Alan Jacobs gets to the crux of the ongoing Hachette v. Internet Archive lawsuit, which pits publishers against libraries in the quest to determine who has the right to distribute digital books:
Whatever forces are arrayed against libraries are also arrayed against readers. But publishing conglomerates don’t care about readers; they only care about customers. If they had their way reading would be 100% digital, because they continue to own and have complete control over digital books, which cannot therefore be sold or given to others. They are the enemies of circulation in all its forms, and circulation is the lifeblood of reading.
Publishers might think they want to sue libraries out of existence because it will help their bottom line. But ultimately they’d end up like the Burgess Meredith character in The Twilight Zone episode “Time Enough At Last”: surrounded by a decimated literary landscape with nowhere to go.
Perhaps unsurprisingly, I’m against book bans of all kinds. They’re the literary version of the Streisand Effect, not to mention small-minded and fascistic.
And yet, I also can’t get enough of people petitioning to ban the Bible based on the same criteria used for other books, most recently in Utah for example. It’s both A+ trolling and a useful countermeasure for exposing the absurdity of these anti-democratic laws.
It’s a good rule of thumb: if your legislation or policy makes the best-selling and most influential book of all time eligible to be banned, you done messed up.
Yoto. He uses his mini Yoto audio player every day, which is an excellent screen-free source of “edutainment”. He’s always ready to spout facts he’s learned from the many nonfiction cards he enjoys. (Some terms he’s learned and repeated: hominid, pyroclastic flow, and bioluminescence among others.) Current favorite cards on repeat these days include Volcanos, Creepy Crawlies, Ancient Egypt, and many more.
Prehistoric Planet. This Apple TV+ documentary series is just Planet Earth with dinosaurs (David Attenborough narration included), therefore it rules.
Floor Is Lava. Since he was really getting into volcanoes, we gave this Netflix game show a spin and found it to be goofy fun. He started making his own courses at home and implementing the rules and tropes from the show, like the teams cheering for themselves.
Paw Patrol. Welp, it finally happened. We’d avoided exposing him to this until he listened to a Paw Patrol Yoto card, and now he’s all about it—even sometimes above Bluey.
The Book with No Pictures by B.J. Novak. This isn’t a new one for him but we checked it out from the library recently and he’s fallen in love again.
Priestdaddy by Patricia Lockwood. Hilarious and insightful memoir/biography of Lockwood’s Catholic priest father and her experience living with her parents.
Blankets by Craig Thompson. A stunning graphic novel memoir about small-town life, religion, young love, winter, and so many more things.
The Climb. An excellent indie film told through episodic, slice-of-life sequences that add up to a deeply funny and humane portrait of male friendship.
Jurassic Park. Amazing just how leisurely this feels compared to modern action blockbusters, with its long shots and deliberate storytelling pace. Yet still thrilling and not a wasted minute. So refreshing!
Babylon. A great prequel to (and double feature with) The Fabelmans.
Arrival. Masterful work from Denis Villeneuve and Amy Adams, and an excellent metaphor for the creative life.
The Twilight World by Werner Herzog. Happened to stumble upon this bewitching creative-nonfiction novel on a Best Books of 2022 list. In my mind I read it in Herzog’s iconic voice, so that probably made it even better.
Yojimbo. Some incredible shots sprinkled throughout this 1961 Kurosawa classic. “Whether you kill one or one hundred, you only hang once.”
[CEO James Daunt] used the pandemic as an opportunity to “weed out the rubbish” in the stores. He asked employees in the outlets to take every book off the shelf, and re-evaluate whether it should stay. Every section of the store needed to be refreshed and made appealing.
As this example makes clear, Daunt started giving more power to the stores. But publishers complained bitterly. They now had to make more sales calls, and convince local bookbuyers—and that’s hard work. Even worse, when a new book doesn’t live up to expectations, the local workers see this immediately. Books are expected to appeal to readers—and just convincing a head buyer at headquarters was no longer enough.
