Tag: World War II

Courage & Camaraderie in ‘Band of Brothers’

Band of Brothers, the 2001 Tom Hanks-produced HBO miniseries that dramatized the history of Easy Company paratroopers throughout World War II, was a formative viewing experience for me, especially on the heels of Saving Private Ryan.

That was as a youngster interested in history and World War II, and as the grandson of a veteran who lived through similar combat experiences as Easy Company. But I’ve remained a fan of it due to its earned status as an exemplar of history come to life.

Pod of Brothers

Recently I listened to the official HBO podcast series released last fall in honor of the 20th anniversary of the show. With one episode dedicated to each of the original 10 Band of Brothers episodes, the podcast features interviews with crew—like military consultant Dale Dye—and cast, including Donnie Wahlberg (Lt. Carwood Lipton), Frank John Hughes (Sgt. Bill Guarnere), Damien Lewis (Maj. Dick Winters), Scott Grimes (Sgt. Don Malarkey), and Ron Livingston (Capt. Lewis Nixon).

Two themes emerged among all of the performers who were interviewed:

  1. They commiserated about the 10-day military boot camp they endured during pre-production, which, though not the equivalent of true military training, helped forge real camaraderie and ensured an authenticity that’s hard to find in Hollywood versions of warfare.
  2. They spoke in reverent terms about the real-life men they portrayed, and felt an immense responsibility to honor their true experiences within the larger story of Easy Company. Several of them got choked up when talking about the relationships they developed with their real-life counterparts, and all of them said they’d been personally changed for the better.

Getting the Band back together

Inspired by this listening experience, I did a Band of Brothers rewatch thanks to HBO Max.

Of its many marvels, I’m in awe of just how much is squeezed into 10 hours. Such a runtime sounds quite long, but not when you consider everything Easy Company went through on their journey from Georgia’s Camp Toccoa in 1942 to Germany’s Berchtesgaden in May 1945.

Written by a handful of writers—including Tom Hanks and future Boomtown creator Graham Yost (who used Band of Brothers as inspiration)—the series wisely modulates its storytelling pace within and between episodes, which allow for a dynamic range of experiences and perspectives.

So a single episode can span one day (Episode 2, “Day of Days”) or several months (Episode 5, “Crossroads”), and follow one primary perspective (Episode 6, “Bastogne”) or many (Episode 10, “Points”)—all without sacrificing clarity or emotional investment.

Indeed, our investment only grows as we get to know and grow attached to the huge and hugely talented ensemble cast. Winters and Nixon serve as the emotional core, but it’s the literally dozens of other actors who make the show sing.

(Not for nothing, four of the core cast went on to star or feature in my beloved Boomtown: the aforementioned Donnie Wahlberg and Frank John Hughes, plus Neal McDonough [Lt. Buck Compton] and Rick Gomez [Sgt. George Luz].)

Courage over combat

In the podcast interview with Richard Loncraine, director of Episode 2 (“Day of Days”), he reflected on the show’s legacy:

Band of Brothers should be shown to schoolkids, and they might realize [warfare] is not a glamorous, exciting world—it’s where you die. Hopefully when they watch it, what they’re not thinking is ‘Wow, I’d like to have been there.’ If they do, then we all failed.

In this they definitely succeeded, because the series manages to pull off the tricky tightrope act of valorizing the courage of the soldiers without glorifying combat itself.

The combat we do see is rightfully hellish: gruesome wounds, slain comrades, and haunting horrors no one deserves to witness. The nitty-gritty of the front lines in all its awful agony.

How did these men get through it? In Episode 3 (“Carentan”), Lt. Ronald Speirs, played with icy assurance by Matthew Settle, delivers to a frightened private what I imagine to be an essential insight into the psychology of warfare:

We’re all scared. You hid in that ditch because you think there’s still hope. But Blithe, the only hope you have is to accept the fact that you’re already dead.

I’m not sure if all soldiers would agree with this perspective. It’s certainly as fatalistic as you can get.

But when I watch even the dramatized versions of Speirs and Blithe and so many other brave GIs run through machine-gun fire and artillery and other horrible weaponry, when every single move they make could mean a sudden and grisly demise, I can only stand in awe before their resolve in the face of death—however they find it.

Company of heroes

But what ultimately makes Band of Brothers successful, I think, isn’t the verisimilitude of its battle scenes. It’s the emphasis on the titular brotherhood and their everyday heroism, both in and out of combat.

Sometimes that heroism looks like what Hollywood has conditioned us to expect from war movies: carrying a fallen comrade, charging through a storm of gunfire, capturing enemy fortifications.

But sometimes it looks different: caring for someone suffering a shell-shocked breakdown, risking execution to protest a superior’s professional malpractice, offering to take the place of a rundown veteran on a risky nighttime raid.

Though not as sensational as battle, these moments are just as important. And they validate what Tom Hanks said of the show: “This is not a celebration of nostalgia. This is an examination of the human condition.”

When you examine Band of Brothers closely, you’ll see talented craftsmen doing their best to honor the ordinary, real-life humans who were thrust into inhuman, extraordinary conditions. For that, it stands alone.

