Tag: best of

Favorite Films of 2020

Along with all the other lamentable things that happened (or didn’t happen) this year due to COVID-19, I mourn the movies I missed out on seeing on the big screen. The last time I was in a theater was in late February to see Little Women, which ended up being my favorite film of 2019.

But I’m also aware that I probably wouldn’t have done much moviegoing this year anyway with a toddler at home. That makes me very grateful for the plenitude of at-home viewing options available to me. Between Netflix, Amazon Prime, Kanopy, Disney Plus, and library checkouts, I was able to see most of what 2020 had to offer and then some.

My logbook tells me I saw a total of 78 films in 2020, 34 of those being 2020 releases. Here’s what stuck with me the most.

10. Greyhound

This got a lot of “meh” reviews, but I found it to be a gripping, well-made, and admirably brief thriller, written by and starring Tom Hanks as the Navy commander of a destroyer protecting a convoy of Allied merchant ships in the U-boat-infested waters of the Second World War’s Battle of the Atlantic. (An unexpected benefit of having to get a new iPhone recently was getting a free one-year trial of Apple TV+, which is the only reason I was able to see it. So shout-out to my first-gen iPhone SE for crapping out!)

9. Dads

A sweet and insightful documentary from Bryce Dallas Howard that celebrates modern fatherhood, with talking heads from her father Ron Howard, Jimmy Fallon, Judd Apatow, Will Smith, and other celebrities interwoven with the stories of four everyday men and their parenthood journeys. (Watched on Apple TV+.)

8. Wolfwalkers

In the tradition of previous Cartoon Saloon animated films Song of the Sea and The Secret of Kells, this is a resplendently illustrated magic-infused folk tale set in 17th-century Ireland with some familiar story elements (rebellious daughter, stern but loving father) embedded with many surprising and delightful turns. (Watched on Apple TV+.)

7. Soul

In the last five years, Pixar has hit the bullseye with only Inside Out, Toy Story 4, and Coco. It’s those films that Soul echoes the most, with its jazz musician protagonist undergoing a metaphysical (and physical) journey rediscovering his own life and purpose. Kids will like its zanier bits, but only adults can fully appreciate the worldview-tilting wonder in this ode to finding meaning in “regular old living.” (Watched on Disney Plus.)

6. First Cow

In 1820s Oregon, two men hatch a scheme to steal milk from the area’s only cow to make and sell biscuits at the local outpost. Sneaks into something very different than what you expect initially. A classic western and American tale of enterprise gone wrong, with a blend of sparseness and depth that only Kelly Reichardt can pull off. (Watched on library Blu-ray, but also available on VOD.)

5. The Assistant

Julia Garner (whom I first discovered in 2012’s Electrick Children) stars as an office assistant of an unseen and unnamed Harvey Weinstein-esque Hollywood producer, whose malignant presence nevertheless follows her as she navigates workplace gaslighting, emotional abuse, and a crisis of conscience. The film’s oppressively hushed tone creates a horror/thriller atmosphere that’s fitting for the psychological menace she has to endure. (Watched on Kanopy.)

4. Driveways

While a woman fixes up the house of her recently deceased hoarder sister, her shy son develops a sweet friendship with the elderly neighbor, played by Brian Dennehy in his final role. Really enjoyed seeing Hong Chou in a different light compared to her role as Lady Trieu in HBO’s Watchmen. And Dennehy’s quiet, abiding presence culminates in a touching monologue that captures the ache of end-of-life regret. (Watched on Kanopy.)

3. My Octopus Teacher

I already wrote about this documentary, which captures a freediver’s unexpected encounters with an octopus in a South African kelp forest. It’s a beautiful and emotional story that shows the stunning possibilities of what being present in nature can offer. (Watched on Netflix.)

2. Sound of Metal

Riz Ahmed (previously known to me from Nightcrawler) plays a drummer and former addict who suddenly loses his hearing and finds refuge at a community for deaf recovering addicts, led by a deaf Vietnam vet (played by a riveting Paul Raci). His struggle to regain his hearing and old life clashes with new insights, and make this a stunning, humanist portrait of addiction and transformation. (Watched on Amazon Prime.)

1. The Vast of Night

The Twilight Zone meets Super 8 in 1950s New Mexico, where a young switchboard operator and a radio DJ discover a mysterious, possibly extraterrestrial audio frequency. Their search for answers around their small desert town alternates between vexing, exhilarating, and downright eerie. No other 2020 movie captured my imagination and attention as much as this debut feature from writer-director Andrew Patterson, who displays an impressive one-two punch of technical prowess and storytelling panache—with a no-name cast and tiny budget to boot. (Watched on Amazon Prime.)

Honorable mentions: One Night in Miami, Downhill, Tigertail, Blow the Man Down, Miss Americana: Taylor Swift, Hamilton: An American Musical, Da 5 Bloods, Boys State, Lovers Rock, Mangrove, Yes God Yes

Haven’t yet seen but want to: Minari, Nomadland, Another Round

Other non-2020 films I enjoyed:

Only Lovers Left Alive
Magic Mike
Kramer vs. Kramer
A Night to Remember
Margin Call
The Firm
A Hidden Life
The Last Temptation of Christ
Waves

Favorite Books of 2020

In his year-end summary of reading, Seth Godin wrote: “Books are an extraordinary device, transitioning through time and space, moving from person to person and leaving behind insight and connection. I’m grateful every single day for the privilege of being able to read (and to write).”

I read 18 books in 2020. For some people that might be a lot, but for me it’s an all-time low and a continuation of a downward trend since my peak of 80 books in 2016. The global pandemic had something to do with it, as once I started working from home I lost the time I had previously spent reading during my daily commute and lunch break.

But that’s OK. Like Seth I’m grateful for the privilege of being able to read at all, let alone whatever I want. Of what I was able to read this year, here (in alphabetical order) is what stood out.

Alright, Alright, Alright: The Oral History of Richard Linklater’s Dazed and Confused by Melissa Maerz

While I’ve been a fan of Dazed and Confused for a while, I knew next to nothing about its making aside from Richard Linklater’s freewheeling filmmaking style. This book is a good mix of context-setting commentary from the author and contributions from everyone involved with the movie. (The funniest part is everyone dumping on one insufferable actor who thought he was the next Brando.) Rewatched the movie after reading and appreciated it anew.

Choice quote:

Every few years, as a new crop of high schoolers graduates, new generations discover Dazed. The fact that it doesn’t really have a plot means it holds up better with repeat viewings. You aren’t watching for the story. You’re watching to hang out with the characters.

Answers in the Form of Questions: A Definitive History and Insider’s Guide to Jeopardy! by Claire McNear

I took the online Jeopardy! test back in March after I started working from home. It… didn’t go well. But that made me appreciate the show and its contestants all the more, along with how televised trivia has managed to remain not only relevant but beloved for so long. This book digs into all of that and more with a combination of concision and panache that Alex Trebek (RIP) would appreciate.

Choice quote:

The real Jeopardy! is not the machine. It’s the show, the thirty minutes of pleasant syndicated reassurance that the machine produces five times a week. Jeopardy! isn’t in a chilly California soundstage; it’s in your home, as you yell answers at the TV screen or furrow your brow during a tense Daily Double. … The real Jeopardy! is the illusion of simplicity: Alex Trebek, three contestants, roughly sixty answers and sixty questions. The real Jeopardy! is the magic trick.

The Bear by Andrew Krivak

Set in a dystopian future, this short novel follows a man and his daughter forging a lonely existence in the wilderness. What begins as a rugged, sparse tale soon combines with elements of magical realism, and that’s what really made it sing. Makes me eager to read more Krivak.