Daunt also refused to dumb-down the store offerings. The key challenge, he claimed was to “create an environment that’s intellectually satisfying—and not in a snobbish way, but in the sense of feeding your mind.”
His crucial move was refusing to take promotional money from publishers in exchange for purchase commitments and prominent placement of only certain books:
[Daunt] refused to play this game. He wanted to put the best books in the window. He wanted to display the most exciting books by the front door. Even more amazing, he let the people working in the stores make these decisions.
This is James Daunt’s super power: He loves books.
“Staff are now in control of their own shops,” he explained. “Hopefully they’re enjoying their work more. They’re creating something very different in each store.”
This cheered me to read, not only because of my interest in the success of bookstores but also because I worked at Barnes & Noble for about six months back in 2011.
Freshly stateside after months abroad, I was nearly broke and working at a grocery store when my friend Brian let me know he’d be leaving his job in the Music & Movies section at our local B&N store and would put in a good word for me if I applied. I did so immediately and got the job, which boosted my pay (from “enough to avoid destitution” to “meager”) along with my spirits.
It turned out to be one of the best jobs I’ve ever had, despite lasting only about six months before I got full-time work elsewhere.
Since whoever was working in the Music & Movies section couldn’t leave it unsupervised, I would be stationed there during my shifts no matter how busy it got elsewhere in the store. Some might have found that suffocating, but as a movie lover I relished being sequestered with thousands of Blu-rays, DVDs, and CDs to browse through and organize when I wasn’t helping customers.
Another big factor of my enjoyment of that job was the manager of the Music & Movies section, Joe. He was the most laidback of the store managers but also probably the most effective because, as my friend Brian said after I sent him the above article:
This strategy reminds me of how Joe would run the music section. He gave us a lot of power over the music that was on the shelves and it allowed us to sell CDs when the industry was in decline. Well done, Barnes.
I guess that’s the takeaway for Barnes and for all purveyors of the fine arts: Be like Joe.
Gotta be honest: 2022 wasn’t a great reading year for me. I read 22 books, which was much worse than 31 in 2021 and just barely better than the 18 in 2020.
A lot of my potential reading opportunities were either taken up by movie watching, Cinema Sugar, or other leisure activities. Not a bad thing, to be clear—just the result of the ongoing calculus I have to make with my limited free time.
But reading is about quality, not quantity. And because my quantity of titles released in 2022 doesn’t justify a top 10 list, I’m gonna try something different and just list the titles I did read this year according to the star rating I gave them out of 5.
There were no 5-star books for me this year (my main man Steven Johnson got the closest), but enough good reading to keep me turning pages. Enjoy!
4.5
Extra Life: A Short History of Living Longer by Steven Johnson (2021)
Haven by Emma Donoghue (2022)
4
Blood, Sweat & Chrome: The Wild and True Story of Mad Max: Fury Road by Kyle Buchanan (2022)
Brooklyn by Colm Tóibín (2009)
How the Word Is Passed: A Reckoning with the History of Slavery Across America by Clint Smith (2021)
The Nineties: A Book by Chuck Klosterman (2022)
Office BFFs: Tales of The Office from Two Best Friends Who Were There by Jenna Fischer & Angela Kinsey (2022)
Salty: Lessons on Eating, Drinking, and Living from Revolutionary Women by Alissa Wilkinson (2022)
The Twilight World by Werner Herzog (2022)
Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Order of Life by Lulu Miller (2020)
A World Lit Only By Fire: The Medieval Mind and the Renaissance by William Manchester (1992)
The Writing of the Gods: The Race to Decode the Rosetta Stone by Edward Dolnick (2021)
3.5
Book Lovers by Emily Henry (2022)
The End of Education: Redefining the Value of School by Neil Postman (1995)
3
The Bowery: The Strange History of New York’s Oldest Street by Stephen Paul Devillo (2017)
Everyday Sisu: Tapping into Finnish Fortitude for a Happier, More Resilient Life by Katja Pantzar (2022)
Hero on a Mission: A Path to a Meaningful Life by Donald Miller (2022)
Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan (2021)
The Story of You: An Enneagram Journey to Becoming Your True Self by Ian Morgan Cron (2021)
We Had A Little Real Estate Problem by Kliph Nesteroff (2021)
The World’s Worst Assistant by Sona Movsessian (2022)
2.5
American Buffalo: In Search of a Lost Icon by Steven Rinella (2008)
Athena. Come for the gangbusters opening 10 minutes—stay for the tense, heart-pounding drama of Children of Men-meets-The Battle of Algiers in a French apartment complex. (Streaming on Netflix.)