Favorite Books of 2020

In his year-end summary of reading, Seth Godin wrote: “Books are an extraordinary device, transitioning through time and space, moving from person to person and leaving behind insight and connection. I’m grateful every single day for the privilege of being able to read (and to write).”

I read 18 books in 2020. For some people that might be a lot, but for me it’s an all-time low and a continuation of a downward trend since my peak of 80 books in 2016. The global pandemic had something to do with it, as once I started working from home I lost the time I had previously spent reading during my daily commute and lunch break.

But that’s OK. Like Seth I’m grateful for the privilege of being able to read at all, let alone whatever I want. Of what I was able to read this year, here (in alphabetical order) is what stood out.

Alright, Alright, Alright: The Oral History of Richard Linklater’s Dazed and Confused by Melissa Maerz

While I’ve been a fan of Dazed and Confused for a while, I knew next to nothing about its making aside from Richard Linklater’s freewheeling filmmaking style. This book is a good mix of context-setting commentary from the author and contributions from everyone involved with the movie. (The funniest part is everyone dumping on one insufferable actor who thought he was the next Brando.) Rewatched the movie after reading and appreciated it anew.

Choice quote:

Every few years, as a new crop of high schoolers graduates, new generations discover Dazed. The fact that it doesn’t really have a plot means it holds up better with repeat viewings. You aren’t watching for the story. You’re watching to hang out with the characters.

Answers in the Form of Questions: A Definitive History and Insider’s Guide to Jeopardy! by Claire McNear

I took the online Jeopardy! test back in March after I started working from home. It… didn’t go well. But that made me appreciate the show and its contestants all the more, along with how televised trivia has managed to remain not only relevant but beloved for so long. This book digs into all of that and more with a combination of concision and panache that Alex Trebek (RIP) would appreciate.

Choice quote:

The real Jeopardy! is not the machine. It’s the show, the thirty minutes of pleasant syndicated reassurance that the machine produces five times a week. Jeopardy! isn’t in a chilly California soundstage; it’s in your home, as you yell answers at the TV screen or furrow your brow during a tense Daily Double. … The real Jeopardy! is the illusion of simplicity: Alex Trebek, three contestants, roughly sixty answers and sixty questions. The real Jeopardy! is the magic trick.

The Bear by Andrew Krivak

Set in a dystopian future, this short novel follows a man and his daughter forging a lonely existence in the wilderness. What begins as a rugged, sparse tale soon combines with elements of magical realism, and that’s what really made it sing. Makes me eager to read more Krivak.

Choice quote:

The wood you burn to cook your food and keep you warm? The smoke that rises was once a memory. The ashes all that is left of the story.

Breaking Bread with the Dead: A Reader’s Guide to a More Tranquil Mind by Alan Jacobs

Jacobs’s writing is very influential to me. His blog is a constant source of bemused, no-bullshit commentary about politics, religion, culture, and the life of the mind. His latest book seeks to make the case for “temporal bandwidth”—the idea of widening your understanding of the present by engaging with old books and ideas that provide an “unlikeness” to your own assumptions. This means accepting good things about the past along with its baggage. It’s a short but punchy book, the third in a trilogy (along with The Pleasures of Reading in an Age of Distraction and How to Think) that together puts forth a commendable vision of intellectual engagement.

Choice quote:

If it is foolish to think that we can carry with us all the good things from the past—from our personal past or that of our culture—while leaving behind all the unwanted baggage, it is a counsel of despair and, I think, another kind of foolishness to think that if we leave behind the errors and miseries of the past, we must also leave behind everything that gave the world its savor.

Breath: The New Science of a Lost Art by James Nestor

Nestor’s previous book about freediving really spoke to me, so I was eager to see where he went next. His immersion journalism takes him into the surprisingly deep terrain of respiration, especially timely this year given how central breathing is to Covid-19 transmission. Obviously breathing is important to your health, right? But it’s fairly astounding how just breathing deeply through your nose can improve your overall well-being. This book taught me a lot, but mostly it made me more attentive to the aspects of our humanity we often take for granted.

Choice quote:

Everything you or I or any other breathing thing has ever put in its mouth, or in its nose, or soaked through its skin, is hand-me-down space dust that’s been around for 13.8 billion years. This wayward matter has been split apart by sunlight, spread through the universe, and come back together again. To breathe is to absorb ourselves in what surrounds us, to take in little bits of life, understand them, and give pieces of ourselves back out. Respiration is, at its core, reciprocation.

Devolution: A Firsthand Account of the Rainier Sasquatch Massacre by Max Brooks

M. Night Shyamalan’s Signs and The Village meet Home Alone. Though I read Brooks’s previous book World War Z, it didn’t stick with me nearly as much as this one, which treads similar realistic sci-fi territory. Because the main event is right there in the title, the dramatic tension builds so exquisitely throughout the book. It was one of those stories that delightfully defied prediction, and managed to end on a tantalizing yet satisfying note.

Choice quote:

They all want to live “in harmony with nature” before some of them realize, too late, that nature is anything but harmonious.

Enemy of All Mankind: A True Story of Piracy, Power, and History’s First Global Manhunt by Steven Johnson

One of my favorite authors, Johnson nailed it again with this riveting historical epic that weaves together 17th-century seafaring, the surprising culture of pirate ships, the dawn of the multinational corporation, and much more. Johnson’s magic trick is being able to stuff so much fascinating information into a crisp narrative without making it seem stuffed. It really feels like a rewarding reading journey.

