As a patriotic American, I am against the British monarchy on principle. That hasn’t stopped me from loving Netflix’s The Crown. I’m here to echo all the good things you’ve heard about it, specifically the performances of Claire Foy as the Queen and Matt Smith as Phillip. That said, I think swapping in a new cast for the next two seasons is a great idea. Much better than trying to falsely age younger actors with makeup.
There’s been some debate recently about whether binge-watching a TV show on DVD or online is good or bad. While I must confess I have gone on a few TV benders, usually with the intention of catching up on a series before its most recent season premiered, there’s something about watching a show live on TV, weekly wait and all, that is simultaneously frustrating and exciting.
For instance, watching the fifth season of Mad Men as it unfolded during this summer allowed me to engage in the speculative water cooler talk with my fellow Mad Hatters after each episode and during the following week that makes watching live television communal and fun. This approach fit conveniently with the series slow-burning style itself, so I didn’t feel like I needed to rush through it (even though that’s exactly what I did with seasons one through three on DVD two years ago).
Conversely, I plowed through all five seasons of The Wire in about three weeks on DVD – a common occurrence, I’d bet, given the series’ relative unpopularity during its run (and HBO’s prices). I couldn’t just watch one episode at a time, which is why watching TV on DVD can be so hazardous: find a gripping, well-written show like The Wire on DVD and then say goodbye to sleep, exercise, and any semblance of productivity. In high school the first two seasons of Lost consumed my nights so thoroughly it’s a wonder I passed classes that semester (good thing I was a second-semester senior).
So, I’ve learned that it doesn’t matter how I consume television as long as the show itself is good. James Poniewozik of Time magazine says as much in his pro-binge post:
[A good story is] resilient. It will take whatever viewing (or reading, or listening) conditions you throw at it. And if its effect depends on ‘maintaining a timeline,’ or waiting a year to find out how Jack and Kate go back, or even reading morning-after reviews by idiots like me—it was probably never worth bingeing on to begin with.
So if you’ll excuse me, I’ve got to go rent Deadwood on DVD and then watch the season premiere of Breaking Bad on TV.
1. Thou shalt be caught up.
2. Thou shalt hold all questions until commercial breaks.
3. Thou shalt not bring a friend who hath not seen Lost or hath not been caught up.
4. Thou shalt offer theories upon the conclusion of the episode.
5. Thou shalt not use the bathroom during the show and then ask thine friends what hath ocurreth.
6. Thou shalt not answer thy phone during the show.
7. Thou shalt make a claim as to thy favorite character and defend thy choice.
8. Thou shalt never attendeth a “Dress As Thy Favorite Lost Character” party. Thou art not a Harry Potter fan and therefore hath some self-respect.
9. Thou shalt pick between Sawyer and Jack.
10. Thou shalt have no other shows before Lost.
Yes, even Hurley. It seems a little smaller cast than years previous, but I think it’s definitely the strongest.
The fifth and penultimate season of Lost premieres January 21 at 9/8 central. I can’t wait.
Late Night with Conan O’Brien is the only late-night talk show I watch consistently. I watch The Daily Show and The Colbert Report for the political satire, but I watch Late Night for the utter wackiness. Besides Triumph the Insult Comic Dog, my favorite reoccuring segment is “Small Talk Moment with Max and Conan.” I laugh every time they do it. 
They “discuss” many different topics, but the best part is always the end of the skit when Conan says “It sure is, Max!” will a ridiculous smile and half-laugh and then they exchange dead-pan stares. Now that’s must-see TV.
It’s good to see the Office back again. Here are my favorite parts of the season 5 premiere (possible spoilers ahead!):
–Another classic Psychopath Jan moment: Jan: “Remember last week when that girl went missing? Guess whose candles they used for the vigil.” Kevin: “Yeah, thank God they found her.” Jan: “They found her?”
–When Holly discovers Kevin is not mentally-challenged is a classic painfully awkward Office moment. Angela’s response was hilarious too.
–Andy’s four non-refundable deposits on wedding locations, one of which is Epcot.
–Ryan is back. I can’t say I ever liked Ryan as a character. I realize he’s supposed to be sort of unlikeable, but whatever. The fact that he now has a list of people who wronged him, and how he “never really processed 9/11” is hilarious though.
–Phyllis is now the head of the Party Planning Committee. And the best line of the episode belonged to her: “I wonder what people like about me. Probably my jugs.”
–Pam is an RA! Rockin’ sockin’. I love Jim got kicked out because Pam had to deal with roommate issues. So true.
–Toby just can’t catch a break. Apparently what happened to Toby actually happened to one of the Office writers.
–Is it just me, or is there some conflict brewing between Jim and Pam? Their phone conversation that eventually switched to instant messanger had a smack of disappointment from Pam. Who knows. We have a whole season ahead of us.
Also, I totally predicted after last season’s finale that Jim would propose in the first episode, or at least within the first two. Called it.
