Tag: media of the moment

Media of the moment

An ongoing series of what I’ve read, seen, and heard recently

The Good Lord Bird. The limited series really captures the book’s madcap and dramatic spirit. Ethan Hawke is so delightfully committed to the dead-serious absurdity of John Brown.

The Underground Railroad. Two of my main takeaways while watching this 10-episode limited series: 1. I can’t believe I get to watch essentially 10 new Barry Jenkins movies! And 2. That’s a few too many given the heavy subject matter!

Art Blakey & The Jazz Messengers, A Night in Tunisia. Recently my wife asked me to “get some jazz” from the library, so right before I left I grabbed a few albums more or less at random. Struck gold with this one.

Benny Goodman, Mozart at Tanglewood. Wanted to find some good concertos and heard good things about this one. Those good things were right.

Fake Love Letters, Forged Telegrams, and Prison Escape Maps: Designing Graphic Props for Filmmaking by Annie Atkins. A cool visual compendium and behind-the-scenes exploration of a film graphic prop designer’s impressive work, including lots from Wes Anderson movies.

My son’s media of the moment

Based on the ongoing series, here are the books, movies, and music my two year old is into recently.

So. Many. Books. We have shelves stuffed with board and picture books in four different rooms of our house, plus a stash of library books, so he’s never lacking literature. Some current favorites: Sandra Boynton’s Pookie series, Tap Tap Bang Bang, There’s a Mouse About the House!, and really anything related to trucks.

So. Much. Music. He’s a big fan of the Super Simple Songs catalog, which introduces him to childhood staples like “BINGO” and “Old McDonald”. But it’s very important to me that he gets exposed to quality music for adults too. The last few weeks we’ve listened and/or danced to pop and rock (The Beatles, Paul Simon, HAIM), soul (Aretha Franklin, Sam Cooke, Ben E. King), classical (Mozart, Haydn, Handel), country/folk (Willie Nelson, Uncle Earl, Joe Pug), hip hop (Jay Z, The Roots), and jazz (Stan Getz, Oscar Peterson). Cue The Onion.

Peppa Pig. Might be my favorite of his things to watch. It’s the go-to for when we (or he) need a break. The delightful British silliness has made me laugh a few times.

Daniel Tiger’s Neighborhood. Like its ancestor Mister Rogers’ Neighborhood, it’s a sincere (often saccharine), educational, and wholesome vessel for social-emotional development. Bonus points for all the jingles that are helpful for kids and parents (e.g. “When you feel so mad that you want to roar, take a deep breath and count to four.”).

Caitie’s Classroom. Part of the aforementioned Super Simple universe, this YouTube show is also very Mister Rogers-esque, with the cheerful Caitie leading crafts, songs, and field trips that he’s learned a lot from already.

Media of the moment

An ongoing series of books, movies, and music I’ve encountered recently.

(Haven’t done this since before the end-of-year list-o-mania, so check out my favorite books and films of 2020 for a fuller “Media of the Moment” experience.)

Ted Lasso. Throughout the whole 10-episode first season I kept thinking, “How is this show real?” Can’t wait for season two.

Down from Basswood by Lynn Maria Laitala. Went long on this short, wondrous book.

Palm Springs. I love when comedic actors, like Andy Samberg in this instance, stretch into drama. Also love when a movie manages to mix so many genres well—in this case comedy, romance, sci-fi, drama, and even philosophy.

Run. The latest thriller from Aneesh Chaganty (whose debut film Searching was one of my favorites of 2017) puts Sarah Paulson right where she shines, in a role that cloaks a dark edge with a sunny surface. Kudos to her co-star Kiera Allen for an impressive debut.

The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz by Erik Larson. Listened to the audiobook and enjoyed when the British narrator adopted Winston Churchill’s distinctive even-more-British accent when quoting him. Remember to be brief.

