Tag: IPC

  • On the magical realism of Mister Rogers

    My now one-year-old and I have slowly been going through the episodes of Mister Rogers’ Neighborhood available on Amazon Prime. He’s generally not interested in extended screen time at this point, but Mister Rogers is one of the few figures he recognizes and enjoys. (Along with Alex Trebek. #proudpapa)

    There’s not much I can say about Fred Rogers that hasn’t already been said. The man was a genius. And the show, which I hadn’t seen since I was a kid, remains both ahead of its time and outside of it. Its deliberately unhurried pace, humanist ethos, and intellectual respect for its young audience make it almost anti-TV, something I couldn’t have realized as a kid.

    Now being on the other side of parenthood, I find watching it a delightful and enriching experience for me and for my son. Rogers’ short bits of wisdom sprinkled throughout the episodes in word and song are deceptively simple, poetic, and actionable. He had such a unique way of communicating that it has its own name: Freddish.

    At first I skipped the parts in the Neighborhood of Make-Believe because they’re kinda cheesy. I much prefer Fred hanging around his house doing crafts, singing, and breakdancing. But I’ve come to appreciate how those make-believe times blend the show’s “real” people and plots with the imaginary King Friday XIII and crew.

    That kind of magical realism was at the forefront of Marielle Heller’s film A Beautiful Day in the Neighborhood, which is based on the making of Tom Junod’s 1998 Esquire article about Rogers called “Can You Say…Hero?” The movie plays out as one long episode of the show, the main difference being that Lloyd, the Junod stand-in played by Matthew Rhys, finds himself becoming involved in the show. Picture Picture turns into a flashback from Lloyd’s life, and Tom Hanks’ Rogers displays a photo board of characters from the show (which happened on a real episode I watched not long before seeing the movie), one of which ends up being Lloyd.

    This blurring of fact and fiction works on two different levels. First, it honors the show’s commitment to showcase real-world experiences alongside its pretend adventures—a dynamic that mirrors the way young children actually experience the world.

    Second, it abides by Rogers’ expressed intention to act on the show as if he were speaking to one specific child rather than an audience of millions. He really, truly believed that one person—Lloyd in the movie’s case—was special and deserved his full attention and love. (Aren’t they the same thing?)

    That’s the genius of Fred Rogers: he was real, but he seemed magical. He wasn’t a saint, as his wife Joanne explains in the movie. He had to work at being good and getting better just like anyone else. But that’s the kind of neighbor we all should want and aspire to be.


  • Inch by inch

    My son walked for the first time today, the day before his first birthday. I was in front of him, bouncing on our exercise ball along to some music (Kira Willey’s “Everybody’s Got A Heartbeat” to be exact). He wanted in on the bouncing action. He was already standing—he’s been standing strongly in place for weeks and walking assisted for longer—so he took three small steps like it was nothing and collapsed into my lap.

    I’m glad I was home to see it. I’m glad he did it right in front of me, right to me. And I’m glad my wife had her phone out to record it.

    After that moment, I thought it fitting to play “Walking With Spring” by The Okee Dokee Brothers (probably my favorite song of theirs), mostly because of the chorus:

    Inch by inch by
    Foot by foot by
    Step by step by mile
    We’re takin’ it inch by inch by
    Foot by foot
    ‘Til we find ourselves
    In the wild

    Welcome to the wild, little man.

    Scenes from his first birthday party. I guess we were accidentally celebrating something else too.

  • The rules are there ain’t no rules

    There’s a scene in Grease where Leo, the head of the rival Scorpions gang, says to Travolta’s Danny Zuko before they drag race: “The rules are there ain’t no rules.”

    It’s one of the many random lines that has stuck in my head from a lifetime of movie watching. I think about it a lot now in relation to parenthood.

    Bun (as my wife calls him) is almost one year old and my main takeaway from that time is that there is no normal. How he eats, how he sleeps (or doesn’t), how he develops. How we teach him, what we teach him, how much screen time we give him.

    There ain’t no rules. And Leo wasn’t slinging empty threats. He repeatedly rams Danny’s car and gashes his side doors with spiked hubcaps.

    All Danny (and we) can do is hit the gas and hold on.

    Related: this tweet from Colson Whitehead:


  • 2019 in review

    The view from my New Year’s Eve.

    See other year in review posts.

    This year in review is a little shorter than the last few, primarily because it consists of whatever I could do outside of work, having and raising a baby, and buying and managing a house—all of which took most of my time and energy. But here, roughly in chronological order, are some highlights from my trip around the sun:


  • Build it up, knock it down

    My favorite new game with 7 Months is to build a small tower with his rubber blocks—to almost as tall as he is when sitting—and watch him knock it down.