Choice quote:

The wood you burn to cook your food and keep you warm? The smoke that rises was once a memory. The ashes all that is left of the story.

Breaking Bread with the Dead: A Reader’s Guide to a More Tranquil Mind by Alan Jacobs

Jacobs’s writing is very influential to me. His blog is a constant source of bemused, no-bullshit commentary about politics, religion, culture, and the life of the mind. His latest book seeks to make the case for “temporal bandwidth”—the idea of widening your understanding of the present by engaging with old books and ideas that provide an “unlikeness” to your own assumptions. This means accepting good things about the past along with its baggage. It’s a short but punchy book, the third in a trilogy (along with The Pleasures of Reading in an Age of Distraction and How to Think) that together puts forth a commendable vision of intellectual engagement.

Choice quote:

If it is foolish to think that we can carry with us all the good things from the past—from our personal past or that of our culture—while leaving behind all the unwanted baggage, it is a counsel of despair and, I think, another kind of foolishness to think that if we leave behind the errors and miseries of the past, we must also leave behind everything that gave the world its savor.

Breath: The New Science of a Lost Art by James Nestor

Nestor’s previous book about freediving really spoke to me, so I was eager to see where he went next. His immersion journalism takes him into the surprisingly deep terrain of respiration, especially timely this year given how central breathing is to Covid-19 transmission. Obviously breathing is important to your health, right? But it’s fairly astounding how just breathing deeply through your nose can improve your overall well-being. This book taught me a lot, but mostly it made me more attentive to the aspects of our humanity we often take for granted.

Choice quote:

Everything you or I or any other breathing thing has ever put in its mouth, or in its nose, or soaked through its skin, is hand-me-down space dust that’s been around for 13.8 billion years. This wayward matter has been split apart by sunlight, spread through the universe, and come back together again. To breathe is to absorb ourselves in what surrounds us, to take in little bits of life, understand them, and give pieces of ourselves back out. Respiration is, at its core, reciprocation.

Devolution: A Firsthand Account of the Rainier Sasquatch Massacre by Max Brooks

M. Night Shyamalan’s Signs and The Village meet Home Alone. Though I read Brooks’s previous book World War Z, it didn’t stick with me nearly as much as this one, which treads similar realistic sci-fi territory. Because the main event is right there in the title, the dramatic tension builds so exquisitely throughout the book. It was one of those stories that delightfully defied prediction, and managed to end on a tantalizing yet satisfying note.

Choice quote:

They all want to live “in harmony with nature” before some of them realize, too late, that nature is anything but harmonious.

Enemy of All Mankind: A True Story of Piracy, Power, and History’s First Global Manhunt by Steven Johnson

One of my favorite authors, Johnson nailed it again with this riveting historical epic that weaves together 17th-century seafaring, the surprising culture of pirate ships, the dawn of the multinational corporation, and much more. Johnson’s magic trick is being able to stuff so much fascinating information into a crisp narrative without making it seem stuffed. It really feels like a rewarding reading journey.

Choice quote:

Ancient history is always colliding with the present in the most literal sense: our genes, our language, our culture all stamp the present moment with the imprint of the distant past.

Go to Sleep (I Miss You): Cartoons from the Fog of New Parenthood by Lucy Knisley

This laugh-out-loud hilarious cartoon collection is a short, sweet, and stunningly accurate depiction of the small moments and observations new parenthood allows. Though mostly geared toward the experience of mothers, so much of it resonated with me. Really glad to have stumbled upon this at my library’s New Graphic Novels shelf.

Choice quote:

Dude, I love you so much… but could you *please* stop discovering the infinite wonder of the world for, like, two minutes?

Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe by Kathy Peiss (review)

The book tells two primary, interweaving stories: how the information-collecting missions of the Library of Congress, OSS, and Allied forces conflicted and aligned before, during, and after the war; and how individuals engaged with those missions on the ground. I found the parts about the people much more engaging than the broader institutional machinations. But if you share my interests in librarianship, archives, history, and World War II, you’ll dig this.

Choice quote:

The war challenged these librarians, archivists, scholars, and bibliophiles to turn their knowledge of books and records toward new and unpredictable ends. The immediacy and intensity of their experience tested them psychologically and physically. Whether soldier or civilian, American-born or émigré, these people’s lives changed as they engaged in this unusual wartime enterprise. They stepped up to the moment, confronting shifting and perplexing circumstances armed only with vague instructions and few precedents to guide them.

Favorite non-2020 books I enjoyed

  • Meditations on Hunting by José Ortega y Gasset (review)
  • The Night Lives On: Thoughts, Theories and Revelations about the Titanic by Walter Lord
  • One Summer: America, 1927 by Bill Bryson
  • Watchmen by Alan Moore
  • Catalogue of Shipwrecked Books by Edward Wilson-Lee

Favorite Films of 2019

Having already conquered my list of favorite films of the 2010s, I found this list much easier to assemble. I knew my movie watching would take a hit when my son was born last February, and it did, though not as much as I expected. My logbook tells me I watched 63 films in 2019, which is only 10 fewer than 2018. Turned out my 9pm-12am baby shift was perfect for catching up on titles old and new (though I can’t say I was always fully awake for all of them). Props to Netflix, Amazon Prime, Kanopy, and my library card for making that happen.

10. Ad Astra. Apocalypse Now meets Gravity. Can’t say I endorse the use of narration, but Brad Pitt plus a lunar car chase plus a personal/cosmic quest more than made up for it.

9. Booksmart. Charming as hell.

8. Toy Story 4. What do you do when your worldview crumbles?

7. The Irishman. One day I’ll have time to rewatch this straight through rather than broken up over several days. I suspect I’ll appreciate it even more then.

6. Avengers: Endgame. There was a 1 in 14,000,605 chance this MCU saga ended well, and they nailed it.

5. Apollo 11. A fresh, intimate, and riveting perspective of a world-famous event.

4. Parasite. Had I made this list immediately after seeing this, it would have been lower. But I haven’t stopped thinking about it.

3. The Lighthouse. I watched this alone since I knew my wife wouldn’t enjoy it, but I showed her the first meal scene just so she could behold Willem Dafoe.

2. Knives Out. Rian Johnson knows how to make a movie. A little goofy at times, but the scenery-chewing fun and all-time ending made for an exhilarating ride.

1. Little Women. Yes to everything: Saoirse Ronan and Timothée Chalamet together, Florence Pugh’s difficult yet delightful age-spanning performance, Desplat’s score, Chris Cooper as a good guy, Gerwig’s time-turning script that (compared to my beloved 1994 version) redeems Amy and enriches Beth, Gerwig’s direction of the Altmanesque ensemble scenes, the grand exuberance permeating this little world. Gerwig’s Lady Bird didn’t hit me as hard as it did others, but this one knocked me out.

Honorable mentions: Zombieland: Double Tap, The FarewellUs, El Camino, Knock Down the House, Once Upon A Time… in Hollywood, Hustlers, The Report, Marriage Story, High Flying Bird

Favorite non-2019 films:

  • The Big Country
  • Hard Eight
  • Jackie Brown
  • Minding the Gap
  • A Clockwork Orange
  • Saturday Night Fever
  • Swingers
  • Cold War
  • The Talented Mr. Ripley
  • The Wages of Fear

Favorite Books of 2019

Compared to 72 books in 2018, I read a relatively paltry 24 in 2019. Between work, a new house, and a new baby, I just didn’t have the mental bandwidth to stick with as many books for extended periods. This resulted in a little more fluff than usual, including several Queer Eye-adjacent memoirs and tons of board books I didn’t even count.