The Dig. Like The Splendid and the Vile, a stately story set in World War II Britain that was just OK—though Carey Mulligan and Ralph Fiennes were, as always, the best part of it).

Jimmy Carter: Rock & Roll President. Documentary about the influence of music and musicians on Carter and his 1976 presidential campaign. Had no idea he was best friends with Bob Dylan and Willie Nelson. Perhaps I’ll make him my next presidential biography…

Contagion. Finally dove into this Steven Soderbergh joint that was eerily prescient about pandemic life, though thankfully more extreme than what COVID-19 hath wrought.

Wings. This 1927 silent film was the first winner of the Academy Award for Best Picture (technically “Outstanding Picture”). About 30 minutes too long but strikingly style-forward for its time, as this stunning tracking shot demonstrates.

Ghosts of the Abyss. Went on a Titanic kick a while back and stumbled upon this documentary from James Cameron on his 2001 expedition to the Titanic wreck, which captured some incredible footage.

Only Lovers Left Alive. Between this, Broken Flowers, and Patterson, I have yet to be let down by Jim Jarmusch.

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

Portrait of a Lady on Fire. Fire!

Watchmen (TV show). This whole limited series is something special, but the three-episode stretch of “This Extraordinary Being”, “An Almost Religious Awe”, and “A God Walks Into Abar” is spectacular. I went into this basically as a Watchmen neophyte and came out a believer.

My Octopus Teacher and The Social Dilemma. An accidentally insightful Netflix documentary double feature.

Breaking Bread with the Dead: A Reader’s Guide to a More Tranquil Mind by Alan Jacobs. “If it is foolish to think that we can carry with us all the good things from the past—from our personal past or that of our culture—while leaving behind all the unwanted baggage, it is a counsel of despair and, I think, another kind of foolishness to think that if we leave behind the errors and miseries of the past, we must also leave behind everything that gave the world its savor.”

The Vast of Night. A fairly astounding debut feature. The Twilight Zone meets Pleasantville meets Super 8. Available on Amazon Prime, and I’d recommend learning as little as possible about it before watching.

The Last Dance. Can be summed up in one Larry Bird GIF.

Downhill. As a remake of the 2014 Swedish film Force Majeure (big fan), I was very curious how this version would adapt itself to American sensibilities. Pretty well, it turns out.

Hamilton: An American Musical. Duh.

1917. Still glad Parasite won Best Picture, but this deserved all the awards it got.

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

Songs for Singin’ by the Okee Dokee Brothers. My eager anticipation was rewarded with this double-album’s worth of characteristically clever, catchy, and joyful tunes. I may have teared up during “Jubilation”.

The Last Temptation of Christ. Sure, there are few regrettably ’80s moments and music cues, but it’s nevertheless one of the most effective and creative reimaginings of the Jesus story I’ve encountered. (See also: Lamb: The Gospel According to Biff, Christ’s Childhood Pal by Christopher Moore.)

Da 5 Bloods. It’s simultaneously: a long movie that flew by, an epic that felt intimate, a didactic history lesson that felt urgent, a legendary filmmaker’s 24th feature that felt fresh, and a movie meant for theaters that still works on Netflix.

Enemy of All Mankind: A True Story of Piracy, Power, and History’s First Global Manhunt by Steven Johnson. My reading was already in a slowdown before COVID-19, and then it got worse. But I blew through this one, which is yet another Johnson gem and changes everything you think you know about pirates.

A Hidden Life. Back on the Terrence Malick train, baby, which I think has been wayward since 2012’s To The Wonder. Malick exhibits some uncharacteristic but welcome restraint with the camerawork and narrative structure (i.e. actually having one). Gorgeous Austrian countryside setting and soundtrack by James Newton Howard too.

Triple Frontier. Makes an accidental but fun double feature with fellow Netflix jungle action buddy drama Da 5 Bloods.

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

May It Last: A Portrait of the Avett Brothers. Heard about this documentary from the Armchair Expert episode with the Avett Brothers. Made me appreciate them anew.

