Tag: books

Media of the moment

An ongoing series

Midnight Mass. Loved this Netflix limited series for the same reason I love Darren Aronofsky’s Noah: it takes literally all the Bible’s very goth elements (“drink my blood”, the terror of angels, etc.) and transposes it into a deeply human modern story.

Didi. This coming-of-age story set in 2008 featuring a teenager only a few years younger than I was at the time, so you know the use of AIM and Motion City Soundtrack songs were a bullseye for me.

Nosferatu. Been knocking off a lot of classic horror blindspots and this 1922 F.W. Murnau silent version definitely qualifies. One favorite intertitle: “The Death Ship has a new captain.” 🤘

Challengers. Just your typical sports movie featuring a throuple of sweaty, smirking scumbags swirling into a sadomasochistic, psychosexual spiral.

Fear Not!: A Christian Appreciation of Horror Movies by Josh Larsen. Strongly respect Josh’s perspective as a critic and Filmspotting host, so amidst my recent foray into horror movies I thought this short book was a helpful primer on the redemptive aspects of the genre.

The Notebook: A History of Thinking on Paper by Roland Allen. Appreciated some historical bits in this but also skimmed over a bunch. Will it inspire me to get back into paper journaling? TBD.

Night of the Living Dead. Some wild swings between “this looks like a terrible student film” and “holy schnikes”. I knew nothing of it besides being considered the godfather of zombie movies, so all the social commentary and 1968 of it all really hit.

The Thing. My first John Carpenter movie and it was, uh, rather horrifying.

My favorite picture books

I’ve encountered a lot of board books and picture books in my nearly six years of parenting. Many of them are bad, with either poor writing or an off-putting illustration style or both. But several of them hit that sweet spot of beautiful design and quality storytelling. Here are some of those:

  • Counting with Barefoot Critters by Teagan White
  • Jazz for Lunch by Jarrett Dapier
  • How Beautiful by Antonella Capetti
  • The trilogy of Creepy Carrots, Creepy Pair of Underwear, and Creepy Crayon by Aaron Reynolds
  • Up the Mountain Path by Marianne Dubuc
  • The Book with No Pictures by BJ Novak
  • The Rock From The Sky by Jon Klassen
  • This Moose Belongs to Me by Oliver Jeffers
  • Spider in the Well by Jess Hannigan

A BoyDad reads ‘BoyMom’

I recently read BoyMom: Reimagining Boyhood in the Age of Impossible Masculinity by Ruth Whippman, a journalist and mom of three boys who wrestles with her own fears, frustrations, and biases as an avowed feminist raising boys in a world with conflicting views of modern masculinity.

As the father of two young boys myself, I found the book deeply relatable, validating, challenging, and illuminating. It facilitated a lot of great discussions with my wife as we try to envision a better, more wholehearted life for our wild and wonderful boys.

Here are some random thoughts and takeaways.

The ‘buddy’ system

Whippman shares an anecdote of her preschooler’s male teacher welcoming students into the classroom, greeting the girls with nicknames like “sweetheart” but the boys with “buddy.” It’s such a small thing, but it’s an example of how language can create emotional distance with boys compared to girls from a very early age, and set an expectation for which terms of endearment are acceptable for each gender.

After reading that, I realized I too call our 5 year old “buddy” (and our 1 year old “mister”) almost unconsciously. So I’ve resolved to start training myself to use different nicknames that aren’t gendered (Bun and Muffin) so that they know they’re much more than my buddies.

Breaking the wheel

A key point Whippman makes is that the movement to counteract “toxic” masculinity with more positive alternatives like “healthy” or “aspirational” masculinity is, though well-intentioned, a kind of half-measure that still perpetuates the expectation of fulfilling prescribed masculine ideals. Instead:

Boys don’t need more masculinity, but freedom from that paradigm; they need permission to be fully human without the pressure to conform to oppressive masculine norms.

