Tag: best of

  • Best Films of 2008

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    1. WALL-E

    By far the boldest movie of the year. The wordless first half-hour is delectably good and a bit subversive too. The plot sags once the robots leave Earth, but it remains a beauty to behold. I was surprised at how emotionally invested I was in those cute little robots. It’s certainly a better love story than anything I’ve seen humans try to pull off in a long time.

    2. Happy-Go-Lucky

    Sally Hawkins plays Poppy, an indelibly optimistic teacher who finds the good in everything around her-her stolen bicycle, her siblings’ rivalry, and even her racist driving instructor. She talks a mile a minute but it’s never overbearing and she’s always funny. This purely happy indie makes the perfect antidote for the depressing year we’ve had.

    3. Man on Wire

    What a thrill it was to watch this movie. A documentary about French acrobat Philippe Petit’s 1974 high-wire walk between the two towers of the World Trade Center, Man on Wire shows through dramatic reenactments how Petit and his crew snuck to the top of the towers and accomplished a daring feat unlike any other. It gave me something good to think about whenever I see pictures of the Twin Towers.

    4. In Bruges

    Colin Farrell and Brendan Gleeson play two hit men sent to the scenic Belgian city of Bruges to hide out after a murder. Farrell’s character hates Bruges, while Gleeson’s loves it. They’re the funniest hit men since Pulp Fiction. The movie blends humor, action, and tragedy perfectly. No one saw this February release when it came out, but you have to see it now.

    5. Rachel Getting Married

    A good ol’ dysfunctional family flick. Anne Hathaway plays Kym, a narcissistic addict who leaves rehab for the weekend to attend her sister’s wedding. Tensions rise to the surface as old wounds within the family are ripped open. The film honestly and perfectly shows the love/hate dynamic that binds every family together, for better or for worse.

    6. Shotgun Stories

    Roger Ebert recommended this unknown indie about two sets of half-brothers engage in a deadly civil war in rural Arkansas after their common father dies. The father’s first family, the one he abandoned, takes their hate for their father out on his other sons, and vice versa. It’s a quietly menacing yet ultimately uplifting story that rings true.

    7. The Dark Knight ­­

    A blockbuster that actually earned its acclaim. Heath Ledger certainly deserves at least an Oscar nod for his role-the best villain in a long time. Repeated viewings revealed the film’s biggest flaw; without the Joker, The Dark Knight would be pretty standard superhero movie fare. Nevertheless, it’s a thrill to watch.

    8. Tell No One

    A great French thriller about a man who goes on the run after being wrongly accused of his wife’s murder. Simply yet beautifully shot, it seems like any other standard spy movie until the twist-fest of an ending, when things unfold little by little with new reveals one after another. But what won me was the incredible amount of heart and love underneath it all.

    9. Encounters at the End of the World

    A religious experience. The famed enigmatic German director Werner Herzog tops his last documentary (2005’s Grizzly Man) with this meditative look at Antarctica and the stories of those who brave the elements down South, from the iceberg geologists to the pinniped seals. It’s a beautiful and haunting ode to the great unknown.

    10. Milk

    Sean Penn plays Harvey Milk, the first openly gay man elected to office in America in 1970s San Francisco. While it follows similar guidelines for the standard biopic, Milk is enthralling, educational, and very moving. It’s also very topical, with California having recently passed a ban on gay marriage. Sean Penn is deservedly bound for another Oscar nod.

    Worst of the Year: Indiana Jones and the Kingdom of the Crystal Skull

    Remember when Indiana Jones and his crew were on the quest for the skulls and they were balancing on that gigantic plate in an underground cave? That scene was ripped-off from National Treasure: Book of Secrets. When you’re stealing from a movie that stole its entire style from the original Indiana Jones movies, you’ve got a problem. Add that to the laughable jungle chase scene and ridiculous “it was aliens!” ending and you’re left with a hideous shell of a movie.

    Most Underrated Film: W.

    While it didn’t make the impact Oliver Stone wish it had, W. manages to make some sense out of our soon-to-be-ex-President; his Oedipal complex, conversion to Christianity, and rational for going to war are all treated fairly and make Dubya a sympathetic character. The political junkie in me loved the parts about his presidency, but I also liked seeing an idea of what it was like growing up beneath the daunting shadow of his father. Here’s hoping for a sequel.

    Most Overrated Film: Slumdog Millionaire

    In Mumbai, India, a boy from the slums grows up and goes on the Indian version of Who Wants to Be a Millionaire. The film tells his life story through each of the questions he answers. I grew tired of that stagey and predictable framing device early on, and the film’s inexcusable glamorization of the Mumbai slums just wrecked this one for me. Speaking of predictable: guy chases childhood sweetheart? Please.

    Guilty Pleasure: Miss Pettigrew Lives for a Day

    A pleasant early-in-the-year surprise. I loved the 1930s sets, costumes, and music. Amy Adams shines in any role she takes. The first 20 minutes-a rapid-fire slapstick comedy scenario-were highly engaging. The rest of the movie slows down and falls into a Great Gatsby groove, but it ends up with great depth and heart. Hopefully it will at least pick up a few nominations for costumes and set design, though it definitely deserves more.


  • The Best Albums Of 2008

    There was a lot of music released in 2008. I didn’t listen to most of it because I was too busy listening to the following albums to listen to much of anything else. I don’t expect to see any of these albums honored at the Grammys, but I still love them like my own hypothetical children. So here are the five albums that had me rapt in 2008.