Closer Than Together by The Avett Brothers. “We Americans” should be the new national anthem.

The Feather Thief by Kirk Johnson. A strange, infuriating true crime story from the world of Victorian fly-fishing tie obsessives. The last third isn’t as compelling and propulsive as the first two, but I learned a lot about ornithology.

Toy Story 4. Liked it a lot. They still should have stopped at 3.

Mighty Fitz: The Sinking of the Edmund Fitzgerald by Michael Schumacher. Well-told narrative about an essential event in Great Lakes lore.

Hard Eight. I would say this is shockingly well made for a debut film, but it was by Paul Thomas Anderson so I guess it’s not terribly shocking.

My son’s media of the moment

Based on the ongoing series on books, movies, and music I’ve encountered recently.

The Best of Raffi. The man is famous for a reason. I’ll bet even the mere mention of “Baby Beluga”, “Down By the Bay”, or “Bananaphone” has you singing along in your head.

Dance for the Sun by Kira Willey. It’s kinda stunning how immediately this album calms my six month old, specifically starting with “The Dancing Mountain”. Been the case since he was born. Now any four-syllable word can send me into a “Caterpillar Caterpillar” cover.

Elizabeth Mitchell. Another children’s music legend you can’t really go wrong with, whether her solo work or collaborations with Dan Zanes and Lisa Loeb. “Little Sack of Sugar” from You Are My Flower is fun if you have a chubby baby you can jiggle along with it.

Super Simple Songs. These cartoon videos on YouTube stun the Boy into a motionless daze, so we play them usually only when we need to trim his tiny fingernails. “Apples and Bananas” is the go-to.

Toot by Leslie Patricelli. This board book has an impressive 4.9/5 stars on Amazon from 715 reviews, a rating I fully endorse. Nice to have fart-positive books out there to teach little ones the ubiquitous and hilarity of flatulence. I’m proud to say the Boy loves it and giggles at the mere sight of the cover.

Bunny Roo, I Love You by Melissa Marr. This very cute board book features a mom comparing her baby’s behavior to different baby animals. The first time I read it to my son, the line “Then you yawned and slopped, and I thought you might be a tired piggy” made me laugh out loud. Not only because he’s a chunker who loves to breastfeed, but he squeals and snorts when he’s happy and gets a little floppy and sloppy when he’s tired. Love my little piggy…

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

Klazz Brothers & Cuba Percussion. Their Mozart Meets Cuba and Classical Meets Cuba mashups are great for people who want to get into either classical or Latin/jazz.

What is the Bible? by Rob Bell. I much prefer Bell in audiobook form, where his engaging and grounded storytelling chops can really shine. This revisionist history is good for skeptics but better for entrenched believers.

Knock Down the House. The Alexandria Ocasio-Cortez origin story I didn’t know we needed.

Avengers: Endgame. Will need a rewatch to decide if it’s better than Infinity War, but my first instinct is that it isn’t.

All the Pieces Matter: The Inside Story of The Wire by Jonathan Abrams. Amazon Prime has the whole series on streaming, so I decided to watch the first episode again just for kicks. Cut to just now wrapping up season 4… This shiiiiiiiiiiiiiii is good.

Digital Minimalism: Choosing a Focused Life in a Noisy World by Cal Newport. Good combination of cultural analysis and practical takeaways.

Who’s Afraid Of Virginia Woolf? Finally knocked this off my AFI 100 list. I’m pretty sure it was, shockingly, my first Elizabeth Taylor film. Mike Nichols directs it into something more artful than its “married couple argues the whole time” conceit.

Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara. The long-lost story of the female artist who designed the Creature in Creature from the Black Lagoon, alongside reflections on being a woman in Hollywood.

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

A Clockwork Orange. Had been putting this off based on what I’d heard of its disturbing content, but finally bit the bullet for the sake of the AFI 100. Typically impressive Kubrickian cinematography and dark satire.