Choice quote:

Ancient history is always colliding with the present in the most literal sense: our genes, our language, our culture all stamp the present moment with the imprint of the distant past.

Go to Sleep (I Miss You): Cartoons from the Fog of New Parenthood by Lucy Knisley

This laugh-out-loud hilarious cartoon collection is a short, sweet, and stunningly accurate depiction of the small moments and observations new parenthood allows. Though mostly geared toward the experience of mothers, so much of it resonated with me. Really glad to have stumbled upon this at my library’s New Graphic Novels shelf.

Choice quote:

Dude, I love you so much… but could you *please* stop discovering the infinite wonder of the world for, like, two minutes?

Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe by Kathy Peiss (review)

The book tells two primary, interweaving stories: how the information-collecting missions of the Library of Congress, OSS, and Allied forces conflicted and aligned before, during, and after the war; and how individuals engaged with those missions on the ground. I found the parts about the people much more engaging than the broader institutional machinations. But if you share my interests in librarianship, archives, history, and World War II, you’ll dig this.

Choice quote:

The war challenged these librarians, archivists, scholars, and bibliophiles to turn their knowledge of books and records toward new and unpredictable ends. The immediacy and intensity of their experience tested them psychologically and physically. Whether soldier or civilian, American-born or émigré, these people’s lives changed as they engaged in this unusual wartime enterprise. They stepped up to the moment, confronting shifting and perplexing circumstances armed only with vague instructions and few precedents to guide them.

Favorite non-2020 books I enjoyed

  • Meditations on Hunting by José Ortega y Gasset (review)
  • The Night Lives On: Thoughts, Theories and Revelations about the Titanic by Walter Lord
  • One Summer: America, 1927 by Bill Bryson
  • Watchmen by Alan Moore
  • Catalogue of Shipwrecked Books by Edward Wilson-Lee

Ideology and ‘Information Hunters’

When I first heard of the new book Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe by Kathy Peiss, I thought it was so far up my alley it should have just moved in.

The book tells two primary, interweaving stories:

  • how the information-collecting missions of the Library of Congress, OSS, and the Allied forces conflicted and aligned before, during, and after the war
  • how individuals engaged with those missions on the ground

One person’s story that stood out was Maria Josepha Meyer, employed by the Library of Congress and the publisher Hachette to collect books, documents, propaganda, and any other useful material in pre-occupation Paris. When the Nazis invaded in June 1940, she found herself trapped in Paris with no money and an expired passport. She eventually got an export permit from the Germans for her professional library, personal effects, and furniture, and at the last minute swapped her furniture for the war collection she would have been forbidden to ship.

Another was Adele Kibre, an academic who found herself spearheading a clandestine microfilming operation in Stockholm as a way to send foreign publications to OSS for intelligence gathering. Microfilm technology was in its infancy, so quality varied generally. But Kibre’s results were clear and consistent despite her limitations and the secrecy required.

A central figure in the book was Archibald MacLeish, the poet and writer who served as Librarian of Congress from 1939-1944. His work with William Donovan to develop the Research & Analysis branch of OSS helped modernize the Library of Congress and push it beyond the traditional understanding of libraries as neutral providers of books and information.

Peiss:

With the growing international crisis, [MacLeish] raised the stakes for books and democracy, calling upon librarians to be not merely custodians of culture but defenders of freedom. Like Donovan, he had perceived the dangers of fascism early and believed in American intervention. As an artist, intellectual, and the nation’s leading librarian, he was convinced, as he later put it, that ‘the country of the mind must also attack.’

As MacLeigh wrote in 1940, the keeping of war-related records “is itself a kind of warfare. The keepers, whether they wish so or not, cannot be neutral.”

As much as I’d like to view libraries as places that don’t discriminate or take ideological stands, the right to read is itself an ideology, as are the rights to privacy and access. Despite being taken for granted in democratic and literate societies, they must be believed in, fought for, and defended like any other ideology. (Notice too the war-like language.)

Peiss’s book examines how people and institutions reckoned with that dilemma in extraordinary situations. Overall, I found the parts about the people much more engaging than the broader institutional machinations, which often get bogged down in the acronyms and esoterica endemic to academia, government, and the military.

But if that sort of thing is your jam, Information Hunters is right on target.

(See also: The Book Thieves by Anders Rydell and When Books Went to War by Molly Guptill Manning.)

Quisling: What’s in a name?

In July 2016 I visited the Norway Resistance Museum in Oslo, which told the story of Norway’s occupation by the Nazis during World War II. A name that kept popping up throughout the museum was Vikdun Quisling, the Norwegian politician who collaborated with Hitler and seized control of Norway’s government during the occupation.

I wanted to know more about the man who put himself in that position. What compelled him? What happened in an occupied country during World War II? And how did his name instantly and internationally become synonymous with “traitor”?

Luckily there’s a book on him: Quisling: A Study in Treachery by Hans Fredrick Dahl. It’s definitely niche history—I had to get one of the few library copies via interlibrary loan—but as a part-Norwegian World War II buff this happened to be right up my alley.