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    1. You Are My Sunshine by Copeland

    I didn’t think Copeland could top their 2006 release Eat, Sleep, Repeat—one of my all-time favorites—but sure enough, with a change of labels and general disposition, they drop You Are My Sunshine, their sunniest project yet. It’s rife with glorious choruses, delectable pop rock invention, though-provoking lyrics and angelic falsetto from lead singer/guitarist/pianist Aaron Marsh. Marsh has iterated that the band has no agenda for their music other than art. In this, they pass with flying colors. Standout track: “On the Safest Ledge”

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    2. Canopy Glow by Anathallo

    This Chicago-based octet has been making music for awhile now, but Canopy Glow is their crowning achievement. It’s a Monet in musical form-full of nuance and lush color with a huge canvas of tools in use from the concert bass drum to hand bells. It’s also much more focused than previous works; no track runs longer than six minutes and, in spite of unconventional song structures and jarring time signatures, the album as a whole is far more accessible. The complex storytelling and musical technique leaves much to be discovered in Canopy Glow. Standout track: “All the First Pages”

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    3. Volume One by She & Him

    Normally, I’d say stay the hell away from a CD made by an actress or non-musical celebrity (case in point: Paris Hilton). But for Volume One, Elf actress Zooey Deschanel teams up with alt-folk rocker M. Ward and actually creates something good. Something really good, actually. Deschanel’s voice, nasally but sexy, is the cornerstone of this folksy album—a mixture of sultry ballads, string-fueled anthems, and straight-up bubblegum pop. It’s pop music with gravitas and I’m loving every minute of it. Standout track: “Sentimental Heart”

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    4. Viva la Vida or Death and All His Friends by Coldplay

    I know I’m just another hitchhiker on the “Coldplay is good now!” bandwagon that revved up after the release of their latest album Viva La Vida or Death and All His Friends, but I can’t help it; it’s just a great album from what was once a tolerable band. I like it when bands who get stuck in a boring funk decide to spice things up and take some chances—Chris Martin and Co. have done just that and have a beautiful epic to show for it. The title track may have been overplayed on the radio, but it’s still the best track of the year, hands down. Standout track: “Viva la Vida”

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    5. That Lucky Old Sun by Brian Wilson

    For a long time I appreciated the Beach Boys just as much as the other guy, but it wasn’t until I dug into Brian Wilson’s solo stuff when I realized his musical genius. There isn’t a better melody writer out there than Wilson, and his newest album That Lucky Old Sun gives a familiar yet welcome taste of classic surf rock in the form of a narrative ode to his native southern California. This album will fit snugly beside the immortal Beach Boys tracks of old, but it still deserves its own love. Standout track: “Live Let Live”

    Honorable Mentions:

    Harps and Angels by Randy Newman; Stop Heartbeat by The Foxglove Hunt; Be OK by Ingrid Michaelson


  • Best Films of 2007

    Note: See an updated version of this list.

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    1) The Lives of Others
    This German film won Best Foreign Language Film at the Oscars last year, and boy, did it deserve it. Set in East Berlin during the Cold War, involving a member of the German secret police who spies on a dissident writer and soon finds his loyalties in a tug-of-war. It’s an intimate and compelling story, worthy of every penny when you rent it.

    2) Once
    If I could watch only one movie before I die, it would be Once. The concept is simple: a guy and girl meet and make music. What transpires is an uplifting, unconventional journey through life and love that never succumbs to cliché. The songs tell the story much more than the dialogue, and seeing the story unfold is truly a delight.

    3) Waitress
    The most pleasant surprise of the year. Keri Russell deserves an Oscar nod for her role as a pregnant, pie-making, emotionally-abused waitress who falls in love with her gynecologist. I instantly fell in love with Russell’s character and her supporting cast. Waitress is the sweetest and most filling story of 2007.

    4) Zodiac
    Despite its long running time, this film had me completely mesmerized. Scene after scene the intrigue builds as we watch detectives, reporters, and a cartoonist try to discover the identity of the Zodiac killer. It’s an old school whodunit story with great performances and a unique style, akin to other thrillers like Collateral and All the President’s Men.

    5) Michael Clayton
    It’s Erin Brockovich meets The Bourne Identity. George Clooney plays a fixer at a high-end law firm that has trouble fixing the latest case of malfeasance. It’s a tight, modest thriller that flew under the radar but deserves many awards. Clooney gives his best-ever performance, and the ending is the best of the year.

    6) No Country for Old Men
    Everything about this film is so good. The acting, cinematography, and writing crank this modernized western to eleven, keeping the tension building as a deadly cat-and-mouse game plays out in ways never seen before. The film is as violent as it is contemplative. Javier Bardem plays the best villain I’ve seen in a long time.

    7) Sweeney Todd: The Demon Barber of Fleet Street
    Johnny Depp commands the screen as a vengeful barber in 19th century London, slitting throats and hitting high notes in this gruesome, gothic musical. The costumes and sets are beautiful, but the singing shines, especially from Depp, whose haunting melodies are backed up by a lush orchestra. I saw many musicals this year; this one rules them all.

    8) Ratatouille
    Pixar is so good that they could make a film about a homicidal drug dealer and still make it family-friendly. Of course Pixar’s animation is superior to its competitors, but this film transcends being simply an “animated movie” and thrives on the merits of its story alone. The voice work is top-notch, especially from Peter O’Toole who voices a food critic.

    9) Juno
    This year’s Little Miss Sunshine. After the first 20 minutes, Juno stops being insufferably twee and hip and settles into form, becoming hilarious and charming. The titular character, played by Ellen Page, is refreshingly frank yet oddly lovable, becoming the bedrock of a film filled with strong supporting characters.

    10) 3:10 to Yuma
    Westerns are back! Christian Bale and Russell Crowe maneuver an epic back-and-forth between Bale’s browbeaten farmer and Crowe’s swashbuckling outlaw he’s paid to bring to jail. Themes of loyalty, justice, and right-versus-wrong weave through this ruggedly gorgeous western. If you don’t usually like westerns, check this one out.