The End of Education by Neil Postman. My third Postman book after Amusing Ourselves to Deathand Technopoly. Would probably rank it below those two but still a barnburner.
The Writing of the Gods: The Race to Decode the Rosetta Stone by Edward Dolnick. The story of discovering the Rosetta Stone (thanks Napoleon!) and the decades it took to decipher it, thus unlocking the secrets of ancient Egypt to modernity.
The Hunt for Red October. Finally got around to see this. Enjoyed it but still have to give the ’90s submarine action thriller edge to Crimson Tide.
Kiki’s Delivery Service. Been going through the Miyazaki oeuvre with the 3 year old and some, like this one, are first watches for both of us. Love being able to show him animated movies with a completely different pace and style than what he’s used to with Bluey/Curious George/Disney, etc.
The World’s Worst Assistant by Sona Movsessian. Sona is a key part of the success of Conan O’Brien Needs a Friend podcast so I’m glad she’s able to cash in on it.
Why Fish Don’t Exist: A Story of Loss, Love, and the Hidden Story of Life by Lulu Miller. A remarkable memoir/biography hybrid that reminded me of The Feather Thief with its nature/animals obsessives at the center and the ethical dilemmas they encounter (and create).
When you drill down deeply into a single subject, you nearly always realize: Holy crap, this is more complex than I’d have thought. This is true of just about any subject, right? And it’s exactly the opposite feeling you get from a “big” book, which strives to make you feel like you understand how Everything Is Explained By This One Specific Idea. When you gloss over a subject from 50,000 feet in the air, as those big books often do, you can feel a sense of dangerous knowingness. You’ve been insulated from the gnarly details; you think you know what’s going on, but you really don’t.
In contrast, when you dive obsessively into a single, narrow subject, it humbles you about about the state of your overall knowledge. If there’s this much to know about cod — or pencils, or champagne and salt and ice and gramophones? Then you become usefully aware not of your knowledge but of your overall ignorance. You’re reminded that, as ever, that the devil’s in the details.
To paraphrase Rick from Casablanca, when it comes to history books I’m a true (small-d) democrat. I’ll take ‘em long or short, expansive or narrow. But I totally share Thompson’s love of microhistories. I just finished one recently for a book club (American Buffalo: In Search of a Lost Icon by Steven Rinella) and have enjoyed many more, including:
Now I Sit Me Down: From Klismos to Plastic Chair by Witold Rybczynski
A Thread Across the Ocean: The Heroic Story of the Transatlantic Cable by John Steele Gordon
The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century’s On-Line Pioneers by Tom Standage
Live Text, available in iOS 15 and beyond, feels not far off from magical. The ability to copy text from photos or through the camera app has completely transformed my book notetaking process as a print-book partisan but digital notetaker. I can just point the camera at a desired passage, hit the Live Text button, copy the text, and plop it in Workflowy (where I keep my book notes). And to think I used to have to take pictures of quotes to later type out manually like an idiot…
2. Reader View
Using the Reader view in Safari on iPhones makes reading things on the internet insanely more pleasant. If you come upon an article clogged with ads, unnecessary photos, and/or unreadable text, Reader strips it down to a clean, simplified, text-only version. You can find this feature elsewhere too; I use it often in Firefox on desktop.
3. No-Signup Tools
So that this isn’t an exclusively Apple affair, I wanted to shoutout nosignup.tools because at this point in my life I appreciate any digital tool that doesn’t require an account or credit card to use. Just free tools that work quickly and easily.
