Tag: The Princess and the Frog

Top 10 songs from Disney musicals

A friend of mine recently posted: “Let’s stir up some controversy: What are your thoughts on The Lion King?” I replied that a certain song on that soundtrack was a top-5 Disney song, and it wasn’t “Circle of Life” or “Hakuna Matata”.

That inspired me to consider how I would actually rank the best Disney songs. My needlessly arbitrary rules:

  • only one song per movie (live-action or animated)
  • from a movie that’s actually a musical where characters sing songs, not just a movie with a lot of original songs (sorry Tarzan)
  • judging the song itself, not the movie it’s from

Let’s get to it.

Just missed the cut

“The Bare Necessities” – The Jungle Book (1967), “Under The Sea” – The Little Mermaid (1989), “Not in Nottingham” – Robin Hood (1973), “Love Is An Open Door” – Frozen (2013)

The List

10. “Carrying the Banner”Newsies (1992)

I must admit that seeing the superior Broadway stage version has made me partial to that version of the soundtrack (both of which were composed by Disney music maven Alan Mencken). But for the purposes of this list I have to go with the opening number, which ably and jauntily establishes the setting and characters in under five minutes. (Runner-up: “Seize the Day”)

9. “I’ll Make A Man Out Of You”Mulan (1998)

To be honest I barely remember Mulan and most of its songs, so the fact that this one stands out so much is a testament to its enduring appeal. The a cappella chorus towards the end is a nice touch. (Runner-up: None)

8. “When We’re Human”The Princess and the Frog (2009)

Happy to show some love for Randy Newman since his Toy Story work is ineligible. The soundtrack as a whole (which I have a history with) is a great showcase for jazz, zydeco, gospel, and blues—and this song is probably the most danceable on this list. (Runner-up: “Almost There”)

7. “Life’s A Happy Song”The Muppets (2011)

Nothing but respect for “The Rainbow Connection” from the original Muppet Movie, but this reboot and its music by Flight of the Conchords alum Bret McKenzie really surpassed (at least my) expectations. I favor the finale version of this song, which includes the entire ensemble. (Runner-up: “Pictures In My Head”)

6. “A Whole New World”Aladdin (1992)

For a long time this was my stock answer for best Disney song. It’s an Alan Mencken joint, after all, and I’m a sucker for a soaring strings-melody combo. (Also Jasmine is the most attractive Disney princess.) But it just kept getting pushed down the list as I considered other songs. (Runner-up: None)

5. “A Star Is Born”Hercules (1997)

This whole soundtrack is up there in terms of all-around quality. No surprise since it’s another Alan Mencken production. Just an explosion of gospel/soul ebullience. I went with this song over the runner-up because it sticks with one tempo and, as the finale, brings some extra zest. (Runner-up: “Zero to Hero”)

4. “That’s How You Know”Enchanted (2007)

Guess who again? I swear I wasn’t tracking the composers when making this list, though I could have told you beforehand that Mencken would dominate. Anyway, this song rules. (Runner-up: “Happy Working Song”)

3. “We Know The Way”Moana (2016)

Like Hercules, this is one of the stronger soundtracks top to bottom. Even the villain song isn’t terrible. This particular track—while not the best sung given Lin-Manuel Miranda’s less-than-professional voice—is propulsive and buoyant like an ocean wave. Of the two iterations I’d have to pick the first, but the finale version provides a nice punch. (Runner-up: “Where You Are”)

2. “Proud Corazón”Coco (2017)

(Spoiler warning on that link as this song ends the movie.) To date, this is the only Disney song that has given me goosebumps and tears at the same time. I now watch Coco every Dia de Los Muertos while thinking of my ancestors, and this song is a hell of a climax for such a tradition. (Runner-up: “Un Poco Loco”)

1. “I Just Can’t Wait To Be King”The Lion King (1994)

I think I’m as surprised as you are. As I mentioned above, “A Whole New World” was my #1 for a long time. But listening to this one recently, I was struck by an epiphany that it’s really just an amazing bubblegum pop song. Goofy, sure, but with a killer guitar/flute (?) hook, colorful bass lines, and an inspired chord progression. I once played a stripped-down acoustic guitar cover of it at an open mic and still worked brilliantly. Think I’m getting wildly out of wing? Nah—this is my finest fling! (Runner-up: “Circle of Life”)

Music we leave behind

There are two works of art I associate with an ex. One is the music of Mayer Hawthorne, specifically A Strange Arrangement, which had come out a few months before our brief relationship and was a primary jam for me that winter. The other is the Disney animated film The Princess and the Frog, which we saw together in the theater on one of our few dates.

I love both dearly. Hawthorne sounds like Motown reanimated (in a white dude no less). And The Princess and the Frog was a beautiful return to classic Disney form, with a jazzy Randy Newman soundtrack to boot.

But I had to stop listening to Mayer Hawthorne. For some unknown reason, I’ve been able to Eternal Sunshine the unwanted associations from the Princess and the Frog soundtrack and have enjoyed it for years.

Not so for Hawthorne. Despite trying mightily to enjoy A Strange Arrangement and his follow-up How Do You Do on their own terms, the associations that stuck to them overpowered any enjoyment they provided, so I had to say goodbye.

How one survived and one didn’t is a mystery. Scarcity isn’t the issue; it’s not like Disney soundtracks and soul music are hard to find. Maybe it’s because Hawthorne’s music is specifically about love and relationships, and that was harder to separate from reality than music sung by animated frogs.

Perhaps I’ll come back to Hawthorne and the patina of the past will have faded. In the meantime, I guess I just wasn’t willing to give up “When We’re Human”: