4 lessons from the Trump years

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It’s been a tradition on this blog since its inception to do a kind of presidential postmortem for the outgoing commander-in-chief (see Bush and Obama), assessing both the political takeaways and my personal life during their administration. (I planned to publish this on Inauguration Day, but as the actual end date of the Trump administration is now up in the air I figured I’d just let it fly now.)

On the personal front, the Trump years coincided with a very consequential period of my life. I had a baby. I bought a house. Like everyone else I saw my life transformed by a pandemic. For those reasons alone this epoch will remain very memorable.

As for the politics and public happenings, well, I have hitherto not been secretive about my thoughts on the soon-to-be-former president. But as this exercise is meant to take a bird’s-eye view of things, here are four lessons from the Trump presidency.

1. Hypocrisy is cheap

Accusing someone of hypocrisy is very satisfying. The problem is it doesn’t achieve the intended goal of shaming someone into changing their beliefs or behavior. Instead it does the opposite, making the accused feel defensive and therefore much more likely to double down on their beliefs regardless of the facts—and probably just deploy whataboutism, one of many cheap logical fallacies for people who lack any affirmative argument for their own stance.

Pointing out that Mitch McConnell was a hypocrite for allowing the nomination and vote for a Supreme Court justice in an election year (an election week!) might be true, but so what? Like he cared? Similarly, pointing out Joe Biden’s history of inappropriate sexual behavior and Kamala Harris’s criticism of this before becoming his Vice President are hypocritical to their anti-Trump message was unlikely to sway most like-minded supporters against voting for them.

Perhaps this comes off as pessimistic, but it’s just a realistic understanding of human nature. Politics is people. Accusations of hypocrisy, however tempting, are just not effective for persuading your ideological opponents to help you achieve a political objective.

2. Presidents should tweet more (but better)

Hot take: it’s a good thing Trump used Twitter so actively.

To be clear, I’m not talking about his actual tweets, which were occasionally anodyne but most often downright deranged and completely unbecoming a head of state—so much so they got him rightfully banned from Twitter.

Rather it was the act of tweeting itself that represented a sea change in how to adapt the presidency’s traditional “bully pulpit” to our globalized, tech-infused zeitgeist. Trump wasn’t the first president to use Twitter, but he was the first to weaponize it.

We didn’t have to wait to hear the president’s thoughts filtered through press secretaries and sanitized speeches; we often got it straight from the source, immediately and with vigor. This is a trend outside of politics as well, with celebrities and athletes using the direct nature of social media to cut out meddling middlemen and control their own message as far as they’re able.

The downsides to this change are obvious. It’s not good for anyone—let alone the president—to be Too Online and so easily distracted by, as Spiro Agnew would put it, the “nattering nanobs of negativity” on social media. And when the president uses said bully pulpit to spew insane conspiracy theories, spearhead crusades against opponents (and just as often allies), sling obvious lies, and foment insurrection against his own government (!), it’s easy to see why it’s not worth any of the potential upside.

But with a more salutary person and message behind it, this strategy can benefit more than just a politician’s addled ego. It can show the country and the world that the president is paying attention to what’s happening and intends to use their influence to affect change—hopefully for the better.

Certainly this won’t happen in the Biden administration, as his campaign’s key (and clearly successful) strategy was to remain on the defensive and avoid social media squabbles. But odds are the next president who isn’t a senior citizen will take their tweeting to the next level.

3. Federalism is good

This isn’t something I learned under Trump, but I did appreciate it anew. Federalism is generally defined as the balance of power divided between the federal government and the states. Critics will point to how “states’ rights” has historically been used as a coded justification for perpetuating unjust laws (e.g. slavery, segregation). This is indeed unfortunate for many reasons. But the concept of states’ rights is, on the whole, good, and the proof of this is the 2020 election.

Though I’m sympathetic to arguments against the Electoral College, I think every patriotic American should be grateful our elections are administered and certified by counties and states rather than a centralized national authority. Can you imagine the executive branch being in charge of elections? Especially this executive branch?

When you extend that reasoning to other issues, you can see why it’s valuable for states to act as built-in safeguards against very real autocratic threats against our very fragile democratic system. The reason Trump tried so ardently and pathetically to cudgel Georgia’s Secretary of State into committing voter fraud (to cite one of many documented examples of his malfeasance) is because as president he legally can’t do anything else.