Barbarian. Despite being a big baby about horror films, I went to see this opening weekend when I came into some unexpected free time. To say it’s surprising in many ways is a gross understatement.
The Lord of the Rings: The Rings of Power. Thus far it’s managing to strike the right balance of serving a global audience, LOTR trilogy fans, and Tolkien nerds. I quit on House of the Dragon after one episode because I’ve had my fill of Game of Thrones content, but I’m all in on this one.
Bluey season 3. Every season of this show (the best on TV) has a handful of episodes that are stone-cold masterpieces, and thus far “Rain” is holding the championship belt.
Nope.With this and Barbarian, it’s been a delightfully horrific summer at the movies.
When we make our art, we are also making our lives. And I’m sure that the reverse is equally true.
That line is from Look & See, the beautiful documentary about the life and work of Wendell Berry.
I think about it often, and I thought about it again recently as I feasted on two pieces of art simultaneously: the limited documentary series The Last Movie Stars on HBO Max and Alissa Wilkinson’s new book Salty: Lessons on Eating, Drinking, and Living from Revolutionary Women.
In sync
Whenever I notice disparate works of art speaking to each other, I call it synchronicity. It’s one of my favorite things to write about because discovering new connections feels both satisfying and alluring.
The Last Movie Stars, which chronicles the lives, careers, and decades-long romance of Paul Newman and Joanne Woodward, offered a way into this synchronicity not through the series’ content but through its form. As director Ethan Hawke tells the stories of the two subjects, through clever editing he intercuts scenes from Newman’s or Woodward’s movies that speak directly or obliquely to whatever they were going through at the time in their lives.
Examples include contrasting Woodward’s real-life misgivings about being a mother with her performance in The Effect of Gamma Rays on Man-in-the-Moon Marigolds as an abusive, resentful mother (acting with her real-life daughter!). Or reckoning with Newman’s own struggle with alcoholism using boozy scenes from The Verdict—a performance inspired by director Sidney Lumet imploring Newman to reveal more of himself in it.
Newman touches on this paradigm explicitly during one archival interview used in the series:
Our characters rub off onto the actor. Probably one of the areas of great discontent is that they probably feel, as human beings, they are merely a series of, a collection of old characters that they played. I sometimes get that feeling about myself, that I have become a series of connectives between the parts of the characters that I really like. And I’ve strung them together into kind of a human being.
A salty symbiosis
That idea of one’s work and life feeding each other while building a kind of accretive self echoed in my mind as I read Salty, Wilkinson’s collection of biographical essays spotlighting nine notable 20th century women who comprise her ideal (if hypothetical) dinner party.
Whether they were writers (Hannah Arendt, Octavia Butler, Maya Angelou), artists (Agnes Varda), activists (Ella Baker), or cooks (Enda Lewis, Elizabeth David, Laurie Colwin), all of them used what they learned in their work and lives to inform—and, ideally, improve—the other:
Chef Edna Lewis bringing black Southern cooking to 1960s New York and then beyond with The Taste of Country Cooking
Filmmaker Agnes Varda translating her fascination with the ordinary into cinematic curiosities
Civil-rights activist Ella Baker practicing communal hospitality as a catalyst for social change and empowerment
These women weren’t movie stars like Newman and Woodward, but their lives were still reflected in their work. They too—to toss a metaphorical salad—were pulling from the strung-together assemblage of old characters they played throughout their lives, making meals with the ingredients available to them.
And that’s all we can do, really. Per Wendell Berry, we make our lives and art concurrently, whether we know it or not.
My compliments to Alissa Wilkinson and Ethan Hawke for the meals they’ve created in these works of art, which are infused with moments and lessons from their own lives that made them all the richer.
Blood, Sweat & Chrome: The Wild Story of Mad Max: Fury Road by Kyle Buchanan. An excellent oral history of one of the greatest films ever made. One of the many tidbits: George Miller’s first choice to play Max was Heath Ledger, which I now can’t stop thinking about.
