Tag: Okee Dokee Brothers

Opposite views

From Mari Andrew’s 100 Things I Know:

I know how easy it is to get disoriented. When you don’t want to get lost on your way back, look backwards frequently. Everything looks completely different from the opposite view.

From the Okee Dokee Brothers’ “Possum’s Point of View”:

Hangin’ upside down I learned

The thing I always knew

Nothin’s as it seems once you’ve had

A different point of view

On the passage of bathtime

There’s a quote I discovered floating around Instagram Reels that people use as narration for clips of their little kids:

You have little kids for four years. And if you miss it, it’s done. That’s it. So, you gotta know that. Lots of things in life you don’t get to do more than once. That period between 0 and 4, 0 and 5, there’s something about it that’s like a peak experience in life. It isn’t much of your life. Four years goes by so fast, you can’t believe it. And if you miss it, it’s gone. So you miss it at your peril, and you don’t get it back.

(I was surprised to learn the speaker is Jordan Peterson, whom I’ve never read or even heard speak before. Not interested in litigating Peterson as a whole, just taking this quote for what it’s worth.)

I was talking with an older coworker about kids and how mine recently turned 4. His are all grown now, he said, but he would do anything to have just one day when they were 4 again, to do bathtime and all the other kid things that fill your life so intensely for a few years before the kids grow into other phases.

It’s a sentiment I’ve heard often, usually in the form of parenting clichés like “The days are long but the years are short” and “They’re only young once.” The annoying thing about clichés is that they’re usually both trite and true, and I’m grateful for when they tap me on the shoulder at just the right time.

A recent example: I was sitting with my 4 year old playing with his Carry Around Robot Town as (who else?) The Okee Dokee Brothers were on in the background—this time their 2018 album Winterland. He was immersed enough in the game that he actually let the album play through instead of wanting to jump to his favorite tracks, and that allowed me to enjoy some of their quieter, more reflective songs he’s usually not interested in.

We got near the end when on came “New Year,” a beautiful tune in the form of notes back and forth between two friends inquiring about their lives and children.

Here’s the lyrical exchange:

Hey say, Happy New Year
Have you had much snow
And how’s that new baby boy of yours, Joe

Happy New Year to you
The snow’s still deep
And he’s our little roly-poly
I sing him to sleep

Say how’s the weather
Have you had much rain
And can that new baby sing your refrain

The weather’s changing
It feels like spring
And as he falls asleep
We can hear him sing

Have the leaves changed
Where does the time go
And now how old is that son of yours, Joe

Leaves blow away
Time goes on
He’s all grown up now,
singing this song

Perhaps you can now see why the combination of this song and the moment—cozied up next to that son of mine while he cutely played—made me tear up: I envisioned the time that has already passed in my life with him and how in a snap more time will pass and he’ll be all grown up and singing his own songs, only I won’t be cozied up next to him.

It was a moment of mono no aware, a Japanese phrase I love that indicates “the awareness of impermanence or transience of things, and both a transient gentle sadness at their passing as well as a longer, deeper gentle sadness about this state being the reality of life.”

That concept cuts both ways. Everything in this stage—and in life—is impermanent: the good moments, the hard times, the drudgery, the occasional euphoria. “Nothing gold can stay,” wrote Robert Frost. And that’s why it’s so important to love them at the age they are and every year they grow, because they’ll never be that age again.

There is one workaround for this: have another child. Our second is due in late May, so I’ll get another chance to start at zero and bask in this unique time once again. And you better believe I’ll be working extra hard to enjoy bathtimes while they last.

5 Okee Dokee Brothers songs I’m envious I didn’t write myself

If you’re an artist of some kind, you’ve probably experienced this before.

You encounter a piece of art and the first feeling it provokes is Awe (“This is amazing”), followed by Envy (“I wish I’d made that”), and then Inspiration (“I want to make something like that”).

Ideally this becomes a virtuous cycle, a continuous process of input and output that leads to artistic fulfillment. But I often find myself somewhere between Awe and Envy: impressed by the work and regretful it’s not mine, but not in a bitter way.

That’s what I often feel while listening to my favorite band, The Okee Dokee Brothers. I heard them described somewhere as the Pixar of kids music, which is apt: they pack an amazing amount of artistry, wisdom, life-giving stories into seemingly simple folk tunes that appeal to all ages.

Here are a few I wish I’d written myself.

“Seasons in a Day” from Songs for Singin’. Using the phases of a day as a synecdoche for the four seasons is a stroke of genius.

“Walking With Spring” from Through the Woods. This song has come up before and, I suspect, will continue to in every stage of life.

“Church of the Woods” from Songs for Singin’. A gorgeous secular hymn for nature lovers.