An American Summer: Love and Death in Chicago by Alex Kotlowitz. Kaleidoscopic narrative of a violent Chicago summer. Kotlowitz embeds with people and families affected by gang violence, illuminating the humanity within tragedy.

Captain Marvel. Brie Larson was a great choice.

Minding the Gap. Stunning.

A Star Is Born. Admire Bradley Cooper’s dedication and Lady Gaga’s talent.

21 Lessons for the 21st Century by Yuval Noah Harari. Paired with Sapiens and Homo Deus, this book made me at once immensely proud of humanity and profoundly disturbed by it.

Three Identical Strangers. Wild, stranger-than-fiction story.

Pretty Woman. My first time, despite having seen the “jewelry box laugh” scene and shopping montage as parodied in Dumb and Dumber. This wasn’t ’90s Julia Roberts at her peak, but she was on the way up.

Media of the moment, post-baby edition

An ongoing series on books, movies, and music I’ve encountered recently.

The Baby Book by William Sears. This has been helpful thus far. Though don’t think we haven’t also randomly Googled things at odd hours.

The Cider House Rules. Filling in the gaps of my 1999 movie viewings. This gets less compelling once Homer leaves the orphanage.

Brazil. I’m always up for a good dystopian satire, but this one feels actively antagonistic toward the idea of being likable.

Saturday Night Fever. I was familiar with this from references in Airplane! and The Simpsons, but I hadn’t actually seen it in full. The dance scenes are oddly mesmerizing, but the sexual politics are quite disturbing.

Terms of Endearment. I’m sorry, I just can’t get into Shirley MacLaine. Debra Winger is the highlight.

Humans: A Brief History of How We F*cked It All Up by Tom Phillips. Reviewing this for Booklist. It’s like Yuval Harari’s Sapiens by way of a cheeky, crude stand-up comedian.

My favorite podcasts right now

After examining my current newsletter situation, I thought it would be a good time to look at the podcasts I’m into right now.

I say “right now” because since my September purging, I’m constantly looking for reasons not to follow a podcast. (For the record: I use Apple Podcasts, and I never increase the audio speed.) There have never been more to choose from. It’s a good problem to have, but the need for discernment has never been higher. Even with the ones I do follow, I don’t feel obligated to listen to every episode.

So these are the ones I’ve stuck with, that bring me joy or enrich my soul or challenge my mind or lighten my mood:

Regular Listens

Filmspotting, Pop Culture Happy Hour, Judge John Hodgman, On Being with Krista Tippett, Armchair Expert, This American Life

Depends On The Guest

Typology, WTF with Marc Maron, Conan O’Brien Needs A Friend, ID10T with Chris Hardwick

Depends on the Subject

The Rewatchables, The Bill Simmons Podcast, This Movie Changed Me, Ask Science Mike, Slate Political Gabfest, The Liturgists, The Big Picture

What are yours?

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

Truman by David McCullough. I’m not saying some parts aren’t skimmable, but I am saying this 1,000-page book (not including endnotes and index) didn’t feel that long and indeed deserves the Pulitzer Prize for Biography it received. That’s a testament to both McCullough and Truman, a match made in history buff heaven.

The Godfather and The Godfather Part II. When I watched these initially in college, I preferred Part II. This time around I see that the original reigns supreme.

Tag. Goofy fun.

The Good Neighbor: The Life and Work of Fred Rogers by Maxwell King. A good complement to Won’t You Be My Neighbor. Bounces around more than I wish it did. Love that the only TV shows he watched were The Waltons and Monty Python’s Flying Circus.

Mister Rogers on CD. Not being a great singer didn’t stop Rogers from writing and performing hundreds of songs on television. Check out Coming and Going, You Are Special, Bedtime, and You’re Growing.

Searching. Cleverly crafted thriller that unfurls exclusively through a computer screen, which means it’ll be dated by this time next year.