The Northman. A brutal, heavy-metal fever dream from Robert Eggers.
A World Lit Only By Fire: The Medieval Mind and the Renaissance by William Manchester. Published thirty years ago, its scholarship is out of date and perspective rather flippant, but the writing remains spicy and illuminating.
We Own This City. A sequel of sorts to The Wire that was just as compelling with a much shorter runtime. Gotta hand it to HBO Max, which has accounted for pretty much all of my TV viewing over the last year or so between this, Winning Time, Minx, and Station Eleven.
Top Gun: Maverick. The first Top Gun is kinda bad. This one is not.
The Office BFFs: Tales of The Office from Two Best Friends Who Were There by Jenna Fisher and Angela Kinsey. I’ve listened to the Office Ladies podcast since the beginning—where much of the book’s content has been covered previously—but still found this enjoyable and informative.
How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith. This fits into a nonfiction genre I really enjoy, where the author visits various places/people that connect to the book’s central theme and explores their histories. Smith covers some stuff I was already familiar with but much I wasn’t—including that the Statue of Liberty has shackled feet.
Bluey. A not-small number of times after watching an episode I’ve thought, “Was that one of the greatest episodes of TV ever?” Hot take: the only TV shows a kid needs, really, are this and Daniel Tiger’s Neighborhood—the yin and yang of instructive, high-quality children’s entertainment.
Picture books aplenty. A few he and I have enjoyed in equal measure lately: Creepy Carrots and Creepy Pair of Underwear by Aaron Reynolds, Jazz for Lunch by Jarrett Dapier, and Up the Mountain Path by Marianne Dubuc.
Our Planet. Gave this Planet Earth spinoff on Netflix a whirl with him and he was mesmerized. Nature is so metal.
YouTube. An amazing learning tool. He learns about volcanoes in a book; check out this compilation of eruptions. He starts t-ball class but has never played baseball before; let’s pull up some highlights of a random game.
There are many reasons why millions of America don’t trust The Science, including belligerence and ignorance, but if you ask me, I would say that the most important reason is illustrated by the stories above: Scientists are sometimes untrustworthy. If they want to rebuild our trust in them, then they should start with three steps:
1. Practice the self-critical introspection that would enable them to perceive that, because they are human beings, there are some things they very much want to believe and some things they very much want to disbelieve;
2. Acknowledge those preferences in public;
3. Show that they are taking concrete steps to guard themselves against motivated reasoning and confirmation bias.
One of the most transformative concepts I’ve encountered is from M. Scott Peck’s The Road Less Traveled. He talks about four pillars of good self-discipline, one of which is “dedication to reality.” (The others: accept responsibility, balancing, and delayed gratification.)
Peck uses map-making as a metaphor for how we build and understand reality:
We are not born with maps; we have to make them, and the making requires effort. The more effort we make to appreciate and perceive reality, the larger and more accurate our maps will be.
This effort is really hard work. It means sustained, resilient dedication to updating our maps. But/therefore:
What happens when one has striven long and hard to develop a working view of the world, a seemingly useful, workable map, and then is confronted with new information suggesting that that view is wrong and the map needs to be largely redrawn? The painful effort required seems frightening, almost overwhelming. What we do more often than not, and usually unconsciously, is to ignore the new information.
This happens to everyone, not just scientists. Motivated reasoning and confirmation bias are baked into human psychology, which is why they’re so hard to overcome. Hence:
A life of total dedication to the truth also means a life of willingness to be personally challenged. The only way that we can be certain that our map of reality is valid is to expose it to the criticism and challenge of other map-makers.
Which, again: really hard.
Peck’s metaphor is based on the legacy medium of printed maps but arguably remains even more applicable today, given how Google Maps and the like allow for real-time updates and helpful added layers of useful information like traffic flow, accidents, construction slowdowns, bike paths, and so on.
Similarly, thanks to the internet, it’s never been easier to encounter new information that either confirms or clashes with one’s existing map of reality.
