Chad Comello

Tag: Anathallo

  • My top 10 concert moments

    I’ve been to many concerts in my life. But I noticed the ones I remember most keenly have a specific song or moment that locked into my consciousness. Here, in chronological order with their venue and specific date (thanks internet!), are the ones that have stuck with me the most.

    “The City, The Airport” by Loney Dear

    The Metro. Chicago. April 13, 2007. My former bandmate and I had a connection with Matt and Seth of Anathallo (see below), and they invited us to go see Low. We arrived during the opener, a Swedish group called Loney Dear, as they were playing this propulsive bop. I found Low’s show to be slow and forgettable, but I’ll never forget Loney Dear.

    “On the Safest Ledge” by Copeland

    The Bottom Lounge. Chicago. October 30, 2008. I went with my friend Whitney to see one of my favorite bands at the time (and one I’ve been writing about since this blog’s beginning). You Are My Sunshine has just come out and I was really steeped in Eat, Sleep, Repeat so getting to see them live was a real treat, and this particular song was absolutely electric.

    “Why Can’t It Be Christmastime All Year?” by Rosie Thomas

    Schuba’s Tavern. Chicago. December 7, 2008. This was a Christmas-themed show, with Rosie and her bandmates dressed in ugly holiday sweaters and pajamas and playing festive tunes—including this bouncy original that’s become a staple in my annual Yuletide listening. I emerged from this concert into the unrivaled winter wonderland vibes of Christmastime in Chicago with its snow and cold and twinkling lights.

    “All the First Pages” by Anathallo

    The Union. Naperville. February 20, 2009. This is what inspired me to do this list. I’d seen them before, but this particular song played by an eight-piece group packed snugly onto a small stage in an intimate venue with a standing-room-only crowd… well, let’s just say when the bridge explodes into the final chorus, it felt like the roof blew open and confetti was flying everywhere. Transcendent.

    “You Should’ve Seen the Other Guy” by Nathaniel Rateliff

    The Pabst Theater. Milwaukee. May 25, 2010. About to graduate from college, I drove up to Milwaukee with my friends Steve, Tim, and Andrea to see The Tallest Man On Earth. He was a great show in itself, but Rateliff and his band (not yet “& the Night Sweats”) were a wonderful surprise as the opening act. I could feel his primal yell in this chorus even from the nosebleeds.

    “Hey Jude” by Paul McCartney

    Wrigley Field. Chicago. August 1, 2011. Technically I didn’t go to this concert; my friend Brian and I just joined the crowds gathered right outside the stadium to listen to legendary music reverberating out into Wrigleyville. But that didn’t matter—it was basically a free Beatles show, and singing this song live with thousands of people is an experience I’ll never forget. (The photo at top captures our freeloaders’ view—the big white light is the giant screen in the stadium.)

    “Emmylou” by First Aid Kit

    Lincoln Hall. Chicago. April 6, 2012. My now-wife and I had just started dating when we went to see this Swedish duo who had blown up with the release of The Lion’s Roar, so it’s no wonder hearing this buoyant song about love and winter and music stuck with me. Just as good: watching Emmylou Harris tear up hearing it live.

    “She Lit A Fire” by Lord Huron

    The House Cafe. DeKalb. July 23, 2013. Their album Lonesome Dreams had been my personal soundtrack the previous winter, so it was a thrill to see them live—with a bonus of my friend Kevin Prchal as the opener. As with First Aid Kit, this song’s lyrics (“she lit a fire, and now she’s in my every thought”) spoke directly to my burgeoning feelings for my soon-to-be-fiancée.

    “Miami 2017 (Seen the Lights Go Out on Broadway)” by Billy Joel

    Wrigley Field. Chicago. August 11, 2017. Back at Wrigley with my sister to see one of our mutual favorites as an early birthday outing, we’d planned to hang outside like at the McCartney show but then out of curiosity checked the box office when we arrived. Tickets weren’t exorbitant, so my sister decided to spring for them and we went in, this final song from Turnstiles leading off the show as we found our seats for what became a magical evening.