The crux of this story is that Quisling honestly believed he was doing the right thing. Highly intellectual, aloof, and humorless, he dreamt of establishing Universism—his homegrown philosophy combining Lutheranism and science—as the “new world religion”, with Norway as the homeland of the supreme Nordic race. In that respect, along with his anti-Bolshevism and anti-Semitism, his eventual partnership with Hitler made perfect sense.

Once the Nazis occupied Norway, and its King and legislature had fled London with the other governments-in-exile, Quisling and his National Union party quickly filled the power vacuum, working with their Nazi occupiers to establish a fascistic, one-party authoritarian state.

But being an occupied country that officially was neither at peace nor at war with Germany stymied Quisling’s ambitions for a “new order” in Norway. (The goal of this new order? To stamp out the “destructive principles of the French Revolution: representation, dialogue, and collegiality”.) And since Hitler refused to discuss peace terms until the Axis had won the war, Quisling in his quasi-legitimate government was left to tussle with his German commissars from above and the Norwegian resistance movement from below.

Throughout it all, Quisling remained naively optimistic about leading an independent Norway into his utopian future. Even when Germany capitulated and the war was over, he assumed he’d take part in a peaceful transition back to the old Norwegian government. Instead, he was arrested, tried, and executed by firing squad at the Akershus Fortress, which, in a delightful irony, now houses the aforementioned Norway Resistance Museum.

Dahl’s book is admirably thorough, so most people will probably prefer the Wikipedia summary of his life story to a 400-page book elucidating the same. But I’m glad for such an in-depth study of a tragic figure at a crucial historical moment.

(And for the realization that one of the few spots the Quisling name lives on is in my hometown of Madison, Wisconsin, at the super-cool looking Quisling Clinic, which was founded by Quisling’s cousins.)

Notes & Quotes from the book

  • At military academy Quisling scored highest average examination in 100 years
  • Held high regard for Soviet organizational skills, if critical of Bolshevik policies
  • Skills were more organizational and staff-bound rather than executive and creative
  • Developed theory of Universism, which combined Christianity with modern natural sciences, especially physics
  • Original manuscript over 2,000 pages; final 700-page version from 1920s; dense and ambitious but not good
  • Dreamt of establishing Universism as ‘new world religion’, Norway as homeland of Nordic race; like “a combination of the United Nations and the Catholic Church”
  • Became a scholar of Soviet Union, studied Russian, and was appointed military attaché of Norwegian legation in Petrograd in 1918
  • Present during Terror, and sent back reports that were widely read including by the King, before he was forced home
  • Book about Russia shot him to fame in Norway, and began slide toward fascism; founded movement aimed at overthrowing Marxism, enhancing Nordic race
  • Defense minister of new Agrarian Party, then new National Union (NS) party
  • Little sense of irony, not much humor, crippling shyness, aloof, but highly respected for his mind
  • Knew Norway wouldn’t be able to remain neutral in war due to its strategic significance and low defense spending
  • Urged cooperation between British naval hegemony and German continental ambitions
  • His growing anti-semitism signaled ideological sympathy with Hitler; thanked him for having “saved Europe from Bolshevism and Jewish domination”
  • Thought Hitler was wrong to sign pact with Stalin given how advanced Germany already was, and knew Red Army was weakened by purges so wouldn’t be able to conquer Finland
  • Envisioned Germany would topple Soviet government and reestablish nation-states with German capital
  • Met with Hitler December 1939 while reported Britain to use Norway as transit country to aid Finland; Quisling offered loyalty from his party
  • Preferred neutrality but didn’t think it possible, so would act in Germany’s interest to prevent British establishment
  • Hitler saw value to occupying Norway before Britain could
  • Naval skirmishes between Germany and Britain in April: King and government relocated, but Quisling characterized as fleeing and initiated coup
  • Quisling hoped for legal appointment understanding from King, but King refused to accept man twice beaten at the polls
  • Wide campaign to get rid of Quisling as he sought legitimacy
  • Hitler supportive at first but then in setting up “government commission” put Quisling in reserve; when commission failed Hitler sent Terboven to command Norway occupation
  • Miscalculated public’s feelings and sense of morality
  • Quisling name almost immediately became international byword for traitor
  • Curried Hitler’s favor as they strategized voting in new occupation government; became prime minister due to his warning of Britain
  • Quisling’s “New Order” in Norway stamped out “destructive principles of the French Revolution: representation, dialogue, and collegiality”
  • Unresolved whether Norway and Germany were at war or peace; Quisling wanted full NS government to provide legitimacy and eventually got it, though with Reichskommissar
  • Sincerely believed he was doing the right thing for Norway and eventual Nordic dominance
  • Oslo University source of strong anti-NS “Home Front” resistance, along with prominent bishop Berggrav, who had tried to broker peace in Berlin and London
  • Photos of “Fører Quisling” everywhere, became authoritarian state sans functioning legislature and King
  • Quisling sought to limit NS membership despite one-party rule to strengthen quality
  • Edict to make youth service in NS Youth Organization compulsory backfired, as did new teachers corporation; when backed by bishops, revolt began
  • Mass teacher resignations followed by large-scale arrests
  • Lobbied Hitler for peace treaty but was denied and remained occupied country, also lost direct contact with Hitler
  • Had different ideas of future than Hitler, whose world domination plans were more improvisatory
  • Began rounding up and registering Jews in 1942
  • Hitler refused to negotiate peace because then other occupied countries would want it, and Quisling’s dreams of Norwegian supremacy dashed
  • After Hitler died, naively assumed there would be peaceful transition of power back to exiled government
  • Arrested May 8; said he knew suicide would be easiest but wanted to “let history reach its own verdict”; thought he’d be deified
  • Quisling Clinic in Madison founded by cousins in interwar years; otherwise name has disappeared

