Tag: The Muppets

Top 5 Christmas Movies

Originally published at Cinema Sugar.

1. It’s A Wonderful Life

The once and future king of Christmas movies. I could praise a lot of things: the cinematography, the supporting cast, the dramatic depth of Jimmy Stewart’s first postwar performance. But its magic ultimately comes down to Harry’s closing line—“A toast to my big brother, George, the richest man in town.” George was rich in the end because he remembered. He remembered the barrenness of the ghostly alternate timeline where he was never born. And he remembered the meaning of family and friends and frustrating failures and small victories, all of which had accumulated into something like a wonderful life. Hot dog!

2. The Family Stone

The Rotten Tomatoes consensus of The Family Stone is that “this family holiday dramedy features fine performances but awkward shifts of tone.” Which, yeah: That’s why it’s so good. Maybe your experience was different, but “awkward shifts of tone” could be the definition of family—especially during the holidays. The film depicts a particular kind of cozy, Hallmark-approved, New England-flavored Christmastime while also vividly capturing what it’s like to spend extended time with the people you love but who are also most adept at driving you crazy. I know I’m in the minority on this one, but, to paraphrase Meredith Morton, I don’t care whether you like it or not!

3. Die Hard

True story: several years ago my wife and I were at my parents’ house for Christmas and the family was debating which movie to watch. Soon Die Hard emerged as the consensus pick. My wife hadn’t seen it and knew nothing about it, but since we told her it was a Christmas movie she was game. Turned out she definitely was not game—its brutal violence, shoeless glass-walking, and other decidedly un-cozy elements so traumatized her that she has since refused to acknowledge it as a movie worth watching, let alone a Christmas movie. To which I say: “Yippie-ki-yay, Merry Christmas!”

4. Grumpy Old Men

This movie’s combination of silliness, sincerity, and wondrously snowy northern Minnesota setting has kept me coming back every Christmastime. It’s schmaltzy to a fault, but also a showcase for the legendary comedic chemistry between Jack Lemmon and Walter Matthau, forged over decades of working together. They fully commit to their acerbic, chops-busting banter, which is the core strength of the movie. That plus Burgess Meredith absolutely slaying as Lemmon’s horny, incorrigible father.

5. The Muppet Christmas Carol

I took an absurd amount of time trying to decide between this and Home Alone once it occurred to me that they’re pretty much the same movie. Both feature self-involved jerks who find themselves alone near Christmas and forced to endure challenging journeys of self-discovery after an encounter with Marleys—the ghosts of former business partners for Scrooge and a mysterious elderly neighbor for Kevin. Painful developments occur (spiritual/psychological for Scrooge, physical for the Wet Bandits) before concluding with joyous Christmas Day reunions and reconciliation. I ultimately went with the Muppets because they’re the freaking Muppets.

Top 10 songs from Disney musicals

A friend of mine recently posted: “Let’s stir up some controversy: What are your thoughts on The Lion King?” I replied that a certain song on that soundtrack was a top-5 Disney song, and it wasn’t “Circle of Life” or “Hakuna Matata”.

That inspired me to consider how I would actually rank the best Disney songs. My needlessly arbitrary rules:

  • only one song per movie (live-action or animated)
  • from a movie that’s actually a musical where characters sing songs, not just a movie with a lot of original songs (sorry Tarzan)
  • judging the song itself, not the movie it’s from

Let’s get to it.

Just missed the cut

“The Bare Necessities” – The Jungle Book (1967), “Under The Sea” – The Little Mermaid (1989), “Not in Nottingham” – Robin Hood (1973), “Love Is An Open Door” – Frozen (2013)

The List

10. “Carrying the Banner”Newsies (1992)

I must admit that seeing the superior Broadway stage version has made me partial to that version of the soundtrack (both of which were composed by Disney music maven Alan Mencken). But for the purposes of this list I have to go with the opening number, which ably and jauntily establishes the setting and characters in under five minutes. (Runner-up: “Seize the Day”)

9. “I’ll Make A Man Out Of You”Mulan (1998)

To be honest I barely remember Mulan and most of its songs, so the fact that this one stands out so much is a testament to its enduring appeal. The a cappella chorus towards the end is a nice touch. (Runner-up: None)

8. “When We’re Human”The Princess and the Frog (2009)

Happy to show some love for Randy Newman since his Toy Story work is ineligible. The soundtrack as a whole (which I have a history with) is a great showcase for jazz, zydeco, gospel, and blues—and this song is probably the most danceable on this list. (Runner-up: “Almost There”)

7. “Life’s A Happy Song”The Muppets (2011)

Nothing but respect for “The Rainbow Connection” from the original Muppet Movie, but this reboot and its music by Flight of the Conchords alum Bret McKenzie really surpassed (at least my) expectations. I favor the finale version of this song, which includes the entire ensemble. (Runner-up: “Pictures In My Head”)

6. “A Whole New World”Aladdin (1992)

For a long time this was my stock answer for best Disney song. It’s an Alan Mencken joint, after all, and I’m a sucker for a soaring strings-melody combo. (Also Jasmine is the most attractive Disney princess.) But it just kept getting pushed down the list as I considered other songs. (Runner-up: None)

5. “A Star Is Born”Hercules (1997)

This whole soundtrack is up there in terms of all-around quality. No surprise since it’s another Alan Mencken production. Just an explosion of gospel/soul ebullience. I went with this song over the runner-up because it sticks with one tempo and, as the finale, brings some extra zest. (Runner-up: “Zero to Hero”)

4. “That’s How You Know”Enchanted (2007)