Pickings for this list were slim since most of my reads weren’t from 2019. But here’s what I liked the most:

5. The Feather Thief: Beauty, Obsession, and the Natural History Heist of the Century by Kirk Johnson

A strange, infuriating true crime story from the world of Victorian fly-fishing tie obsessives. The last third isn’t as compelling and propulsive as the first two, but I learned a lot about ornithology.

4. Range: Why Generalists Triumph in a Specialized World by David Epstein

Probably could have just been a longform magazine piece, but I appreciated its evidence-based advocacy for an interdisciplinary approach to learning and life in general.

3. An American Summer: Love and Death in Chicago by Alex Kotlowitz

A kaleidoscopic narrative of a violent Chicago summer, from the perspectives of the people most affected by it. “The shooting doesn’t end. Nor does the grinding poverty. Or the deeply rooted segregation. Or the easy availability of guns. Or the shuttered schools and boarded-up homes. Or the tensions between police and residents. And yet each shooting is unlike the last, every exposed and bruised life exposed and bruised in its own way. Everything and nothing remains the same.”

2. Digital Minimalism: Choosing a Focused Life in a Noisy World by Cal Newport

Newport’s definition of digital minimalism is “a philosophy of technology use in which you focus your online time on a small number of carefully selected and optimized activities that strongly support things you value, and then happily miss out on everything else.” This certainly inspired me to ask some hard questions about how and why I use certain technologies. A key aspect of this approach is to have what Newport calls “high-quality leisure” activities ready to fill the space in your life formerly filled with mindless scrolling. Otherwise Mark Zuckerberg will win.

1. Talking to Strangers: What We Should Know about the People We Don’t Know by Malcolm Gladwell

“The right way to talk to strangers is with caution and humility.” With his trademark incisiveness and critical insight, Gladwell dives into the gray areas surrounding the cases of Amanda Knox, Jerry Sandusky, Bernie Madoff, Sandra Bland, Brock Turner, Sylvia Plath, and other events and figures of recent history you only thought you fully understood. Dovetails nicely with the most recent season of Gladwell’s excellent podcast Revisionist History.

(Also interesting to contrast with Kio Stark’s When Strangers Meet, a much more positive though less clinical take on similar territory.)

Other favorite reads

Mighty Fitz: The Sinking of the Edmund Fitzgerald by Michael Schumacher

Show Your Work! by Austin Kleon

What is the Bible?: How an Ancient Library of Poems, Letters, and Stories Can Transform the Way You Think and Feel About Everything by Rob Bell

All the Pieces Matter: The Inside Story of The Wire by Jonathan Abrams

The Odyssey by Homer (translated by Emily Wilson)

Favorite Albums of the 2010s

See also: my favorite books, TV shows, and films of the 2010s.

Listed alphabetically by artist, here are the albums from the last 10 years that sustained and entertained me:

Abigail Washburn, City of Refuge. Favorite track: “City of Refuge”

The Book of Mormon Original Broadway Cast Recording. Favorite track: “You And Me (But Mostly Me)”

case/lang/veirs, case/lang/veirs. Favorite track: “Atomic Number”

Dawes, Nothing Is Wrong. Favorite track: “A Little Bit of Everything”

Good Old War, Come Back As Rain. Favorite track: “Amazing Eyes”

Hamilton Original Broadway Cast Recording. Favorite track: “One Last Time”

Ingrid Michaelson, Songs for the Season. Favorite track: “Auld Lang Syne”

Joe Pug, Messenger. Favorite track: “The First Time I Saw You”

John Mayer, Born and Raised. Favorite track: “Queen of California”

The Lonely Island, Turtleneck & Chain. Favorite track: “Jack Sparrow”

Lord Huron, Lonesome Dreams. Favorite track: “Ends of the Earth”

Lucius, Wildewoman. Favorite track: “Turn It Around”

The Okee Dokee Brothers, Through the Woods. Favorite track: “Walking With Spring”

Over the Rhine, Blood Oranges in the Snow. Favorite track: “First Snowfall”

The Tallest Man On Earth, The Wild Hunt. Favorite track: “Troubles Will Be Gone”

Favorite TV Shows of the 2010s

See also: my favorite books, albums, and films of the 2010s.

I spent a lot more time reading and watching movies over the last 10 years than watching TV, but here are the 10 series I enjoyed the most.

10. Catastrophe. For keeping it (brutally) real.

9. House of Cards. For the pulpy thrills of the first three seasons (the only ones I’ve seen).

8. Archer. For the many deep-cut references and H. Jon Benjamin’s voice.

7. The Marvelous Mrs. Maisel. For the breezy wit.

6. Big Mouth. For really going there (and crossing over with honorable mention Big Little Lies.)

5. The People vs. OJ Simpson. For making someone too young at the time to understand to understand.

4. Rick & Morty. For making me laugh more than anything else.

3. The Crown. For finding ordinary truths in extraordinary circumstances.

2. Parks & Recreation. For being the Breaking Bad of network sitcoms. (And very rewatchable.)

1. Breaking Bad. For being a perfect television show.

Favorite Books of the 2010s

See also: my favorite films, TV shows, and albums of the 2010s.

This list happens to coincide perfectly with the period of time I began (1) reading for fun once I graduated college, (2) tracking my reading, and (3) reading a lot more.

This means I had tons of titles to consider. I forced myself to determine which books both expanded my mind and soul, and exhibited exceptional writing or creative vision. Not for nothing, almost all of the chosen ones got 5-star ratings on my Goodreads.

(My yearly best-of lists have a lot more gems that just missed the cut. Consider them honorable mentions.)

Here—listed alphabetically because I spent all my ordering energy on my movies list—are my favorite reads from the last 10 years.

Atlas of a Lost World: Travels in Ice Age America by Craig Childs

Boom Town: The Fantastical Saga of Oklahoma City by Sam Anderson

Circe by Madeline Miller

Empire of the Summer Moon: Quanah Parker and the Rise and Fall of the Comanches by S.C. Gwynne

Hark! A Vagrant by Kate Beaton

Here by Richard McGuire

How We Got To Now: Six Innovations That Made the Modern World by Steven Johnson

The Hunt for Vulcan: And How Albert Einstein Destroyed a Planet, Discovered Relativity, and Deciphered the Universe by Thomas Levenson

Lab Girl by Hope Jahren

The Shepherd’s Life: Modern Dispatches from an Ancient Landscape by James Rebanks

Skyfaring: A Journey with a Pilot by Mark Vanhoenacker

Station Eleven by Emily Mandel

The Typewriter Revolution: A Typist’s Companion for the 21st Century by Richard Polt

When Breath Becomes Air by Paul Kalanithi

Word by Word: The Secret Life of Dictionaries by Kory Stamper

Just missed the cut:

Annihilation by Jeff Vandermeer

Blitzed: Drugs in the Third Reich by Norman Ohler

But What If We’re Wrong?: Thinking About the Present As If It Were the Past by Chuck Klosterman

Destiny of the Republic by Candice Millard

The Glass Cage: How Our Computers Are Changing Us by Nicholas Carr

The Good Lord Bird by James McBride

The Pleasures of Reading in an Age of Distraction by Alan Jacobs

Respect Yourself: Stax Records and the Soul Explosion by Robert Gordon

The Righteous Mind: Why Good People are Divided by Politics and Religion by Jonathan Haidt

Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks by Keith Houston

The Sisters Brothers by Patrick deWitt

The Warmth of Other Suns by Isabel Wilkerson

Where’d You Go, Bernadette by Maria Semple

Favorite Films of the 2010s

See also: my favorite books, TV shows, and albums of the 2010s.

My initial list for this endeavor had 77 movies. After I barely managed to winnow it down to 50, I just couldn’t figure out how I’d get to that arbitrary yet appealing round number of 10.

