I’m creating my movie best-of lists retroactively. See all of them.
Hard to believe my last retrospective list in this series was almost two years ago. But I recently rewatched what ended up as my top two movies on this list and realized I hadn’t done this movie year yet, so here we are.
I was 10-11 years old in 1998, so the movies I saw at the time were thusly limited: Mighty Joe Young at the theater, Spice World at a sleepover, The Prince of Egypt and The Parent Trap on steady VHS rotation. None of which, alas, made my list, but thanks anyways for the memories…
On to the list…
1. The Truman Show
I knew I loved this movie but a recent rewatch confirmed it’s an all-timer. It’s easy to forget just how dark the premise is, and how deeply the in-movie cast and crew had to commit to perpetuating this illusion for so long in spite of the many ethical concerns. But the concept, the cast, and the execution are all A+ work. And it’s only 1 hour and 40 minutes. So glad it’s that and not some 12-episode limited series.
2. Saving Private Ryan
A foundational cinematic text for my budding cinephile self who saw it at around 12 years old. Funny how the cascade of supporting players (Ted Danson, Dennis Farina, Bryan Cranston, Nathan Fillon) meant nothing to me at the time but now looks both impressive and odd.
3. You’ve Got Mail
This is Peak Romcom. Hanks and Ryan and Ephron and New York City and witty repartee and dramatic stakes and bookstores—it’s all there in a literary love note to love itself. See also: 1940’s The Shop Around the Corner, the movie this is based on.
4. Armageddon
Unequivocally one of Bruce Willis’s best roles, not to mention the cavalcade of character actors filling out the ensemble. Story-wise it makes no sense, but as a comedic blockbuster adventure there are few better.
5. A Bug’s Life
Feels like the forgotten Pixar at this point, coming out at the beginning of their run and nestled between the first two Toy Story movies. But it has all the elements Pixar is known for, on top of being a Seven Samurai rehash with insects.
6. Pleasantville
I’ve never forgotten the scene of Bud helping his mom reapply her makeup to cover up her post-transformation color. In a movie that’s basically one giant metaphor, that tactility really packs a punch.
7. American History X
Speaking of never forgetting, there are some brutal moments in this one—both physically and rhetorically.
8. The Thin Red Line
It would be a while before I became familiar with Terrence Malick and the significance of this movie as his return to filmmaking. But looking back now, it makes for a great contrast with Saving Private Ryan.
9. A Simple Plan
As a late-‘90s, midwestern, snow-laden crime noir with peculiar characters, it’s like Fargo’s more serious older brother. And if both of those movies can teach us anything, it’s to never, ever take the money. Very pleasing to see Bill Paxton in a full-fledged leading role, displaying the chops he exhibited in so many supporting roles.
10. Ever After
One of the many romcoms I grew up with on steady rotation. It’s been a minute since I’ve seen it but I was always impressed with the humor and drama and romance of it all.
As with last year’s list, I decided to skip the usual pressure to make a top 10 by the end of the year without having seen a bunch of the eligible movies. Instead I took my time, waiting to watch titles as they hit streaming or Blu-ray so I’d have a better shot at a list that more accurately reflected my favorites from 2023.
There are still several I haven’t gotten to yet unfortunately (RIP my moviegoing after child #2). But with the Oscars upon us, I figured now would be the best time to close out another year in movies.
On to my top 10…
10. Please Don’t Destroy: The Treasure of Foggy Mountain
Odds are your enjoyment of this will be directly proportional to your enjoyment of the video shorts of Please Don’t Destroy, who wrote and starred in this rather ridiculous romp. I’m a huge fan, therefore I had a great time with this. Does it suffer from the SNL Movie Syndrome of feeling stretched out beyond its sketch-based form? A little bit. Is it also consistently hilarious? You bet.
9. Still: A Michael J. Fox Movie
If you make a documentary related to Back to the Future, I’m gonna watch it. This one also happens to be really well done, making creative use of reenactments alongside Fox’s talking heads, memoirs, and TV/movie appearances to tell his life story. And he’s still funny as hell despite the effects of Parkinson’s. (I had a blast interviewing the movie’s editor and geeking out about all things BTTF.)
8. Poor Things
There’s just nothing like a Yorgos Lanthimos movie. And there’s no one acting quite like Emma Stone these days. Their creative alchemy yielded this deeply weird, dark, funny, and feminist picaresque that had me alternating between “ha” and “huh?” quite frequently.
7. Theater Camp
I never cease to marvel at the magic of musical theater, whatever the context. To go from absolutely nothing to a collection of songs, complex choreography, manufactured sets and costumes, all combined into an entertaining story? Sign me up every time. Cheers to this ensemble cast of young performers who managed to do that in this mockumentary while selling both the over-the-top satire of showbiz life and the earnest appreciation of doing what they love.
6. Oppenheimer
Christopher Nolan, call your agent: I’ve got a long list of supposedly “uncinematic” history books filled with people talking in rooms that Oppenheimer proves should in fact be turned into IMAX-worthy epics.
5. The Killer
WeirdhowDavid Fincher can drop a sleek “The Bourne Identity meets Adaptation” gem like this starring A-lister Michael Fassbender and have it feel completely forgotten by year’s end. (That’s the Netflix Effect for you, I guess…) This story of an assassin cleaning up a botched job really opens up when you realize it’s actually a comedy, with said assassin the butt of the joke just as often as he is a savvy operator. More Fassbender/Fincher collabs, please.
4. Reality
Much like Oppenheimer, this is an excellent 2023 movie featuring a government contractor being interrogated for their motivations and questionable conduct related to sensitive national security intelligence. Unlike Oppenheimer, it’s only 82 minutes—yet remains a riveting, slow-burn docudrama with an impressive performance by Sydney Sweeney as Reality Winner.
3. Are You There God? It’s Me, Margaret
A great coming of age story, family dramedy, exploration of religion, female-centric story, and year-in-the-life movie all in one. Kudos to writer-director Kelly Fremon Craig for sticking the landing in adapting a legendary story while also launching a career in Abby Ryder Fortson and surrounding her with A+ supporting talent.
2. Spider-Man: Across the Spider-Verse
Reports about the death of multiverse storytelling have been greatly exaggerated. As a middle sequel continuing the story of its predecessor and setting up the third installment, it has structural limitations that prevent it from hitting the same level as Into the Spider-Verse. But, much like its titular hero Miles Morales, damned if it doesn’t overcome the odds to spin an extraordinary web nevertheless.
1. Four Daughters
This documentary follows a Tunisian family whose two eldest daughters succumbed to fundamentalism and joined ISIS, with the spin that the director (Kaouther Ben Hania) has hired actors to play the disappeared daughters and recreate scenes from the family’s history along with the remaining sisters and mother. This unique approach leads to some stunning emotional moments, not to mention a complicated and cathartic journey for the real family as they try to make sense of the ineffable with humanity, gravity, and even comedy. (Another riveting documentary—and favorite of 2021—I had top of mind while watching this was Netflix’s Procession, which also featured real survivors of a different sort reckoning with their trauma through artifice.)