I’m always annoyed when people say Saturday Night Live isn’t as good as it used to be. It’s unfair to judge a group of relatively unknown performers against their much more famous predecessors. Especially when their predecessors and their funniest skits have had time to become more popular and time-tested.
That said, these first two episodes of SNL, with the exception of their two opening skits, have been sub-par. And I’m one of those people who can appreciate the more farcical and ridiculous skits that don’t make it on air until 11:45 (Central time).
But what has stood out to me for a few years now is Kristen Wiig. She is freaking hilarious. With Amy Poehler leaving the show after the election to give birth and star in her own sitcom (which is also freaking awesome), I’m glad there will be a strong female character with weirdo characters and the complete lack of inhibition when it comes to performing. She’ll also probably have to take over Amy Poehler’s brilliant, Emmy-nominated Hillary Clinton impersonation when Amy leaves.
And, boy, are Kristen Wiig’s characters weird. In a good and funny way. Some of my favorites: the Surprise party enthusiast, the female half of the “Two A-holes”, the Jar Glove ad, Aunt Linda the film critic, and Penelope the one-upper. She finds a voice and a quirky tic and absolutely sells it. Complete dedication to character.
Her impressions, as well, are killer. Especially that of Pam Beesley from The Office.
Anyway, I’ll keep watching SNL because it’s still funny. And because Kristen Wiig is finally finding the center stage.
You know what’s a good show? Home Improvement.
A few years ago, I wouldn’t have said such a thing. I thought the cheeseball factor rivaled that of Full House. But in the last year or two, I’ve been catching the re-runs on cable randomly during the day, and it has really grown on me.
The show was a ratings powerhouse in the 90s. I remember watching it back then, but sometimes what you watch as a kid doesn’t age as well as you do. Still, with nothing better on at 1 p.m. on weekdays, I’ve reentered the world of the Taylor family and their hilarious hijinks and found that it is genuinely funny, if still forced from time to time.
The standard “sitcom” jokes are there: Al’s mom is fat, Tim hits his head on the pipe in the basement, everyone has the perfect witty comeback in every conversation. But I’ve also come to appreciate how non-dysfunctional the family is. Conflicts arise amongst the boys in their own contrived sitcom-y way, but Tim and Jill are still models of good parenting. Tim grills Al incessantly, but he can still be a good and caring friend when needed. There is heart in everything–something a lot of sitcoms forget to remember.
I got the chance to meet the show’s executive producer David McFadzean when he spoke at my sister’s first school, Calvin College. He said the concept was to create a show where the family was functional and loving, an idea foreign to a lot of television shows. The concept worked, as the show’s success demonstrated.
And while Tim Allen’s comedy is largely limited to grunting and mock-stupidity, he’s still darn funny, especially when he can work off of the solid supporting characters like Al and Wilson.
Anyway, that’s my two cents. If you’re channel-surfing one day and happen upon another hilarious episode of “Tool Time”, don’t change the channel. Stay there and enjoy it.
Somehow I’m not surprised by this bit of news. At least McClellan is willing to admit he was wrong about something.
In other, happier news: Lost finale tomorrow! I have high hopes for another mind-blower. Don’t let me down, writers. The finale of The Office was uninspiring, so give me something to love on TV again.
Also, I went to see Barbara Walters tonight. She is promoting her new book. It was awesome.
It seems like after the writers’ strike-induced hiatus, LOST got a whole lot better and The Office got a whole lot worse.
LOST‘s entire 4th season has been, overall, pretty fantastic. They’ve taken a new yet exciting direction with the implementation of flash-forwards and they now have an end date for the series, so they’re able to write towards that finale with some confidence.
The Office, on the other hand, has lost something. The first half of the season, before the strike, was strong and moved the story along well enough and remained consistently funny, with both their trademark painful awkwardness and crazy hysterics from Michael or Dwight.
After the strike, nothing was that funny. Most of the story lines became borderline depressing and staid. The Jim/Pam arc was going okay even though they were together, yet in recent episodes, I keep expecting Jim to propose and every he doesn’t take the chance, the excitement for their relationship wanes a little more.
There are little moments that are funny; mostly the Jim/Dwight pranks, but that is quickly becoming a tired element of the show. It can’t produce all of the laughs. I realize and respect the need for drama in a comedy. I think it makes The Office a more mature sitcom if it can handle darker material. But recently, it hasn’t been doing that well.
The finale failed to inspire any more confidence. While I recognize the need to set-up the stories for next season — Dwight and Angela still going hot ‘n’ heavy, Jim and Pam still unable to seal the deal, Michael and Jan still trapped in a horribly destructive relationship — I didn’t laugh once during the finale. There were a few smiles and an occasional half-hearted chuckle, but that’s it.
Maybe I’ll watch it again and give it another chance, but as of right now, I’m not pining for the return of The Office. On the other hand, Lost has betwixt me heart and soul and I have to resign to the fact that us Losties have to wait another millennium for a new season. That is, of course, if the Screen Actors Guild doesn’t go on strike and ruin another TV season. I could care less about any other show; just let The Office and Lost live.