling scored highest average examination in 100 years
  • Held high regard for Soviet organizational skills, if critical of Bolshevik policies
  • Skills were more organizational and staff-bound rather than executive and creative
  • Developed theory of Universism, which combined Christianity with modern natural sciences, especially physics
  • Original manuscript over 2,000 pages; final 700-page version from 1920s; dense and ambitious but not good
  • Dreamt of establishing Universism as ‘new world religion’, Norway as homeland of Nordic race; like “a combination of the United Nations and the Catholic Church”
  • Became a scholar of Soviet Union, studied Russian, and was appointed military attaché of Norwegian legation in Petrograd in 1918
  • Present during Terror, and sent back reports that were widely read including by the King, before he was forced home
  • Book about Russia shot him to fame in Norway, and began slide toward fascism; founded movement aimed at overthrowing Marxism, enhancing Nordic race
  • Defense minister of new Agrarian Party, then new National Union (NS) party
  • Little sense of irony, not much humor, crippling shyness, aloof, but highly respected for his mind
  • Knew Norway wouldn’t be able to remain neutral in war due to its strategic significance and low defense spending
  • Urged cooperation between British naval hegemony and German continental ambitions
  • His growing anti-semitism signaled ideological sympathy with Hitler; thanked him for having “saved Europe from Bolshevism and Jewish domination”
  • Thought Hitler was wrong to sign pact with Stalin given how advanced Germany already was, and knew Red Army was weakened by purges so wouldn’t be able to conquer Finland
  • Envisioned Germany would topple Soviet government and reestablish nation-states with German capital
  • Met with Hitler December 1939 while reported Britain to use Norway as transit country to aid Finland; Quisling offered loyalty from his party
  • Preferred neutrality but didn’t think it possible, so would act in Germany’s interest to prevent British establishment
  • Hitler saw value to occupying Norway before Britain could
  • Naval skirmishes between Germany and Britain in April: King and government relocated, but Quisling characterized as fleeing and initiated coup
  • Quisling hoped for legal appointment understanding from King, but King refused to accept man twice beaten at the polls
  • Wide campaign to get rid of Quisling as he sought legitimacy
  • Hitler supportive at first but then in setting up “government commission” put Quisling in reserve; when commission failed Hitler sent Terboven to command Norway occupation
  • Miscalculated public’s feelings and sense of morality
  • Quisling name almost immediately became international byword for traitor
  • Curried Hitler’s favor as they strategized voting in new occupation government; became prime minister due to his warning of Britain
  • Quisling’s “New Order” in Norway stamped out “destructive principles of the French Revolution: representation, dialogue, and collegiality”
  • Unresolved whether Norway and Germany were at war or peace; Quisling wanted full NS government to provide legitimacy and eventually got it, though with Reichskommissar
  • Sincerely believed he was doing the right thing for Norway and eventual Nordic dominance
  • Oslo University source of strong anti-NS “Home Front” resistance, along with prominent bishop Berggrav, who had tried to broker peace in Berlin and London
  • Photos of “Fører Quisling” everywhere, became authoritarian state sans functioning legislature and King
  • Quisling sought to limit NS membership despite one-party rule to strengthen quality
  • Edict to make youth service in NS Youth Organization compulsory backfired, as did new teachers corporation; when backed by bishops, revolt began
  • Mass teacher resignations followed by large-scale arrests
  • Lobbied Hitler for peace treaty but was denied and remained occupied country, also lost direct contact with Hitler
  • Had different ideas of future than Hitler, whose world domination plans were more improvisatory
  • Began rounding up and registering Jews in 1942
  • Hitler refused to negotiate peace because then other occupied countries would want it, and Quisling’s dreams of Norwegian supremacy dashed
  • After Hitler died, naively assumed there would be peaceful transition of power back to exiled government
  • Arrested May 8; said he knew suicide would be easiest but wanted to “let history reach its own verdict”; thought he’d be deified
  • Quisling Clinic in Madison founded by cousins in interwar years; otherwise name has disappeared

From defeat, not victory

In his book Washington’s Crossing, David Hackett Fisher writes about how the colonists responded to the dark days of the American Revolution in 1776:

This great revival grew from defeat, not from victory. The awakening was a response to a disaster. Doctor Benjamin Rush, who had a major role in the event, believed that this was the way a free republic would always work, and the American republic in particular. He thought it was a national habit of the American people (maybe all free people) not to deal with a difficult problem until it was nearly impossible. “Our republics cannot exist long in prosperity,” Rush wrote. “We require adversity and appear to possess most of the republican spirit when most depressed.”

Rush, a sort of honorary Founding Father and very distant relative of mine, was speaking to his present times but I think he also speaks to ours. I’ve said before that if we make it out of our current darkness alive, we’ll be better for it.