Still haven’t seen:American Fiction, The Zone of Interest, Anatomy of a Fall, The Taste of Things, Perfect Days
I read 15 books in 2023, which is the lowest number since I started keeping track in 2010. A few factors contributed to this, including having a second baby in May and opting more often to watch movies in my free time.
So it goes. I’ll get back on the reading train in 2024. Until then, here are the books I did manage to read and enjoy last year.
Blankets by Craig Thompson
The Art and Science of Arrival by Tanya Lapointe
Opposable Thumbs: How Siskel & Ebert Changed Movies by Matt Singer
MCU: The Reign of Marvel Studios by Joanna Robinson, Dave Gonzales, Gavin Edwards (including an interview with the authors)
The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann
The President Is A Sick Man by Matthew Algeo
The Church of Baseball: The Making of Bull Durham by Ron Shelton (including an interview with Shelton)
Ducks: Two Years in the Oil Sands by Kate Beaton
Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman (including an interview with Michael)
Pretty much every year I’ve done this list (since 2007), I’ve published it soon after the beginning of the year to coincide with the bevy of other year-end lists. But every year I’d end up watching more movies after publishing that would have been eligible and affected my list.
So I realized: what’s the rush? This year I took my time and saw what I could to give myself the best chance at an accurate accounting of my favorites of the year. I didn’t see everything I wanted to, but I did my best.
What makes my 2022 film year unique is that, according to my Letterboxd profile, I gave 4 stars (out of 5) to 18 movies, with nothing rated higher that stood out above the crowd. Maybe that says more about me than the movies themselves, but that still left me without a clear frontrunner.
Given that unusual parity, I thought it fitting to do an unranked, alphabetical list this time—something I haven’t done since 2014. All of these movies, plus many of the honorable mentions, stuck with me for different reasons.
On to my top 10…
Apollo 10 1/2: A Space Age Childhood
Richard Linklater’s latest film synthesizes elements from two of his previous ones: it’s the memoiristic nostalgia of Boyhood mixed with the rotoscope animation style of A Waking Life. This is a closely observed, gently told, fantastically wrought, and personally held story that shows off Linklater’s knack for capturing the beauty of the quotidian. (Streaming on Netflix.)
Athena
Come for the absolutely gangbusters opening 10 minutes and stay for the tense, heart-pounding drama of Children of Men-meets-The Battle of Algiers in a French apartment complex. It’s hard to watch at times, but also has a “can’t look away” quality that makes it both deeply cinematic and compassionate at its core. (Streaming on Netflix.)
Avatar: The Way of Water
Much like Top Gun: Maverick, James Cameron’s long-gestating sequel offers incredible spectacle, impressive CGI, and powerful emotional beats that elevate its rather rote plot and character development into epic myth. Though, unlike Maverick, the resplendently rendered fictional world itself is the star even above the performers. Bring on the sequels!
Babylon
I’ve been on a slightly downward trajectory with writer-director Damien Chazelle’s filmography: high on Whiplash, mixed-to-positive on La La Land, then kinda bored with First Man. His latest on Hollywood’s bacchanalian early years is everything but boring and jolted my Chazelle Meter back upward. Also a great (unofficial) prequel/double feature with Spielberg’s cinema-obsessed The Fabelmans.
Decision to Leave
South Korean writer-director Park Chan-wook is back after 2016’s The Handmaiden with a riveting slow-burn whodunit featuring Park Hae-il as an insomniac detective on a murder case and Tang Wei as his prime suspect—and complicated love interest. Part Gone Girl, part Vertigo, yet fully its own creation, the film combines Park’s technical prowess with a terrifically twisty narrative and a haunting conclusion. Don’t sleep on this one.
Emergency
In this impressive debut feature from Carey Williams, three college roommates—two Black and one Latino—ready for a night of partying when they discover a young white girl passed-out drunk in their house. How they deal with that turns into a high-wire racial reckoning, tragicomedic social satire, and beautiful portrait of male friendship. Like Superbad meets Get Out. (Streaming on Amazon Prime.)
The Fabelmans
In a year full of autobiopics (Inarritu’s Bardo, Mendes’ Empire of Light, Gray’s Armageddon Time), Spielberg’s personal tale of the dark magic of moviemaking reigns supreme, and serves as a cinematic Rosetta Stone for his iconic decades-long career. It’s also the funniest Spielberg has been in a while. Michelle Williams and Paul Dano deliver top-notch performances, but it’s Gabriel LaBelle who wins the movie and our hearts with his earnest and affecting turn as the teenaged Spielberg stand-in Sammy. That kid—just like the man he represents—is going places!
Jackass Forever
A dirty, cringey, and gut-bustingly funny soul-cleanse. There’s just something about this crew of delightful degenerates debasing themselves for the sake of entertainment that warms my heart and makes me laugh harder than just about anything else.
Top Gun: Maverick
Much like Avatar: The Way of Water, this dominated the box office, saved movie theaters (according to Spielberg), and provoked couch-jumping enthusiasm among its admirers. Though, unlike The Way of Water, it did so with sheer movie-star charisma atop the spectacle. Maverick, Cruise, and movie theaters: not dead yet.
The Wonder
I’ve realized that I will appreciate almost any movie that has something to say about religion, and that’s the case with this adaptation of Emma Donoghue’s excellent novel starring Florence Pugh as a skeptical nurse tending to a “miracle” child in mid-19th century Ireland. (Double feature recommendation: Anne Fontaine’s 2016 film The Innocents.) (Streaming on Netflix.)
I realized this year that I’ve pretty much stopped watching traditional TV, i.e. shows with 22-ish episodes per season and an undetermined end date.
I’m much more interested in limited series and shows with short seasons—the key being intentional and self-contained ideas from the show and a predictable time commitment from me. Luckily that’s becoming the norm, as what defines a series, a movie, or something else entirely blurs with every new release.
The clear winner of my “television” watching in 2022 is HBO Max, which accounted for 5 out of my 7 picks. Given the corporate and creative upheaval happening there now I assume that won’t be the case moving forward, but I’m grateful for the shows it provided while it could.
That said, here are my favorite shows from 2022 (listed alphabetically):
Bluey (Disney+)
The Last Movie Stars(HBO Max)
Lord of the Rings: The Rings of Power(Amazon Prime)
Gotta be honest: 2022 wasn’t a great reading year for me. I read 22 books, which was much worse than 31 in 2021 and just barely better than the 18 in 2020.
A lot of my potential reading opportunities were either taken up by movie watching, Cinema Sugar, or other leisure activities. Not a bad thing, to be clear—just the result of the ongoing calculus I have to make with my limited free time.