This idea reminded me of the Daenerys Targaryen line in Game of Thrones: “I’m not going to stop the wheel—I’m going to break the wheel.”

Stopping the wheel isn’t enough, because it can always be restarted or rebranded using the same structure. We need to break it altogether and offer alternate modes of transportation, so to speak.

Too much of a good thing 

There’s a book called Too Much of a Good Thing: How Four Key Survival Traits Are Now Killing Us by Lee Goodman, and it lays out why some of humanity’s behaviors and biological functions helped us thrive as hunter-gatherers but are detrimental for the sedentary office workers we’ve become:

  • Overeating was good when every calorie mattered, but now causes obesity.
  • Preferring salty foods helped retain water, but now causes high blood pressure and heart disease.
  • Blood-clotting saved us from bleeding to death from injuries, but now can cause heart attacks and strokes.
  • Hyper-vigilance and aggression saved us from predators and enemies, but now make us destructive to others and ourselves. 

I think about gender in a similar way. Whatever combination of nature and nurture that modern masculinity and femininity entail, they contain evolutionary adaptations developed over tens of thousands of years. That’s not something you can fundamentally alter or remove overnight. (As E.O. Wilson wrote: “The real problem of humanity is we have Paleolithic emotions, medieval institutions, and god-like technologies.”)

What are the good and useful elements of masculinity that helped us survive and evolve as a species? Which of those elements can still be used for good today? And which are now too much and have become detrimental—to both men and women? How we answer those questions will determine what masculinity will look like for current and future generations.

Life’s too short to read books you don’t like

Back in June, I took an early morning walk with my 1 year old and had the sudden inspiration to whip up an Instagram Reel on a topic I care deeply about: telling people that it’s OK to stop reading books you don’t like:

This might sound familiar because I’ve done a similar one before. But in this new one I called upon my authority as a librarian to issue absolutions to struggling readers:

  • You’re not being graded.
  • No one cares if you don’t finish a book.
  • The author isn’t going to find out.

Apparently this message resonates, because in the last few days the reel has jumped to (as of this writing) 16k views, over 1k likes, and 350 shares—all by far the biggest responses I’ve ever gotten on a social post. The shares metric is most rewarding to me, because it shows how many people felt compelled to forward it to others through DMs or Stories.

Back in my bookfluencer era, baby!

[8/27/24 update: 417k views, 25.5k likes, and 8.3k shares. Wowza!]

Media of the moment

An ongoing series

The Infernal Machine: A True Story of Dynamite, Terror, and the Rise of the Modern Detective by Steven Johnson. Another brilliant narrative nonfiction saga from Steven Johnson that weaves multiple historical threads together to tell the riveting story of how dynamite, fingerprinting, anarchism, information science and other seemingly disparate forces all conspired to create what would become the modern surveillance state.

BoyMom: Reimagining Boyhood in the Age of Impossible Masculinity by Ruth Whippman. Highly recommend this new book for my fellow parents of boys especially, but also anyone interested and invested in a more wholehearted masculinity.

The Bear season 3. Carmy needs to chill out and call Claire.

Civil War. Alex Garland’s latest and rather (unfortunately) timely dystopian drama shows what would happen if Ron Swanson from Parks & Recreation became president instead of Leslie Knope.

Furiosa: A Mad Max Saga. I’d have to do some research on this, but I suspect the five-act structure of this saga could align rather nicely with the Pentateuch, or the first five books of the Bible. Furiosa? More like Mad Moses.

The Taking of Pelham One Two Three. Might be the most ’70s New York City movie ever?

Don’t have a reading goal

If you want to enjoy reading, don’t have a reading goal.

If you want to read more books by female authors or explore a new genre or something like that, go for it. But that’s not what I’m talking about. Once you say “I want to read X number of books this year,” whatever that number is, you’ve turned what should be an enjoyable, enriching experience into work.

Just read what you like and read often—that’s all.