But once I realized most of the movies could be grouped pretty cleanly into 10 different categories (some of which I devised myself), that allowed me to compare movies of the same genre or subgenre to each other rather than to movies doing something completely different. Using that system, my top picks of each slot fell almost immediately into place.

Note that the list ranks the movies, not the categories they represent. The categories made picking the top 10 easier, but the finalists in each one—consider them my honorable mentions—wouldn’t have necessarily ended up in the same ranking and often could fit in several of the categories.

As with all best-of lists, I strove to use an alchemy of my head and my heart to make the final determinations, consulting my yearly best-of lists and trusty logbook to make sure I didn’t miss anything. It was at once overwhelming and rewarding to consider all I’ve seen and decide both what has stuck with me the most and what best represents a decade in cinema.

Here’s what I got.

10. This Is Martin Bonner

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A serene and sure-handed film about two men with a faith problem, which inspired one of my favorite blog posts.

Category: Quiet Drama

Finalists: Moonlight, The Rider, Paterson, Ida, Columbus, A Ghost Story

9. Arrival

arrival.jpg

How could I not love a movie exploring the intersection of language and love across the space-time continuum?

Category: Sci-Fi/Dystopian

Finalists: Interstellar, Edge of Tomorrow, Looper, Snowpiercer, The Lobster

8. Minding the Gap

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A stunning documentary about teen skateboarders that’s about one thing before it becomes about many others.

Category: Documentary

Finalists: Nostalgia for the Light, Tower, These Birds Walk, Cave of Forgotten Dreams, California Typewriter

7. The LEGO Movie

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What should have been just a brainless cash-grab brand-stravaganza was also a surprisingly rich, hilarious, sunnily dystopian meditation on creativity and existence.

Category: Comedy

Finalists: Coco, Popstar: Never Stop Never Stopping, They Came Together, The Muppets, Midnight in Paris

6. Mad Max: Fury Road

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Submitted without comment:

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Category: Action

Finalists: Creed, Noah

5. Spotlight

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This video by Nerdwriter1 gets at what makes this movie so compelling and why I’ve returned to it repeatedly, despite the heaviness of the subject.

Category: Searing Drama

Finalists: The Florida Project, Like Someone In Love, Calvary, First Reformed

4. The Social Network

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The final confrontation between Mark and Eduardo might be the best scene of the decade. I’d wish for more collaborations between David Fincher and Aaron Sorkin, but how would they top this?

Category: Creative Nonfiction

Finalists: The Founder, The Favourite, The Death of Stalin

3. Spider-Man: Into the Spider-Verse

spider-man-into-the-spiderverse

An electric, vivid, and original vision that I hope instigates a sea change in film animation and superhero movies.

Category: Superhero

Finalists: Avengers: Infinity War, Avengers: Endgame, Wonder Woman

2. Lincoln

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A biopic done right: not as a shallow, decades-spanning survey treated like a greatest hits album (cough Jersey Boys) with bad aging makeup (cough J. Edgar), but as a focused, intentionally contained story that captures its subject and his times with an appropriate mix of reverence and rigor.

Category: Historical Drama

Finalists: Selma, Brooklyn, Inside Llewyn Davis, Roma

1. Hell or High Water

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But me, I’m still on the road
Headin’ for another joint
We always did feel the same
We just saw it from a different point of view
Tangled up in blue

—Bob Dylan, “Tangled Up in Blue”

Lots getting tangled up in this steely, ruggedly graceful, no-bullshit modern western: family, friendship, the past, the future, tragedy, redemption. A dangerous momentum drives the two bank-robbing brothers and the lawmen hunting them through a dust-choked Texas toward their fates. All we can do is buckle up and hold on.

Category: Family Drama

Finalists: Wildlife, Boyhood, Before Midnight

On endeavoring through Top 100 film lists

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The primary function of my logbook is to document in a Google spreadsheet what I read and watch. But that’s not all it tracks. Among sheets dedicated to typewriters I own and words I like is one that charts my progress through several Top 100 film lists (see above).

I’ve been slowly endeavoring through the AFI 100 since high school. I then added Image’s Arts & Faith Top 100, the Time 100, and recently the Sight & Sound 100. There’s a fair amount of overlap between them, but enough differences for all of them to be useful sources of viewing suggestions.

Here’s where I’m at now on each list:

AFI: 92

Image: 50

Time: 59

BFI: 52

There’s a completist satisfaction in checking off titles and inching closer to 100. Though as close as I am to finishing the AFI list, there are a few remaining titles I’m in no rush to subject myself to, like Intolerance, A Clockwork Orange, and Sophie’s Choice. As with any movie I watch, mood has to align with opportunity and availability. Having lists like these ready to go ensures I always have good options for when the moment is right.

These lists are also great fodder for exploring cinema beyond whatever Netflix or other streaming services decide to make available at any given moment. Besides Kanopy, these services tend to have a recency bias. Everyone, but especially Kids These Days, should be exposed to older and lesser known movies. See Ty Burr’s book The Best Old Movies for Families: A Guide to Watching Together for more ideas, or peruse your local library.

Favorite Films of 1999

In case you haven’t heard, 1999 was a great year for movies. I don’t remember seeing any of them in the theater at the time (I was 12), but I fondly remember watching and rewatching many on VHS and DVD later on.

I really tried to rank them. But the exercise of ranking felt even more futile and arbitrary than usual when I considered all the candidates and how I loved them nearly equally for different reasons. And so:

Top 10 films of 1999 I love nearly equally for different reasons, in alphabetical order

Dick

This gets funnier the more you know about Watergate. Choice scene: Haldeman’s house

Fight Club

Filmmaking as muscular as Brad Pitt’s abs. Choice scene: “The first rule of Fight Club.”

The Matrix

As a tween I babysat for a family that owned only a few DVDs, the only interesting one being The Matrix. Since the kids were always in bed by the time I arrived, basically I was paid to watch The Matrix. Choice scene: “I’ve been looking for you, Neo.”

October Sky

Jake Gyllenhaal has been great for a long time. Ditto Chris Cooper, who had quite the one-two punch with this and American Beauty. Choice scene: “He isn’t my hero.”

Office Space

In the Mount Rushmore of quotable comedies. Choice scene: “Sounds like somebody’s got a case of the Mondays!”

The Sixth Sense

Ah, the halcyon days of M. Night Shyamalan fever. Choice scene: “She wanted me to tell you she saw you dance.”

The Straight Story

What could have been a sentimental schlockfest is actually a graceful meditation on redemption and the cosmic importance of the quotidian. Choice scene: “That’s a darn good grabber, Alvin.”

The Talented Mr. Ripley

Could be titled Call Me By Your Name, which would work on several levels. Might be Matt Damon’s best performance. Choice scene: “Is there something you’d like to say, Freddie?”

Three Kings

This really owns the intersection of the “buddy comedy heist war movie” Venn diagram. Choice scene: “The blinding power of American sunshine”

Toy Story 2

In the Mount Rushmore of best movie sequels. Choice scene: Tour Guide Barbie

Bonus lists

Top 10 films of 1999 that aren’t “great” but are nostalgic favorites due to innumerable rewatches, in alphabetical order

  • Austin Powers: The Spy Who Shagged Me
  • Blue Streak
  • Dogma
  • Mickey Blue Eyes
  • The Mummy
  • Never Been Kissed
  • She’s All That
  • South Park: Bigger, Longer & Uncut
  • Tarzan
  • 10 Things I Hate About You

Top 6 highly regarded films of 1999 I don’t have strong feelings about, in alphabetical order

  • American Beauty
  • Election
  • The Green Mile
  • The Insider
  • Magnolia
  • Man on the Moon

Favorite Films of 2009

For some reason I can’t explain, I didn’t make a list of my top 10 films in 2009. My filmlog did get a little sparse that year, but I’m surprised I didn’t at least throw a list together, since I’ve been making best-of lists since 2007. Regardless, once I noticed the discrepancy, I figured now, 10 years later, would be the perfect time to make one and add it to the rest of my best-of lists.