Guess who again? I swear I wasn’t tracking the composers when making this list, though I could have told you beforehand that Mencken would dominate. Anyway, this song rules. (Runner-up: “Happy Working Song”)

3. “We Know The Way”Moana (2016)

Like Hercules, this is one of the stronger soundtracks top to bottom. Even the villain song isn’t terrible. This particular track—while not the best sung given Lin-Manuel Miranda’s less-than-professional voice—is propulsive and buoyant like an ocean wave. Of the two iterations I’d have to pick the first, but the finale version provides a nice punch. (Runner-up: “Where You Are”)

2. “Proud Corazón”Coco (2017)

(Spoiler warning on that link as this song ends the movie.) To date, this is the only Disney song that has given me goosebumps and tears at the same time. I now watch Coco every Dia de Los Muertos while thinking of my ancestors, and this song is a hell of a climax for such a tradition. (Runner-up: “Un Poco Loco”)

1. “I Just Can’t Wait To Be King”The Lion King (1994)

I think I’m as surprised as you are. As I mentioned above, “A Whole New World” was my #1 for a long time. But listening to this one recently, I was struck by an epiphany that it’s really just an amazing bubblegum pop song. Goofy, sure, but with a killer guitar/flute (?) hook, colorful bass lines, and an inspired chord progression. I once played a stripped-down acoustic guitar cover of it at an open mic and still worked brilliantly. Think I’m getting wildly out of wing? Nah—this is my finest fling! (Runner-up: “Circle of Life”)

Cookie Monster, typist

I’m just gonna say it: Cookie Monster is the best Muppet in the Jim Henson Muppetverse. And not just because of his typewriter scene in Christmas Eve on Sesame Street, which I watched last night. Though I cannot endorse his flagrant destruction of a perfectly good fake typewriter, his GIF-worthy reaction at the end of his scene with Gordon is golden.

Also, I just now discovered his parody of “Call Me Maybe”, maybe the best pop song of the last 10 years:

Highlights from #XmasMusicBinge2017

As I near the end of my annual Christmas music binge, a few songs have stuck out. Check them out while the mood is right and the spirit’s up:

“Mvmt II: Begin and Never Cease” by The Oh Hellos, The Oh Hellos Family Christmas Album. You really ought to listen through the whole (short) album in one go, which is like one long medley, but the second movement’s ecstatic exuberance echoes Mumford & Sons mixed with Anathallo.

“Snow” by Sleeping At Last, Christmas Collection. O’Neal explains on a recent episodes of his podcast that it’s heavily inspired by It’s A Wonderful Life but also about the concept of home during the holidays.

“Silent Night” by Rosie Thomas, A Very Rosie Christmas. Rosie’s bouncy original “Why Can’t It Be Christmastime All Year” is always a fun listen, but don’t sleep on the rest of the album’s dreamy, riverine covers like this one. Great for a cozy nights staring at a twinkling Christmas tree.

“All I Need Is Love” by CeeLo Green & The Muppets. For successfully turning “Mahna Mahna” into a Christmas song.

“First Snowfall” by Over the Rhine, Blood Oranges in the Snow. Leave it to OTR to capture a different kind of Christmas, ramshackle and real, far from the Norman Rockwell scenes traditional Christmas songs paint.

“12 Days of Christmas” by Relient K, Let It Snow, Baby… Let It Reindeer. There aren’t a lot of great versions of this song because it’s such a pain to make 12 repetitive verses interesting. But Relient K pulls it off with verve.

Favorite Films of 2011

I saw a number of fine films in 2011. Here, I talk about the great ones and what I thank them for.

Beginners, for Christopher Plummer’s exuberance as a recently-out elderly gay man; for Ewan McGregor’s hopeful melancholia as his perpetual bachelor son, and for this exchange between them: “HAL: Well, let’s say that since you were little, you always dreamed of getting a lion. And you wait, and you wait, and you wait, and you wait but the lion doesn’t come. And along comes a giraffe. You can be alone, or you can be with the giraffe. OLIVER: I’d wait for the lion.”

The Tree of Life, for having more questions than answers; for the depicting the creation of the cosmos; for daring us to believe; for the Job references; and for this quote: “The only way to be happy is to love. Unless you love, your life will flash by.”

Midnight in Paris, for delighting my English major self; for getting Woody back on track; for Corey Stoll’s Hemingway adapting the writer’s writing style for speech perfectly; for your light and warmhearted touch; and for teaching me about the temporal.

Martha Marcy May Marlene, for making me feel the quietly terrifying atmosphere Elizabeth Olsen’s dazed cult escapee feels; and for a talented Olsen sister.

The Descendants, for Alexander Payne’s surefire writing and style, for tween actors who can actually act, and for George Clooney’s on-camera talents once again trumping his off-camera smugness.

Win Win & 50/50, for putting Paul Giamatti and Joseph Gordon-Levitt in the lead, and for finding comedy in the tragic and lessons in our own shortcomings.

The Muppets & The Artist, for your unabashed optimism and anachronistic humor, which modern cynics won’t like but need anyway.

X-Men: First Class, for being a first-class reboot/prequel/whatever you are; for Michael Fassbender’s and James McAvoy’s anchoring your greater meaning with gravitas and bravado.

Meek’s Cutoff, for letting Michelle Williams disappear; and for your unforgiving stare into the mysterious soul of the American West.

Attack the Block, for knowing exactly what you are and never straying from that; for employing kids who can actually act; and for surprising me for the better.

Warrior, for Nick Nolte’s Paddy Conlon giving an otherwise conventional sports story some achingly real meaning.

[Note: I still need to see Certified Copy, A Separation, Take Shelter, and Barney’s Version, among other films, but this is where the list stands currently.]