Trust the turning of pages

Austin Kleon on a recent episode of the 1000 Hours Outside Podcast:

I truly believe that with a book, on a sentence to sentence level, I trust the turning of pages. There needs to be a momentum. If you’re turning pages, the book is good, and that includes the trash reading. I do my fair share of it. But I really trust the turning of the pages.

This is a beautiful phrase and important if counterintuitive concept. He was talking specifically about how quitting more books actually helps you read more because you’re much more likely to finish a book you actually like.

Certain kinds of reading are naturally more arduous than others, as this lover of presidential biographies can attest. But that’s the thing—I actually enjoy reading those weighty tomes, so even the arduous elements are still worth the effort and usually don’t stop me from keeping those pages turning.

So many people have this misbegotten belief that even reading for pleasure has to be hard work to be worthwhile. It’s often a vestige of schooling, where you’re assigned books and forced to read and write about them regardless of how much you like them. There’s a different kind of value in that exercise, but when we’re talking about reading for fun outside of educational or professional obligations there’s just no excuse for it.

See also: stop reading books you don’t like.

Scientific achievements that deserve their own ‘Oppenheimer’

I half-joked in my Oppenheimer blurb that I have a long list of history books that also deserve to be turned into IMAX-worthy epics.

Well, I’m happy to report my favorite author Steven Johnson is also on board with this movement—specifically for the story of penicillin and other incredible scientific achievements:

If Nolan can create an IMAX blockbuster out of quantum mechanics and Atomic Energy Commission hearings, surely someone could make a compelling film out of this material. There’s even a crazy subplot—that I also wrote about in Extra Life—where Hitler’s life is saved by American penicillin after the 1944 Wolf’s Lair assassination attempt. And yet, for some reason, those films just don’t seem to get made. 

We get endless entertainment offerings about the Apollo missions, but nothing about the global triumph of eradicating smallpox. We get big-budget features following brilliant scientists as they figure out ever-more-effective means of conducting mass slaughter, and not films about brilliant scientists collaborating to keep soldiers and civilians from dying horrifying deaths from sepsis and other infections. Apparently, we like rockets and bombs more than pills and needles—or at least that’s what we’re told we like. 

Johnson’s books are great examples of nonfiction page-turners that could easily be movie material, from the pirates of Enemy of All Mankind to the epidemiological murder mystery at the center of The Ghost Map. Not to mention any number of the threads within Extra Life or How We Got to Now that show the unlikely and riveting origins of miraculous innovations we now take for granted.

There’s also the books in my Technically First series, several presidential biographies, a multitude of microhistories… all surefire $1 billion blockbusters in waiting if you ask me.

Word compendiums for the win

It’s hard to even imagine now, but aimlessly browsing bookstores was something I did semi-regularly back in my single and then pre-kid days. One kind of book I’d always keep an eye out for was (for lack of a better name) word compendiums, an author’s curated collection of rare, idiosyncratic, or just plain cool words.

Here’s my own collection of these collections, which also includes a few gifted to me:

How could you not love books with ostentatious, tongue-in-cheek titles like The Highly Selective Dictionary for the Extraordinarily Literate that feature antiquated or unusual words like nepheligenous and bavardage that only logophiles like myself appreciate?

I love them because they catalog the kind of two-dollar words I already collect myself. You can find most of those words in any self-respecting unabridged dictionary, but surrounded by thousands of other less-cool words. These compendiums distill the dictionary into its finest, most potent form, and for that they have my deep respect—not to mention a place on my limited bookshelves.

Media of the moment

An ongoing series

Dune: Part Two. I couldn’t see Dune on the big screen so I was glad to catch this one. Anytime I can see a big, weird, tactile, religion-infused spectacle like this is a good time for me.

Masters of the Air. Produced by the same people behind Band of Brothers and The Pacific, this miniseries on Apple TV+ focuses on the airmen of the 100th Bomb Group during World War II and is well worth your time.