Cheers to federalism!

4. The presidency is broken, but it still matters

I wrote early in this term about the position’s inherent brokenness. A lot of what was controversial about Trump’s actions as president happened not only because of his decisions but because the existing infrastructure around him—or rather lack thereof—allowed it. “Norms”, after all, are only useful as guardrails against wrongdoing until someone abnormal or shameless comes along and completely ignores them.

And even then, since Congress only applies its accountability powers selectively and on partisan terms, anti-corruption laws that do exist are rendered moot if those in charge of enforcing them lose their nerve. As such, Americans are very often at the mercy of executive action.

(As fake Abraham Lincoln says in Lincoln: “I am the President of the United States, clothed with immense power!”)

Thus the presidency becomes what its occupant makes of it—for good and ill. There were many examples of this during the last four years, but the response to Covid-19 was the perfect synecdoche for all of them. This was an instance where lack of executive action proved severely costly in lives and livelihoods.

Covid-19 really was the perfect opportunity for Donald Trump to shine. He’s very anti-China, very germaphobic, and very enthusiastic about closing borders and keeping out foreigners. Even unpopular leaders in other countries saw their approval ratings rise due to their strong responses to combating the coronavirus, and yet Trump’s cratered and most likely cost him reelection.

It’s important to point out that the economic and medical devastation related to Covid-19 in the United States is not solely Trump’s fault. We know lots of factors contribute, as even other countries that were much more responsive have struggled to contain it. But his indifference, even contempt, toward basic preventative public health measures and the idea of helping anyone who didn’t profess sufficient fealty to him indicated severe myopia at best and destructive nihilism at worst.

This abdication of leadership has contributed to (as of today) over 375,000 American deaths and a record-high 81 million votes against him in 2020. Combine that with all the ways Trump chose to actively wield his executive power for ill—or for his own financial gain—and he becomes the perfect archetype for the kind of person who should never be in any position of power, let alone the presidency.

Grand Old Covfefe

The Trump presidency was bad, but it wasn’t all bad. I largely agree with everything David Frum wrote about the good that came out of this administration. To ignore that is to deny reality, which is something I’ll leave to the “Trump won the election” mob.

I sincerely hope this is the last time I feel compelled to write about Trump, either Donald or any other. I’m sick of his depravity, stupidity, the braggadocio mixed with impotence, and most of all the malice. Over the last few years I have called him (or quoted someone calling him) a cancer on the republic, chaotic and vapid, playing havoc with our lives, a “marvelously efficient acid bath”, and more.

Over and over again I have, sadly, been validated. Words from “Your Obedient Servant” from Hamilton come to mind (directed, notably, at another American insurrectionist):

I stand by what I said
Every bit of it
You stand only for yourself
It’s what you do
I can’t apologize because it’s true

Trump will soon be gone from his presidential perch. But even then he will remain the summum bonum of the GOP, what was once a functional conservative party but is now, as Andrew Sullivan put it, “a paranoid, delusional personality cult.”

I greatly respect the conservatives and Republicans who have dissented from this delusion, who have seen Trump for what he is and proclaimed such at great cost. These people retain the conscience of the once Grand Old Party, but unfortunately not the control.

Free typewriter paper? OK

Sometimes it pays for people to know your hobby.

Last week, when I was actually working in the office for once, I arrived to find this on my desk:

No note, no idea who left it there. Maybe they found it in the library’s supply closest and remembered I was a typewriter guy.

Regardless, I’m letting it serve as my 2021 resolution to get back into my typewriters. They’ve been neglected for far too long.

First up, a 1931 Remington Portable 3 that needs some admiration and TLC…

Favorite Books of 2020

In his year-end summary of reading, Seth Godin wrote: “Books are an extraordinary device, transitioning through time and space, moving from person to person and leaving behind insight and connection. I’m grateful every single day for the privilege of being able to read (and to write).”

I read 18 books in 2020. For some people that might be a lot, but for me it’s an all-time low and a continuation of a downward trend since my peak of 80 books in 2016. The global pandemic had something to do with it, as once I started working from home I lost the time I had previously spent reading during my daily commute and lunch break.

But that’s OK. Like Seth I’m grateful for the privilege of being able to read at all, let alone whatever I want. Of what I was able to read this year, here (in alphabetical order) is what stood out.