    “Send My Love (To Your New Lover)” by I’m With Her

    Thalia Hall. Chicago. January 6, 2018. We didn’t know it at the time, but this ended up being the last concert my wife and I went to together before our first child was born. And while their original songs were delightful, their a cappella cover of this Adele song was so unexpected and brought the house down.

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  • Highlights from #XmasMusicBinge2017

    As I near the end of my annual Christmas music binge, a few songs have stuck out. Check them out while the mood is right and the spirit’s up:

    “Mvmt II: Begin and Never Cease” by The Oh Hellos, The Oh Hellos Family Christmas Album. You really ought to listen through the whole (short) album in one go, which is like one long medley, but the second movement’s ecstatic exuberance echoes Mumford & Sons mixed with Anathallo.

    “Snow” by Sleeping At Last, Christmas Collection. O’Neal explains on a recent episodes of his podcast that it’s heavily inspired by It’s A Wonderful Life but also about the concept of home during the holidays.

    “Silent Night” by Rosie Thomas, A Very Rosie Christmas. Rosie’s bouncy original “Why Can’t It Be Christmastime All Year” is always a fun listen, but don’t sleep on the rest of the album’s dreamy, riverine covers like this one. Great for a cozy nights staring at a twinkling Christmas tree.

    “All I Need Is Love” by CeeLo Green & The Muppets. For successfully turning “Mahna Mahna” into a Christmas song.

    “First Snowfall” by Over the Rhine, Blood Oranges in the Snow. Leave it to OTR to capture a different kind of Christmas, ramshackle and real, far from the Norman Rockwell scenes traditional Christmas songs paint.

    “12 Days of Christmas” by Relient K, Let It Snow, Baby… Let It Reindeer. There aren’t a lot of great versions of this song because it’s such a pain to make 12 repetitive verses interesting. But Relient K pulls it off with verve.

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  • Burned

    When you’re parched and dehydrated and take that first drink of cool water, you can feel it slide down your sandpapered throat like a tingling balm to soothe your thirst. That’s what it felt like to listen to Anathallo’s “All the First Pages” yesterday, a relatively bad day. Fate got fidgety, wanted to spice things up, so it decided to burn me. Literally: my morning coffee in a new thermos dropped not down my throat but onto my tan khakis as I drove to work. Cosmically: I inadvertently parked the car on the wrong side of the street, the ticket-earning side. And relationally: the night before was a bumpy one with my fiancee. Words laid down gently transformed into a landmine. We got through it—we always do—and we’re sitting here this morning enjoying our daily cup of coffee (in mugs). But redemption began with a song.

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  • What Is This Feeling?

    I made a goal to see more theater (musicals especially) and this year I’ve succeeded. The Book of Mormon, then Once, and now Wicked, which I saw on Thursday. I loved the music of Once in its own right, but it’s different from the others, which are more traditional showtunes. That said, there is something I love about showtunes I can’t easily describe. It’s almost entirely about the music itself, not the show’s plot or characters. I consider the people who write them to be craftsman of the highest order.

    Consider “What Is This Feeling?” from Wicked (above). The first go of the chorus (which starts at 1:12 in the video) is a sparse iteration that builds to the second chorus, which adds the undulating strings beneath the backing band that’s punctuating the singers’ lines. The final two choruses are even bigger and better with the ensemble chiming in and the leads cranking up the melody. The chord structure of the orchestral undertow isn’t anything elaborate, nor are the sung melodies and harmonies; but when combined, it’s like beautiful musical alchemy.

    That’s just one example of the many songs created for both the stage and screen that tap into the deep power of music. While I’m sure entire books and dissertations have been written on how music affects emotion, for me it’s not academic. I don’t know why the chorus of Anathallo’s “All the First Pages” gives me goosebumps. Or how the heroic strains of Copland’s “Appalachian Spring” makes my heart soar. They just do. And the people who make that music get a standing ovation from me.