Molli and Max in the Future. Delightful revamp of When Harry Met Sally with a sardonic, sci-fi twist.

The Cranes Are Flying. Rather astounding 1957 Soviet movie about the ramifications of war.

A Brief History of Motion: From the Wheel, to the Car, to What Comes Next by Tom Standage. From the author of The Victorian Internet, this hit the spot for millennia-spanning history, trivia, and troublesome truisms about transportation.

Devil in a Blue Dress. A Denzel noir? I’m down.

My sons’ media of the moment

A spinoff of an ongoing series

Raffi. His greatest hits have been on heavy rotation as it seems to be the only music that calms down our 8 month old when he’s upset, which is often.

Hamster maze videos on YouTube. The 4 year old is delighted by these. Random but could be a lot worse.

Who Smarted? A fun and educational podcast for kids about all kinds of topics.

Toniebox. As audio players for kids go, we’ve hitherto been a hardcore Yoto family. But several characters the 4 year old loves are only available as Tonies (Wild Kratts among them), so he got several for Christmas. It’s nice to have more variety for listening, even if the overall experience is less ideal than Yoto.

Mr. Men and Little Miss. The 4 year old has been on a kick with this book series. We own an old copy of Little Miss Scatterbrain but we got more of them from the library and he just loves them. He especially loves looking at the grid of characters on the back covers and asking us what each of their names are.

Favorite Books of 2023

I read 15 books in 2023, which is the lowest number since I started keeping track in 2010. A few factors contributed to this, including having a second baby in May and opting more often to watch movies in my free time.

So it goes. I’ll get back on the reading train in 2024. Until then, here are the books I did manage to read and enjoy last year.

  • Blankets by Craig Thompson
  • The Art and Science of Arrival by Tanya Lapointe
  • Opposable Thumbs: How Siskel & Ebert Changed Movies by Matt Singer
  • MCU: The Reign of Marvel Studios by Joanna Robinson, Dave Gonzales, Gavin Edwards (including an interview with the authors)
  • The Wager: A Tale of Shipwreck, Mutiny and Murder by David Grann
  • The President Is A Sick Man by Matthew Algeo
  • The Church of Baseball: The Making of Bull Durham by Ron Shelton (including an interview with Shelton)
  • Ducks: Two Years in the Oil Sands by Kate Beaton
  • Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman (including an interview with Michael)
  • Priestdaddy: A Memoir by Patricia Lockwood

Write thank-you notes to your favorite authors

Literally: find a favorite (not dead) author’s website and use their contact form to send them a message with specifics about why you like them.

I’ve done this several times. The nice thing is they’re usually very accessible and responsive, maybe because they tend not to get the same kind of public praise as actors, musicians, and other more glamorous artists.

Of course this does depend on the author’s level of fame. My favorites tend to be nonfiction writers with an approachable-enough profile to still be accessible by civilians, so if your favorite author is a Cormac McCarthy type then you’re SOL.

You can do this over social media, but a mere “Love your work!” doesn’t have the same effect as a more detailed note, which both proves you’re actually a fan and gives them the fuel to keep going and making more stuff you enjoy.

Anyway, try it sometime.

Media of the moment

An ongoing series

The Arcadian Wild. Heard about this folk/bluegrass trio recently and got immediately obsessed with “Big Sky, MT”.

Scream. Somehow I’d never seen this, though I was familiar enough with it based on its cultural ubiquity. Kinda wish the conclusion was a little tighter so it could be a perfect 90 minutes, but campy fun overall.

White Savior. This 3-part docuseries on Max is a rich text for those of us who grew up in a conservative Christian milieu and went on international missions/service trips.

The Witch. I like this Robert Eggers lite-horror joint for the same reason I liked Darren Aronofsky’s Noah: it takes its Old Testament inspiration and sensibility seriously, fully committing to a weird and very metal religiosity that too often gets sanded down for popular palatability.

