Tag: Charles Rappleye

Been Reviewing

Happy to report that two of my most recent reviews for Library Journal are now online. I wrote about Edward Lengel’s First Entrepreneur: How George Washington Built His—and the Nation’s—Prosperity and Charles Rappleye’s Herbert Hoover in the White House: The Ordeal of the Presidency. The former is already out, and the Herbert Hoover biography, which I gave a “starred” review, comes out in May.

My first two reviews are also up, but paywalled: Breaking the Chains of Gravity: The Story of Spaceflight Before NASA by Amy Shira Teitel here and Industries of the Future by Alec Ross here, which is for Booklist.

Reviewing for two publications at once has been fun but strange. Sometimes I’ll have several books at once and have to power through them, and other times I’ll have just one looming in the distance, giving me some time for personal reading. The reviews are only 175-200 words, though, so they are easier to get through than the essay-like reviews in the New York Times et al. Then again, summarizing hundreds of pages in what is basically a solid paragraph can be challenging, especially when I have strong opinions (good or bad) or the book covers so much ground. Then, once I’ve submitted the review, I can’t really discuss it with anyone because it’s not released yet, and I can’t post my review because it’s for the publication.

Anyway, it’s been a fun gig thus far. Thanks to LJ and Booklist for the opportunity.

Herbert Hoover in the White House

By nature of their office presidents generally believe the press corps is working against them, but there is little question that in Washington in 1932 reporters and editors had a lively antipathy for Hoover, a disdain unmatched by any successor until the next Quaker to occupy the White House—Richard Nixon, some forty years later.

From Charles Rappleye’s (excellent) forthcoming Herbert Hoover in the White House (which I’m reviewing for publication): a delicious irony that our nation’s only two ostensibly Quaker presidents were active players in a mutually antagonistic relationship with the press.