But reading is about quality, not quantity. And because my quantity of titles released in 2022 doesn’t justify a top 10 list, I’m gonna try something different and just list the titles I did read this year according to the star rating I gave them out of 5.
There were no 5-star books for me this year (my main man Steven Johnson got the closest), but enough good reading to keep me turning pages. Enjoy!
4.5
Extra Life: A Short History of Living Longer by Steven Johnson (2021)
Haven by Emma Donoghue (2022)
4
Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road by Kyle Buchanan (2022)
Brooklyn by Colm Tóibín (2009)
How the Word Is Passed: A Reckoning with the History of Slavery Across America by Clint Smith (2021)
The Nineties: A Book by Chuck Klosterman (2022)
Office BFFs: Tales of The Office from Two Best Friends Who Were There by Jenna Fischer & Angela Kinsey (2022)
Salty: Lessons on Eating, Drinking, and Living from Revolutionary Women by Alissa Wilkinson (2022)
The Twilight World by Werner Herzog (2022)
Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life by Lulu Miller (2020)
A World Lit Only By Fire: The Medieval Mind and the Renaissance by William Manchester (1992)
The Writing of the Gods: The Race to Decode the Rosetta Stone by Edward Dolnick (2021)
3.5
Book Lovers by Emily Henry (2022)
The End of Education: Redefining the Value of School by Neil Postman (1995)
3
The Bowery: The Strange History of New York’s Oldest Street by Stephen Paul Devillo (2017)
Everyday Sisu: Tapping into Finnish Fortitude for a Happier, More Resilient Life by Katja Pantzar (2022)
Hero on a Mission: A Path to a Meaningful Life by Donald Miller (2022)
Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan (2021)
The Story of You: An Enneagram Journey to Becoming Your True Self by Ian Morgan Cron (2021)
We Had A Little Real Estate Problem by Kliph Nesteroff (2021)
The World’s Worst Assistant by Sona Movsessian (2022)
2.5
American Buffalo: In Search of a Lost Icon by Steven Rinella (2008)
The once and future king of Christmas movies. I could praise a lot of things: the cinematography, the supporting cast, the dramatic depth of Jimmy Stewart’s first postwar performance. But its magic ultimately comes down to Harry’s closing line—“A toast to my big brother, George, the richest man in town.” George was rich in the end because he remembered. He remembered the barrenness of the ghostly alternate timeline where he was never born. And he remembered the meaning of family and friends and frustrating failures and small victories, all of which had accumulated into something like a wonderful life. Hot dog!
2. The Family Stone
The Rotten Tomatoes consensus of The Family Stone is that “this family holiday dramedy features fine performances but awkward shifts of tone.” Which, yeah: That’s why it’s so good. Maybe your experience was different, but “awkward shifts of tone” could be the definition of family—especially during the holidays. The film depicts a particular kind of cozy, Hallmark-approved, New England-flavored Christmastime while also vividly capturing what it’s like to spend extended time with the people you love but who are also most adept at driving you crazy. I know I’m in the minority on this one, but, to paraphrase Meredith Morton, I don’t care whether you like it or not!
3. Die Hard
True story: several years ago my wife and I were at my parents’ house for Christmas and the family was debating which movie to watch. Soon Die Hard emerged as the consensus pick. My wife hadn’t seen it and knew nothing about it, but since we told her it was a Christmas movie she was game. Turned out she definitely was not game—its brutal violence, shoeless glass-walking, and other decidedly un-cozy elements so traumatized her that she has since refused to acknowledge it as a movie worth watching, let alone a Christmas movie. To which I say: “Yippie-ki-yay, Merry Christmas!”
4. Grumpy Old Men
This movie’s combination of silliness, sincerity, and wondrously snowy northern Minnesota setting has kept me coming back every Christmastime. It’s schmaltzy to a fault, but also a showcase for the legendary comedic chemistry between Jack Lemmon and Walter Matthau, forged over decades of working together. They fully commit to their acerbic, chops-busting banter, which is the core strength of the movie. That plus Burgess Meredith absolutely slaying as Lemmon’s horny, incorrigible father.
5. The Muppet Christmas Carol
I took an absurd amount of time trying to decide between this and Home Alone once it occurred to me that they’re pretty much the same movie. Both feature self-involved jerks who find themselves alone near Christmas and forced to endure challenging journeys of self-discovery after an encounter with Marleys—the ghosts of former business partners for Scrooge and a mysterious elderly neighbor for Kevin. Painful developments occur (spiritual/psychological for Scrooge, physical for the Wet Bandits) before concluding with joyous Christmas Day reunions and reconciliation. I ultimately went with the Muppets because they’re the freaking Muppets.
These are dark times. It’s tempting to feel that it’s never been darker, that the weight of our modern struggles is unprecedented.
But I take comfort in knowing that film noir—a genre that has existed for almost 100 years—has been there before. It’s seen some shit. To show this, I’ve picked a few timeless, hard-won lessons and two noirs that illustrate them: one classic and one modern.
So let’s light up some cigarettes, pour a round, and stare down this cruel world together.
1. Crime Doesn’t Pay
The plan is always simple at the beginning. Maybe you want to knock off an old rich guy for the insurance payout (Double Indemnity) or stage a kidnapping for ransom money (Fargo). Doesn’t matter, because it’s not going to work and you’re going to pay hard—with your dignity, livelihood, or worse.
2. Beware Who You Marry
Do you really know your spouse? Can you ever be sure they won’t plot your grisly demise with clockwork precision, only to have the act go awry and ruin your life (Dial M for Murder) or morph into twisted mind games (Gone Girl)? Think really hard about whom you’ll commit yourself ‘til death do you part.
3. Fame is Dangerous
The greatest illusion of showbiz isn’t what we see on the screen but how it hides everything sacrificed to get it there. We don’t see the screenwriter of Sunset Blvd face down in a pool and shot in the back by a jealous actress, or the darkly absurd lives of aspiring actors in Kiss Kiss Bang Bang. The cost of a movie ticket is a lot cheaper.
4. Sometimes the Bad Guys Win
For every evildoer held accountable there are several more who get away with it, whether it’s an abuser engaging in real estate fraud (Chinatown) or a real-life serial killer eluding capture (Zodiac). You can drive yourself mad trying to seek justice in an unjust world.
5. Nothing Is Real
Go ahead, chase all the shadows you want through the tunnels of Vienna (The Third Man). Follow all the mangled clues to your mystery woman (Under the Silver Lake). In this world, what you seek isn’t always what you get. Whether that be love, justice or the cold hard, bloody truth—reality is a moving target.
6. The Media is Manufactured
Sometimes it really is #fakenews. The movies about righteous, crusading reporters taking down a big bad villain may win Oscars, but they usually don’t show the full story behind how the news gets made, whether it’s a journalist prolonging a crisis for personal gain (Ace in the Hole) or hunting for voyeuristic crime footage (Nightcrawler). (Mis)trust, but verify.