It’s hard to know how different this list is from what it would have looked like in 2009. Except for Sweetgrass, I would have seen all those movies at the time, so it probably would have been similar. Surprised by how many comedies and comedy-dramas there are, but I don’t hate it.

1. Inglourious Basterds

Choice quote: “Nah, I don’t think so. More like chewed out. I’ve been chewed out before.”

2. A Serious Man

Choice quote: “The Uncertainty Principle. It proves we can’t ever really know… what’s going on. So it shouldn’t bother you. Not being able to figure anything out. Although you will be responsible for this on the midterm.”

3. Sweetgrass

Choice quote: *sheep grazing*

4. Zombieland

Choice quote: “So until next time, remember: cardio, seat belts, and this really has nothing to do with anything, but a little sunscreen never hurt anybody.”

5. Star Trek

Choice quote: “What is necessary is never unwise.”

6. (500) Days of Summer

Choice quote: “Just because she likes the same bizarro crap you do doesn’t mean she’s your soul mate.”

7. Away We Go

Choice quote: “OK, can that maybe be the last bit of parental advice we get tonight?”

8. I Love You, Man

Choice quote: “I will see you there or I will see you another time.”

9. The Secret of Kells

Choice quote: “I’ve seen suffering in the darkness. Yet I have seen beauty thrive in the most fragile of places. I have seen the book. The book that turned darkness into light.”

10. Coraline

Choice quote: “You are not my mother.”

I also liked: Moon, Winnebago Man, Up, District 9, Fantastic Mr. Fox, Me and Orson Welles, The Princess and the Frog

Favorite Films of 2018

My theme for last year’s movies was the strength of women. This year, it’s time for some manly love. (Archer voice: “Phrasing!”)

Since June, when I found out I was going to be a father, I’ve been keenly aware of how fatherhood has been portrayed in this year’s crop of movies. What strikes me now, looking back on all of them, is the wide array of characteristics the 2018 Film Fathers represented.

There were men who weren’t fathers yet but pined to be (Private Life and Game Night) or despaired of their fatherhood (First Reformed).

There were men whose defining characteristic was their absence (the doctor in Roma, Apollo in Creed II, T’Chaka in Black Panther)

There were men whose children inspired in them unconditional love (Eighth Grade), desperate determination (Searching), painful grief (First Man), righteous if misguided zeal (Blockers), and a longing to stop time (Hearts Beat Loud).

And there were men whose family life, whether through inspiration or inertia, led them towards apathy (Tully), frustration (The Incredibles 2), and flight (Wildlife).

Not all of these films made my best-of list, but I’m grateful to all of them for demonstrating just how consequential fatherhood can be.

On to the list…

1. The Death of Stalin

I don’t think I’ve ever seen anything quite like this, Veep creator Armando Iannucci’s film about the machinations of Stalin’s inner circle after the dictator’s sudden death in 1953. Don’t be fooled by the serious title: this is social and political satire at its sharpest, loosely based on real events but also exactly right about much more than its titular subject. (Review)

2. The Favourite

Rachel Weisz I’ve loved since The Mummy, Emma Stone since Superbad. But Olivia Colman is basically new to me, and she might have won this movie as a querulous, manipulative Queen Anne balancing the competing bids for favor from Stone’s Abigail and Weisz’s Sarah. Writer-director Yorgos Lanthimos’ The Lobster barely missed my top 10 list in 2015, but he nearly conquered this year’s with this delicious, darkly comic period piece that takes “be careful what you wish for” to a delightfully daring level.

3. Wildlife

Stunning directorial debut from actor Paul Dano. A very well composed and controlled story of a 1960s family struggling against disintegration, experienced by the perspective of 14-year-old only child Joe. Everything felt so specific and slo-mo tragic, Carey Mulligan’s performance especially.

4. First Reformed

What to do about despair? As the priest of a small historical church, Ethan Hawke’s Reverend Toller communes with it for a living, whether fighting his own ailments, struggling against professional obsolescence, or pastoring a young couple haunted by the specter of global warming. An intense portrait of the search for meaning, a reckoning with darkness and extremism, and a worthy entry into the “priest in crisis” canon (a personal favorite subgenre) alongside Winter Light, Calvary, and other gems.

5. Spider-Man: Into the Spider-Verse

It’s a rarity for me to see a movie in theaters twice, but I was happy to do so for this one so I could see it with my wife. This could be the movie that changes superhero movies—in style, personality, and thematic exploration. If you haven’t seen it yet, go into it with as little foreknowledge as possible.

6. The Rider

A rodeo accident forces horse rider Brady off the saddle, leaving him in poverty with brain damage and an existential crisis. This lithe, mesmerizing, and richly empathetic film rides a fine line between fiction and documentary, as Brady and most of the characters are essentially playing themselves. Director Chloé Zhao has an eye for beautiful shots and tender moments.

7. Roma

I didn’t fully appreciate Roma until it was over, when I could see the full scope of Alfonso Cuarón’s semi-autobiographical take on a year in the life of Cleo, a live-in maid in 1970s Mexico City. Still, from the first shot—a meditative long take of a floor being mopped—I cherished Cuarón’s ability to see grandeur in the granular, to magnify the minute details of a humble woman’s hidden but compelling life.

8. Searching

“Thriller whodunit that takes place solely on a computer” sounds like a cheap direct-to-video B movie, but Searching is shockingly effective at overcoming this supposed gimmick. Why is this story of John Cho’s David using everyday technology to track down his missing daughter effective? I think it’s the specificity of the tools—everything from Windows XP to Facebook and FaceTime—used in a panicked silence throughout. David could be any of us, alone at a computer clicking desperately against time.

9. BlacKkKlansman

Based on a true story of the first black police officer in 1970s Colorado Springs infiltrating the local KKK chapter, with the help of a fellow officer, played by Adam Driver. True to a Spike Lee joint, it’s brash, cutting, funny, loose when it needs to be but solid at heart. The Birth of a Nation montage could be the scene of the year. John David Washington (son of Denzel) deserves not to always be compared to his famous father, but they share a compelling verve that bodes very well for John David’s career.

10. The Ballad of Buster Scruggs

Not all of this Coen Bothers anthology’s six parts are equally good: “The Girl Who Got Rattled” and “Meal Ticket” did a lot of the heavy lifting (or gold digging?) to get to this spot. But this would have made the list for the Zoe Kazan and Bill Heck performances in “Rattled” alone. Like most Coen Brothers joints, I expect this to reward repeat viewings.

Honorable mentions:

  • Avengers: Infinity War
  • Leave No Trace
  • Tully
  • If Beale Street Could Talk
  • Won’t You Be My Neighbor
  • Black Panther
  • Private Life
  • Game Night
  • Hearts Beat Loud
  • Annihilation
  • Widows

Favorite non-2018 films I watched this year:

  • Moonstruck
  • Anatomy of a Murder
  • Tension
  • Monty Python and the Life of Brian
  • King of Comedy
  • Battle of Algiers
  • The Seventh Seal
  • Three Days of the Condor

Favorite Albums of 2018

Most of the music I encountered for the first time in 2018 wasn’t actually new. But here are a few new releases I did fancy this year, in no particular order.