Alright, Alright, Alright: The Oral History of Richard Linklater’s Dazed and Confused by Melissa Maerz

While I’ve been a fan of Dazed and Confused for a while, I knew next to nothing about its making aside from Richard Linklater’s freewheeling filmmaking style. This book is a good mix of context-setting commentary from the author and contributions from everyone involved with the movie. (The funniest part is everyone dumping on one insufferable actor who thought he was the next Brando.) Rewatched the movie after reading and appreciated it anew.

Choice quote:

Every few years, as a new crop of high schoolers graduates, new generations discover Dazed. The fact that it doesn’t really have a plot means it holds up better with repeat viewings. You aren’t watching for the story. You’re watching to hang out with the characters.

Answers in the Form of Questions: A Definitive History and Insider’s Guide to Jeopardy! by Claire McNear

I took the online Jeopardy! test back in March after I started working from home. It… didn’t go well. But that made me appreciate the show and its contestants all the more, along with how televised trivia has managed to remain not only relevant but beloved for so long. This book digs into all of that and more with a combination of concision and panache that Alex Trebek (RIP) would appreciate.

Choice quote:

The real Jeopardy! is not the machine. It’s the show, the thirty minutes of pleasant syndicated reassurance that the machine produces five times a week. Jeopardy! isn’t in a chilly California soundstage; it’s in your home, as you yell answers at the TV screen or furrow your brow during a tense Daily Double. … The real Jeopardy! is the illusion of simplicity: Alex Trebek, three contestants, roughly sixty answers and sixty questions. The real Jeopardy! is the magic trick.

The Bear by Andrew Krivak

Set in a dystopian future, this short novel follows a man and his daughter forging a lonely existence in the wilderness. What begins as a rugged, sparse tale soon combines with elements of magical realism, and that’s what really made it sing. Makes me eager to read more Krivak.

Choice quote:

The wood you burn to cook your food and keep you warm? The smoke that rises was once a memory. The ashes all that is left of the story.

Breaking Bread with the Dead: A Reader’s Guide to a More Tranquil Mind by Alan Jacobs

Jacobs’s writing is very influential to me. His blog is a constant source of bemused, no-bullshit commentary about politics, religion, culture, and the life of the mind. His latest book seeks to make the case for “temporal bandwidth”—the idea of widening your understanding of the present by engaging with old books and ideas that provide an “unlikeness” to your own assumptions. This means accepting good things about the past along with its baggage. It’s a short but punchy book, the third in a trilogy (along with The Pleasures of Reading in an Age of Distraction and How to Think) that together puts forth a commendable vision of intellectual engagement.

Choice quote:

If it is foolish to think that we can carry with us all the good things from the past—from our personal past or that of our culture—while leaving behind all the unwanted baggage, it is a counsel of despair and, I think, another kind of foolishness to think that if we leave behind the errors and miseries of the past, we must also leave behind everything that gave the world its savor.

Breath: The New Science of a Lost Art by James Nestor

Nestor’s previous book about freediving really spoke to me, so I was eager to see where he went next. His immersion journalism takes him into the surprisingly deep terrain of respiration, especially timely this year given how central breathing is to Covid-19 transmission. Obviously breathing is important to your health, right? But it’s fairly astounding how just breathing deeply through your nose can improve your overall well-being. This book taught me a lot, but mostly it made me more attentive to the aspects of our humanity we often take for granted.

Choice quote:

Everything you or I or any other breathing thing has ever put in its mouth, or in its nose, or soaked through its skin, is hand-me-down space dust that’s been around for 13.8 billion years. This wayward matter has been split apart by sunlight, spread through the universe, and come back together again. To breathe is to absorb ourselves in what surrounds us, to take in little bits of life, understand them, and give pieces of ourselves back out. Respiration is, at its core, reciprocation.

Devolution: A Firsthand Account of the Rainier Sasquatch Massacre by Max Brooks

M. Night Shyamalan’s Signs and The Village meet Home Alone. Though I read Brooks’s previous book World War Z, it didn’t stick with me nearly as much as this one, which treads similar realistic sci-fi territory. Because the main event is right there in the title, the dramatic tension builds so exquisitely throughout the book. It was one of those stories that delightfully defied prediction, and managed to end on a tantalizing yet satisfying note.

Choice quote:

They all want to live “in harmony with nature” before some of them realize, too late, that nature is anything but harmonious.