7. You Can’t Escape Yourself
Try as you might, you’ll always come back to yourself. You can work hard to project an image of normalcy to others, but your shadow self will eventually reveal itself: while you stalk a creepy motel (Psycho), attempt to solve a mystery (Memento), or otherwise attempt in vain to beat back the darkness.
This isn’t the first major noir (fedora-tip to The Maltese Falcon) but damned if it isn’t the genre’s absolute peak: femme fatale, no-nonsense narration, crime gone wrong, investigator on the case. It’s hard to pick Billy Wilder’s best movie but this has to be near the top.
2. Memento
Seeing this in early high school was my first encounter with Christopher Nolan, Guy Pearce, and the unique thrill of getting my mind blown by a film. It’s also the rare twist-ending movie that offers more to see and untangle with every rewatch.
3. The Third Man
Most noirs of the classic era were pretty clearly filmed on backlot sets. Not The Third Man—you feel every inch of postwar Vienna’s rundown streets and cavernous sewers. Though it starts a little ho-hum, once Orson Welles shows up you’d better buckle up.
4. Notorious
Had to represent Hitchcock on this list. The triptych of Cary Grant, Ingrid Bergman, and Claude Rains—legends of ’40s Hollywood—turn this into a crackling espionage thriller with an all-time ending.
5. Fargo
God bless the Coen Brothers for injecting their unique brand of weird into what can often being a deadly serious genre. Add to that its emphatically rural and Midwestern flavors and you’ve got a neo-noir more vibrant and vital than an early-morning egg breakfast.
Seeing this Gore Verbinski joint in early high school did three important things: it initiated my undying love of Naomi Watts, it showed me how artful scary movies can be, and it scarred me so deeply that I subsequently swore off horror for a long time. So congrats to The Ring for killing both the VHS tape and my desire for cinematic scares.
2. Shaun of the Dead
As far as I’m concerned, this remains Edgar Wright’s best film. It establishes the tropes we’ve come to expect from the British writer-director’s oeuvre—snappy editing, ingenious use of music, an alchemical mix of humor and heart—while also injecting some scathing, 21st-century social satire into the zombie horror canon.
3. Alien
In space, no one can hear you scream “oh hell no” when an alien bursts through an astronaut’s chest and then torments the other poor souls trapped inside a spaceship with it. This was only Ridley Scott’s second film and you could argue that, in his now decades-long career, he never topped it.
4. Get Out
Though more psychological thriller than straight-up horror, Jordan Peele’s debut feature holds up beyond its hype and heralded twist simply because of how well it’s made. The cast, the script, and Peele’s attentive directorial eye all come together to create a story and setting that even a horror-averse scaredy cat like me couldn’t resist.
5. The Witches (1990)
Had to give some love to the film I watched at a sleepover as a kid and haunted me long after. Despite having read the Roald Dahl book it’s based on, I just wasn’t ready to see those evil child-hating witches come to life—though now, in retrospect, I’m absolutely here for Anjelica Huston really going for it.
If you found high school to be a dark, inscrutable enigma with a rigidly enforced social-class structure and impenetrable lingo, you’ll deeply appreciate Rian Johnson’s lean and masterful debut feature that renders adolescence as gritty film noir. A young, sphinx-like Joseph Gordon-Levitt investigates his ex-girlfriend’s mysterious disappearance like a teen Dashiell Hammett detective, navigating double-crosses and life-or-death stakes that feel right at home in the high drama of high school.
2. October Sky
Chris Cooper and Laura Dern would be enough for a solid cast, but even at 17 years old Gyllenhaal brings the charisma and authenticity emblematic of his now long and impressive career. (Still, the secret star: composer Mark Isham’s devastating heart-punch of a theme.) The movie is about family and friendship and science and America, but ultimately it’s about a teenager with a dream. “This one’s gonna go for miles…”
3. 10 Things I Hate About You
Heath Ledger beaming with rascally charm (and pulling off an epic lip-dub years before they were cool). Julia Styles taking no prisoners. Joseph Gordon-Levitt aw-shucks-ing his way into our hearts. Sorry Clueless: this is the best ’90s Shakespeare film adaptation and it’s not close.
4. Dazed and Confused
Tag your high-school self: were you kinda skeevy like Wooderson, mama-bear protective like Jodi, effortlessly cool like Pink, pseudo-intellectual like Tony, a live-wire bully like Darla or O’Bannion, victimized like Mitch? Dazed lives on because it’s all of us, and that’s alright, alright, alright.
5. Booksmart
This directorial debut from Olivia Wilde was charming as hell. In conjunction with the natural chemistry between Beanie Feldstein and Kaitlyn Dever as straight-laced overachievers out for one crazy night before high school ends, Wilde’s script brings the film to depths of character, understanding, and humor that are rare in debut features and especially in movies about teens.
I’m creating my movie best-of lists retroactively. See all of them.
As usual with this silly but enjoyable series, I started by consulting my logbook for all the movies from 2000 I’ve seen. That initial list of 36 films had some pretty easy cuts (Men of Honor, My Dog Skip) and plenty of titles I liked but knew were bound to be honorable mentions.
Deciding on my final 10 was probably the easiest time I’ve had doing so in a while. Then again, it required me to cheat for the first time.
A personal and family favorite that’s not only underrated as a romantic comedy but also as a Chicago movie.
3. Almost Famous
Kinda surprised this didn’t hit the #2 spot, but that doesn’t negate my love for it as a musician and former journalism student.
4. High Fidelity
Another great Chicago movie, and one that hit me hard when I saw it in college. So much so that I incorporated it into an essay I wrote for a writing class about my (at the time) brief and unsuccessful dating history. To quote Cusack’s Rob Gordon: “I always had one foot out the door, and that prevented me from doing a lot of things, like thinking about my future and… I guess it made more sense to commit to nothing, keep my options open. And that’s suicide. By tiny, tiny increments.”
5. Cast Away
Hard to argue with Russell Crowe winning Best Actor for Gladiator, but Tom Hanks winning his third Oscar for this role as a cap on his decade-long hot streak would have been just as good. (See also: my list of top movie music moments.)
6.Gladiator / The Patriot / Remember the Titans
An unprecedented three-way tie! It had to be done. All are historical epics (that are just barely historical), led by A-list movie stars at their peak, and became the Holy Trinity of time-wasters for lazy social studies teachers during units on Ancient Rome, the Revolutionary War, and Civil Rights respectively. (See also: Fatherhood in The Patriot and Interstellar and Remember the Titans in my top movie music moments.)
7. In the Mood for Love
A gorgeous, transfixing meditation on love, modernity, and the things we don’t say.
8. Best in Show
Of all the indelible moments from this absurdly hilarious mockumentary, “busy bee” sticks out the most.
