My theme for last year’s movies was the strength of women. This year, it’s time for some manly love. (Archer voice: “Phrasing!”)
Since June, when I found out I was going to be a father, I’ve been keenly aware of how fatherhood has been portrayed in this year’s crop of movies. What strikes me now, looking back on all of them, is the wide array of characteristics the 2018 Film Fathers represented.
There were men who weren’t fathers yet but pined to be (Private Life and Game Night) or despaired of their fatherhood (First Reformed).
There were men whose defining characteristic was their absence (the doctor in Roma, Apollo in Creed II, T’Chaka in Black Panther)
There were men whose children inspired in them unconditional love (Eighth Grade), desperate determination (Searching), painful grief (First Man), righteous if misguided zeal (Blockers), and a longing to stop time (Hearts Beat Loud).
And there were men whose family life, whether through inspiration or inertia, led them towards apathy (Tully), frustration (The Incredibles 2), and flight (Wildlife).
Not all of these films made my best-of list, but I’m grateful to all of them for demonstrating just how consequential fatherhood can be.
On to the list…
1. The Death of Stalin
I don’t think I’ve ever seen anything quite like this, Veep creator Armando Iannucci’s film about the machinations of Stalin’s inner circle after the dictator’s sudden death in 1953. Don’t be fooled by the serious title: this is social and political satire at its sharpest, loosely based on real events but also exactly right about much more than its titular subject. (Review)
2. The Favourite
Rachel Weisz I’ve loved since The Mummy, Emma Stone since Superbad. But Olivia Colman is basically new to me, and she might have won this movie as a querulous, manipulative Queen Anne balancing the competing bids for favor from Stone’s Abigail and Weisz’s Sarah. Writer-director Yorgos Lanthimos’ The Lobster barely missed my top 10 list in 2015, but he nearly conquered this year’s with this delicious, darkly comic period piece that takes “be careful what you wish for” to a delightfully daring level.
Stunning directorial debut from actor Paul Dano. A very well composed and controlled story of a 1960s family struggling against disintegration, experienced by the perspective of 14-year-old only child Joe. Everything felt so specific and slo-mo tragic, Carey Mulligan’s performance especially.
4. First Reformed
What to do about despair? As the priest of a small historical church, Ethan Hawke’s Reverend Toller communes with it for a living, whether fighting his own ailments, struggling against professional obsolescence, or pastoring a young couple haunted by the specter of global warming. An intense portrait of the search for meaning, a reckoning with darkness and extremism, and a worthy entry into the “priest in crisis” canon (a personal favorite subgenre) alongside Winter Light, Calvary, and other gems.
5. Spider-Man: Into the Spider-Verse
It’s a rarity for me to see a movie in theaters twice, but I was happy to do so for this one so I could see it with my wife. This could be the movie that changes superhero movies—in style, personality, and thematic exploration. If you haven’t seen it yet, go into it with as little foreknowledge as possible.
6. The Rider
A rodeo accident forces horse rider Brady off the saddle, leaving him in poverty with brain damage and an existential crisis. This lithe, mesmerizing, and richly empathetic film rides a fine line between fiction and documentary, as Brady and most of the characters are essentially playing themselves. Director Chloé Zhao has an eye for beautiful shots and tender moments.
I didn’t fully appreciate Roma until it was over, when I could see the full scope of Alfonso Cuarón’s semi-autobiographical take on a year in the life of Cleo, a live-in maid in 1970s Mexico City. Still, from the first shot—a meditative long take of a floor being mopped—I cherished Cuarón’s ability to see grandeur in the granular, to magnify the minute details of a humble woman’s hidden but compelling life.
“Thriller whodunit that takes place solely on a computer” sounds like a cheap direct-to-video B movie, but Searching is shockingly effective at overcoming this supposed gimmick. Why is this story of John Cho’s David using everyday technology to track down his missing daughter effective? I think it’s the specificity of the tools—everything from Windows XP to Facebook and FaceTime—used in a panicked silence throughout. David could be any of us, alone at a computer clicking desperately against time.
Based on a true story of the first black police officer in 1970s Colorado Springs infiltrating the local KKK chapter, with the help of a fellow officer, played by Adam Driver. True to a Spike Lee joint, it’s brash, cutting, funny, loose when it needs to be but solid at heart. The Birth of a Nation montage could be the scene of the year. John David Washington (son of Denzel) deserves not to always be compared to his famous father, but they share a compelling verve that bodes very well for John David’s career.
10. The Ballad of Buster Scruggs
Not all of this Coen Bothers anthology’s six parts are equally good: “The Girl Who Got Rattled” and “Meal Ticket” did a lot of the heavy lifting (or gold digging?) to get to this spot. But this would have made the list for the Zoe Kazan and Bill Heck performances in “Rattled” alone. Like most Coen Brothers joints, I expect this to reward repeat viewings.
I also liked: Avengers: Infinity War, Leave No Trace, Tully, If Beale Street Could Talk, Won’t You Be My Neighbor, Black Panther, Private Life, Game Night, Hearts Beat Loud, Annihilation, Widows
Favorite non-2018 films I watched this year
- Anatomy of a Murder
- Monty Python and the Life of Brian
- King of Comedy
- Battle of Algiers
- The Seventh Seal
- Three Days of the Condor