Oppenheimer. “Men talking in rooms” is a common theme in a lot of the history books I’ve read, but I didn’t expect it to also work as a big-screen epic from Christopher Nolan. I’ll take it!

The Wager by David Grann. This new book from the Killers of the Flower Moon author makes me very glad I’m not an 18th-century sailor.

Emergency NYC. Stumbled upon this fascinating Netflix docuseries that follows surgeons, ER staff, flight nurses, and other emergency responders as they treat patients and balance their work with their personal lives.

Are You There God? It’s Me, Margaret. A great coming of age story, family dramedy, exploration of religion, female-centric story, and year-in-the-life movie all in one.

You Are So Not Invited to My Bat Mitzvah. Surprisingly funny and a nice pairing with Are You There, God?

Somehow I interviewed Glenn Frankel

One of the great things about running an online magazine like Cinema Sugar is that I can just decide that I want to try to interview someone, and then watch as that dream miraculously becomes reality.

That happened recently in conjunction with Westerns Month. I remembered that I’d read two excellent books about westerns by the Pulitzer Prize-winning author Glenn Frankel: The Searchers: The Making of an American Legend and High Noon: The Hollywood Blacklist and the Making of an American Classic. So I contacted him through his website, he got back to me, and we arranged a Zoom call.

Our resulting interview dug into his books, westerns in general, John Wayne vs. Gary Cooper, writing, and more. It was a unique thrill to chat with someone whose work I admire as a cinephile and history nerd, and I’m deeply grateful for his time and his thoughtful answers.

I absolutely love doing these interviews and thinking up questions I hope the subject will enjoy answering. Check out the archive of interviews with actors, directors, authors, and more, including:

  • Karolyn Grimes (Zuzu in It’s A Wonderful Life)
  • Actor Peter Stormare (Fargo, Armageddon, Minority Report)
  • 80 for Brady director Kyle Brady
  • Writer/director Ron Shelton (White Men Can’t Jump, Bull Durham, Tin Cup)

Bye bye, book bans

My adopted home state of Illinois has got 99 problems but now book bans ain’t one:

Illinois has become the first state to legislate against the banning of books in public libraries, a practice that has been on the rise across the United States as conservatives look to suppress some books dealing with race, history and LGBTQ topics.

Under the new law, Illinois public libraries can only access state grants if they adopt the American Library Association’s Library Bill of Rights, which stipulates that “materials should not be proscribed or removed because of partisan or doctrinal disapproval.”

From Gov. Pritzker’s press conference:

Book bans are about censorship, marginalizing people, marginalizing ideas and facts. Regimes ban books, not democracies.

This is a big win for freedom. More states please!

Media of the moment

An ongoing series

Reality. Riveting recreation of the arrest of whistleblower Reality Winner, played by Sydney Sweeney. This was my first encounter of Sweeney and was thoroughly impressed. Just released on (HBO) Max.

Queer Eye season 7. A quality hang as usual.

Ted Lasso season 3. Hard to top season 1 but have enjoyed watching this story play out. Hannah Waddingham as Rebecca

Prey. I’ve never seen Predator so this was my first foray into the franchise. Found it to be a riveting, admirably lo-fi thriller, combining the violence of a western with the constant peril of Gravity.

The Art and Science of Arrival by Tanya Lapointe. Gorgeous coffee-table book about Denis Villeneuve’s masterpiece.

The Church of Baseball: The Making of Bull Durham by Ron Shelton. Got to talk with Shelton about this book and his career.

Confess, Fletch. This was a damn fun time.

Still: A Michael J. Fox Movie. Really creative use of Fox’s memoirs, his TV and movie appearances, and reenactments to tell his life story. He’s also still funny as hell despite the effects of Parkinson’s.