9. Frequency
Throughout middle school I used my Juno email account to send occasional dispatches blurbing the movies and TV I was enjoying at the time to friends, family, my soccer coaches, church family friends—basically whoever I knew who had an email address. (In retrospect they were pretty similar to my Media of the moment series.) All that to say, I remember raving about Frequency in one of those emails. Rewatched it last year and it holds up.
10. The Emperor’s New Groove
If I’m being honest, this spot is mostly for the supporting character Kronk, who elevates the movie from fairly rote Disney animation fare to sublime quotable comedy.
Recently I thought I should make a list of my top 10 films of all time. Making best-of lists is a hallowed tradition on this blog after all, so why not go for the big kahuna?
Because it’s insane, that’s why. As Roger Ebert wrote: “Let us agree that all lists of movies are nonsense.”
And yet.
As with other forms of nonsense, making lists of movies retains its allure in spite of the absurdity. It’s fun, frustrating, and futile all at once.
Let’s dive in.
It takes two
Once I started putting together my initial longlist to consider, I quickly realized narrowing it down to one Top 10 wouldn’t do. Choosing 10 films from a century’s worth of options would mean leaving out too many iconic (to me) films and rendering this exercise pure masochistic nihilism.
So I gave myself an out. Two, actually.
First, hearkening back to my Favorite Films of the 2010s, I decided to build the list based on genres. This helped provide structure and ensure a wider representation for my picks. Second, I allowed for two films per genre, representing a Legacy pick (before 1980) and a Modern one (after 1980). With two important exceptions, this held true.
Those criteria established, the selections fell into line fairly easily. It felt good to have similar films from different eras paired up rather than pitted against each other. (It did not feel good to leave off so many contenders I love, but such pain is the cost of this endeavor.)
Notes/caveats:
The list is ordered alphabetically by genre, with the legacy selection listed first in each.
I didn’t rank or annotate the films because they speak for themselves.
The selections represent my taste at this very moment. Maybe I’ll revisit this every decade like the Sight & Sound poll to keep myself honest.
Disagree with a film’s genre placement? Leave a comment or let me know and I’ll tell you why you’re wrong.
Enough throat-clearing. I give you:
The Greatest Films of All Time
Action/Adventure: Die Hard and Mad Max: Fury Road
Comedy: Monty Python and the Holy Grail and Anchorman
Drama: It’s A Wonderful Life and Unbreakable
International: Ikiru and The Lives of Others
Musical: Singin’ in the Rain and Once
Noir: Double Indemnity and Brick
Romance: Casablanca and Brokeback Mountain
Sci-Fi/Fantasy: Back to the Future and Lord of the Rings
Thriller: Rear Window and Memento
Western: The Man Who Shot Liberty Valance and Hell or High Water
I’m creating my movie best-of lists retroactively. See all of them.
We’re now over 20 years away from the films in question. This means my impressions of the ones I haven’t rewatched somewhat recently are encased in metaphorical amber, for better or worse. It also means I wouldn’t have seen a good number of them until years after they came out, which will grow only truer the farther I go back.
Regardless, this year’s crop is quite top-heavy, with some all-time keepers landing in my top 4. Contrast those with some all-time stinkers (hello Corky Romano and Pearl Harbor) and it adds up to a notable year at the movies.
On to the list…
1. Lord of the Rings: The Fellowship of the Ring
Had to go with my heart on this one, my favorite and the best of the trilogy. (The #1 Trilly.) I’d only vaguely heard of the original books before seeing the trailer on TV. Once I did see the movie in theaters (probably more than once) I was hooked, reading the whole trilogy before Two Towers came out the following year. Because of that familiarity I had with the subsequent films, I especially treasure this one (and its Mt. Rushmore-worthy original score) for the pure cinematic experience it bestowed upon me like a gift from Galadriel. (See more LOTR posts.)
2. Memento
Making this #2 was an agonizing decision. Really, Fellowship of the Ring is 1a and Memento is 1b—a dynamic head-and-heart cinematic dyad with vastly different styles yet equally excellent stories and execution. It was my first encounter with Christopher Nolan, Guy Pearce, and the unique thrill of getting my mind blown by a film. (Note: this is listed as a 2000 film on the internet, but that’s when it premiered at a film festival and I only consider a film’s wide release date to be its official one.)
3. Ocean’s Eleven
One of the most rewatchable movies ever.
4. Zoolander
One of the most quotable movies ever.
5. Enemy at the Gates
This was one of a handful of war movies released around this time—along with Saving Private Ryan, The Patriot, and We Were Soldiers to name a few—that helped to define that genre for me, for better or worse. And this is definitely one of the better ones thanks to the performances by Jude Law, Ed Harris, and Rachel Weisz.
6. The Royal Tenenbaums
Peak Wes Anderson in the best way.
7. Escanaba in Da Moonlight
Written and directed by Jeff Daniels, a Michigan native, this small and delightful indie focuses on the peculiarities of hunting culture in Michigan’s Upper Peninsula. Read my review.
8. Black Hawk Down
Add this one to my aforementioned “war movie canon” as well.
9. Monsters, Inc.
Even second-tier Pixar like this is still first-rate compared to animated movies in general.
10. The Mummy Returns
What a year for Rachel Weisz! If Dagmara Dominczyk in The Count of Monte Cristo was my 2002 cinematic crush, Weisz in this swashbuckling (if kinda silly) sequel was my 2001 one—and not just because she’s a librarian.
With that in mind, here are the books from 2021 that stuck with me.
10. The Great Glorious Goddamn of It All by Josh Ritter
Josh Ritter, creator of one of my favorite albums of all time, dropped his second novel this year and it was quite good. I read the audiobook, which was narrated by Ritter (and probably shouldn’t have been [professional musicians ≠ professional narrators]). But I still enjoyed the narrative voice of the main character, reminiscing about his time in the lumberjack era of early 20th century Idaho.
Choice quote:
Memory comes in to fill the spaces of whatever isn’t there. … Memory has a way of growing things, of improving them. The hardships get harder, the good times get better, and the whole damn arc of a life takes on a mystic glow that only memory can give it.
9. Wonderworks: The 25 Most Powerful Inventions in the History of Literature by Angus Fletcher
I can certainly understand the criticisms of this book, which examines literature through a utilitarian/scientific lens that can come across as reductive. But since books are technology (which Fletcher defines as “any human-made thing that helps to solve a problem”), then it’s perfectly legitimate and even necessary to explore them as such. Examples include the catharsis of Greek tragedies helping to purge fear (while mimicking the benefits of modern EMDR therapy) and riddles activating information-seeking neurons that trigger dopamine hits. The author’s appearance on Brené Brown’s podcast is a good introduction to what you can expect.