So the challenge remains: what to do with that information?
Jackass Forever. A dirty, cringey, gut-bustingly funny cinematic soul-cleanse. Bound for my end-of-year top 10 just like the other Jackass movies.
Everything Everywhere All At Once. I think I need to see this at least twice to fully appreciate it, not for any plot reasons but because it really lives up to its title.
Winning Time. I enjoyed this HBO Max show enough to keep watching, but not enough to stick with it after the first season ends next week.
A World Lit Only By Fire: The Medieval Mind and the Renaissance by William Manchester. Just started reading this and know already it will be a feast. More to come.
Apollo 10 1/2: A Space Age Childhood. Richard Linklater’s latest film synthesizes elements from two of his previous ones: the quotidian nostalgia of Boyhood and the rotoscope animation style of A Waking Life.
Summer of Soul. The two words that came to me after watching this concert documentary: exuberance and excellence.
Index, A History of the: A Bookish Adventure from Medieval Manuscripts to the Digital Age by Dennis Duncan. Three stars for the book itself, five stars for the title.
Extra Life: A Short History of Living Longer by Steven Johnson. My favorite author does it again, using his signature storytelling savvy to explain how human life expectancy has doubled in the last century. Vaccines, epidemiology, pasteurization, drug regulation, penicillin, and automobile safety sound like dry topics, but how they came to be is anything but.
KIMI. A lean techno-thriller from Steven Soderbergh.It’s like Searching meets Rear Window with a dollop of COVID paranoia.
Station Eleven. The book was on my list of favorite books of the 2010s, so I was cautiously optimistic about this limited series adaptation. Glad to find it totally lived up to the spirit of the book while thriving as its own thing. Special shout-out to episodes 1 and 9 for being exceptional television.
Hud. That Paul Newman was a gosh-darn movie star.
We Had A Little Real Estate Problem: The Unheralded Story of Native Americans & Comedyby Kliph Nesteroff. Told in rotating vignettes, this book spotlights Native American performers and comedians who have used comedy to cope and reckon with the shameful abuse of Native Americans throughout history.
The Tender Bar. A likable coming-of-age story, with Ben Affleck as the wise and weathered uncle.
The Last Duel. A stellar cast and interesting premise, telling the story and fallout of a rape in medieval France from multiple perspectives. It’s good but also a tough sit.
I don’t use TikTok but I’ve started making Instagram Reels for work and have grown to appreciate the format, however much of a time-suck it can be. There’s lots of creative, funny, and relatable ones out there if you can navigate the ever-changing algorithm.
I figured the easiest way in for me personally was to dash off a few of my strongly held (and correct) assertions about reading and books:
Based on the responses I’ve gotten, if only from friends, they have clearly touched a nerve. There are lots of shame-based reading practices lurking out there, and I’ve now made it my mission to target and destroy them.
I will probably branch off from bookish takes at some point. (Lord knows I have thoughts on movies, libraries, and typewriters at least.) But like my M.O. with this blog, I’ll wait for inspiration to strike.
With that in mind, here are the books from 2021 that stuck with me.
10. The Great Glorious Goddamn of It All by Josh Ritter
Josh Ritter, creator of one of my favorite albums of all time, dropped his second novel this year and it was quite good. I read the audiobook, which was narrated by Ritter (and probably shouldn’t have been [professional musicians ≠ professional narrators]). But I still enjoyed the narrative voice of the main character, reminiscing about his time in the lumberjack era of early 20th century Idaho.
Choice quote:
Memory comes in to fill the spaces of whatever isn’t there. … Memory has a way of growing things, of improving them. The hardships get harder, the good times get better, and the whole damn arc of a life takes on a mystic glow that only memory can give it.