Winterland by The Okee Dokee Brothers

One of my favorite bands released a full album about my favorite season, so yeah, it’s gonna make this list. Choice song: “Blankets of Snow”

Songs for the Season by Ingrid Michaelson

This album has been on heavy rotation this Christmastime. Choice song: “Looks Like A Cold, Cold Winter”

Magic Ship by Mountain Man

Here’s a digital browsing success story: I was on Hoopla (free with your library card) trolling through the new music releases and selected an album from an artist I knew and liked. Don’t even remember which it was, but I saw that the Similar Artists under the album showed a band called Mountain Man. Had never heard of them, but I figured a group with a name like that couldn’t be bad. Turned out I was correct. It’s a trio of women doing mostly a cappella folk serenades, and I can’t wait to play them as lullabies to my incipient child. Choice song: “Agt”

See You Around by I’m With Her

I’m with I’m With Her. Choice song: “Overland”

Wide Awake by Rayland Baxter

Recently heard a song from this album at the dentist office, which I guess means Baxter has officially arrived. Choice song: “Strange American Dream”

Between Two Shores by Glen Hansard

What I call “Sad Bastard” music at its finest. Hansard is on my bucket list to see live. Choice song: “Why Woman”

Songs from the Valley by Sandra McCracken

I’ve seen Sandra live many times and would gladly keep seeing her. Choice song: “Lover of My Soul”

Ruins by First Aid Kit

I’m starting to realize I have a thing for female harmonies. Choice song: “My Wild Sweet Love”

Favorite Books of 2018

Goodreads tells me I read 72 books this year. Though I didn’t read as many as last year, with a baby on the way I’ve been trying to read abundantly while I can, for both quality and quantity. Here are the books published in 2018 that I enjoyed the most. (See previous best-of book lists.)

1. Boom Town: The Fantastical Saga of Oklahoma City by Sam Anderson (review)

You might have heard good things about this book. I’m here to tell you all of them are true. The pleasure I felt from the first page on is a feeling I chase with all my reading. Your mileage may vary, of course, but this kaleidoscopic story of Oklahoma City is more than just a rote retelling of a city’s history. Anderson wraps the OKC Thunder, tornadoes, Timothy McVeigh, city planning, a truly insane founding process, Wayne Coyne of the Flaming Lips, and much more into a cohesive, sure-handed, wry, and enlightening narrative.

Choice quote:

Radar data, like starlight, is information about the past: it tells you about the distant object it bounced off seconds or minutes before. This can tell you a lot—that conditions are perfect for a big storm, that something is in the air—but it can’t actually look at the storm for you. For that, you still need people. Storm chasers provided the stations with what they call “ground truth.”

2. Circe by Madeline Miller

My highest-ever ranking of a novel, and it damn near took the first spot. A retelling of the story of Circe, daughter of the sun god Helios, this isn’t something I’d normally read, but the rave reviews made me give it a try. Boy am I glad I didn’t let my woeful lack of knowledge on Greek mythology stop me. I found Miller’s prose to be so rich and empathetic, powerful yet tender. Read half of it on audiobook and friggin’ loved Perdita Weeks’ narration. I just started reading The Odyssey for the first time; I sense it will be that much richer having gone through this odyssey.

Choice quote:

Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.

3. Atlas of a Lost World: Travels in Ice Age America by Craig Childs

Archaeology, anthropology, sociology, philosophy, imagination—all come into play in this meaty and winding travelogue around North America to investigate notable Ice Age locations. Made me immensely grateful for our (not so) distant human ancestors.

Choice quote:

We have all but forgotten how to inhabit this kind of fear. We gave up spears and skins and the weather on us day and night for cup holders and cell phones and doors that close behind us. What, I wonder, was lost?

4. Searching for Stars on an Island in Maine by Alan Lightman

Picked this up on a whim and luckily was in the right mood for its meditative style and mix of mind-expanding ruminations on astrophysics, God, philosophy, nature, and the meaning of life. Do not read if you don’t want your worldview—or really, galaxyview—bent like spacetime.

Choice quote:

[Earth is] a large family of noisy and feeling animals—the living, throbbing kingdom of life on our planet, of which we are a part. A kingdom that consecrates life and its possibilities even as each of its individuals passes away. A kingdom that dreams of unity and permanence even as the world fractures and fades. A kingdom redesigning itself, as we humans now do. All is in flux and has always been so. … Flux is beyond sadness and joy. Flux and impermanence and uncertainty seem to be simply what is.

5. Atomic Habits: Tiny Changes, Remarkable Results by James Clear

Learned about this when I stumbled upon the author’s Twitter, which proved to be quite the hotbed of interesting replies about people’s habits. The book does a great job laying out practical tools and ways of thinking about behavior, especially in how conceptions of identity and systems influence it far more than emotions and willpower.

Choice quote:

You get what you repeat.

6. How to Change Your Mind: The New Science of Psychedelics by Michael Pollan (review)

From the author of The Botany of Desire, one of my favorite narrative nonfiction books, comes this new revelatory exploration of practical and transformative uses of psychedelics. Probably because I’ve never done psychedelics, I was eager to learn about them from a reputable and investigative source with an open mind like Pollan. He explores the history of psychedelics, how they were used in clinical trials in the 1950s before Timothy Leary and the damned dirty hippies ruined them for everyone (my words), and how modern science is discovering their powerful affects on the brain and mental health.

Choice quote:

Psychedelic experiences are notoriously hard to render in words; to try is necessarily to do violence to what has been seen and felt, which is in some fundamental way pre- or post-linguistic or, as students of mysticism say, ineffable. Emotions arrive in all their newborn nakedness, unprotected from the harsh light of scrutiny and, especially, the pitiless glare of irony. Platitudes that wouldn’t seem out of place on a Hallmark card glow with the force of revealed truth.

7. The Coen Brothers: This Book Really Ties the Films Together by Adam Nayman

A big and beautiful book of essays on the works of America’s most reliably excellent filmmakers. Nayman covers every Coen film from Blood Simple to Hail, Caesar! and includes interviews with frequent collaborators. It made me appreciate the Coen Cinematic Universe much more.

8. An American Marriage by Tayari Jones

Richly drawn characters in modern Atlanta dealing with a false imprisonment and how it upends life’s expected narratives. I think this is the second Oprah’s Book Club selection I’ve read while it was still reigning—the first being The Underground Railroad—so I’m 2 for 2 so far.

9. Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece by Michael Benson

Wouldn’t you know it, all I wanted to do after reading this was rewatch 2001: A Space Odyssey.

10. Am I There Yet? The Loop-de-Loop, Zigzagging Journey to Adulthood by Mari Andrew

Discovered Mari Andrew on Instagram. She packs so much insight, emotional intelligence, and artistry into deceptively simple illustrations, and has a great eye for the little things in life and how to turn them into art.

Honorable mentions: Farsighted: How We Make the Decisions That Matter the Most by Steven Johnson, The Good Neighbor: The Life and Word of Fred Rogers by Maxwell King, The Library Book by Susan Orlean

Favorite non-2018 books I read this year

  • On Trails: An Exploration by Robert Moor
  • Persepolis by Marjane Satrapi
  • The Lover’s Dictionary by David Levithan
  • A Life In Parts by Bryan Cranston
  • 2001: A Space Odyssey by Arthur C. Clarke
  • Dreaming the Beatles: The Love Story of One Band and the Whole World by Rob Sheffield
  • Sapiens: A Brief History of Humankind by Yuval Noah Harari
  • Truman by David McCullough
  • Big Little Lies by Liane Moriarty
  • 84, Charing Cross Road by Helene Hanff (review)

Revisiting my top films of 2008

Ten years ago I ranked my top 10 films of 2008. (I also started filmlogging.) Since last year’s revisit of my top films of 2007 was so fun, I thought I’d make this an annual tradition.