Choice quote:
Literature was a narrative-emotional technology that helped our ancestors cope with the psychological challenges posed by human biology. It was an invention for overcoming the doubt and the pain of just being us.
8. The Plot by Jean Hanff Korelitz
This was a late-year read after Malcolm Gladwell raved about it in his newsletter. Figured it was worth a try as I rarely read mysteries or thrillers. Indeed it was fun to go on the ride of a novelist who comes upon another writer’s plot, harnesses it into mega-fame, then deals with the fallout. As with movies, I didn’t try to figure out the ending as I went, so when the twist arrived it felt earned and as if it were there the whole time.
Choice quote:
Once you were in possession of an actual idea, you owed it a debt for having chosen you, and not some other writer, and you paid that debt by getting down to work, not just as a journeyman fabricator of sentences but as an unshrinking artist ready to make painful, time-consuming, even self-flagellating mistakes.
7. The Anthropocene Reviewed by John Green
This collection of essays originated as a popular podcast by the author, which “reviews facets of the human-centered planet on a five-star scale.” Topics include “humanity’s temporal range”, Canada geese, Indianapolis, and many other things you didn’t realize could make for viable essays. Green’s earnest, wending style and keen observational approach makes for very pleasant reading.
Choice quote:
All I can say is that sometimes when the world is between day and night, I’m stopped cold by its splendor, and I feel my absurd smallness. You’d think that would be sad, but it isn’t. It only makes me grateful.
6. Bewilderment by Richard Powers
After I gave up on Powers’ massive The Overstory, I was glad for a shorter story to glom onto. This one, set in my hometown of Madison, follows a recently widowed astrobiologist professor struggling to raise his perspicacious but troubled nine-year-old amidst increasing political, professional, and climatological turmoil. How do you look for life in the stars when it’s under threat on earth?
Choice quote:
Life is something we need to stop correcting. My boy was a pocket universe I could never hope to fathom. Every one of us is an experiment, and we don’t even know what the experiment is testing.
5. In the Heights: Finding Home by Lin-Manuel Miranda
For me 2021 was already the Year of Lin-Manuel Miranda due to his music in In the Heights, Vivo, and Encanto, and direction of tick, tick… BOOM! And yet I still managed to sneak in this book documenting the journey of Miranda’s first musical to the stage and screen (now in my top 10 of 2021), complete with Miranda’s characteristically vivacious libretto annotations.
Choice quote:
The rush of the final Usnavi section stays with me always, and my prevailing memory of performing it is the faces in the front row of the Rodgers Theatre: our $20 section, often filled with young people seeing their first musical on Broadway. I lock eyes with them, night after night, and as their eyes fill with tears, so do mine. I’m delivering these words, but I’m also trying to tell them: I’m home, and Usnavi’s home, and in this time you’ve chosen to spend with us, so are you. Welcome home.
4. Miracle and Wonder: Conversations with Paul Simon by Malcolm Gladwell
Available only as an audiobook, this “audio biography” centers around hours of conversations between Simon and Gladwell about the genius musician’s life and career. It’s less a book and more a limited podcast series, which now seems like the only right way to do a music biography. Made me appreciate Simon’s work anew. (Review)
Choice quote:
Taste is the combination of memory and judgment.
3. Paper Trails: The US Post and the Making of the American West by Cameron Blevins
Learned a lot from this history, which is primarily for 19th century American history nerds but is still refreshingly accessible and peppered with illustrative graphs throughout. (Review)
Choice quote:
Despite the popular ‘Wild West’ narrative of self-reliant cowboys and pioneers, the real history of the region is one of big government: public land and national parks, farming subsidies and grazing permits, military bases and defense contracts. Arguably no other part of the United States has been so profoundly shaped by ‘the state’.
2. Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman
An approachably philosophical exploration of the wily, incorrigible thing called time and humanity’s dysfunctional relationship with it. It’s like a self-help book that deconstructs the need for self-help books. (Review)
Choice quote:
If you can hold your attention, however briefly or occasionally, on the sheer astonishingness of being, and on what a small amount of that being you get—you may experience a palpable shift in how it feels to be here, right now, alive in the flow of time.
1. The Memoirs of Stockholm Sven by Nathaniel Ian Miller
I’d never have heard of this one, let alone picked it up and read it, if it weren’t for a tip from my mother-in-law. This fictional cradle-to-grave memoir follows the misadventures of a caustic early-20th-century Swedish man who, disfigured in a mining accident, retreats to an Arctic archipelago for a self-imposed exile, only to almost accidentally collect a motley crew of friends (human and canine) and reconnect with family in surprising ways. Miller’s exceptionally crafted narrative voice and eye for harsh natural beauty made this a rewarding read.
Choice quote:
For now, take stock of yourself. This is the chance you waxed about so long ago. Listen for the voice that speaks when all others go silent. Be alone—be entirely alone. I am not saying you will find anything of worth there—certainly no cosmic truth—but maybe you will begin to feel as pared down, efficient and clean as a freshly whittled stick.
In 2021 I only saw three movies in theaters, which is two more than I saw in 2020. A personal historic low, it probably goes without saying. But ultimately I’m just grateful to be able to watch great movies, whether at the theater, on a streaming service, or with a library Blu-ray.
To that end, here are the 2021 movies that stuck with me.
10. Shiva Baby
This indie comedy had me cringing but also grinning at its fairly astounding tonal tightrope act, which follows a sardonic young Jewish woman navigating family, friends, and lovers during a shiva. Such a singular, confident debut from 26-year-old (!) filmmaker Emma Seligman.
9. C’mon C’mon
I was split on Mike Mills’s last two features: 2017’s 20th Century Women was as middling as 2010’s Beginners was marvelous. This feels like a return to form, with Joaquin Phoenix as a radio journalist caring for his estranged sister’s nine-year-old son during her absence. It’s a closely observed, touching, and tumultuous portrait of surrogate parenting, and echoes this line from the Richard Powers novel Bewilderment: “Nine is the age of great turning. Maybe humanity was a nine-year-old, not yet grown up, not a little kid anymore. Seemingly in control, but always on the verge of rage.”
8. Pig
Yet another self-assured directorial debut, this one from Michael Sarnoski about a reclusive former chef (Nicholas Cage) who embarks on an illuminating quest to recover his abducted truffle-hunting pig. It’s become pat to laud Cage for the roles in which he really Gets Serious (in contrast to the Go Crazy ones), but it’s nevertheless refreshing when he does tap into his innate performative greatness. And he does here to a quietly magnificent level.
7. In the Heights
With all due respect toSpielberg’s West Side Story, this was the superior NYC-set movie musical of 2021. Better songs, far better talent and chemistry among the leads, and a better overall story that nods to tradition while dancing to its own beats. The mark of a good musical: whenever I listened to the soundtrack (which was often), the songs would earworm me for days. Also recommend In the Heights: Finding Home, the book by Lin-Manuel Miranda and his collaborators about bringing the stage and film versions to life.