Enemy of All Mankind: A True Story of Piracy, Power, and History’s First Global Manhunt by Steven Johnson

One of my favorite authors, Johnson nailed it again with this riveting historical epic that weaves together 17th-century seafaring, the surprising culture of pirate ships, the dawn of the multinational corporation, and much more. Johnson’s magic trick is being able to stuff so much fascinating information into a crisp narrative without making it seem stuffed. It really feels like a rewarding reading journey.

Choice quote:

Ancient history is always colliding with the present in the most literal sense: our genes, our language, our culture all stamp the present moment with the imprint of the distant past.

Go to Sleep (I Miss You): Cartoons from the Fog of New Parenthood by Lucy Knisley

This laugh-out-loud hilarious cartoon collection is a short, sweet, and stunningly accurate depiction of the small moments and observations new parenthood allows. Though mostly geared toward the experience of mothers, so much of it resonated with me. Really glad to have stumbled upon this at my library’s New Graphic Novels shelf.

Choice quote:

Dude, I love you so much… but could you *please* stop discovering the infinite wonder of the world for, like, two minutes?

Information Hunters: When Librarians, Soldiers, and Spies Banded Together in World War II Europe by Kathy Peiss (review)

The book tells two primary, interweaving stories: how the information-collecting missions of the Library of Congress, OSS, and Allied forces conflicted and aligned before, during, and after the war; and how individuals engaged with those missions on the ground. I found the parts about the people much more engaging than the broader institutional machinations. But if you share my interests in librarianship, archives, history, and World War II, you’ll dig this.

Choice quote:

The war challenged these librarians, archivists, scholars, and bibliophiles to turn their knowledge of books and records toward new and unpredictable ends. The immediacy and intensity of their experience tested them psychologically and physically. Whether soldier or civilian, American-born or émigré, these people’s lives changed as they engaged in this unusual wartime enterprise. They stepped up to the moment, confronting shifting and perplexing circumstances armed only with vague instructions and few precedents to guide them.

Favorite non-2020 books I enjoyed

  • Meditations on Hunting by José Ortega y Gasset (review)
  • The Night Lives On: Thoughts, Theories and Revelations about the Titanic by Walter Lord
  • One Summer: America, 1927 by Bill Bryson
  • Watchmen by Alan Moore
  • Catalogue of Shipwrecked Books by Edward Wilson-Lee

Memories make us rich

Former Packers columnist Vic Ketchman likes to say “memories make us rich.”

I think about this a lot, but I gave it special consideration during this year’s annual viewing of It’s A Wonderful Life when, at the very end—in arguably the film’s best moment—Harry says, “A toast to my big brother, George, the richest man in town.”

He’s rich because all of Bedford Falls is dumping a veritable fortune on his table. He’s also rich—richer, I’d say—because of who is doing the dumping and why they’re doing it.

George had been offered a similar financial windfall earlier in the film when Potter tried to hire him, but he rebuffed it. Had he decided otherwise, he would have gained wealth of a kind, but also a kind of poverty that no amount of money could cure. He wouldn’t have had the same relationships with all the friends and family and townsfolk who filled his house with a different kind of windfall.

George was rich in the end because he remembered. He remembered the barrenness of his ghostly alternate life where he was never born. And he remembered—suddenly, when he wanted to live again—the meaning of all his family and friends and frustrating failures and small victories that had accumulated into something like a wonderful life.

Clarence Odbody (Angel Second Class) gets the last word in the movie with his book inspiration to George: “Remember, no man is a failure who has friends.” Remember these friends, he’s saying, not because they’re currently making you rich, but because they already have.

2020 in review

See other year in review posts.

Me and Little Man gathering snowballs, here at the end of all things 2020:

A lot of bad things happened in the world this year, but in my own little world there was mostly just good. Chiefly because I’m blessed to have a COVID-proof job that has let me work from home since mid-March.

This has also meant doing lockdown and social distancing with a toddler, which was simultaneously easy (he doesn’t know what COVID-19 is nor what he’s missing because of it) and challenging (*random shrieking and tantrums*).