Here’s my original 2008 list:

  1. WALL-E
  2. Happy-Go-Lucky
  3. Man on Wire
  4. In Bruges
  5. Rachel Getting Married
  6. Shotgun Stories
  7. The Dark Knight ­­
  8. Tell No One
  9. Encounters at the End of the World
  10. Milk

Lots of interesting choices here. Kinda shocked Happy-Go-Lucky was so high and that Milk made the list. Also surprised I was so into Man on Wire and Rachel Getting Married. That year in general was a time with an odd mix of hope (Obama elected) and darkness (the world economy). The tenor of these picks falls all along that spectrum, as I suppose any year with a properly diverse array of films should.

Ten years out, that hope-despair spectrum remains but my taste has changed, if only slightly. As always, without rewatching all the candidates it’s hard to make a totally fair and accurate list, but here’s where my gut goes:

  1. Summer Hours
  2. WALL-E
  3. Goodbye Solo
  4. In Bruges
  5. Shotgun Stories
  6. Tell No One
  7. Man on Wire
  8. The Dark Knight
  9. Rachel Getting Married
  10. Encounters at the End of the World

With honorable mention to Rachel Getting Married, Forgetting Sarah Marshall, Iron Man, Burn After Reading, The Wrestler, W., Happy-Go-Lucky, and Milk.

The precipitous drop of Happy-Go-Lucky, which went from #2 to honorable mention, was surprising. Perhaps a rewatch would put it back on the list. But I had to crown a new champion in Summer Hours, the Olivier Assayas family drama, and bump Milk for Goodbye Solo.

I fondly recall watching all of these during college, when I was also discovering so many old and new films in the cinephile canon. My college library and the public library were go-to sources. Some things never change.

Top 5 films of 2018 so far

The Death of Stalin. I’m a sucker for dark and irreverent political satires.

Won’t You Be My Neighbor? This documentary about Fred Rogers didn’t make me cry, but it did make me sad about the Kids These Days who don’t know of him and his anti-television TV show.

First Reformed. I’m also a sucker for “dark night of the soul” films made by atheists that take faith and doubt seriously, which this Paul Schrader film is.

Black Panther and Avengers: Infinity War. Quite the one-two punchsplosion from Marvel. Haven’t rewatched either yet, but I think they’ll hold up.

Favorite Books of 2017

Goodreads tells me I read one less book this year than last. Though always tempted to read ever more and more, I’ve become less concerned about hitting arbitrary reading quotas, so I’m able to better enjoy the books I do read. Here are the 2017 books I enjoyed the most, with links to reviews I wrote when I read them:

  1. Word by Word: The Secret Life of Dictionaries by Kory Stamper (review)
  2. Blitzed: Drugs in the Third Reich by Norman Ohler (review)
  3. High Noon: The Hollywood Blacklist and the Making of an American Classic by Glenn Frankel
  4. Manhattan Beach by Jennifer Egan
  5. The New Analog: Listening and Reconnecting in a Digital World by Damon Krukowski (review)
  6. Uncommon Type: Some Stories by Tom Hanks (review)
  7. How to Think: A Survival Guide for a World at Odds by Alan Jacobs (review)
  8. Movies are Prayers: How Films Voice Our Deepest Longings by Josh Larsen (review)
  9. The Kelloggs: The Battling Brothers of Battle Creek by Howard Markel (review)
  10. The Vanishing American Adult by Ben Sasse (review)

Honorable mentions:

  • The Card Catalog: Books, Cards, and Literary Treasures by the Library of Congress
  • Little Fires Everywhere by Celeste Ng
  • The Book Thieves: The Nazi Looting of Europe’s Libraries by Anders Rydell (review)
  • My Life with Bob: Flawed Heroine Keeps Book of Books, Plot Ensues by Pamela Paul
  • Rainy Lake House: Twilight of Empire on the Northern Frontier by Theodore Catton

#SheToo: Favorite Films of 2017

The overarching theme of the year in film, to me, was Wonder Women. Not only was the Wonder Woman film good, but in a year when badly behaving men dominated the news, I’m grateful there were so many richly drawn female protagonists who ran the gamut of strong, vulnerable, funny, and complicated, and who made their movies better.

I mean, just consider Saoirse Ronan in Lady Bird, Gal Gadot in Wonder Woman, Elizabeth Olsen in Wind River, Sally Hawkins in The Shape of Water, Brooklynn Prince in The Florida Project, Jenny Slate in Landline, Haley Lu Richardson in Columbus, Jennifer Lawrence in mother!, Meryl Streep in The Post, Jessica Chastain in Molly’s Game, Cynthia Nixon in A Quiet Passion, Frances McDormand in Three Billboards Outside Ebbing, Missouri, Margot Robbie in I, Tonya, and Daisy Ridley in Star Wars: The Last Jedi, to name a few.

As with the #OscarsSoWhite campaign, I hope #MeToo and the new Time’s Up campaign in Hollywood lead to positive change in cinema. (I just realized all the aforementioned actresses are white…) The world benefits from different kinds of stories being told in fresh ways by people who in a different time wouldn’t be able to tell them. More power—and funding!—to those people.

So many films from this year have stayed in my mind. Ranking them felt as arbitrary and borderline sadistic as ranking works of art actually is. I almost took the coward’s way out and listed them alphabetically. But in a bid for clarity and uniformity with my previous best-of lists, here are my favorite films from 2017:

1. The Florida Project

No joke: Brooklynn Prince for Best Actress. Her very real chops as a 6-year-old allowed Tangerine director Sean Baker to wrangle from her a well-rounded, film-carrying performance as Moonee, a wily, incorrigible kid tromping around unsupervised in a low-income motel community. The fragmentary, mosaic-like narrative structure might have dragged a bit here and there, but it also created images that pay off later in the film, like Moonee in the bath. Very well done, with an ending that slams like a motel room door.

2. A Ghost Story

“Casey Affleck in a bedsheet” is technically what most of the movie consists of, but that ain’t the half of it. Focus too much on that and you’ll miss a beautifully shot, melancholic, slyly funny, and mercifully concise meditation on the slipperiness of time and memory. How mesmerizing it is to follow a ghost that is unstuck in time. Pairs well with Richard McGuire’s graphic novel Here.

3. Coco

It’s become a cliche to laud the technical advances in film animation, especially from Pixar. But damn: this is a resplendent piece of work, and one that elicited a rare theater-cry from me. With music, family, memory, and a young boy playing a stringed instrument at the center, this makes a great companion to 2016 favorite Kubo and the Two Strings. The soundtrack is available on Hoopla for free with your library card.

4. The Lego Batman Movie

Holy Joke Density, Batman! Like The Lego Movie, every moment is packed with something: action, humor, meta-humor, color, or heart. How is it that an animated superhero movie accomplishes this way better than most human ones? I suppose I should be annoyed by another [Insert Brand Name Here] Cinematic Universe, but I’ll revisit this one any day. After all, friends are family you can choose.

5. Get Out

I don’t like watching horror films, so I was planning on skipping this until the universal acclaim compelled me otherwise. So glad I did because there’s a lot more going on than cheap scares. Speaking of scary: if this is writer-director Jordan Peele’s debut work, what does he have in store for the future?

6. Columbus (review)

Another debut, from film essayist Kogonada, this gorgeous film calls enough attention to its subjects—the modernist architecture of Columbus, IN, and the two sudden companions who take it in—to captivate viewers, but keeps enough distance to inspire pursuit. That’s usually a good formula for great cinema. Bonus points for the library references.

