Tag: vinyl

Music of the Moment, ctd

It’s been almost 10 years since I last did a “music of the moment” post (then called “soundtrack of the moment”), so I figured it was time for another. There’s no use trying to summarize a whole decade of musical discoveries and interests, so I’ll just try for the last few weeks.

“Hole in Your Soul” by ABBA, ABBA: The Album
Last weekend I was going through our LP collection initially just to clean the vinyls, but I realized there were several albums I hadn’t listened to in a while or at all. It’s so easy to jump to what I have on my phone when I want to hear something, but if I’m gonna have LPs around then I ought to use them, right? So I decided I’d listen to at least one a week, if only to weed out the ones that weren’t worth taking up our limited space. This mission paid off immediately when I pulled out ABBA’s self-titled album, which has some classics like “Take a Chance on Me” and “Thank You for the Music” but also this new-to-me gem:

What an electrifying mix of arena rock and typical ABBA-esque quirkiness. I’d love to play drums on that one. After hearing that I of course set off on an ABBA kick, which led me to “Bang-A-Boomerang”, off of ABBA. (Get more creative album titles, Swedes!) These tracks are why I try to seek out full studio albums, especially from artists I’m just getting into. I still end up with many Greatest Hits albums, but it’s easy to miss these great deep cuts when just sticking with compilations.

“Bye Bye Love” by Ray Charles, Modern Sounds in Country and Western Music
A bookstore by my place was going out of business and everything was $1. I didn’t end up getting books but I did spot this album on vinyl in their small collection. I’d never heard of it, but its price, striking cover, and renowned reputation made it an easy buy. Just listen to the cover of the Everly Brothers’ “Bye Bye Love” that kicks off the album:

“You’re Gonna Live Forever In Me” by John Mayer, The Search for Everything
Perhaps because I knew someone with a strong John Mayer aversion, I’ve always felt the need to apologize for liking him. No more: the dude’s been an incredible songwriter going all the way back to his debut album. I find I prefer when he leans toward melancholic pop or country rather than blues. His latest album isn’t my favorite of his, but its final track shows off Mayer’s talent for delicate melodies and apt arrangements:

“I Just Want to Celebrate” by Rare Earth, One World
Once I found out Rare Earth was the first all-white Motown band, curiosity compelled me to check them out. It’s a scattershot discography, but I love this this groovy sunny-day song and its fist-pounding chorus hook. Sounds very 1971.

“You’re a Special Part of Me” by Diana Ross & Marvin Gaye, Diana & Marvin
Speaking of Motown, this was one of a few discoveries from reading Adam White’s Motown: The Sound of Young America. Obviously I knew of Gaye and Ross, but not of their duet album recorded at the peak of their musical prowess:

“Sugar Dumpling” by Sam Cooke, Twistin’ the Night Away
I had The Best of Sam Cooke for a little while before I realized, Oh right, Sam Cooke is incredible. Maybe I should get more of his music. Having done so, I’m thinking he might be the best singer ever?

“Honey and Smoke” by case/lang/veirs, case/lang/veirs
One of the few modern albums I have on vinyl because of how much I love it. “Honey and Smoke” precisely describes the sound of this Neko Case, K.D. Lang, and Laura Veirs supergroup together trading tracks: a smooth, sexy, smoky blend of alt-rock and pop and lounge music. I don’t listen to any of them individually, but with their musical powers combined I am hooked:

“Big Iron” by Marty Robbins, Gunfighter Ballads and Trail Songs
Though I’d heard Robbins before (most notably “El Paso” in the Breaking Bad series finale), it wasn’t until seeing this album on someone’s favorite music list a few years ago that I pursued his oeuvre. Perfect for road trips and daydreaming about the Wild West:

