Month: November 2018

  • Chad’s Christmastime chronicles, 2018

    My season of celebrating Christmas has begun. This year I thought it would be fun to document exactly how I usually get into the spirit of the season, through music, movies, and rituals. I’ll update this post as I go.

    Friday, November 23

    • Listened: Season’s Greetings by Perry Como, Christmas Party by She & Him, Bing Crosby Sings Christmas Songs by Bing Crosby, At Christmas by James Taylor

    Saturday, November 24

    • Listened: Let It Snow, Baby… Let It Reindeer by Relient K, Christmas Songs by Jars of Clay, A Jolly Christmas from Frank Sinatra by Frank Sinatra, Christmas radio
    • Watched: Grumpy Old Men
    • Did: put up decorations at my parents’ place

    Sunday, November 25

    • Listened: Christmas with the Rat Pack, Songs for Christmas by Sufjan Stevens, Under the Mistletoe by Justin Bieber, Christmas radio
    • Watched: Elf (first 30 minutes)
    • Did: put up decorations in our apartment

    Monday, November 26

    • Listened: Songs for the Season by Ingrid Michaelson, Christmas is Here! by Pentatonix
    • Watched: A Charlie Brown Christmas, remainder of Elf
    • Did: enjoyed the first Chicagoland blizzard of the season, first ceremonial snow-scraping of the cars

    Tuesday, November 27

    • Listened: Christmas Portrait by The Carpenters, Snow Globe by Matt Wertz, Come On, Ring Those Bells by Evie, The Hotel Café Presents Winter Songs

    Wednesday, November 28

    • Listened: “All I Need Is Love” by Cee-Lo Green & The Muppets, Light of the Stable by Emmylou Harris, Merry Christmas Good Night by Morning And Night Collective.
    • Watched: Holiday Inn

    Thursday, November 29

    • Listened: Blood Oranges in the Snow by Over the Rhine,  Merry Christmas Good Night by the Morning And Night Collective
    • Watched: Rudolph the Red-Nosed Reindeer

    Friday, November 30

    • Listened: Christmas with Johnny Cash by Johnny Cash, Ella Wishes You A Swinging Christmas by Ella Fitzgerald

    Sunday, December 2

    • Listened: Christmas Favorites by Nat King Cole

    Tuesday, December 4

    • Watched: The Family Stone

    Friday, December 7

    • Listened: Home for Christmas by Hall & Oates, Songs for the Season by Ingrid Michaelson

    Sunday, December 9

    • Listened: Jingle All the Way by Bela Fleck & The Flecktones, Advent Christmas EP by Future of Forestry, “Mittens” by Carly Rae Jepsen, Stan Boreson Fractures Christmas by Stan Boreson

    Monday, December 10

    • Listened: Advent Christmas EP Vol. 2 by Future of Forestry

    Thursday, December 13

    • Listened: Christmas Collection, Volume One by Sleeping At Last

    Friday, December 14

    • Listened: Oh For Joy by David Crowder Band, Pretty Paper by Willie Nelson

    Sunday, December 16

    • Listened: Christmas Party by She & Him, Snowfall by Tony Bennett, Songs for the Season by Ingrid Michaelson, The Songs The Season Brings by Beta Radio, Ultimate Christmas Collection by The Jackson 5

    Thursday, December 20

    • Listened: A Very Rosie Christmas by Rosie Thomas, Holiday Songs and Lullabies by Shawn Colvin, Family Christmas Album by The Oh Hellos

    Friday, December 21

    • Listened: Christmas with the Rat Pack
    • Watched: Christmas Eve on Sesame Street

    Saturday, December 22

    • Listened: Snowed In by Hanson, Rocky Mountain Christmas by John Denver, O Come All Ye Faithful by King’s College Choir

  • Big Mouth of Little Lies

    My wife and I recently binged season 2 of Big Mouth and season 1 of Big Little Lies, and I noticed a key bit of thematic overlap between the two.

