I want to do more to account for what I read and watch. I do use Goodreads for tracking books, Letterboxd for movies, and my Logbook for all of them in one place. But between occasional reviews on the blog here and there, a lot of other noteworthy pieces of art pass through my consciousness almost without comment.
So I’m gonna blend my “Music of the Moment” feature with Kottke’s ongoing “recent media diet” feature (minus the grading part) into Media of the Moment to try to briefly highlight and recommend cultural bits I’ve encountered recently.
The Varieties of Scientific Experience by Carl Sagan. The latest selection for a two-man book club I’m in. Neil deGrasse Tyson should take notes.
How to Think: A Survival Guide for a World at Odds by Alan Jacobs. Jacobs is one of my favorite thinkers and writers, and in this book he fulfills a W. H. Auden line he quotes in the book: “Be brief, be blunt, be gone.” See also: The Pleasures of Reading in an Age of Distraction.
“The Imposter” by Béla Fleck. Watched the documentary about Fleck making a banjo concerto for the Nashville Symphony Orchestra, then got the CD of said concerto, and it’s great.
Landline. Really enjoyed Gillian Robespierre’s previous film Obvious Child, and she returns to form here with her muse Jenny Slate. I think I liked Obvious Child more, but this captures a particular time and family well.
The Florida Project. The latest from Sean Baker, the director of Tangerine, one of my favorites of 2015. Knew basically nothing about it when I saw it; I recommend the same for you. Best Actress for the lead.
Two Prospectors: The Letters of Sam Shepard and Johnny Dark. Always liked Shepard as an actor. After he died I heard about this collection of correspondence with his longtime friend and discovered a wise, searching, highly quotable dude.
On the Fandom-Industrial Complex and Moving Forward from Back to the Future
The day Back to the Future fans have waited for is finally here. The thirty-year countdown to October 21, 2015, one of the most well-known dates in movie history (despite how often it has been incorrectly reported on the interwebs), is over . There’s been an ongoing celebration of the trilogy on the internet and in real life: this Wired dispatch by Jason Tanz, “Fandom Eats Itself at New York Comic Con,” spotlights the kind of reception a widely loved favorite like BTTF gets in the more insular (yet quickly expanding) world of nerd culture:
Ta-Nehisi Coates went all TNC the other night on Twitter (which is just plain fun to watch) to address the evergreen “___ isn’t a word” debate, a favorite parlor game of pedantic English majors everywhere. Addressing whether irregardless should be sanctioned as a real word when regardless was already acceptable, he ventured: “Worst argument is that there should be no words that already mean the same thing as other words. … Get rid of ‘beautiful’ because we already have ‘lovely.’ Lose ‘unattractive’ since we have ‘unappealing.'”
Except that that’s not the issue with irregardless. Irregardless is not a synonym of regardless; it’s a verbal typo of it. It’s most likely an accidental portmanteau of irrespective and regardless, both of which are “real” words. Beautiful is a synonym of lovely, but they each have unique definitions and etymologies and uses. People who say irregardless most likely mean to say regardless but have adopted the aberrational version of it. It would be like someone saying “beautilul” when they meant “beautiful.” If someone wants to give beautilul meaning as something other than a typo or mispronunciation of beautiful, great. I love making up new words. But absent that, beautilul is indeed a word in the strictest sense, but not as an acceptable synonym of beautiful.
This doesn’t mean irregardless isn’t word. As the OED’s Jesse Sheidlower said in an interview with TNC, “of course it’s a word.” It’s a thing said by people, so of course it’s a word. The question in this debate is whether it’s an appropriate word for the circumstances. I share TNC’s distaste of grammar fascists trotting out “That’s not a word” whenever someone deviates from the grade-school grammar line; however, I also share Alan Jacobs’ skepticism (contra Stefan Fatsis at The New Yorker) of the pure, unchecked descriptivist approach some dictionaries take with gate-keeping, or lack thereof. Not everything—word choice included—is always permissible, even in an instant-gratification culture where inconvenience is anathema and your right to be right is sacrosanct.
Some things aren’t and can’t be descriptivist, Jacobs writes:
This is reasonable in part because the relation between world and word is not unidirectional. People don’t use dictionaries only to discover the meanings of words they have encountered elsewhere; sometimes by browsing through dictionaries we discover that there are more things in heaven and earth than were dreamed of in our philosophies.
Brett McCracken was right to name Alan Jacobs’ The Pleasures of Reading in an Age of Distraction one of the five books recent college graduates should read. A quick yet deeply insightful read, this book was written, in the words of the author, for “those who have caught a glimpse of what reading can give—pleasure, wisdom, joy—even if that glimpse came long ago.” Jacobs writes not to those who have never liked reading, but instead to those who have grown accustomed to academic (i.e. obligated) reading or to “checklist” reading, whereby only “classic” or “important” books are deemed worthy of a reader’s time.
Jacobs provides some guidelines for how to read for fun:
- Whim: read what you want, when you want to, without shame…
- Aspiration: …but don’t get stuck reading the same stuff—branch out
- Upstream: seek out the older works that inspired your favorites and be challenged to “swim upstream”
- Responsiveness: don’t be afraid to take notes and respond to the text
- Slow: you’ll miss the little things if you view reading as simply uploading information; slow down and you’ll absorb more
Though I read a lot as a kid and through adolescence (if mostly in school), I didn’t start reading for fun again until after college graduation. Faced with an entire life ahead of no-requirements reading (save for the brief graduate school detour), I plunged head first into reading books that greatly interested me. My palate has consisted mostly of history (specifically the presidential kind), nonfiction, and cultural topics, though I try to throw in a novel once in a while.
Like many people, I’m sure, I struggle with the concept of “so many books, so little time,” wanting to read as much as I can so I can get onto the next book. But in our distracted age, it’s important to practice mindfulness and deep thinking in order to buoy our increasingly attention-deficit brains. I want my mind to be strong and agile now and forevermore, if only so I can still shout out Jeopardy! answers when I’m an old man. Taking notes helps in that regard. Since I mostly use library books and can’t write in the books themselves, I keep a notebook nearby to jot down key points, new words, or cool names for future reference. I don’t take notes on everything; some books, like novels and memoirs, I think should just be enjoyed without the interruption of notes.
But whatever your strategy, I encourage you to read and read a lot. Jacobs’ book is the perfect defibrillator for those who have fallen off the reading wagon but want to get back on. As a formerly indifferent reader, I’m glad I rediscovered some literary locomotion. I can’t wait to see where it takes me.