“Sister Moon and Brother Sun” from Saddle Up. A genesis story told through Americana and indigenous music.

“Thank You” from Songs for Singin’. A beautifully simple tune about gratitude that grows as it goes.

My son’s media of the moment

A spinoff of an ongoing series

Bluey. A not-small number of times after watching an episode I’ve thought, “Was that one of the greatest episodes of TV ever?” Hot take: the only TV shows a kid needs, really, are this and Daniel Tiger’s Neighborhood—the yin and yang of instructive, high-quality children’s entertainment.

Picture books aplenty. A few he and I have enjoyed in equal measure lately: Creepy Carrots and Creepy Pair of Underwear by Aaron Reynolds, Jazz for Lunch by Jarrett Dapier, and Up the Mountain Path by Marianne Dubuc.

Our Planet. Gave this Planet Earth spinoff on Netflix a whirl with him and he was mesmerized. Nature is so metal.

YouTube. An amazing learning tool. He learns about volcanoes in a book; check out this compilation of eruptions. He starts t-ball class but has never played baseball before; let’s pull up some highlights of a random game.

The Okee Dokee Brothers. Always and forever.

My son’s media of the moment

A spinoff of an ongoing series

Library books galore. Between my work library and the two public libraries close to home, we’ve established a pretty regular rotation of titles old and new. Recent hits include The Book With No Pictures by B.J. Novak and Bone by Bone: Comparing Animal Skeletons by Sara Levine.

Bluey. The first-ever clip I saw of Bluey was the claw game and it made me literally LOL. The best kids TV show, period.

“Dem Bones”. He really got into spooky season this year. He’s especially obsessed with all things bones and skeletons, so this old traditional was and remains a hit.

Pixar movies. Approaching 3 years old, he’s enjoyed and (mostly) stuck with the Disney/Pixar movies we’ve tried with him so far. My guess at his ranking (starting with the most loved): WALL-E, Moana, Luca, Monsters Inc., Ratatouille, Coco. Still not sure how far back in the Disney canon I want to bring him even as he gets older. There’s a lot of good stuff—though I would say that as a Millennial, wouldn’t I?—but in general Pixar is higher quality and a lot less dicey.

The Okee Dokee Brothers. Specifically “Haul Away Joe” and “Jamboree” and a few other songs on seemingly infinite rotation. Good thing I love them too.

Recent Views

More photography here and on my Instagram.

Visited my alma mater for a meetup with friends and snagged this view, one I beheld many times as an undergrad:

Walkin’ in the rain:

Waiting for the darkness to descend on a Michigan beach ahead of the Independence Day fireworks (where I was stargazing with WALL-E):

Always a delight seeing my (and my son’s) favorite band, The Okee Dokee Brothers:

Anticipation in grandma’s backyard:

His first official haircut:

Bright spots during an evening concert in the park:

Came upon this leaf hitching a ride to work with me one morning:

Bummin’ around Boystown:

Songs for Singin’

The Okee Dokee Brothers (probably my favorite band right now) are releasing their new two-disc album Songs for Singin’ two months early “so families can listen to some positive tunes while they stay home.”

The first single is “Hope Machine”, a jaunty tune that was written before COVID-19 but still pointedly speaks to the current moment:

Loved these lines:

Talk quiet and listen loud
Teach humble and learn proud
Scuffle with the struggle
And wrestle with the pain

There’s lots more sophisticated and pithy life advice that’s both timely and timeless tucked into a song supposedly written just for kids. But that’s the Okee Dokee Brothers for you.

Couldn’t pre-order fast enough.

Inch by inch

My son walked for the first time today, the day before his first birthday. I was in front of him, bouncing on our exercise ball along to some music (Kira Willey’s “Everybody’s Got A Heartbeat” to be exact). He wanted in on the bouncing action. He was already standing—he’s been standing strongly in place for weeks and walking assisted for longer—so he took three small steps like it was nothing and collapsed into my lap.

I’m glad I was home to see it. I’m glad he did it right in front of me, right to me. And I’m glad my wife had her phone out to record it.

After that moment, I thought it fitting to play “Walking With Spring” by The Okee Dokee Brothers (probably my favorite song of theirs), mostly because of the chorus:

Inch by inch by
Foot by foot by
Step by step by mile
We’re takin’ it inch by inch by
Foot by foot
‘Til we find ourselves
In the wild

Welcome to the wild, little man.

Scenes from his first birthday party. I guess we were accidentally celebrating something else too.

Favorite Albums of the 2010s

See also: my favorite books, TV shows, and films of the 2010s.