    He never does it the same way twice. He’ll grab the top one and bring it to his mouth, the whole tower leaning towards him before it crumbles again. The next time he’ll kick it from the bottom. Then he’ll gently caress the middle section before pushing it, or pulling it.

    There’s not much point in enjoying the building part when he knocks it down so quickly. I keep rebuilding the tower so fast because I want to watch him consider it anew every time, because the world is too new for him not to.


  • My son’s media of the moment

    Based on the ongoing series on books, movies, and music I’ve encountered recently.

    The Best of Raffi. The man is famous for a reason. I’ll bet even the mere mention of “Baby Beluga”, “Down By the Bay”, or “Bananaphone” has you singing along in your head.

    Dance for the Sun by Kira Willey. It’s kinda stunning how immediately this album calms my six month old, specifically starting with “The Dancing Mountain”. Been the case since he was born. Now any four-syllable word can send me into a “Caterpillar Caterpillar” cover.

    Elizabeth Mitchell. Another children’s music legend you can’t really go wrong with, whether her solo work or collaborations with Dan Zanes and Lisa Loeb. “Little Sack of Sugar” from You Are My Flower is fun if you have a chubby baby you can jiggle along with it.

    Super Simple Songs. These cartoon videos on YouTube stun the Boy into a motionless daze, so we play them usually only when we need to trim his tiny fingernails. “Apples and Bananas” is the go-to.

    Toot by Leslie Patricelli. This board book has an impressive 4.9/5 stars on Amazon from 715 reviews, a rating I fully endorse. Nice to have fart-positive books out there to teach little ones the ubiquitous and hilarity of flatulence. I’m proud to say the Boy loves it and giggles at the mere sight of the cover.

    Bunny Roo, I Love You by Melissa Marr. This very cute board book features a mom comparing her baby’s behavior to different baby animals. The first time I read it to my son, the line “Then you yawned and slopped, and I thought you might be a tired piggy” made me laugh out loud. Not only because he’s a chunker who loves to breastfeed, but he squeals and snorts when he’s happy and gets a little floppy and sloppy when he’s tired. Love my little piggy…


  • Recent Views

    More photography here and on my Instagram.

    Trying to take evening walks with the almost 6 month old strapped to me while the sun still allows it, so I get to enjoy views like this:

    Also get to enjoy views like this from the Nap Cam:

    Yet another baby view, this one from the family cottage in Michigan. I left my keys in the room he was supposed to be napping in but wasn’t, so I literally crawled to my bag so he wouldn’t see me and looked up to see this:

    Some flowers ‘n’ stuff:


  • Camcorders and the quotidian

    Two things my wife and I are really glad to have are a camcorder and a digital SLR camera.

    We got both of them several years ago, the camera as a wedding gift and the camcorder from my mother-in-law. Mostly we wanted them to be able to document family get-togethers, trips, and our nieces growing up. But they became especially nice to have after our son arrived.

    We could easily record his cute laughs and squeaks and developmental milestones on our smartphones, and often do. But keeping some high-definition clips in the simple SD card of the camcorder somehow feels a tad sturdier. It’s a self-contained archive that is built for one purpose, that isn’t connected to The Cloud or needing constant updates or competing for storage space with apps of questionable value. It does one job really well.

    We look back at what we’ve recorded just as often as most people do with their smartphone recordings—which is to say, not very often. But that’s OK. The benefit of home videos is in their slow and steady accumulation.

    Our own parents took hours and hours of home video of us as kids, first on tape and now converted to DVD. Some of it is the expected banner moments you’d expect parents to record: soccer games, concerts, holidays, graduations. The rest is the small, everyday stuff between those highlights that comprise most of one’s life: playing at home, playing at grandma’s house, running through the sprinkler in the summer. (At least this is what we did in the pre-internet era.)

    All of it matters. And when you play it back, everything blends together into one stream, a confluence of the capstones and the quotidian. Such is life.


  • Four months old

    The Boy just turned 4 months old and is absolutely perfect. He is starting to roll over, has recently discovered his own feet, and is super chubby and smiley.

    So you can imagine my reaction when I read “The Youngest Child Separated From His Family at the Border Was 4 Months Old” in the New York Times:

    Constantin was ultimately the youngest of thousands of children taken from their parents under a policy that was meant to deter families hoping to immigrate to the United States. It began nearly a year before the administration would acknowledge it publicly in May 2018, and the total number of those affected is still unknown. The government still has not told the Mutus why their son was taken from them, and officials from the Department of Homeland Security declined to comment for this story.

