Remember Terry Kniess, the guy who made the perfect bid on the Showcase Showdown of The Price is Right? Someone made a documentary about the guy behind that bid, and it’s surprisingly thrilling.
Ted Slauson is a math whiz and The Price is Right superfan who’s attended dozens of tapings of the show and even wrote his own computer program to help him memorize the show’s thousands of different products and games. Using archival footage and Ted’s deadpan talking head interviews, the documentary pieces together how Ted’s savant-level mastery and willingness to feed other contestants exact prices led to some amazing television.
Though amateurish in its choppy editing and overuse of background music, the doc is an effective love letter to one of the most popular game shows ever and a compelling investigation into its unlikely cult hero.
Want to give some love to three services I’ve enjoyed lately:
Kanopy is a free streaming service available through your public library. (If it isn’t, ask them to get it!) Abundant with titles from A24, The Criterion Collection, and other high-quality providers, it’s rife with a delightful array of foreign films, indies, and documentaries to fill the FilmStruck-shaped hole in the hearts of cinephiles. My watchlist expanded pretty quickly once I signed up, much of it classics and Criterion titles I’ve been meaning to watch and want to get to before my wife gives birth. In the last few weeks I’ve watched Three Days of the Condor, The Seventh Seal, 48 Hrs., Ugetsu, Battleship Potemkin, and The Wages ofFear, with more on the horizon. Get thee to Kanopy!
I’ve been using Hum for a lot longer than Kanopy, but only recently realized how much I love it. It’s the perfect songwriting app. Super easy to quickly record song ideas, gather lyrics, and add helpful metadata. Beautifully made and a joy to use, though I really ought to use it more. Since I recently released the songs that comprised my 20s, I’m excited to see what will become of the song ideas currently residing in Hum.
System Information on Mac
I rediscovered this function while trying to clean out some disk space on my wife’s MacBook Pro and make it run faster. Previously I used Disk Doctor for this job; it’s a fine app that costs $2.99, but System Information is built-in and provides a more granular view of your files. It also makes deleting them super easy and satisfying. It’s a bit hidden, but well worth the hunt. If you’re a file hoarder or haven’t optimized your Mac in a while, you’ll be shocked by how much cruft builds up. Also by how large iOS backups are! (Seriously, my wife’s storage space more than doubled after I deleted those.)
For some reason I can’t explain, I didn’t make a list of my top 10 films in 2009. My filmlog did get a little sparse that year, but I’m surprised I didn’t at least throw a list together, since I’ve been making best-of lists since 2007. Regardless, once I noticed the discrepancy, I figured now, 10 years later, would be the perfect time to make one and add it to the rest of my best-of lists.
It’s hard to know how different this list is from what it would have looked like in 2009. Except for Sweetgrass, I would have seen all those movies at the time, so it probably would have been similar. Surprised by how many comedies and comedy-dramas there are, but I don’t hate it:
1. Inglourious Basterds
Choice quote: “Nah, I don’t think so. More like chewed out. I’ve been chewed out before.”
2. A Serious Man
Choice quote: “The Uncertainty Principle. It proves we can’t ever really know… what’s going on. So it shouldn’t bother you. Not being able to figure anything out. Although you will be responsible for this on the midterm.”
Choice quote: *sheep grazing*
Choice quote: “So until next time, remember: cardio, seat belts, and this really has nothing to do with anything, but a little sunscreen never hurt anybody.”
5. Star Trek
Choice quote: “What is necessary is never unwise.”
6. (500) Days of Summer
Choice quote: “Just because she likes the same bizarro crap you do doesn’t mean she’s your soul mate.”
7. Away We Go
Choice quote: “OK, can that maybe be the last bit of parental advice we get tonight?”
8. I Love You, Man
Choice quote: “I will see you there or I will see you another time.”
9. The Secret of Kells
Choice quote: “I’ve seen suffering in the darkness. Yet I have seen beauty thrive in the most fragile of places. I have seen the book. The book that turned darkness into light.”
Choice quote: “You are not my mother.”
I also liked: Moon, Winnebago Man, Up, District 9, Fantastic Mr. Fox, Me and Orson Welles, The Princess and the Frog
Since June, when I found out I was going to be a father, I’ve been keenly aware of how fatherhood has been portrayed in this year’s crop of movies. What strikes me now, looking back on all of them, is the wide array of characteristics the 2018 Film Fathers represented.
There were men who weren’t fathers yet but pined to be (Private Life and Game Night) or despaired of their fatherhood (First Reformed).
There were men whose defining characteristic was their absence (the doctor in Roma, Apollo in Creed II, T’Chaka in Black Panther)
There were men whose children inspired in them unconditional love (Eighth Grade), desperate determination (Searching), painful grief (First Man), righteous if misguided zeal (Blockers), and a longing to stop time (Hearts Beat Loud).
And there were men whose family life, whether through inspiration or inertia, led them towards apathy (Tully), frustration (The Incredibles2), and flight (Wildlife).
Not all of these films made my best-of list, but I’m grateful to all of them for demonstrating just how consequential fatherhood can be.
On to the list…
1. The Death of Stalin
I don’t think I’ve ever seen anything quite like this, Veep creator Armando Iannucci’s film about the machinations of Stalin’s inner circle after the dictator’s sudden death in 1953. Don’t be fooled by the serious title: this is social and political satire at its sharpest, loosely based on real events but also exactly right about much more than its titular subject. (Review)
2. The Favourite
Rachel Weisz I’ve loved since The Mummy, Emma Stone since Superbad. But Olivia Colman is basically new to me, and she might have won this movie as a querulous, manipulative Queen Anne balancing the competing bids for favor from Stone’s Abigail and Weisz’s Sarah. Writer-director Yorgos Lanthimos’ The Lobster barely missed my top 10 list in 2015, but he nearly conquered this year’s with this delicious, darkly comic period piece that takes “be careful what you wish for” to a delightfully daring level.
Stunning directorial debut from actor Paul Dano. A very well composed and controlled story of a 1960s family struggling against disintegration, experienced by the perspective of 14-year-old only child Joe. Everything felt so specific and slo-mo tragic, Carey Mulligan’s performance especially.
4. First Reformed
What to do about despair? As the priest of a small historical church, Ethan Hawke’s Reverend Toller communes with it for a living, whether fighting his own ailments, struggling against professional obsolescence, or pastoring a young couple haunted by the specter of global warming. An intense portrait of the search for meaning, a reckoning with darkness and extremism, and a worthy entry into the “priest in crisis” canon (a personal favorite subgenre) alongside Winter Light, Calvary, and other gems.
5. Spider-Man: Into the Spider-Verse
It’s a rarity for me to see a movie in theaters twice, but I was happy to do so for this one so I could see it with my wife. This could be the movie that changes superhero movies—in style, personality, and thematic exploration. If you haven’t seen it yet, go into it with as little foreknowledge as possible.
6. The Rider
A rodeo accident forces horse rider Brady off the saddle, leaving him in poverty with brain damage and an existential crisis. This lithe, mesmerizing, and richly empathetic film rides a fine line between fiction and documentary, as Brady and most of the characters are essentially playing themselves. Director Chloé Zhao has an eye for beautiful shots and tender moments.
I didn’t fully appreciate Roma until it was over, when I could see the full scope of Alfonso Cuarón’s semi-autobiographical take on a year in the life of Cleo, a live-in maid in 1970s Mexico City. Still, from the first shot—a meditative long take of a floor being mopped—I cherished Cuarón’s ability to see grandeur in the granular, to magnify the minute details of a humble woman’s hidden but compelling life.
“Thriller whodunit that takes place solely on a computer” sounds like a cheap direct-to-video B movie, but Searching is shockingly effective at overcoming this supposed gimmick. Why is this story of John Cho’s David using everyday technology to track down his missing daughter effective? I think it’s the specificity of the tools—everything from Windows XP to Facebook and FaceTime—used in a panicked silence throughout. David could be any of us, alone at a computer clicking desperately against time.
Based on a true story of the first black police officer in 1970s Colorado Springs infiltrating the local KKK chapter, with the help of a fellow officer, played by Adam Driver. True to a Spike Lee joint, it’s brash, cutting, funny, loose when it needs to be but solid at heart. The Birth of a Nation montage could be the scene of the year. John David Washington (son of Denzel) deserves not to always be compared to his famous father, but they share a compelling verve that bodes very well for John David’s career.
10. The Ballad of Buster Scruggs
Not all of this Coen Bothers anthology’s six parts are equally good: “The Girl Who Got Rattled” and “Meal Ticket” did a lot of the heavy lifting (or gold digging?) to get to this spot. But this would have made the list for the Zoe Kazan and Bill Heck performances in “Rattled” alone. Like most Coen Brothers joints, I expect this to reward repeat viewings.
I also liked: Avengers: Infinity War, Leave No Trace, Tully, If Beale Street Could Talk, Won’t You Be My Neighbor, Black Panther, Private Life, Game Night, Hearts Beat Loud, Annihilation, Widows
Lots of interesting choices here. Kinda shocked Happy-Go-Lucky was so high and that Milk made the list. Also surprised I was so into Man on Wire and Rachel Getting Married. That year in general was a time with an odd mix of hope (Obama elected) and darkness (the world economy). The tenor of these picks falls all along that spectrum, as I suppose any year with a properly diverse array of films should.
Ten years out, that hope-despair spectrum remains but my taste has changed, if only slightly. As always, without rewatching all the candidates it’s hard to make a totally fair and accurate list, but here’s where my gut goes:
Tell No One
Man on Wire
The Dark Knight
Rachel Getting Married
Encounters at the End of the World
With honorable mention to Rachel Getting Married, Forgetting Sarah Marshall, Iron Man, Burn After Reading, The Wrestler, W., Happy-Go-Lucky, and Milk.
The precipitous drop of Happy-Go-Lucky, which went from #2 to honorable mention, was surprising. Perhaps a rewatch would put it back on the list. But I had to crown a new champion in Summer Hours, the Olivier Assayas family drama, and bump Milk for Goodbye Solo.
I fondly recall watching all of these during college, when I was also discovering so many old and new films in the cinephile canon. My college library and the public library were go-to sources. Some things never change.