9. Wonderworks: The 25 Most Powerful Inventions in the History of Literature by Angus Fletcher
I can certainly understand the criticisms of this book, which examines literature through a utilitarian/scientific lens that can come across as reductive. But since books are technology (which Fletcher defines as “any human-made thing that helps to solve a problem”), then it’s perfectly legitimate and even necessary to explore them as such. Examples include the catharsis of Greek tragedies helping to purge fear (while mimicking the benefits of modern EMDR therapy) and riddles activating information-seeking neurons that trigger dopamine hits. The author’s appearance on Brené Brown’s podcast is a good introduction to what you can expect.
Choice quote:
Literature was a narrative-emotional technology that helped our ancestors cope with the psychological challenges posed by human biology. It was an invention for overcoming the doubt and the pain of just being us.
8. The Plot by Jean Hanff Korelitz
This was a late-year read after Malcolm Gladwell raved about it in his newsletter. Figured it was worth a try as I rarely read mysteries or thrillers. Indeed it was fun to go on the ride of a novelist who comes upon another writer’s plot, harnesses it into mega-fame, then deals with the fallout. As with movies, I didn’t try to figure out the ending as I went, so when the twist arrived it felt earned and as if it were there the whole time.
Choice quote:
Once you were in possession of an actual idea, you owed it a debt for having chosen you, and not some other writer, and you paid that debt by getting down to work, not just as a journeyman fabricator of sentences but as an unshrinking artist ready to make painful, time-consuming, even self-flagellating mistakes.
7. The Anthropocene Reviewed by John Green
This collection of essays originated as a popular podcast by the author, which “reviews facets of the human-centered planet on a five-star scale.” Topics include “humanity’s temporal range”, Canada geese, Indianapolis, and many other things you didn’t realize could make for viable essays. Green’s earnest, wending style and keen observational approach makes for very pleasant reading.
Choice quote:
All I can say is that sometimes when the world is between day and night, I’m stopped cold by its splendor, and I feel my absurd smallness. You’d think that would be sad, but it isn’t. It only makes me grateful.
6. Bewilderment by Richard Powers
After I gave up on Powers’ massive The Overstory, I was glad for a shorter story to glom onto. This one, set in my hometown of Madison, follows a recently widowed astrobiologist professor struggling to raise his perspicacious but troubled nine-year-old amidst increasing political, professional, and climatological turmoil. How do you look for life in the stars when it’s under threat on earth?
Choice quote:
Life is something we need to stop correcting. My boy was a pocket universe I could never hope to fathom. Every one of us is an experiment, and we don’t even know what the experiment is testing.
5. In the Heights: Finding Home by Lin-Manuel Miranda
For me 2021 was already the Year of Lin-Manuel Miranda due to his music in In the Heights, Vivo, and Encanto, and direction of tick, tick… BOOM! And yet I still managed to sneak in this book documenting the journey of Miranda’s first musical to the stage and screen (now in my top 10 of 2021), complete with Miranda’s characteristically vivacious libretto annotations.
Choice quote:
The rush of the final Usnavi section stays with me always, and my prevailing memory of performing it is the faces in the front row of the Rodgers Theatre: our $20 section, often filled with young people seeing their first musical on Broadway. I lock eyes with them, night after night, and as their eyes fill with tears, so do mine. I’m delivering these words, but I’m also trying to tell them: I’m home, and Usnavi’s home, and in this time you’ve chosen to spend with us, so are you. Welcome home.
4. Miracle and Wonder: Conversations with Paul Simon by Malcolm Gladwell
Available only as an audiobook, this “audio biography” centers around hours of conversations between Simon and Gladwell about the genius musician’s life and career. It’s less a book and more a limited podcast series, which now seems like the only right way to do a music biography. Made me appreciate Simon’s work anew. (Review)
Choice quote:
Taste is the combination of memory and judgment.
3. Paper Trails: The US Post and the Making of the American West by Cameron Blevins
Learned a lot from this history, which is primarily for 19th century American history nerds but is still refreshingly accessible and peppered with illustrative graphs throughout. (Review)
Choice quote:
Despite the popular ‘Wild West’ narrative of self-reliant cowboys and pioneers, the real history of the region is one of big government: public land and national parks, farming subsidies and grazing permits, military bases and defense contracts. Arguably no other part of the United States has been so profoundly shaped by ‘the state’.