1946 Olympia typewriter vs. 2012 iPad – who ya got?

Matt Thomas, via Submitted For Your Perusal, spotlights an interesting contrast between two New York Times stories in the same week.

Exhibit #1, from a brief feature on Danielle Steel:

After all these years, Steel continues to use the same 1946 Olympia typewriter she bought used when working on her first book. “I am utterly, totally and faithfully in love with my typewriter,” she says. “I think I paid $20 for it. Excellent investment! And by now, we’re old friends.”

Exhibit #2, from a John Herrman’s essay What I Learned from Watching My iPad’s Slow Death:

Above all, my old iPad has revealed itself as a cursed object of a modern sort. It wears out without wearing. It breaks down without breaking. And it will be left for dead before it dies.

A machine that’s over 70 years old (!) is still performing exactly as it did the year after World War II ended, and another machine that’s not even 7 years old is now a digital dotard. An iPad of course can do far more things than a typewriter. But if it can only do those things for the length of two presidential terms, tops, is it truly worth the investment?

My 1970 Hermes 3000 originally sold for $129.50, according to the sticker still on its body. That’s about $845 in 2017 dollars, which would get you an iPad Pro or basic laptop today. I bought it last year for $30 at an antique store. It’s in seemingly mint condition all these years later, and I can’t wait to see what words it will produce—from me and any future owners. If the iPad’s “slow death” takes place after only a few years, the death of this Hermes—perish the thought—will be downright glacial.

Yet what Herrman concludes about a tablet is also true of a typewriter: “It will still be a wonder of industrial design and a technological marvel, right up until the moment it is destroyed for scrap.”

Which machine’s scraps, however, can actually be turned into something beautiful? Advantage typewriters.

The Diary of a Young Girl

In my ongoing quest to catch up with the “high school reading list” books I missed the first time around, I listened to the audiobook of Anne Frank’s The Diary of A Young Girl and, holy crap, I guess I shouldn’t be surprised due to its reputation, but it’s kinda amazing. Not sure how much the translation from Dutch affected the language, but Anne comes across as incredibly intelligent, self-aware, funny, honest—oh is she honest—and even noble in her struggle to become a better person even in confinement.

Knowing the ending of the story while I read it, I felt an immense sadness as I neared the end. I seemed to go through all the stages of grief: I’m sure they’ll make it through the war, then Why do they have to be discovered? then Couldn’t they just make it a few more months? then Screw Hitler and the war. This whip-smart teen who wanted to be a journalist (she would have killed it on Twitter and as a blogger), who was a self-admitted chatterbox, who struggled through boy troubles, who resented her family but tried to love them… she didn’t get the chance to see the fruit of her laboring, and the world is worse for it.

Selma Blair reads the audiobook and perfectly captures the voice of a teen girl. It’s a classic mix of sarcasm, angst, gossip, philosophizing, high-minded ideals and aspirations, and *ahem* frank discussions of sexuality.

Another high school reading list classic I recently caught up with and loved was Narrative of the Life of Frederick Douglass. Like Diary, Douglass’s memoir is a hyper-articulate and honest account of oppression that writes beyond its setting and subject, much to the benefit of future readers. I highly recommend both.

So even though The Fault In Our Stars nearly ruined the Anne Frank museum for me, I’d love to visit it one day to pay my respects to an incredible young woman:

“We’re all alive, but we don’t know why or what for; we’re all searching for happiness; we’re all leading lives that are different and yet the same. We three have been raised in good families, we have the opportunity to get an education and make something of ourselves. We have many reasons to hope for great happiness, but… we have to earn it.”

Blitzed: Drugs in the Third Reich

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Don’t do drugs, kids. But do give it up for whoever thought of the perfect double entendre title and cover for Norman Ohler’s Blitzed: Drug Use in the Third Reich.

This topic is definitely not something I’ve heard about in the history books, as they say, so perhaps it’s fitting that Ohler is not a historian but a novelist and journalist. His writing style is much more vivid and conjectural than what you’d expect from a typical history book, yet it’s still rooted in the historical record, which makes it all the more riveting. Who knew that the same German scientist who invented Aspirin also discovered heroin? And that the Nazis’ infamous blitzkrieg that toppled France was aided by the entire army being hopped up on meth?

Add to this the (more well-known) fact that Hitler was a morphine, cocaine, and oxycodone addict and needed several injections a day of vitamins, uppers, and animal proteins to keep going. This would explain his volatile mood swings, insatiable megalomania, and disconnection from reality toward the end. It would also explain why he was a terrible military strategist but an excellent demagogue and tyrant.

