Chad Comello

Tag: artificial intelligence

  • Introducing my new AI companion

    The other day this line popped into my head:

    When despair for the world grows in me

    It’s the opening line of the Wendell Berry poem “The Peace of Wild Things”. I’m sure there were many reasons it surfaced from my subconscious (*gestures at everything*), but regardless I was grateful it did because brought to mind the rest of the poem, which was one of the first I memorized.

    Then it dawned on me: Poetry is artificial intelligence.

    What is poetry if not a large language model comprised of vast amounts of text created by humans about every conceivable topic? And what is a poem if not a response to a specific prompt that can be summoned for whatever question or trouble you have?

    I’m being cheeky, but the power of the arts and humanities is no joke. They’re reliable companions that can enrich our lives and help us understand and contextualize and prophesy if we just ask them to.

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  • Mundane is magic

    Gracy Olmstead is back with another excellent issue of her Granola newsletter, this time on mundanity, the mind, and AI:

    While doing the mundane, we lose ourselves in process and place. The mundane roots us in the present, stubbornly refusing the demands of clock or calendar. It will take as much time as it requires. And so we pull at a thread of argument, uproot weed after weed, or sweep every nook and cranny until the room is clean. We sink into a new experience of time and place, in which everything diminishes but the now and here. Ironically (and sometimes, maddeningly) we may have to do it all again: Sit down to rewrite, hone, edit, and polish. Return to the nasty weeds that pop up day after day. Tackle the dust and grime of another week.

    Yes, the mundane is not always pretty. What these experiences shape is not always a finished product that we can hold up and boast about. Sometimes, yes. But not always. What is always true is that these processes are shaping and honing us. They are showing us who we are, how to be, and what it means to think and live. The work of the mundane tethers us to place, to our bodies, to the people we love and live with, and—perhaps in a way I never realized before AI—to our minds themselves.

    If the mundane elements of our lives show us who we are, how to be, and what it means to think and live, then what will become of us when we outsource that being, thinking, and living to AI or other ideologies? We sacrifice those essential elements of existence and become their opposite: nothing.

    And as it becomes ever more evident that relying on AI degrades your critical thinking skills and cognitive abilities, putting your mind to work matters even more. But why? Olmstead nails it here:

    Because it’s the process of slogging through an argument—feeling out its contours and edges, remolding and reshaping them like a potter—that teaches us how to think. Strong arguments do not spring fully formed from the mind. They simmer and stew. They emerge half-formed, and have to be reshaped. Essays materialize when you start to write, and realize you did not yet know what you thought. In the process of verbalizing thoughts, there is room to grow, stretch, and challenge the mind. There is even room to change your mind. AI short circuits this opportunity—in giving us what we ask for, it in fact steals opportunities for growth. It cheats the process of becoming that the mundane offers.

    This really spoke to me in relation to writing specifically, whether for this blog or Cinema Sugar. Some writers bemoan the writing process itself, slow and tedious and frustrating as it can be. “I love having written something” goes the trite phrase. And it’s indeed satisfying to finally arrive at the end product. But I also love being in the weeds of the thing. Thinking and rethinking, writing and rewriting, arranging and rearranging, rinse and repeat—that time spent with my hands in the metaphorical dirt, in the mundane, is where the real magic happens.

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  • What AI is and isn’t

    Mandy Brown with a barnburning breakdown of what “AI” is and isn’t:

    “Artificial intelligence” is not a technology. A chef’s knife is a technology, as are the practices around its use in the kitchen. A tank is a technology, as are the ways a tank is deployed in war. Both can kill, but one cannot meaningfully talk about a technology that encompasses both Sherman and santoku; the affordances, practices, and intentions are far too different to be brought into useful conversation. Likewise, in the hysterical gold rush to hoover up whatever money they can, the technocrats have labeled any and all manner of engineering practices as “AI” and riddled their products with sparkle emojis, to the extent that what we mean when we say AI is, from a technology standpoint, no longer meaningful. AI seems to be, at every moment, everything from an algorithm of the kind that has been in use for half a century, to bullshit generators that clutter up our information systems, to the promised arrival of a new consciousness—a prophesied god who will either savage us or save us or, somehow, both at the same time. There exists no coherent notion of what AI is or could be, and no meaningful effort to coalesce around a set of practices, because to do so would be to reduce the opportunity for grift.

    So what is it? An ideology:

    … A system of ideas that has swept up not only the tech industry but huge parts of government on both sides of the aisle, a supermajority of everyone with assets in the millions and up, and a seemingly growing sector of the journalism class. The ideology itself is nothing new—it is the age-old system of supremacy, granting care and comfort to some while relegating others to servitude and penury—but the wrappings have been updated for the late capital, late digital age, a gaudy new cloak for today’s would-be emperors. Engaging with AI as a technology is to play the fool—it’s to observe the reflective surface of the thing without taking note of the way it sends roots deep down into the ground, breaking up bedrock, poisoning the soil, reaching far and wide to capture, uproot, strangle, and steal everything within its reach. It’s to stand aboveground and pontificate about the marvels of this bright new magic, to be dazzled by all its flickering, glittering glory, its smooth mirages and six-fingered messiahs, its apparent obsequiousness in response to all your commands, right up until the point when a sinkhole opens up and swallows you whole.

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