Categories
Books Film Music

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

Klazz Brothers & Cuba Percussion. Their Mozart Meets Cuba and Classical Meets Cuba mashups are great for people who want to get into either classical or Latin/jazz.

What is the Bible? by Rob Bell. I much prefer Bell in audiobook form, where his engaging and grounded storytelling chops can really shine. This revisionist history is good for skeptics but better for entrenched believers.

Knock Down the House. The Alexandria Ocasio-Cortez origin story I didn’t know we needed.

Avengers: Endgame. Will need a rewatch to decide if it’s better than Infinity War, but my first instinct is that it isn’t.

All the Pieces Matter: The Inside Story of The Wire by Jonathan Abrams. Amazon Prime has the whole series on streaming, so I decided to watch the first episode again just for kicks. Cut to just now wrapping up season 4… This shiiiiiiiiiiiiiii is good.

Digital Minimalism: Choosing a Focused Life in a Noisy World by Cal Newport. Good combination of cultural analysis and practical takeaways.

Who’s Afraid Of Virginia Woolf? Finally knocked this off my AFI 100 list. I’m pretty sure it was, shockingly, my first Elizabeth Taylor film. Mike Nichols directs it into something more artful than its “married couple argues the whole time” conceit.

Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara. The long-lost story of the female artist who designed the Creature in Creature from the Black Lagoon, alongside reflections on being a woman in Hollywood.

Categories
Television

To Binge Or Not To Binge?

There’s been some debate recently about whether binge-watching a TV show on DVD or online is good or bad. While I must confess I have gone on a few TV benders, usually with the intention of catching up on a series before its most recent season premiered, there’s something about watching a show live on TV, weekly wait and all, that is simultaneously frustrating and exciting.

For instance, watching the fifth season of Mad Men as it unfolded during this summer allowed me to engage in the speculative water cooler talk with my fellow Mad Hatters after each episode and during the following week that makes watching live television communal and fun. This approach fit conveniently with the series slow-burning style itself, so I didn’t feel like I needed to rush through it (even though that’s exactly what I did with seasons one through three on DVD two years ago).

Conversely, I plowed through all five seasons of The Wire in about three weeks on DVD – a common occurrence, I’d bet, given the series’ relative unpopularity during its run (and HBO’s prices). I couldn’t just watch one episode at a time, which is why watching TV on DVD can be so hazardous: find a gripping, well-written show like The Wire on DVD and then say goodbye to sleep, exercise, and any semblance of productivity. In high school the first two seasons of Lost consumed my nights so thoroughly it’s a wonder I passed classes that semester (good thing I was a second-semester senior).

So, I’ve learned that it doesn’t matter how I consume television as long as the show itself is good. James Poniewozik of Time magazine says as much in his pro-binge post:

[A good story is] resilient. It will take whatever viewing (or reading, or listening) conditions you throw at it. And if its effect depends on ‘maintaining a timeline,’ or waiting a year to find out how Jack and Kate go back, or even reading morning-after reviews by idiots like me—it was probably never worth bingeing on to begin with.

So if you’ll excuse me, I’ve got to go rent Deadwood on DVD and then watch the season premiere of Breaking Bad on TV.