Still, life continued to happen in spite of everything, as it is wont to do. Here’s what that looked like for me:

  • Got to watch Little Man:
  • Coined a new Filmspotting segment
  • Celebrated five years of marriage with my bride
  • Made several home improvements, including adding can lights, getting a new front door, remodeling our house’s original 1956 kitchen (shout-out to soft-close cabinets and drawers!), and opening up a wall between the kitchen and living room
  • Learned I’m an Obi-Wan, and pondered statues and Star Wars
  • Mulled over marriage and music
  • Ranked my top 10 songs from Disney movie musicals
  • Kept up my ongoing Recent Views, Magazine Mashups, and Media of the Moment series
  • Became a person who listens to podcasts at 1.5x speed
  • Became a person who has a pre-lit, artificial Christmas tree
  • Refinanced our mortgage to jump on those sweet ‘n’ low interest rates
  • Hosted some out-of-town friends for a socially distant autumnal hangout in our garage, complete with space heater and hot cider
  • Learned my 3-year-old niece said this about me: “I love Chad because he holds me. He’s the best Chad I’ve ever had.”
  • Explored the wilds of Pure Michigan during a weekend getaway, our only out-of-town excursion this year except for a surprise day trip to see family and say goodbye to my sister’s dog (RIP Nox)
  • Said goodbye to my beloved iPhone SE and said hello to a new second-generation SE
  • Sold our Nissan Leaf to some friends and saw our electric bill drop by about 40%
  • Took a few much-needed and much-enjoyed solo bike rides to and through a nearby forest preserve
  • Got a new leaf blower with a gutter attachment, which is a game-changer
  • Finally got my garage workspace set up with some steel pegboards for tools and our old kitchen’s counter/cabinet as a workbench
  • Continued adding to my DVD collection, with new entrants including Out of the Past, Contact, Toy Story 3, Ikiru, and several library discards
  • Read 17 books and watched 78 movies
  • Watched lots of quality TV, including The Queen’s Gambit, The Great British Baking Show, Big Mouth, Love on the Spectrum, Queer Eye, and The Crown

Mitigating 2020 tarnished legacies is our reality

Magazine mashup from American Libraries, Jan/Feb 2021. More mashups here.

The wit and wisdom of ‘Grumpy Old Men’

Grumpy Old Men has become one of the few movies I return to every Christmastime, along with The Family Stone and It’s A Wonderful Life. Though (or maybe because), like those other movies, it’s only partially about Christmas.

It’s schmaltzy to a fault, but also an hilarious showcase for the legendary comedic chemistry between Jack Lemmon and Walter Matthau, forged over decades of working together.

Matthau was open about taking the role only for mercenary purposes. His co-star Kevin Pollak talked about chatting with Matthau on the set before their first scene together:

I said, “So, Walter, script’s pretty good, huh?” And he said, “The script sucks, kid. I owe my bookie $2 million.”

You’d never know it though. Matthau and Lemmon fully commit to their acerbic, chops-busting banter, which is the core strength of the movie.

The movie also stumbles upon a few bits of wisdom that have stuck with me, most of which comes not from the titular men but from the people around them. Like Ariel, the free-spirited neighbor turned love interest played by Ann-Margret. Here’s what she said to acknowledge the death of a mutual friend:

“We can be thankful that we had the privilege of knowing him while he was still here.”

She also drops this doozy during an argument with Lemmon’s John Gustafson, whom she accuses of being too stuck in his ways:

“The only things in life that you regret are the risks you don’t take.”

Finally, Burgess Meredith—absolutely slaying in a supporting role as Gustafson’s horny, incorrigible father—lends this uncharacteristically reflective bit:

The first ninety years go by fast. Then one day you wake up and realize you’re not 81 anymore. You begin to count the minutes rather than the days. And you realize that pretty soon you’ll be gone. And that all you have is the experiences. That’s all there is. Everything! The experiences!

The experience of watching the movie’s combination of sincerity, silliness, and un-Christmaslike shenanigans (along with its wondrously snowy northern Minnesota setting) is what keeps me coming back every year.

Meditations on Hunting

Can’t remember how I came upon it, but I recently read Meditations on Hunting by philosopher José Ortega y Gasset, published in 1972 and apparently considered a classic in hunting literature. It isn’t really about hunting itself, but the philosophies that undergird it and the meaning it can provide.

I found great wisdom in these quotes, and not only as someone who has hunted a fair amount of duck and a little bit of deer in my life. Hunting is at once an ancient activity that fulfilled basic needs and an altogether modern one that demands one’s full attention and respect for the nature beyond ourselves.

Ortega y Gasset incisively captures this dichotomy and everything in between. Here are some quotes from the book that stood out to me.