It doesn’t mean, however, as Ohler is clear to point out, that the drugs turned him into someone he wasn’t. The “pharmacological barricade” he erected around himself in his final years only ossified what was already there:

His drug use did not impinge on his freedom to make decisions. Hitler was always the master of his sense, and he knew exactly what he was doing. He acted always in an alert and cold-blooded way. Within his system, based from the beginning on intoxication and a flight from reality, he acted systematically and with terrible consistency to the end. He was anything but insane.

Highly recommended fast-paced, unorthodox history of a degenerate time and place.

Some informal book notes:

  • Serturner derived morphine from thickened sap of opium poppies in 1805
  • Merck began selling in 1827, and after injections invented in 1850 was used in Civil War
  • Drinks containing morphine and cocaine available at drugstores
  • Hoffman, chemist at Bayer Company, synthesized Aspirin from willow bark and heroin, a derivative of morphine
  • With small operations and low overhead, business boomed especially in Germany, with high stock of engineers, chemists, and education system
  • Germany lost colonial sources of stimulants after Versailles, so had to produce synthetic ones and soon became global leader
  • The Nazis “hated drugs because they wanted to be a drug themselves”; stigmatized and severely punished drug use after 1933
  • Hitler mythologized as anti-drug teetotaler without personal needs
  • Strict anti-drug measures used to deepen surveillance state and prevent addicts from marrying so as not to reproduce faulty genes
  • Jews depicted as pathogen or disease poisoning the Reich needing to be exterminated
  • Celebrity doctor Morell pioneered use of vitamins mixed with stimulants; Hitler made him personal physician
  • Inspired by US’s amphetamine Benzedrine at Berlin Olympic games, pharmacist Hauschild synthesized new methamphetamine Pervitin, like adrenalin but gentler and longer lasting
  • Meth’s long lasting effects kill nerve cells, and once it runs out the hormones take weeks to resupply, leading to lack of drive and joylessness
  • Pervitin became widely used, assumed safe; marketed as slimming agent because it curbed appetite (meth chocolates: “Hildebrand chocolates always delight”)
  • Appeasement wouldn’t work because Hitler, a morphine addict, always needed more
  • Morell revived Czech president Emil Hacha, who had a heart attack before signing papers of capitulation, so he could sign them
  • According to studies Pervitin kept people from sleeping but didn’t make them cleverer, so it was considered ideal for soldiers
  • Blitzkrieg in France fueled by meth, including Rommel; French and British unprepared for constant attack
  • Propagated idea that Germans were superior beings reinforced by meth’s symptom of arrogance
  • Hitler’s inferiority complex made him distrust success of smarter generals
  • Luftwaffe’s Göring a morphine addict and felt victory shouldn’t be left to army, so convinced Hitler to halt Dunkirk advance
  • “Gröfaz” German soldiers’ derogatory acronym for Nazi propaganda’s term for Hitler as “greatest commander of all time”
  • Morell created new vitamin combo Vitamultin, which had unremarkable elements but was marketed solely to Hitler and generals; when Luftwaffe medical chief rejected them Morell got Goring to fire him
  • Word about Pervitin spread in late 1940 and Reich health fuhrer Conti fought to have it eradicated under Reich opium law, but war needs made it essential
  • Pervitin of no use on Russian front, which was attritional
  • Hitler had “severed relations with geopolitical reality” by declaring war with US; out of touch in bunker
  • Mid-1943 started taking Eukodal (oxycodone), twice as powerful as morphine, created euphoric state higher than heroin
  • Hitler was doped up for Valkyrie explosion so didn’t have pain despite busted ear drums and splinters
  • Giesing, ear nose throat specialist summoned after Valkyrie in July 1944, prescribed cocaine, which “erases self-doubt and encourages megalomania”
  • Hitler consented to full-body examination to get more cocaine from reluctant Giesing
  • Erected “pharmacological barricade” around himself, within “deluded totalitarian system”
  • “His drug use did not impinge on his freedom to make decisions. Hitler was always the master of his sense, and he knew exactly what he was doing. He acted always in an alert and cold-blooded way. Within his system, based from the beginning on intoxication and a flight from reality, he acted systematically and with terrible consistency to the end. He was anything but insane.”
  • Used death camp prisoners to test new endurance pills and cocaine-spiked gum, kept awake and marching
  • Started running out of supplies and withdrawing in early 1945

A Frozen Hell

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“Finland alone, in danger of death—superb, sublime Finland—shows what free men can do.” —Winston Churchill

And Trotter, the author of the superb book A Frozen Hell: The Russo-Finnish Winter War of 1939-40, shows what fine historians can do. Not sure how I found this book, but after visiting Finland last summer I wanted to learn more about the history of my distant ancestors. When this one popped up on Goodreads and had a good rating, I checked it out from the library, and am glad I did.

Like the “Phony War” of mainland Europe, which was playing out at the same time, the Winter War was a kind of prelude to the main events that would devastate the rest of the hemisphere. Trotter posits that Stalin didn’t actually want to go to war with Finland. Considering Russia’s close relations with Finland in the past and seeing Germany’s advance through Europe, Stalin saw Finland’s value as a buffer between Russia and Scandinavia, and thought his demands for some of Finland’s Baltic islands reasonable.