    In Constantin’s case, it would be months before his parents saw him again. Before then, his father would be sent for psychiatric evaluation in a Texas immigration detention center because he couldn’t stop crying; his mother would be hospitalized with hypertension from stress. Constantin would become attached to a middle-class American family, having spent the majority of his life in their tri-level house on a tree-lined street in rural Michigan, and then be sent home.

    Now more than a year and a half old, the baby still can’t walk on his own, and has not spoken.

    The Trump administration and its sycophants are a cancer upon the republic.


  • This is his song

    One day I was trying to soothe my fussy baby with some bouncing and singing. I faced him toward me and then out of nowhere started singing a melody that popped into my head. The combination of the song and how I swayed and bounced him calmed him right away, and even elicited a smile.

    At first I couldn’t place the melody. But then I remembered: it was the “This Is My Song” ditty from the 1958 movie musical Tom Thumb, officially titled “Tom Thumb’s Tune”:

    Here’s the film version, featuring the dance stylings of West Side Story and Seven Brides for Seven Brothers actor Russ Tamblyn. I remember loving that movie as a kid, but it’s been so long since I’ve seen it that perhaps it’s time for a rewatch.

    The song-and-bounce routine has now become something of a family joke given how effective it is at soothing, if only temporarily. Funny how things can emerge from your brain at just the right time.


  • Babies are wizards

    Here’s a recent text exchange with a friend of mine that I started:

    I keep thinking about the part in How to Change Your Mind about how babies are basically tripping all the time because of their undeveloped brains. Even mundane stuff can blow [my infant’s] mind.

    Right?! He’s probably still seeing the cosmic consciousness!

    But keeping its secrets to himself of course. All this pooping and spitting up is just a smokescreen to hide the fact that babies are actually wizards.

    And language is the protective barrier. He probably even knows what stars his atoms came from once upon a time. He’s got them all mapped out.

    And the squeaks and babbles are him actually telling me about it straight up, but I’m just not evolved enough to understand.

    Are you sleep deprived enough? Maybe if you pushed yourself a little farther…

    I’ve been all proud of myself for being able to get 4-5 hours of sleep each night, but maybe that has shown him I’m not ready.

    I have great friends and a great baby.


  • My son, the audiobook

    Just set a picture of the Boy as the wallpaper on my phone lock screen. The idea was to see him when I use my phone, but I chuckled when I realized what that looks like in practice:


  • What is utter sadness, Alex

    Since coming home from the hospital with our baby boy, we’ve been alternating between several streaming shows to pass the hours that need passing. Current go-tos include The Office, The Great British Baking Show, The Marvelous Mrs. Maisel, and The Wire.

    As much as I like all of them, none give me as much joy as watching Jeopardy! on Netflix. I literally gasped when I discovered it was on there. Finally I could finally skip the awkward contestant small talk and Medicare commercials and just engage in pure, uncut, nonstop trivia.

    I found it just in time. The other day the Boy was getting fussy as I was starting an episode. As soon as Alex Trebek’s legendary voice started in on the clues, he calmed down. I’m gonna go ahead and assert that in this instance correlation did equal causation, because Jeopardy! fixes all.

    Which makes the news about Trebek’s pancreatic cancer diagnosis that much sadder. The straight-laced optimism and sly humor in his video announcing the news is inspiring and very on-brand. It’s like he’s a Clue Crew member delivering a Video Daily Double:

    (See also his interview on The Nerdist.)

    Barry Petchesky from Deadspin gets it right:

    This is exactly what you’d want and expect from the man who, for 35 years, has hosted the best and smartest game show in existence. Businesslike. Competence exuded through every pore. Cool, professional, authoritative. (It’s what makes his occasional jokes work so well. They’re gems because they’re so rare. They’re earned.) You are not there, in Trebek’s house, for chit-chat. You are there to answer some damn questions. And there is no one on earth better suited to oversee the merciless, no-frills format of Jeopardy! than him.

    I got to see Trebek and the show in person. Long may he reign. And may we have mercy on whoever has to eventually replace him.



  • Circle of lives

    Somewhere on the Internet I stumbled upon this print from the artist Nina Montenegro’s series Against Forgetting:

    It struck a chord in me not only because I’ve been reading the tree-centric novel The Overstory, but also because six days ago I became a father. And I’ll tell ya, I know I’m barely a week into this, but there’s nothing like having a child to make you reconsider everything you think you know about time.


  • A new typist in the family

    Since I don’t have a Hermes Baby, our now un-Disneyfied toy typewriter will have to do as a stand-in. Excited for when baby’s hands will be strong enough to type. Perhaps I should start typing close to the womb so he can get used to the sound, and then maybe the clacking will be soothing to him. A man can dream…