On diversion:

“‘Diversion’ usually indicates only comfortable situations, to the extent that, used carelessly, it connotes ways of life completely free of hardship, free of risk, not requiring great physical effort nor a great deal of concentration. But the occupation of hunting, as carried on by a good hunter, involves precisely all of those things.”

On life’s occupations:

“The life that we are given has its minutes numbered, and in addition it is given to us empty. Whether we like it or not we have to fill it on our own; that is, we have to occupy it one way or another. Thus the essence of each life lies in its occupations.”

“The fact is that for almost all men the major part of life consists of obligatory occupations, chores which they would never do out of choice. Since this fate is so ancient and so constant, it would seem that man should have learned to adapt himself to it and consequently to find it charming. But he does not seem to have done so.”

“All this indicates that man, painfully submerged in his work or obligatory occupations, projects beyond them, imagines another kind of life consisting of very different occupations, in the execution of which he would not feel as if he were losing time, but, on the contrary, gaining it, filling it satisfactorily and as it should be filled. Opposite a life which annihilates itself and fails—a life of work—he erects the plan of a life successful in itself—a life of delight and happiness.”

On happiness:

“All men, in fact, feel called on to be happy, but in each individual that general call becomes concrete in the more or less singular profile in which happiness appears to him. Happiness is a life dedicated to occupations for which that individual feels a singular vocation. Immersed in them, he misses nothing; the whole present fills him completely, free from desire and nostalgia. Laborious activities are performed, not out of any esteem for them, but rather for the result that follows them, but we give ourselves to vocational occupations for the pleasure of them, without concern for the subsequent profit. For that reason we want them never to end. We would like to eternalize, to perennialize them. And, really, once absorbed in a pleasurable occupation, we catch a starry glimpse of eternity.”

On hunting’s code of ethics:

“Hunting, like all human occupations, has its different levels, and how little of the real work of hunting is suggested in words like diversion, relaxation, entertainment! … It involves a complete code of ethics of the most distinguished design; the hunter who accepts the sporting code of ethics keeps his commandments in the greatest solitude, with no witnesses or audience other than the sharp peaks of the mountain, the roaming cloud, the stern oak, the trembling juniper, and the passing animal. In this way hunting resembles the monastic rule or military order.”

On looking at past problems with today’s solutions:

“Every time man looks at a past life from his perspective of the present, he sees, alongside the problems that weighed upon it, the solutions which, for better or for worse, these problems received. And so it naturally seems that every past life was easier, less full of anguish, then the present life; it is a charade whose solution we possess beforehand.”

On the pleasure of ‘being Paleolithic’:

“This is the reason men hunt. When you are fed up with the troublesome present, with being ‘very twentieth century,’ you take your gun, whistle for your dog, go out to the mountain, and, without further ado, give yourself the pleasure during a few hours or a few days of being ‘Paleolithic.'”

“When we leave the city and go up on the mountains it is astounding how naturally and rapidly we free ourselves from the worries, temper, and ways of the real person we were, and the savage man springs anew in us. Our life seems to lose weight and the fresh and fragrant atmosphere of an adolescence circulates through it.”

On returning to nature:

“Man is a fugitive from Nature. He escaped from it and began to make history, which is trying to realize the imaginary, the improbable, perhaps the impossible. History is always made against the grain of Nature. The human being tries to rest from the enormous discomfort and all-embracing disquiet of history by “returning” transitorily, artificially, to Nature in the sport of hunting.”

On the physical senses of hunting (quoting Eduardo de Figueroa, 8th Count of Yebes):

“There is one of the hunter’s senses which must work indefatigably at all times. That is the sense of sight. Look, look, and look again; at all times, in all directions, and in all circumstances. Look as you go along; look while you are resting; look while you are eating or lighting a cigar; up, down, back over the ground you have just covered, at the hill crests, at the ledges and dells, with binoculars and the naked eye, and always be aware that if you know how to look, the beast that you have not found in eight hours of backbreaking work can appear within a hundred meters, when just at sunset, worn out and cursing your interest, you are taking off your shoes and caring for your aching feet in the door of a shelter or a tent. It’s good advice.”