Listed alphabetically by artist, here are the albums from the last 10 years that sustained and entertained me:

Abigail Washburn, City of Refuge. Favorite track: “City of Refuge”

The Book of Mormon Original Broadway Cast Recording. Favorite track: “You And Me (But Mostly Me)”

case/lang/veirs, case/lang/veirs. Favorite track: “Atomic Number”

Dawes, Nothing Is Wrong. Favorite track: “A Little Bit of Everything”

Good Old War, Come Back As Rain. Favorite track: “Amazing Eyes”

Hamilton Original Broadway Cast Recording. Favorite track: “One Last Time”

Ingrid Michaelson, Songs for the Season. Favorite track: “Auld Lang Syne”

Joe Pug, Messenger. Favorite track: “The First Time I Saw You”

John Mayer, Born and Raised. Favorite track: “Queen of California”

The Lonely Island, Turtleneck & Chain. Favorite track: “Jack Sparrow”

Lord Huron, Lonesome Dreams. Favorite track: “Ends of the Earth”

Lucius, Wildewoman. Favorite track: “Turn It Around”

The Okee Dokee Brothers, Through the Woods. Favorite track: “Walking With Spring”

Over the Rhine, Blood Oranges in the Snow. Favorite track: “First Snowfall”

The Tallest Man On Earth, The Wild Hunt. Favorite track: “Troubles Will Be Gone”

Favorite Albums of 2018

Most of the music I encountered for the first time in 2018 wasn’t actually new. But here are a few new releases I did fancy this year, in no particular order.

Winterland by The Okee Dokee Brothers

One of my favorite bands released a full album about my favorite season, so yeah, it’s gonna make this list. Choice song: “Blankets of Snow”

Songs for the Season by Ingrid Michaelson

This album has been on heavy rotation this Christmastime. Choice song: “Looks Like A Cold, Cold Winter”

Magic Ship by Mountain Man

Here’s a digital browsing success story: I was on Hoopla (free with your library card) trolling through the new music releases and selected an album from an artist I knew and liked. Don’t even remember which it was, but I saw that the Similar Artists under the album showed a band called Mountain Man. Had never heard of them, but I figured a group with a name like that couldn’t be bad. Turned out I was correct. It’s a trio of women doing mostly a cappella folk serenades, and I can’t wait to play them as lullabies to my incipient child. Choice song: “Agt”

See You Around by I’m With Her

I’m with I’m With Her. Choice song: “Overland”

Wide Awake by Rayland Baxter

Recently heard a song from this album at the dentist office, which I guess means Baxter has officially arrived. Choice song: “Strange American Dream”

Between Two Shores by Glen Hansard

What I call “Sad Bastard” music at its finest. Hansard is on my bucket list to see live. Choice song: “Why Woman”

Songs from the Valley by Sandra McCracken

I’ve seen Sandra live many times and would gladly keep seeing her. Choice song: “Lover of My Soul”

Ruins by First Aid Kit

I’m starting to realize I have a thing for female harmonies. Choice song: “My Wild Sweet Love”

Songs over notes: in praise of The Okee Dokee Brothers

Had the pleasure of seeing The Okee Dokee Brothers in concert at Lincoln Hall. My little niece is a superfan of the folk duo, which is how I got turned onto them. And since they are a kid-centric act, I got to experience the glories of an 11 a.m. concert start time. I’d go to so many more concerts if they happened in the morning.

Though my exposure to children’s music is limited, none of what I have heard is as broadly appealing as The Okee Dokee Brothers. It’s just straight-up good roots, bluegrass, and folk music. Can You Canoe?, Saddle Up, and Through the Woods are all excellent albums for all ages. (They said their next album, out in October, will be all about winter—as if I needed another reason to love them!)

They also solved a problem I’d stumbled into ever since picking up the banjo and exploring bluegrass music. It’s going to sound like a backhanded compliment but I promise it’s just a plain compliment: the Okee Dokee Brothers don’t seem focused on being impressive.

They very well could be savants on the guitar and banjo, but unlike some artists they don’t waste time trying to prove how amazing instrumentalists they are through a fusillade of notes. A round of applause for those virtuosos—but I’m much more interested in being taken on a good musical storytelling journey.

The Okee Dokee Brothers demonstrated this (inadvertently) during their show, playfully hyping up their soloing abilities only to reveal some fairly pedestrian two-bar or one-note licks. Meanwhile, songs like “Through the Woods” and “Hillbilly Willy” and “Walking With Spring”, seemingly straightforward folk songs “for kids”, boast strong narrative arcs, clever lyrics, and beautiful musical craftsmanship. And all without punching listeners in the ear with a barrage of frailin’ and fingerpickin’.

In other words: Songs over notes. I know what you can do with all those notes, but what about what you can do with only some of them?