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  • The Best Albums Of 2008

    There was a lot of music released in 2008. I didn’t listen to most of it because I was too busy listening to the following albums to listen to much of anything else. I don’t expect to see any of these albums honored at the Grammys, but I still love them like my own hypothetical children. So here are the five albums that had me rapt in 2008.

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    1. You Are My Sunshine by Copeland

    I didn’t think Copeland could top their 2006 release Eat, Sleep, Repeat—one of my all-time favorites—but sure enough, with a change of labels and general disposition, they drop You Are My Sunshine, their sunniest project yet. It’s rife with glorious choruses, delectable pop rock invention, though-provoking lyrics and angelic falsetto from lead singer/guitarist/pianist Aaron Marsh. Marsh has iterated that the band has no agenda for their music other than art. In this, they pass with flying colors. Standout track: “On the Safest Ledge”

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    2. Canopy Glow by Anathallo

    This Chicago-based octet has been making music for awhile now, but Canopy Glow is their crowning achievement. It’s a Monet in musical form-full of nuance and lush color with a huge canvas of tools in use from the concert bass drum to hand bells. It’s also much more focused than previous works; no track runs longer than six minutes and, in spite of unconventional song structures and jarring time signatures, the album as a whole is far more accessible. The complex storytelling and musical technique leaves much to be discovered in Canopy Glow. Standout track: “All the First Pages”

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    3. Volume One by She & Him

    Normally, I’d say stay the hell away from a CD made by an actress or non-musical celebrity (case in point: Paris Hilton). But for Volume One, Elf actress Zooey Deschanel teams up with alt-folk rocker M. Ward and actually creates something good. Something really good, actually. Deschanel’s voice, nasally but sexy, is the cornerstone of this folksy album—a mixture of sultry ballads, string-fueled anthems, and straight-up bubblegum pop. It’s pop music with gravitas and I’m loving every minute of it. Standout track: “Sentimental Heart”

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    4. Viva la Vida or Death and All His Friends by Coldplay

    I know I’m just another hitchhiker on the “Coldplay is good now!” bandwagon that revved up after the release of their latest album Viva La Vida or Death and All His Friends, but I can’t help it; it’s just a great album from what was once a tolerable band. I like it when bands who get stuck in a boring funk decide to spice things up and take some chances—Chris Martin and Co. have done just that and have a beautiful epic to show for it. The title track may have been overplayed on the radio, but it’s still the best track of the year, hands down. Standout track: “Viva la Vida”

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    5. That Lucky Old Sun by Brian Wilson

    For a long time I appreciated the Beach Boys just as much as the other guy, but it wasn’t until I dug into Brian Wilson’s solo stuff when I realized his musical genius. There isn’t a better melody writer out there than Wilson, and his newest album That Lucky Old Sun gives a familiar yet welcome taste of classic surf rock in the form of a narrative ode to his native southern California. This album will fit snugly beside the immortal Beach Boys tracks of old, but it still deserves its own love. Standout track: “Live Let Live”

    Honorable Mentions:

    Harps and Angels by Randy Newman; Stop Heartbeat by The Foxglove Hunt; Be OK by Ingrid Michaelson

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  • Canopy Glow by Anathallo

    One of my favorite albums of the year:

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    Over the last eight years they have been making music together, Anathallo’s sound has evolved slowly and subtly. Starting in 2001 with Luminous Luminescence in the Atlas Position and continuing with A Holiday at the Sea two years later, the band had adopted an almost avant garde twist to their orchestral indie flare. This trend continued with the Japanese folklore-centered Floating World in 2006. But in Canopy Glow, the band’s latest endeavor, their happy asymmetry has been slightly smoothed out in favor of a more streamlined yet still wholly original sound.