    Big Mouth, Netflix’s obscene, irreverent, gut-bustingly funny cartoon about kids going through puberty, introduced the Shame Wizard character in season 2. Voiced by a slithery David Thewlis, he creeps among the kids whispering shame-inducing accusations and judgments. He even has a (NSFW) song:

    Oh, I hate to be a bummer
    But, my dear, I’ve got your number
    And I’ll whisper it forever in your ear
    Bringing the shame, shame
    You’ve got no one but yourself to blame
    You thought no one was watching
    But I’m right here in your brain

    It takes a while for each of the kids to realize that they aren’t the Wizard’s only victim. Each had separately internalized the shame and let it negatively influence their self-image and behavior.

    The Shame Wizard would have fit well in Big Little Lies, the HBO series based on Liane Moriarty’s excellent book. Wealthy parents with kids in a public school deal with an accusation of bullying as they struggle with the ripple effects of domestic violence, infidelity, divorce, and trauma. What’s kept hidden from others by kids and adults, lovers and friends, because of their own version of the Shame Wizard really propels the story.

    When things finally get out in the open in the final episode is when many of the characters finally experience freedom—even if, like a bandage being ripped off, it hurts like hell getting there.


  • Refer Madness: Always on call

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    Refer Madness spotlights strange, intriguing, or otherwise noteworthy questions I encounter at the library reference desk.

    You know how doctors are always on call? Someone has a heart attack on an airplane or chokes at a restaurant, and doctors, nurses, or other care providers jump to the rescue, even if they are off the clock. Even medical students count: I witnessed a friend dash to the aid of a woman who injured herself while dancing during a wedding reception.

    Professionals never know when they will be called to duty, librarians included. We might not be setting broken bones or taking vitals, but we info-slingers have a knack for finding opportunities to serve random reference needs.

    One day, I was chatting with a neighbor in my apartment building’s laundry room. He’s a counselor, and he had just read about a theory that he wanted to learn more about. Google wasn’t offering much of any depth. He didn’t work for or attend a university, so he didn’t have access to specialized journals and databases. Amid the thrum of tumbling clothes, I told him I would help him check with our local public library to see what they had access to.

    It was just that simple. Simple for me, anyway, but not for my neighbor. Familiarity bias makes it easy for librarians to forget that most people do not know everything the library offers, or even think of the library as a potential remedy for a problem. This can limit our fellow citizens’ information epiphanies.

    I recently attended a seminar, and while grazing the snack table for coffee and a bagel (the Official Refreshments™ of seminars everywhere), I struck up a conversation with another attendee. He was a newly hired city planner in charge of reaching out to local businesses, and the task was overwhelming him because he was new to the area. I knew that his library was likely to be subscribed to ReferenceUSA or something similar, so I told him how he could use an e-reference tool like this for his project, without costing the city extra money.

    Again, this public library pitch required hardly any effort in the moment, but it will likely pay dividends in the future. The actual work lies in the preparation, before the opportunity to share presents itself. The more knowledgeable you are about what libraries offer—and not just your library—the better equipped you will be to save the day. A friend is in the market for a new car? Consumer Reports online. Need a template for a new lease? EBSCO’s Legal Information Reference Center. Want a software refresher before a job interview? Lynda.com.

    Whether the unsuspecting patron actually uses the resource is out of your control. But it’s exciting to consider what planting that seed could lead to: maybe that person’s first library visit in years, or a card renewal, or excitement about e-books and museum passes. Or maybe even a word-of-mouth recommendation to a friend, which starts the cycle anew.

    I wonder how the woman at the wedding reception would have fared had my friend not been there. Since the spirit of the celebration rendered most of the other guests unhelpful (and telling her to check out MedlinePlus didn’t seem useful in that moment), she no doubt would have been worse off without a professional’s help. Luckily she only ended up suffering a swollen ankle and a bruised ego, but my friend didn’t know that when he jumped to her aid. He just wanted to help.