But Finland thought otherwise. After the rejection of Stalin’s ultimatum and a “who shot first?” controversy (it was Russia, who then claimed it was Finland to publicly justify their preemptive belligerence—they were expelled from the League of Nations for it) the Winter War was off and running. Or rather, lumbering. Though equipped with far more soldiers, artillery, tanks, and supplies, the Russians were an unwieldly force in unfamiliar terrain, making them easy targets for the dug-in Finns, who were well-acquianted with the snowy forests and much better prepared for the frigid siege. The Red Army had also been gutted of its senior officers and commanders thanks to Stalin’s “Great Purge” of the late 1930s, so it was partially a self-inflicted debilitation.

The Finns’ homefield advantage made sabotage and survival the keys to survival. The Finnish commander Mannerheim didn’t even expect total victory, knowing the disparity of men and munitions was against the Finns; “the most honorable annihilation” was what he expected. After a long battle of attrition between two armies unprepared for sustained combat—and a Russian surge months after they expected to win once Stalin was sufficiently fed up with the incompetence—that’s what they got.

But even on so brutal a battlefield, there were some funny moments:

Propaganda efforts by both sides were amateurish and negligible in effect. During the so-called January lull in the Isthmus fighting, the Russians began using loudspeaker trucks to broadcast propaganda programs toward Finnish lines. The Finns started looking forward to them, since the music was refreshing and the Red artillery had orders to cease firing during the playing of Kuusinen’s speeches so the Finns would not miss a word. The Finns used these interludes to “make a break for the head.”

The Finns also weren’t very impressed with the paper the propaganda was printed on:

Leaflets by the million were airdropped all over Finland, promising an improved standard of living. They were printed on such grossly inferior paper stock that the Finns, many of whom knew a thing or two about the paper industry, disdained to use them in their latrines. In the leaflets Finnish workers were promised an eight-hour day, something they had already enjoyed, by law, for the past twenty years.

Also thought it was funny how even on the frontlines the Finns wouldn’t be denied their saunas:

For many of the encircled Soviet troops, just staying alive, for one more hour or one more day, was an ordeal comparable to combat. Freezing, hungry, crusted with their own filth (while the besieging Finns, a thousand meters away, might be enjoying a sauna-bath), for them the central forest was truly a snow-white hell.

The war ended once the Soviets changed tactics and were finally able to overwhelm the exhausted Finnish troops. Though Finland had to cede some land, Stalin’s dream of annexing Finland as a whole wasn’t to be, and Finland would remain the only Baltic state to remain independent from the Soviet Union. Hostilities would renew three months later in the Continuation War, which coincided with Operation Barbarossa and would see Finland fighting with Nazi Germany as “co-belligerents” against Russia. The enemy of their enemy was their friend, I guess.

Like many a military history, A Frozen Hell often gets too far into the weeds of troop formations and movements for my taste. But it shines when focusing on the grander strategies and diplomatic endeavors of the belligerents, and especially the ground-level experience of the men in the trenches. Highly recommended.

So Far Advanced

Here’s a funny bit in an otherwise unfunny but fascinating book called A Frozen Hell: The Russo-Finnish Winter War of 1939-1940. After Finland refused Stalin’s ultimatum, Russia initiated war and installed a puppet Finnish government that signed the “treaty” Stalin had wanted:

The body of the treaty went on cheerfully to grant Stalin every concession he had ever asked of the Finns, with some additional items thrown in for good measure. In return, the whole Finnish land mass was magically rejoined with Soviet Karelia to form “The People’s Republic of Finland.” Broadcasts were soon made in the name of this new government, telling the captive proletariat of “plutocratic Finland” about all the wonderful reforms that would be promulgated after the Red Army had finished liberating them. Kuusinen promised that he would break up all the great landowners’ estates; he also promised the workers an eight-hour day. The workers were not impressed. The eight-hour day had been legislated in Finland twenty-five years earlier, and the government’s land reform program was so far advanced by 1939 that there were only a few hundred estates left in all Finland that measured more than 300 acres. Kuusinen had certainly kept up with things.

Never change, Finland.

The Man In The High Castle

Not long after we subscribed to Amazon Prime did I check out the pilot of The Man in the High Castle. I’d heard some good regard for the show, but didn’t think to seek it out until it was suddenly available to me. Boy am I glad I did.

Set in 1962, the show exists in a world where fifteen years previous the Allies lost World War II, the U.S. was atom-bombed, occupied, and divided between Germany and Japan into the Greater German Reich (east of the Rockies) and Japanese Pacific States (west of the Rockies). Times Square is blanketed with swastikas (but no ads), Judaism has been outlawed, and with Hitler close to death the Japanese and German empires are bracing for war. Amidst the political and societal intrigue, the stories of the characters we follow orbit around the pursuit of mysterious film newsreels that show alternate histories of the war and its aftermath. The source of the reels, the unseen Man in the High Castle, seems to be head of a guerrilla resistance force trying to undermine the authoritarian states — for all we know.