    Still, the Anathallo touch remains strong in Canopy Glow. They follow the hypnotic opening track “Noni’s Field” with “Italo,” one of many tracks in which the dual male/female vocals from Matt Joynt and Erica Froman and the exceptional drumming lead the way. Other highlights include the flighty “John J. Audubon” and “Northern Lights,” which is a perfect example of art imitating life; the aurora borealis comes to life in this song’s droning glow.

    The tone throughout Canopy Glow is relatively more somber than their previous works, especially Joynt’s vocals. The Chicago-based octet uses the piano and guitar in a much more traditional way than they have in the past, mixing a funky piano riff into the steady groove of “All the Same Pages.” It’s like they’re running for president: moving to the center while still holding on to some radical roots. In the end, though, it’s still the same Anathallo-the perfect mix of quirk, catchiness, and a whole lot of talent.

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  • Soundtrack of the moment, part II

    These are some songs I’m listening to. I think you should too.

    “Lost in Space” – Aimee Mann – Lost In Space
    Such a hauntingly beautiful song. Imagine driving through the desert at night with this whole album on repeat and you have an awesome musical experience.

    “Seize the Day” – Alan Menken – Newsies soundtrack
    Man, I love this movie. If you haven’t seen it and loved it, I will fight you.

    “Hoodwink” – Anathallo – Floating World
    What a mind-blowing album. These dudes mold music into forms never seen before.

    “Wouldn’t It Be Nice” – The Beach Boys – Pet Sounds
    Their later stuff is way better than the surf rock stuff they started out with. Check out the entire album.

    “Come Together” – The Beatles – Abbey Road
    One of the coolest and most memorable openers I’ve ever heard.

    “Jesusland” – Ben Folds – Songs for Silverman
    What can I say? The dude knows how to make good music.

    “Trolley Song” – Dave Brubeck – Greatest Hits
    Sounds exactly as the title suggests. This guy is a piano player if I’ve ever heard one.

    “Break on Through” – The Doors – The Doors
    This song always reminds me of Forrest Gump.

    “Tiny Dancer” – Elton John – Madman Across the Water
    Of Almost Famous fame. A really catchy song from a gifted musician, however odd he may be.

    “Belle” – Jack Johnson – In Between Dreams
    This just puts you in a street cafe in Paris. It’s almost too good a song.

    “Mother” – John Lennon – John Lennon/Plastic Ono Band
    You can tell that it’s a cathartic song for John. I highly recommend all of his solo work, especially Imagine and Mind Games.

    “Waiting on the World to Change” – John Mayer – Continuum
    Am I a sell out if I like John Mayer and his ridiculously catchy tunes? Oh well, it’s a good song with an honest message.

    “God’s Gonna Cut You Down” – Johnny Cash – American V: A Hundred Highways
    The man’s a straight-up badass. This is his last album and a damn good one at that. You can hear the pain in his voice and feel the ache in his fingers.

    “Money” – Pink Floyd – The Dark Side of the Moon
    In an album that’s basically half instrumental, this song shines through as one of the best.

    “When She Loved Me” – Sarah McLachlan – Toy Story 2 soundtrack
    Man, this song just killed me. An incredible addition to a near-perfect film. If you aren’t in tears by the end, you have no soul.

    “Deathbed” – Relient K – Five Score and Seven Years Ago
    I’m in the minority that think that this album is not their best, in fact, a far weaker effort than mmHmm. But this epic masterpiece stands out amongst the other forgettable songs.

    “Cecilia” – Simon and Garfunkel – Bridge Over Troubled Water
    One of the many infectious folk-rock tunes they created. Get all the albums.

    “Zoo Station” – U2 – Achtung Baby
    I’ve never been a gigantic U2 fan, but I really liked this album.

    “Roundabout” – Yes – Fragile
    A great mix of classical, 70s rock, and psychedelia.

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