7. Wonder Woman (review)

The only movie I saw twice in theaters this year. What I found powerful about the now iconic No Man’s Land sequence, beyond the single-minded drive and badassery Diana shows in battle, was how it was the culmination of a day’s worth of her being told No over and over again, and choosing to ignore it each time. No, you can’t dress like that. No, you can’t go to the front. No, you can’t brandish your sword. No, you can’t enter this men’s-only room, or that other men’s-only room. No, you can’t stop to help people on the way to the front. No, you can’t go into No Man’s Land. Nevertheless, she persisted.

8. Dunkirk

In a film that’s so short and efficient (by Christopher Nolan standards), Nolan still captures the full scope of war: from the smallest stories of individual soldiers trying to survive and do their duty to the haunting grandness of thousands of soldiers trapped on a beach awaiting their doom. The interweaving timelines from the air, land, and sea might confound at first, but a second viewing confirms they fit snugly together, and build dramatically towards (78-year spoiler alert) the successful evacuation, or Miracle On Sand as I’m calling it.

9. Obit (review)

An eloquent, observant, and superbly crafted documentary by Vanessa Gould on the New York Times obituary writers and the people they cover. It’s the rare instance of the writing process being just as interesting as the writing itself. Now how about a documentary just on Jeff Roth and the Morgue (pictured above)?

10. California Typewriter (review)

Doug Nichol, a commercial and music video cinematographer, finds lots of lovingly framed images and scenes in this documentary about the “People’s Machine” and the people who love them. Between talking heads of famous typers and a reading of the Typewriter Insurgency Manifesto, Nichol’s best decision was picking a subject that is already damn photogenic.


Just missed the cut: I, Tonya, Wind River, mother!, Star Wars: The Last Jedi, A Quiet Passion, and Lady Bird.

I also liked: The Big Sick, Landline, Thor: Ragnarok, Spider-Man: Homecoming, I Don’t Feel At Home In This World Anymore, Guardians of the Galaxy Vol. 2.

Haven’t seen yet: The Post, Phantom Thread, The Square.

Top films of 2007: will ‘There Will Be Blood’ be there?

Filmspotting’s recent Sacred Cow review of There Will Be Blood inspired me to rewatch it for the first time since seeing it in theaters, and go back and look at my top films of 2007. They were:

1) The Lives of Others (technically 2006, but released in the U.S. in 2007)
2) Once
3) Waitress
4) Zodiac
5) Michael Clayton
6) No Country for Old Men
7) Sweeney Todd: The Demon Barber of Fleet Street
8) Ratatouille
9) Juno
10) 3:10 to Yuma

As you can see, There Will Be Blood did not make the list. I remember in the theater being impressed but bored, which was not the case for its Oscar “rival” that year, No Country for Old Men. Because of that I predicted Blood wouldn’t win Best Picture; compared to the tight plotting and propulsive thrills of No Country, its sprawling scope and tonal opacity would be a tough sell in a popularity contest.

I’d still give Best Picture to No Country. But a second viewing of Blood brought it way up in my estimation. What P.T. Anderson’s films lack in scrutability they more than make up for in production design, soundtrack, and acting prowess. What superlative could I use for Daniel Day-Lewis that hasn’t already been beaten to death with a bowling pin? The man is mesmerizing. In a 158-minute movie, I couldn’t take my eyes off him for one of them. He shares MVP with the cinematographer Robert Elswit, who similarly has earned the hyperbole around his work.

So where would I rank There Will Be Blood now? Making a new list without rewatching all the films I rated highly but haven’t seen since then, like Waitress and Michael Clayton, is a bit of a fool’s errand. But as it stands now, including the 2007 films I’ve seen since making the list, here’s what it looks like:

1) The Lives of Others
2) Once
3) Zodiac
4) No Country for Old Men
5) Waitress
6) Munyurangabo
7) There Will Be Blood
8) Michael Clayton
9) Ratatouille
10) Into the Wild

Sorry, Juno, 3:10 to Yuma, and Sweeney Todd, but I had to make room for There Will Be Blood, Into the Wild, and Munyurangabo. Honorable mention goes to The Diving Bell and the ButterflyHairspray, and Enchanted. Pretty great year overall!

Favorite Films of 2016

According to my records I watched 83 films in 2016, 33 of which came out this year. As is the case with my reading, I’m in a “watch as much as I can” zone because I love movies and there’s so much great stuff and there are too many movies and I’ll never have this amount of free time once I have kids. So here are my favorite films from 2016, ranked.

Arrival. I’m a total sucker for stories like this and Lost, Interstellar, Midnight Special, Gravity, Take Shelter, Contact and other deeply humane tales masquerading as sci-fi that make you think just as much as they make you want to hug someone. Though the geopolitical element to the story waded a little too close to didactic for me, I was nevertheless absorbed from the first minute, even if I’m still trying to figure everything out. Found myself surprised by the quality of Jeremy Renner’s performance, unsurprised by Amy Adams’s, and wishing Forest Whitaker had more to do.

Moonlight. I got the feeling there were two hidden acts before the beginning of the film, showing the childhood and adolescence of Mahershala Ali’s crack dealer before he crossed paths with young Chiron, who’s starting on his own journey through a troubled life. Time is a flat circle.

Everybody Wants Some!! With its likable cast, meandering dialogue, and lived-in plotless feel, it’s the middle sibling between Linklater’s Dazed and Confused and Before trilogy, all of which seem to take place in the same film universe where everyone’s a peripatetic philosopher and life happens in the ordinary moments between the usual milestones. More thoughts here.

Hell or High Water. “Tangled Up in Blue” by Bob Dylan: “But me, I’m still on the road / Headin’ for another joint / We always did feel the same / We just saw it from a different point of view / Tangled up in blue.” Lots of tangling up in this movie, for good and ill. Family, money, friendship, death, the future. Mutual haunting. And what is a haunting but a tangle with the past? That last shot tho.

Kubo and the Two Strings. Haven’t seen much love for this in the year-end lists, which is baffling. In sumptuous stop-motion animation, a cohesive fable plays out with a cast of characters who range from terrifying. Though in patches during the second act the interaction among the makeshift traveling posse borders on cloying, the larger arc of Kubo and his family and what it shows us about memory and creation is incredibly affecting.

The Wave. It’s Jaws plus The Impossible plus that New Yorker article about the earthquake that’s gonna destroy the Pacific Northwest one day. Dug it! More thoughts on this deliciously tense low-budget Norwegian thriller that doesn’t look low-budget at all here.

The Fits. That finale!

Hail, Caesar! Liked this pretty much immediately. Full of hilariously deadpan Coen Bros Touches™ like David Krumholtz yelling things in the background of the communist gathering. I only wish we could have spent more time with the rotating cast of capital-c Characters I’ve come to expect from the Coens. Like Frances McDormand’s film editor: can their next movie be just about her? This could easily be the origin of a Marvel-esque cinematic universe.

Midnight Special. From idea to execution, this Jeff Nichols joint is inspired in every sense: as homage to Spielbergian themes of family and destiny, as a sci-fi fable with the courage of restraint, and as an auteurist vision that doesn’t always shine scene to scene but adds up to something effulgent when it matters. Review here.

Captain America: Civil War. Finally, a Spider-Man who actually looks like he’s in high school! That, along with ever more compelling character studies of Steve Rogers and Tony Stark, made this latest episode of The Marvel Cinematic Universe Show worth watching. Full review here.


Other favorites: The Lobster, 10 Cloverfield Lane, Hunt for the Wilderpeople, The Innocents, La La Land, Popstar: Never Stop Never Stopping, Last Days in the Desert

Haven’t yet seen: Silence, Toni Erdmann, Manchester by the Sea, Certain Women