September 19, 2017 2 Comments

Durham Days

We just got back from a long weekend in Durham, North Carolina, for a friend’s wedding. I had a great time bummin’ around the area while my wife was busy on bridesmaid duty. Had some barbecue, heard some blues, and took a few pictures…

at Ponysaurus Brewing:

at Carolina Soul Records, where I found some Sam Cooke, Dionne Warwick, and a Stax Records compilation:

at Stagville, one of the largest plantations in the antebellum South—this one was in the “Great Barn”:

I call this one “Freedom”:

And there was the unintentional irony of a Master lock on one of the preserved slave cabins:

The wedding reception was in a beautiful building near the Eno River State Park:

And our last stop before our flight home was Duke University’s “chapel”, which, come on, is actually a cathedral of epic proportions:

May 10, 2017 1 Comment

Each’s Owned

Pictured is the haul ($8 total) from a recent afternoon browsing used bookstores, which I do once in a while, when my time is open and therefore my self-discipline is weak. But I didn’t feel bad about getting more Stuff this time, because I’m coming to something approaching terms with it.

I love books, movies, and music, but developing an extensive catalog has never been a priority. Working at a library is a factor. With easy, daily access to a plethora of titles, expanding our humble collection of books, DVDs, vinyls, and CDs seems unnecessary. Since I tend not to reread books, amassing more out of fun or bibliophilia isn’t an issue; only the most meaningful or heirloom-worthy books have secured space on our limited shelves. Ditto our LPs and CDs, which are now mostly survivors from several moves and curatorial weedings. For me, less stuff has been better. My friend jokes about being able to move me and all my stuff from college to grad school in one trip in his Geo Prizm.

That’s changed recently. I’ve rediscovered the desire to own analog media, if only as a supplemental collection to my mostly-digitized life. Also: for their tangible or aesthetic appeal, to preserve tangibility, to not be constantly tracked and advertised to, to escape the mercurial whims of licensing and arcane digital services, or to have something to do when the internet goes down.

In a way I haven’t even needed to rediscover it: the majority of my movie watching has always come from DVDs or the theater, and I’ll always prefer print over ebooks. We still have Amazon Prime for movies and Google Play for music, and they are often handy. But I need to remind myself once in a while that newer/easier/faster doesn’t always equal better.

I’m not concerned I’ll suddenly become a hoarder. In fact I’m starting to become concerned we’re not keeping enough things around we’ll regret not having later on, either as historical curios or as cultural artifacts that boomerang from modish to obsolete and back. I can’t tell you how many times, when I bring up my interest in typewriters, I’ve heard something like, Oh yeah, I had one from college, but… or My parents had one but didn’t use it anymore, so… It makes me cringe to ponder the fate of those machines. Whether it’s vinyls, typewriters, love letters, Polaroids, or anything else that doesn’t live in an app or social network, the things we think no longer matter in our lives might in time prove us wrong. And what with the internet ushering in a new Dark Ages, methinks we all should get a little more discerning on what we keep, what we don’t, and why.

But hey, to each’s own.

May 18, 2016 1 Comment

you never give me your money

I love antique shops. There are 3 here in Naperville but only one of them is that good. I just love walking through aisles and aisles of history and nostalgia. Recently I’ve been finding piles upon piles of old records. Because of my love of history and good music, I naturally appreciate a good record. I only own two so far; The Beatles’ Abbey Road and Billy Joel’s The Stranger, but I plan on getting a lot more in the future.

I realized that back when records were the only form of music, you couldn’t just throw your entire music library on shuffle like you can nowadays with iPods and CD changers. They required listening to the whole record straight through, so music back then was made to make this possible. Consequentially, albums made sense. They weren’t just random songs put together to make some money–they were fluid and coherent. So recently I’ve been making myself pick an album to listen to and listen to it straight through. It makes the experience so much more fruitful and enjoyable. You can get the overall feeling of the record and then decide if you like it or not. Just try it a few times. I will suggest starting with Abbey Road because it is the greatest album ever made.

P.S. Don’t forget to send me your guesses for the Academy Award nominations which are immediately under this post.

January 26, 2007 Add Comment