Tag: Saving Private Ryan

Favorite Films of 1998

I’m creating my movie best-of lists retroactively. See all of them.

Hard to believe my last retrospective list in this series was almost two years ago. But I recently rewatched what ended up as my top two movies on this list and realized I hadn’t done this movie year yet, so here we are.

I was 10-11 years old in 1998, so the movies I saw at the time were thusly limited: Mighty Joe Young at the theater, Spice World at a sleepover, The Prince of Egypt and The Parent Trap on steady VHS rotation. None of which, alas, made my list, but thanks anyways for the memories…

On to the list…

1. The Truman Show

I knew I loved this movie but a recent rewatch confirmed it’s an all-timer. It’s easy to forget just how dark the premise is, and how deeply the in-movie cast and crew had to commit to perpetuating this illusion for so long in spite of the many ethical concerns. But the concept, the cast, and the execution are all A+ work. And it’s only 1 hour and 40 minutes. So glad it’s that and not some 12-episode limited series.

2. Saving Private Ryan

A foundational cinematic text for my budding cinephile self who saw it at around 12 years old. Funny how the cascade of supporting players (Ted Danson, Dennis Farina, Bryan Cranston, Nathan Fillon) meant nothing to me at the time but now looks both impressive and odd.

3. You’ve Got Mail

This is Peak Romcom. Hanks and Ryan and Ephron and New York City and witty repartee and dramatic stakes and bookstores—it’s all there in a literary love note to love itself. See also: 1940’s The Shop Around the Corner, the movie this is based on.

4. Armageddon

Unequivocally one of Bruce Willis’s best roles, not to mention the cavalcade of character actors filling out the ensemble. Story-wise it makes no sense, but as a comedic blockbuster adventure there are few better.

5. A Bug’s Life

Feels like the forgotten Pixar at this point, coming out at the beginning of their run and nestled between the first two Toy Story movies. But it has all the elements Pixar is known for, on top of being a Seven Samurai rehash with insects.

6. Pleasantville

I’ve never forgotten the scene of Bud helping his mom reapply her makeup to cover up her post-transformation color. In a movie that’s basically one giant metaphor, that tactility really packs a punch.

7. American History X

Speaking of never forgetting, there are some brutal moments in this one—both physically and rhetorically.

8. The Thin Red Line

It would be a while before I became familiar with Terrence Malick and the significance of this movie as his return to filmmaking. But looking back now, it makes for a great contrast with Saving Private Ryan.

9. A Simple Plan

As a late-‘90s, midwestern, snow-laden crime noir with peculiar characters, it’s like Fargo’s more serious older brother. And if both of those movies can teach us anything, it’s to never, ever take the money. Very pleasing to see Bill Paxton in a full-fledged leading role, displaying the chops he exhibited in so many supporting roles.

10. Ever After

One of the many romcoms I grew up with on steady rotation. It’s been a minute since I’ve seen it but I was always impressed with the humor and drama and romance of it all.

Honorable mentions:

  • The Parent Trap
  • The Wedding Singer
  • The Big Lebowski
  • A Night at the Roxbury
  • The Prince of Egypt
  • Dark City
  • Out of Sight

Pruning the Rosebushes: What Not to Share

There’s a scene in Saving Private Ryan when Matt Damon’s Pvt. Ryan and Tom Hanks’ Capt. Miller sit and chat, waiting for the impending German offensive to hit their French town. Ryan’s three brothers had recently died and he can’t remember their faces. The Captain tells him to think of a specific context, something they’d shared together. When the Captain thinks of home, he says, “I like of my hammock in the backyard or my wife pruning the rosebushes in a pair of my old work gloves.”

Ryan then tells the story of the brothers’ last night together before the war took them away, his enthusiasm growing as his face brightens with the look of recognition. After he finishes the story, he asks Captain Miller to tell him about his wife and the rosebushes. “No,” the Captain says. “That one I save just for me.”

In this the Age of Oversharing, this is a refreshing if soon-to-be anachronistic sentiment. I’ll admit to feeling the ongoing urge to inform The World via Twitter of funny or interesting things that happen to me during the day, or to display my pithy wit with a topical one-liner. But lately I’ve been compelled by a new urge, similar to that of Tom Hanks’ laconic Captain Miller in this case, which tells me to think twice before sharing whatever it is I want to share with the world.

Perhaps this is due to my being an inherently reserved person, reluctant to simply give away every little thought that enters my brain. Some people, I fully realize, aren’t built this way; they want to share themselves and their lives entirely and get fulfillment out of this. That’s perfectly fine. But I like the idea of keeping some moments – the rosebush prunings of our lives – special, not posted on Twitter or Instagram or even a WordPress blog.

This requires a lot of discipline. Being hyperconnected to social networks makes sharing intentionally easy, so overcoming the desire to post a picture of a sunset scene you’re sharing with a loved one is tough, especially when the desire to share has been engrained and even encouraged by our plugged-in culture. But I think a special moment like that becomes a little less special when every one of your Facebook friends and their mother shares it too.

This notion runs counter to many of my identities. As an amateur techie, I marvel at the capabilities the Web can give ordinary people to express themselves and enhance their lives. As a history buff and librarian/archivist in training, I understand the value of information as the record of history and the zeitgeist of an era. And as a user of Twitter, Instagram, and WordPress, I’ve come to enjoy having easily accessible and usable media to help me share cool photos, links, and thoughts short (on Twitter) and long (on here) whenever and wherever I want.

In spite of all these conflicts of interest, I’m OK with, once in a while, letting moments and images and quotes pass by undocumented and unshared, if only so I can feel in that moment that I got a glance, however fleeting, at something beautiful or inspiring or funny or tragic or all of the above, and that it’s all mine. The memory of that moment may die with me, but hey, that’s life. No matter how high-quality resolution the camera or beautifully eloquent the prose, these second-hand records will never be quite as pure as the real thing, the moments they seek to honor.

So here’s to, once in a while, living in the moment and only in the moment.

Saving No Country For The Band of Brothers

I just noticed this:

They all have basically the same design. I love all three of these films so I don’t really care, but I just thought it was curious.