The Church of ‘Bull Durham’

Really enjoyed reading Ron Shelton’s The Church of Baseball: The Making of Bull Durham, which I followed up with a rewatch of Bull Durham. He has such a wry, matter-of-fact style and perspective on his careers, most notably minor-league baseball player and movie writer-director.

Some quotes…

On being an athlete with intellectual curiosities:

Around this time it was becoming clear that I was living in two different worlds—the intellectual (or at least academic) world and the sports world—but it made no sense to me that they were distinct. They were dependent, connected, they fed off each other. At least I thought so.

On sports movies:

I’d played enough sports by then that I felt sports films got it all wrong. Their attempts to be inspirational felt cloying and false. When you actually play the game, there is little that is inspirational going on. It’s a competition; it’s physical; it’s a chance to test yourself.

A fascinating anecdote about how a test screening of Bull Durham went great in the room but not in the test scores:

The more highly educated the crowd, the more severely critical will be its analysis. Even—maybe especially—when the movie-watching experience is good. It’s a mistake to hand a pen and paper to professionals with multiple degrees and ask them to critique their experience. There seems to be a built-in expectation that the brain should overrule the heart, that the left side of the brain must dictate what the right side of the brain just processed—even when it contradicts that experience. The note cards were legible, neatly written, and expressed their critique in absurd detail compared to those of more working-class crowds, which tend to be of the thumbs-up, thumbs-down variety. In the heartland of emerging Silicon Valley—high-tech, the venture-capital center of the nation, with Stanford and all its tentacles of research—the audience had to deny its experience. What I thought of was: All I want is your reaction, not your fucking self-conscious notes.

On his feelings about baseball:

My interest in baseball isn’t analytical, romantic, or even patriotic. I like the game—it’s nuanced and difficult and physical—but it has an appealing vulgarity, an earthiness, and I’ve never quite understood the excessive lyrical prose that grows out of it. I’ve never understood the sentimentality it seems to inspire.

On the legacy of Bull Durham:

Perhaps Bull Durham has resonated all these years because it is about loving something more than it loves you back. It’s about reckoning. It’s about loss. It’s about men at work, trying to survive in the remote outposts of their chosen profession. It’s also about the women they fall for, and who fall for them. It cannot be dismissed that it’s also about the joy of playing a game for a living. It’s about team and connections and risk and reward. It’s about hitting the mascot with a fastball just because you want to, it’s about running and jumping and sliding around in the mud, it’s about interminable bus rides with a bunch of guys who are as lost as you are, and feeling lucky you’re on that bus. It’s romantic, and it’s supposed to be funny, and despite what most fans of the movie say, it is also about baseball.

Lifeblood of reading

Alan Jacobs gets to the crux of the ongoing Hachette v. Internet Archive lawsuit, which pits publishers against libraries in the quest to determine who has the right to distribute digital books:

Whatever forces are arrayed against libraries are also arrayed against readers. But publishing conglomerates don’t care about readers; they only care about customers. If they had their way reading would be 100% digital, because they continue to own and have complete control over digital books, which cannot therefore be sold or given to others. They are the enemies of circulation in all its forms, and circulation is the lifeblood of reading.

I went long on the business of library ebooks a few years ago when Macmillan took its turn trying to screw libraries—and therefore readers.

Publishers might think they want to sue libraries out of existence because it will help their bottom line. But ultimately they’d end up like the Burgess Meredith character in The Twilight Zone episode “Time Enough At Last”: surrounded by a decimated literary landscape with nowhere to go.

Holy book bans

Perhaps unsurprisingly, I’m against book bans of all kinds. They’re the literary version of the Streisand Effect, not to mention small-minded and fascistic.

And yet, I also can’t get enough of people petitioning to ban the Bible based on the same criteria used for other books, most recently in Utah for example. It’s both A+ trolling and a useful countermeasure for exposing the absurdity of these anti-democratic laws.

It’s a good rule of thumb: if your legislation or policy makes the best-selling and most influential book of all time eligible to be banned, you done messed up.