In addition to having one of the more haunting title sequences I’ve ever seen (above), the show blends three of my interests—historical counterfactuals, dystopia, and World War II—seamlessly into the background of a narrative arc that lets us see the inner workings of a tenuous alliance between the two Axis powers. The show is ingenious at working in small world-building details, either through dialogue or in the background—like when a Nazi police officer mentions offhand how the elderly are regularly euthanized and exterminated so as not to be a “burden on the State.”

To me, the most interesting character of season one—and I can’t believe I’m saying this—is the Nazi. Rufus Sewell plays Obergruppenführer John Smith, a high-ranking SS officer charged with tracking down the remaining film reels and quelling the Resistance. Sewell’s icy, devilish demeanor, mixed with his character’s white-picket-fence, all-American (or rather all-German) lifestyle, provides ample ground for a fascinating character study. Frank (Rupert Evans) is another intriguing character: a downtrodden laborer concealing his Jewish identity who gets tangled up with the newsreels and has to make some brutal decisions after being imprisoned by the Japanese military police.

What I love about counterfactuals is pondering the questions they conjure. Is there anything better about this show’s reality than ours? What does ours share in common with it, and how it is vastly different? It also made me better sympathize with societies that have been occupied, subjugated, and made to accept a new culture. Americans have never experienced that; in fact, throughout history we’ve always been the occupiers and the subjugators, imposing our values and military might in other lands under the banner of liberty. Optimists will say our actions were justified for the sake of spreading democracy, but realists know otherwise. Of course, I’m not equating U.S. foreign policy to the Nazi and Japanese empires in The Man in the High Castle. But I am inspired to decide how and why America is different.

It’s a dark show, no doubt about it. But after some key points in the first few episodes, the gears propel toward a climax and the next season’s continuation that I’m really looking forward to.

(Also, I had no idea how much of the show was CGI-generated, which this video illustrates; I really couldn’t tell while watching it, and even wondered how they got away with displaying so much Nazi paraphernalia.)

The Weight Of History

We all grow up with the weight of history on us. Our ancestors dwell in the attics of our brains as they do in the spiraling chains of knowledge hidden in every cell of our bodies. – Shirley Abbott

Today, as on every veterans’ themed day, I thought of my grandfather. A lieutenant in Patton’s Third Army in World War II, he earned a Bronze Star for bravery. It is now on display at my parents’ house, encased with the citation letter and his other decorations and badges. He later served under Hoover in the FBI, stationed in Superior, WI, because he could speak Finnish.

It’s funny how something small like that – being able to speak a foreign language – can affect the future so drastically. Had he not been assigned to northern Wisconsin, my grandparents would have never built the cabin on the lake I cherished visiting as a kid. And if we go Back to the Future Part II alternate-reality on this, maybe I would not have even been born. It’s a scary thought.

But that’s why I’m so grateful to my grandpa and all of those in my family line who lived as they lived, for better and for worse. We cannot escape history, as Lincoln said seven score and ten years ago. Everything our family was and is, we are too. This thought may disturb some, but for me it’s a blessing. I consider myself fortunate to have a grandfather from whom I most assuredly inherited my love of history, desire to learn new words, and my penchant for crossword puzzles and squinting.

So more than a simple thank-you for military service, let’s take days like Memorial Day to remember our ancestral heritage and cherish all that our progenitors gave us.

The War by Ken Burns

I’m still working my way through it, but I’ve already come to appreciate Ken Burns’ seven-part 2007 miniseries The War.

Burns explains in the making-of feature that he wanted to show the war not through historians but through average citizens, men and women and children from every corner of the country who endured the front lines abroad or did their part at home. He focuses on four towns—one in California, Minnesota, Alabama, and Connecticut—and uses interviews with the veterans and their families from those towns to make the enormous scope of World War II more intimate.

It’s a great historical record of the American involvement, delving deep into topics that are not often discussed like Japanese internment and the segregation of minorities in the Army. Burns employs his trademark use of photos, footage, and interviews in each scene. Some photos we’ve seen before, but most are new and show us a different view of what has become a very familiar war.

Norah Jones’ “American Anthem,” the series’ theme, is very good, though not as good as the theme for Burns’ The Civil War, called “Ashokan Farewell.” And while I really love David McCullough’s narration in The Civil War, actor Keith David’s here has quickly grown on me.

So if you have 15 hours to spare one these days, fill them with The War.

Forty-One

I’m watching the video tribute to George H. W. Bush at the Republican National Convention. It reminded me how great a person and American he is. World War II fighter pilot, Congressman, Ambassador to the U.N., envoy to China, Director of the CIA, Vice-President, and finally, President — there are few public servants with such a record.

Seeing him at the ripe age of 84, he reminded me of my grandpa Cliff, both by his appearance and by his resume. Grandpa Cliff served as a lieutenant in Patton’s Third Army, trudging through the Battle of the Bulge, then through decades of service in the FBI. Both men are decorated members of the Greatest Generation.

I watched the Bush Sr. episode of American Experience a while back and it explained that regardless of some of Bush Sr.’s decisions in office, he held true to his own code of honor and dignity. That code guided him through some tough times and hard decisions. Even when the decisions were unpopular. Perhaps we’ll be thinking the same things about 41’s son Dubya one day. Or not.