This picture barely captures how cool the evening light was through these clouds at my local strip mall:
Remnants of winter:
Black Play-Doh + white Play-Doh = accidentally awesome marbled design:
“Aphyllous trees beneath cirrocumulus clouds” sounds like a line from “Lucy in the Sky with Diamonds” but is really just what I caught here at our park:
Just doing domino runs with Jenga blocks with the 2 year old:
On the move in Pure Michigan:
Liked the colors and lines here:
Shout-out to the kids playing pickup baseball at the park who probably have never seen The Sandlot but nevertheless showed why it’s such a timeless classic:
Watching this little wanderer discover the wilds of Pure Michigan™:
Caught some nice evening light in our local playground’s jungle gym:
Technically this will be Mr. 22 Month Old’s third winter (he was born during a blizzard), but the first he remembers and appreciates. Hence his major surprise and excitement when waking up to the first snow of the season:
For dose dat don’t know much about the Superior State, dere’s a couple of tings that need to be explained. First ting is, in da U.P., we don’t explain tings. Second ting is, we got some of the best huntin’ and fishin’ in da whole world.
So says Albert Soady, patriarch of probably the most Yooper family you’ll see on film thanks to Jeff Daniels’ Escanaba in Da Moonlight. I learned about the movie from a book about midwestern accents, and since I’m from Wisconsin and have been deer hunting, I was very intrigued.
Written and directed by Jeff Daniels, a Michigan native, the movie is based on a play also written by Daniels, which focuses on the peculiarities of hunting culture and Michigan’s Upper Peninsula. Daniels plays Reuben, a sadsack hunter haunted by never having shot a buck. He meets up with his father and brother at a rural cabin the night before deer hunting season opens desperate to shed his “Buckless Yooper” curse. This year, however, he comes equipped with potions from his Ojibwa wife meant to attract deer to him. They apparently work, because supernatural wackiness ensues.
The strange rituals, the sing-songy local accent, and the abundant flatulence all felt familiar to me, having for years trekked to a cabin in the Northwoods for “deer camp” (and duck camp and fish camp) for some fresh piney air and a chance at cynegetic glory. The specific delights and idiosyncrasies of this experience are hard to explain to the uninitiated, but this movie does it well. Half the fun (and strangeness) happens when you’re not hunting.
The movie’s origin as a play is evident. There are stretches of tightly paced dialogue, with characters trading time in the spotlight, and a single setting where most of the action occurs. Yet despite the story taking place mostly within the cabin (which feels appropriately ramshackle and lived-in), Daniels stretches outside when needed to take advantage of the authentic Michigan wilderness around them.
Joey Albright shines as Reuben’s brother Remnar, whose Kevin James-style physicality contrasts well with Reuben’s browbeaten neuroticism. Add to this Harve Presnall’s stentorian father figure Albert and oddball supporting characters, and you’ve got a pasty-esque mix of flavors in this bizarre yet lovingly crafted indie movie that’s best watched in long underwear with a case of Leinenkugel’s.