  • Gary Rydstrom on Rear Window’s ingenious sound design

    Northwestern’s Block Museum hosted a screening of Rear Window that was introduced by Gary Rydstrom, Oscar-winning sound designer for Saving Private Ryan, Titanic, Jurassic Park, Toy Story, Finding Nemo, and many other movies you love. Though I didn’t stay for the movie (I’ve already seen it on the big screen), I was eager to hear Rydstrom’s perspective on one of my all-time favorites.

    He included this great quote from John Fawell’s Hitchcock’s Rear Window: The Well-Made Film:

    Rear Window is so highly charged with a sense of the significance of the hidden, with the mystery of the barely glimpsed and distantly heard, that it is difficult not to carry this same sense of mystery back to our own world. Hitchcock’s cinema leaves us with a more highly charged sense of the mystery of the world. We notice certain things more after a Hitchcock film—a glass of milk, a woman’s handbag. Mundane items buzz with a mystery they did not have before. Hitchcock tends to invest us with his manifold neuroses. He makes us more wary of, and therefore more alive to, the world. Rear Window specifically heightens our attention to the barely glimpsed sights and distant sounds of our own neighborhood. It makes us more sensitive to the mystery of hidden lives, to the mysterious presence of loneliness and alienation in our own world.

    Other notes from his brief talk:

    • He saw Rear Window on TV in 1971 as a 12 year old; turned him on to movies and sound design
    • His goal was to marry Grace Kelly (ditto)
    • We tend to think movie sound should be loud and dramatic; Rear Window‘s wasn’t, yet still an ingenious use of sound to this day
    • Film was a counter to criticisms of Hitchcock that his films were cold and clinical
    • The film’s hero is Lisa Fremont
    • Stewart’s Jeffries a criticism of the American male
    • Murder mystery was in service to the love story
    • Voyeurism generally has a reputation as a sickness, but this shows an upside
    • Diegetic music throughout (pianist, radio) comments on and contrasts with the action
    • Distance/echo of music around the apartment complex indicative of neighborly distance and alienation; also technically hard to do in 1954
    • Sound design changes once Thorwald appears
    • Pianist’s “Lisa” theme develops during movie along with the story

  • A new typist in the family

    Since I don’t have a Hermes Baby, our now un-Disneyfied toy typewriter will have to do as a stand-in. Excited for when baby’s hands will be strong enough to type. Perhaps I should start typing close to the womb so he can get used to the sound, and then maybe the clacking will be soothing to him. A man can dream…


  • Boom Town

    In his new book Boom Town: The Fantastical Saga of Oklahoma City, Sam Anderson writes about how Oklahoma’s storm chasers, though overly sensational and ratings-hungry, still provide crucial insight about Oklahoma’s notoriously destructive tornadoes:

    Radar data, like starlight, is information about the past: it tells you about the distant object it bounced off seconds or minutes before. This can tell you a lot—that conditions are perfect for a big storm, that something is in the air—but it can’t actually look at the storm for you. For that, you still need people. Storm chasers provided the stations with what they call “ground truth.”

    I like that: ground truth. And I thought it perfectly described Boom Town as a whole, which is bound for my 2018 best-of list.

    The pleasure I felt from the first page on is a feeling I chase with all my reading. More than just a rote retelling of a city’s history, it’s a kaleidoscopic story of Oklahoma City that finds fascinating resonance between seemingly disparate elements. Anderson’s first-rate reportage on the OKC Thunder, tornadoes, Timothy McVeigh, city planning, a truly insane city founding story, Wayne Coyne of the Flaming Lips, and so much more made OKC seem familiar even to someone who’s never been there.

    He wraps all of those things into a cohesive, sure-handed, wry, and enlightening narrative that says as much about Oklahoma as America at large. Highly recommended for history buffs, sports fans, and narrative nonfiction lovers especially.