6. Passing
This directorial debut from actress Rebecca Hall kinda knocked me out. Ruth Negga and Tessa Thompson star as two African American women and reacquainted friends in 1920s New York City, one of whom is “passing” as white. Facade cracks of many kinds abound, and the film uses the fullest of its rather short runtime and black-and-white cinematography to pack a dizzying amount of portent through them.
5. The Green Knight
I went into this wholly ignorant of the source material but was eventually won over by the haunting filmmaking (by David Lowery, whose A Ghost Story was one of my favorites of 2017) and mesmerizing performances—specifically Dev Patel, whom I hadn’t seen since Slumdog Millionaire (meh). Ultimately it was the film’s perfect ending (maybe the best of the year?) that transformed a pretty good experience into something I knew I’d have to revisit.
4. Dune
Similar to The Green Knight, I went into this as a complete Dune newbie and emerged a fan, both of the world the film created and how Denis Villenueve went about it. Compared to Villenueve’s previous film Blade Runner 2049, which was pretty but alienating, Dune is gorgeous (in a deadly way) and mesmerizing—so much so I had to watch it twice in pretty quick succession. Not sure I’ll actually dive into the novels though.
3. Procession
This Netflix documentary features a group of men who were molested by Catholic priests as boys using drama therapy as a way to overcome their long-festering trauma, by making (non-graphic) short films dramatizing their experiences. Despite (or maybe because of) the heavy subject matter, it’s a really beautiful portrait of a brotherhood formed by shared anguish as these men help each other get through their emotional journeys together.
2. The Rescue
An extraordinary documentary from National Geographic (available on Disney+) about the 2018 Thailand cave rescue, which I remember happening at the time but hitherto knew very little about. Combining arresting firsthand footage with talking heads by the amateur British/Australian cave divers recruited for the job, the filmmakers expertly show how the massive operation’s inspiring cross-cultural cooperation and logistical creativity led to a near-impossible outcome. (I mean, just read the details of the actual rescue for a taste of how preposterous it was.) It felt a little like Arrival meets My Octopus Teacher—two other top-10 films for 2016 and 2020 respectively. Other dramatized versions of the story are coming, but be sure to watch this.
1. The Beatles: Get Back
This nearly 8-hour documentary from Peter Jackson telling the story of the Beatles’ January 1969 recording sessions spoke to me on many levels. As a former drummer in a rock band, I recognized the tedium, tension, and creative thrills that hours upon hours in the studio can engender. As someone interested in the creative process, I relished watching even certified geniuses inch their way from nothing to serenading London from a rooftop in less than a month. And as a huge Beatles fan, I treasured being able to spend so much quality time with the lads from Liverpool as they worked through a difficult period together. This film feels like a miracle, and I’m glad to have witnessed it. (Watched on Disney+, which is the wrong fit for this project. Even if it introduces a younger audience to The Beatles, the long runtime will put off just as many potential fans.)
I’m creating my annual movie lists retroactively. See all of them.
Looking at the full list of 2002 releases brought up lots of random memories:
going to Changing Lanes and Signs in the theater with my dad
seeing the original teaser trailer for Spider-Man on TV in fall 2001 that featured the World Trade Center towers
watching The Hours in a high school English class twice as an exercise in close-reading a film
rewatching The Hot Chick enough times with my sisters to have the “boys are cheats and liars” chant memorized
Ah, to be young again. This year also saw me transition from middle school to high school. My friend Tim and I were deep into making stop-motion and live-action short films using the LEGO Studios Steven Spielberg MovieMaker Set camera and software. Titles included Doctor Dreadful, The Penington Estate, and Dino Dan—all esteemed Oscar-worthy pictures.
One day I’ll excavate the DVDs full of these heavily pixelated treasures. Until then, on to the list…
1. Minority Report
This was one film, in addition to the LOTR trilogy, that really hooked me into the power and possibilities of film.
2. Catch Me If You Can
Only five years after Titanic made Leonardo DiCaprio a global sensation, this and Gangs of New York (released the same week) confirmed him as a sensational actor as well.
3. Signs
Man, the jump-scares of the aliens on the roof and in the Brazilian street got me real good in the theater. Though The Sixth Sense is great and Unbreakable is his best, this is peak Shyamalan.
4. In America
I’m glad I saw this later on, in college, when I was able to appreciate just how marvelous it is.
Thanks to the late Michael Constantine, aka Gus, for several iconic catchphrases from this movie that I still deploy occasionally, including “put some Windex on it” and “so there you go”.
7. The Ring
This movie is sort of Patient Zero for my dualistic relationship with horror films: I don’t like willingly subjecting myself to horrific content that will disturb my mind and sleep, but I also greatly appreciate supremely crafted suspense films.
8. The Count of Monte Cristo
I’ll admit to not having rewatched this in a while, but my enduring impression is that it is, as Roger Ebert wrote, “the kind of adventure picture the studios churned out in the Golden Age—so traditional it almost feels new.” I also had a crush on Dagmara Domińczyk as Mercédès.
9. Jackass: The Movie
This and subsequent Jackass movies are in my Mount Rushmore of making me cry-laugh.
10. The Bourne Identity
Sure, it inspired too many mediocre shaky-cam knockoffs, but there ain’t nothin’ like Matt Damon and Clive Owen facing off in the countryside.
I’m creating my annual movie lists retroactively. See all of them.
As a freshman/sophomore in high school, this year provided me several memorable theater experiences, including the last great M. Night Shyamalan movie, some surprisingly excellent sequels, and a romance that inspired one of my very first blog posts.
But chief among these theatrical outings were Anchorman and Dodgeball. Both were instrumental to the development of my comedic sensibility (for better or worse), having hit me and my peers at the exact right age for maximum effect and quotability. A shocking amount of lines remain lodged in my subconscious to this day, just waiting to be deployed—much to my wife’s puzzlement or annoyance.
I can’t defend everything about them. A recent rewatch of Dodgeball confirmed just how much of its comedy wouldn’t survive into today. But dammit, if “We’re better than you, and we know it!” and “I immediately regret this decision!” and countless other references are wrong, then I don’t want to be right.
On to the list…
1. Before Sunset
The Before series is one of four trilogies I own on DVD, the others being Back to the Future, Die Hard (4 and 5 don’t count), and Lord of the Rings. Unlike with those series, this second movie is the best of the trilogy.
2. The Incredibles
This is at #3 in my Pixar rankings, behind WALL-E and Toy Story. Such a beautiful, exhilarating vision from Brad Bird.
3. Shaun of the Dead
I think about this film essay on Edgar Wright’s visual comedy a lot. While my opinions vary on his films, there’s no denying his filmmaking prowess, which is nearly Wes Anderson-esque in its distinctness.