Sapiens: A Brief History of Humankind by Yuval Harari. This is a 12-course meal of a book that touches a mind-boggling range of disciplines. It’s almost too much. But I enjoyed the challenge, the feeling of flying through millennia from a bird’s-eye view.

King of Comedy. This might be DeNiro’s best performance.

Media of the moment

An ongoing series on books, movies & more I’ve encountered recently:

Nurtured By Love by Shinichi Suzuki. Great little book on how to cultivate talent, specifically in children and music but also for anyone in anything.

On Trails: An Exploration by Robert Moor. Enjoyed the adventure of this winding, informative book on the nature of trails of all kinds. Like an erudite sequel to A Walk in the Woods.

The Million Dollar Duck. A documentary that follows 6 artists who enter their drawings into the apparently popular and lucrative annual Federal Duck Stamp design contest. Surprisingly dramatic.

Persepolis. Loved this graphic novel’s high-contrast black and white illustration style. Perfect mix of a girl’s light and funny memoir with the high drama of the Iranian revolution.

Jim & Andy: The Great Beyond. It’s fun to watch Jim Carrey go full Method for Man on the Moon now, from a distance, but it looked like a nightmare for everyone else at the time. The Truman Show remains Carrey’s apex.

High Society. Great sick-day movie: Grace Kelly (in her final role) with a lot to do, Bing Crosby and Frank Sinatra quippin’ and singin’ around a mansion, plus a superfluous but lovely Louis Armstrong performance, in a funny and charming Philadelphia Story/Casablanca rehash that gives everyone a chance to shine. Hard to believe Kelly was only 26 when she retired from acting.

Phantom Thread. I realized pretty quickly this was a dark comedy, which helped me enjoy it in the moment. But not as much as everyone else seems to enjoy it. Pretty sure I was the only one laughing in my screening.

Ingrid Goes West. Taylor’s beefcake, possibly sociopathic bro holding valuable information hostage is the perfect metaphor for Silicon Valley right now, as is this movie overall.

Moonstruck. Can confirm that the conventional wisdom about this movie—”Nicholas Cage and Cher together in a rom-dramedy that strangely works well”—is correct.

Media of the moment

I want to do more to account for what I read and watch. I do use Goodreads for tracking books, Letterboxd for movies, and my Logbook for all of them in one place. But between occasional reviews on the blog here and there, a lot of other noteworthy pieces of art pass through my consciousness almost without comment.

So I’m gonna blend my “Music of the Moment” feature with Kottke’s ongoing “recent media diet” feature (minus the grading part) into Media of the Moment to try to briefly highlight and recommend cultural bits I’ve encountered recently.

The Varieties of Scientific Experience by Carl Sagan. The latest selection for a two-man book club I’m in. Neil deGrasse Tyson should take notes.

How to Think: A Survival Guide for a World at Odds by Alan Jacobs. Jacobs is one of my favorite thinkers and writers, and in this book he fulfills a W. H. Auden line he quotes in the book: “Be brief, be blunt, be gone.” See also: The Pleasures of Reading in an Age of Distraction.

“The Imposter” by Béla Fleck. Watched the documentary about Fleck making a banjo concerto for the Nashville Symphony Orchestra, then got the CD of said concerto, and it’s great.

Landline. Really enjoyed Gillian Robespierre’s previous film Obvious Child, and she returns to form here with her muse Jenny Slate. I think I liked Obvious Child more, but this captures a particular time and family well.

The Florida Project. The latest from Sean Baker, the director of Tangerine, one of my favorites of 2015. Knew basically nothing about it when I saw it; I recommend the same for you. Best Actress for the lead.

Two Prospectors: The Letters of Sam Shepard and Johnny Dark. Always liked Shepard as an actor. After he died I heard about this collection of correspondence with his longtime friend and discovered a wise, searching, highly quotable dude.