2. Four Thousand Weeks: Time Management for Mortals by Oliver Burkeman
An approachably philosophical exploration of the wily, incorrigible thing called time and humanity’s dysfunctional relationship with it. It’s like a self-help book that deconstructs the need for self-help books. (Review)
Choice quote:
If you can hold your attention, however briefly or occasionally, on the sheer astonishingness of being, and on what a small amount of that being you get—you may experience a palpable shift in how it feels to be here, right now, alive in the flow of time.
1. The Memoirs of Stockholm Sven by Nathaniel Ian Miller
I’d never have heard of this one, let alone picked it up and read it, if it weren’t for a tip from my mother-in-law. This fictional cradle-to-grave memoir follows the misadventures of a caustic early-20th-century Swedish man who, disfigured in a mining accident, retreats to an Arctic archipelago for a self-imposed exile, only to almost accidentally collect a motley crew of friends (human and canine) and reconnect with family in surprising ways. Miller’s exceptionally crafted narrative voice and eye for harsh natural beauty made this a rewarding read.
Choice quote:
For now, take stock of yourself. This is the chance you waxed about so long ago. Listen for the voice that speaks when all others go silent. Be alone—be entirely alone. I am not saying you will find anything of worth there—certainly no cosmic truth—but maybe you will begin to feel as pared down, efficient and clean as a freshly whittled stick.
While trolling for something to read on Hoopla, I came upon Malcolm Gladwell’s new book Miracle and Wonder: Conversations with Paul Simon. It’s only available as an audiobook (or “audio biography”), and wisely so since so much of it depends on hearing Simon play his songs amidst his conversations with Gladwell. In that way it’s more like a limited podcast series than a book.
Whatever you call it, Gladwell’s intention was to interrogate the phenomenon of creative genius, and pinpoint how and why it applied to Simon, whose long and wide-ranging musical career set him in contrast to other contemporary artists who may have had higher peaks (The Rolling Stones, Bob Dylan) but didn’t produce at the same level of quality over decades as Simon has.
We tend to be much more caught in the peaks of an artist’s career. But why? The true definition of creative genius—to my mind, at least—is someone who is capable of creating something sublime and then, when that moment passes, capable of reconfiguring their imagination and returning to the table with something wholly different and equally sublime.
Whether Simon meets this criteria is debatable, though Gladwell makes a good case for it.
The other Paul
Regardless, the book found me at a propitious time since I just finished watching and listening to the other famous ’60s singer-songwriter Paul in the documentary The Beatles: Get Back. The film captures McCartney in his first sublime period, which coincided with the transition between The Beatles and his solo work.
His career as a whole is eerily similar to Simon’s: incredible creative and commercial success within a popular group throughout the 1960s, followed by an acrimonious breakup in 1970 and then decades of steady solo output of variable quality.
Per Gladwell’s formulation, both men created something sublime within a relatively condensed cultural moment, then reconfigured their output after that moment passed. Whether those later albums were “wholly different and equally sublime” depends on where you look.
If it’s a choice between The Beatles and Simon & Garfunkel, I choose the Fab Four all the way. (My cheeky Better The Beatles series notwithstanding.)
But solo-wise, I think Simon’s exceptional ‘70s work combined with the highlights of Graceland (1986), The Rhythm of the Saints (1992), and So Beautiful or So What (2011) give him the edge over McCartney, whose early solo work was definitely the best of all the ex-Beatles (though not perfect), but didn’t approach the sublime until Chaos and Creation in the Backyard (2005) and Memory Almost Full (2007).
Seeing Paul McCartney at Wrigley Field just over 10 years ago remains an all-time life highlight. (By seeing I mean standing outside Wrigley listening and singing along and barely catching a glimpse of him on the Jumbotron. But still.) I regret not being able to see Paul Simon live, as I imagine it would have been just as good but delightfully different. Which, perhaps, is what Gladwell would consider it too.