4. The Village
The last great M. Night Shyamalan movie. I know the twist is divisive, but it worked for me, as did the gorgeous James Newton Howard score, the crackling chemistry between Joaquin Phoenix and Bryce Dallas Howard, and the murderers row of character actors.
5. Anchorman
Within Pewit’s Nest gorge in Baraboo, Wisconsin, you can wade down Skillet Creek and jump off small cliffs into pools within the creek. I was there several years ago with a few people when I clambered up one of these cliffs and, right before jumping, delivered Ron Burgundy’s poolside monologue to those nearby, punctuated with a cannonball into the water just like in the movie. To my chagrin, no one understood the reference and therefore probably considered me a disturbed weirdo. I should have capped it with “Don’t act like you’re not impressed…”
6. Collateral
Tom Cruise needs to play more villains.
7. Miracle
Not all live-action Disney sports movies work, but this one just straight-up does. And like most good sports movies, you don’t need to know much about the sport.
8. Ocean’s Twelve
Saw this with a group of friends, and we decided to get dressed up for a fancy night at the movies just to emulate the suaveness of the cast. This is usually ranked last in the trilogy, but it’s not far behind Thirteen.
9. Friday Night Lights
The show was good, but this was great. My introduction to the music of Explosions in the Sky.
10. I, Robot
This holds up, not only as sci-fi dystopian action but as a Will Smith vehicle during his late prime.
I started making annual top-10 movie lists in 2007, so I’ve been going backwards from there to create lists for each year retroactively. See all my best-of lists.
I really enjoyed kicking off my back-in-time film rankings series with the 2006 slate.
Most of my indelible memories from this moviegoing year involved the late, lamented Westgate Cinema, a rundown strip mall theater in Madison that showed the arthouse flicks I was really getting into at this time as a high school junior and senior. I saw several of my top 10 films there.
Looking at the box office from that year reveals a now-familiar dominance of franchises, though only one superhero movie. The only two original concepts represented in the top 10 were Mr. & Mrs. Smith and Hitch—one of which made my own top 10 and the other just missed out.
As for the Oscars, the bit that sticks out (besides the surprising-but-not-really Best Picture triumph of Crash over Brokeback Mountain) was host Jon Stewart’s quip after Three 6 Mafia won Best Original Song for “It’s Hard Out Here for a Pimp” from Hustle & Flow: “For those of you who are keeping score at home, I just want to make something very clear: Martin Scorsese, zero Oscars; Three 6 Mafia, one.”
On to the list…
1. Brokeback Mountain
True story: when I started teaching myself how to play guitar around this time, the first two songs I learned were “Blackbird” by The Beatles and “The Wings” from the Oscar-winning Brokeback Mountain score by Gustavo Santaolalla. Partially because they happened to share a similar riff (and, I realize only now, theme: “Take these broken wings and learn to fly…”), but also because they’re both gorgeously evocative in their own ways.
2. Good Night, And Good Luck
There’s a cozy intimacy this film accomplishes that sets it apart from other star-studded period dramas. Maybe it’s the smooth-jazz score, the black-and-white, or the short runtime. Or maybe it’s the contrast of big issues—freedom of speech, the power of the press—being teased out through small conversations in unassuming rooms.
3. Grizzly Man
I’ve seen and enjoyed many Werner Herzog documentaries, but this one still reigns supreme.
4. Batman Begins
Ah, the halcyon days of when a gritty superhero reboot was a novel concept.
5. A History of Violence
The fight in the diner. The stairway sex scene. The final shot.
6. The 40-Year-Old Virgin
Let’s save the discussion about the cancelability of mid-2000s comedies for the 2004 list (Anchorman, Dodgeball) and say for now that this felt like a sea change at the time, not only for the humor but also for the ultimately positive portrayal of virginity.
7. The New World
I remember going to see this with some friends who were expecting something closer to Pocahontas than the slow, meandering, meditative epic this actually is. Needless to say they didn’t like it, but I did.
8. Walk the Line
At my high school, seniors were allowed to make a big raucous commotion between classes on their last day of school to celebrate graduating. My contribution to this day was hoisting my boombox above my head and playing this movie’s soundtrack on repeat while I walked the halls.
9. Four Brothers
An underrated winter movie, crime movie, family drama, and ensemble piece, with Chiwetel Ejiofor’s truly chilling turn as the sadistic, fur-spangled crime boss Victor Sweet as a bonus.
10. Mr. & Mrs. Smith
We now know how Brangelina would turn out, but at the time the chemistry of Pitt and Jolie was as incandescent as this movie’s alchemy of action, humor, and romance.
Honorable mentions: Broken Flowers, Fever Pitch, Hitch, In Her Shoes, Just Friends, King Kong, The Squid and the Whale, War of the Worlds
My annual top-10 movie lists begin in 2007, so I thought it would be fun to start going backwards from there and create lists for each year retroactively.
First up is 2006, which is now 15 years ago and a notable year for me in several ways: it’s when I graduated high school, went on tour with my band (RIP Ice Cap Fortune), entered college, and started this blog.
I also have a lot of movie-related memories from that year, including:
seeing Brick at my beloved Hilldale Theatre in Madison not long before it closed permanently
going to my first and last midnight screening (Pirates of the Caribbean: Dead Man’s Chest)
suffering through some truly awful movies (X-Men: The Last Stand, Superman Returns, Lady in the Water)
But the abiding memory from 2006 was the day I saw five movies in a row.
My mediocre movie marathon
This may be a common occurrence for film festival-goers or professional critics, but for me it was something I did just to see if I could pull it off—both as a tactical feat of avoiding detection by the theater staff and as a moviegoing stunt.
I walked into Marcus Point Cinema in Madison, WI, for a 12pm showing and reemerged into the darkness just before midnight (paying for only one ticket—yes, I was a teenage scofflaw). It’s not the best lineup, but here’s what I saw:
The Pursuit of Happyness
Rocky Balboa
The Nativity Story (an unplanned addition but it fit perfectly between other showings, and my mom joined me with some contraband McDonald’s)
Blood Diamond
The Good Shepherd (my dad joined me for this one)
I never did this again and would not recommend it. By Blood Diamond my eyes were getting blurry and my butt hurt, so I don’t think I could fully appreciate that or The Good Shepherd. But it was bucket list cross-off and gave me a story to tell on my blog 15 years later.
Anyway, on to the list…
Top 10 of 2006
I suspect this won’t continue to be the case as I move back in time, but I saw almost all of the films in my top 10 in theaters at the time. By then I was an ardent cinephile with a job and a car, so I was able to see a lot of movies. And there were a lot of great ones. Here are my favorites:
Honorable mentions: The Prestige, Borat, Little Miss Sunshine, Idiocracy, Half Nelson, United 93, Marie Antoinette, Shut Up and Sing, Monster House, Old Joy, This Film is Not Yet Rated, Mission: Impossible III