On the need for attention and alertness:

“The hunter knows that he does not know what is going to happen, and this is one of the greatest attractions of his occupation. Thus he needs to prepare an attention of a different and superior style—an attention which does not consist in riveting itself on the presumed but consists precisely in not presuming anything and in avoiding inattentiveness. It is a “universal” attention, which does not inscribe itself on any point and tries to be on all points. There is a magnificent term for this, one that still conserves all its zest of vivacity and imminence: alertness. The hunter is the alert man.”

On seeing the “least foreseeable” solutions:

“The only man who truly thinks is the one who, when faced with a problem, instead of looking only straight ahead, toward what habit, tradition, the commonplace, and mental inertia would make one assume, keeps himself alert, ready to accept the fact that the solution might spring from the least foreseeable spot on the great rotundity of the horizon.”

We are who we deeply are

Listening to the latest episode of the On Being podcast, with evolutionary anthropologist Agustín Fuentes, and I heard the host Krista Tippett say something while quoting Fuentes that gave me pause. From the transcript:

And even filling out the picture — this is from your Gifford Lectures — “meaning, imagination, and hope are essential to the human story, as are bones, genes, and ecologies.” And that’s kind of what we’ve looked at when we’ve told this human story of who we are, who we deeply are.

When I first heard that last part, I thought Tippett said “we are who we deeply are.” When I jumped back to listen to it again, I realized that wasn’t what she meant exactly. But I think that mondegreen is an intriguing idea to ponder. We are who we deeply are.

Which then begs the question: who am I—who are you—deeply?

Recent Views

More photography here and on my Instagram.

Watching this little wanderer discover the wilds of Pure Michigan™:

Caught some nice evening light in our local playground’s jungle gym:

Technically this will be Mr. 22 Month Old’s third winter (he was born during a blizzard), but the first he remembers and appreciates. Hence his major surprise and excitement when waking up to the first snow of the season:

And finally getting to use his shovel:

Hope to love you long

In his post on the emotional intelligence of long experience, Alan Jacobs spotlights a letter from the great 18th century writer and lexicographer Samuel Johnson to his younger friend, who at one point thought he had said something to offend Johnson:

You are not to imagine that my friendship is light enough to be blown away by the first cross blast, or that my regard or kindness hangs by so slender a hair, as to be broken off by the unfelt weight of a petty offence. I love you, and hope to love you long. You have hitherto done nothing to diminish my goodwill, and though you had done much more than you have supposed imputed to you my goodwill would not have been diminished.

I write thus largely on this suspicion which you have suffered to enter your mind, because in youth we are apt to be too rigorous in our expectations, and to suppose that the duties of life are to be performed with unfailing exactness and regularity, but in our progress through life we are forced to abate much of our demands, and to take friends such as we can find them, not as we would make them. …

When therefore it shall happen, as happen it will, that you or I have disappointed the expectation of the other, you are not to suppose that you have lost me or that I intended to lose you; nothing will remain but to repair the fault, and to go on as if it never had been committed.

This is great advice for life generally, but also during election season specifically. I saw stories of people breaking off relationships with their family members and friends based on their politics—which is, in my humble opinion, a completely asinine thing to do.

Ideologies ebb and flow. Elections come and go. Relationships that matter should endure beyond all of that. If that means making certain discussion topics off limits, all the better. To act otherwise means the terrorists win. (I’m only half joking.)

Lowercase truths

Bret Stephens, in a column on the New York Times’s 1619 Project:

Journalists are, most often, in the business of writing the first rough draft of history, not trying to have the last word on it. We are best when we try to tell truths with a lowercase t, following evidence in directions unseen, not the capital-T truth of a pre-established narrative in which inconvenient facts get discarded. And we’re supposed to report and comment on the political and cultural issues of the day, not become the issue itself.

“The last word” is a specious concept that doesn’t exist except in fiction. (Besides, what if we’re wrong?) Everyone—not just journalists—ought to befriend lowercase truths, even when it’s hard. Or as Relient K puts it in “The Truth”:

I’ll put the emphasis on the evidence
Begging for the proof
Sometimes the hardest thing to believe is the truth

Send everyone all your vibe

Magazine mashup from the Shutterfly 2020 Cards & Gifts catalog. More mashups here.

Hand in hand

Did some hand tracing with Mr. 21 Months, which reminded me of a picture I took of us last year while on a walk. Using a crayon made our hands look chunkier than they really are, but little man’s hand in the picture was just as chunky as it looks.

Our flag was still there

I took this picture of my library’s flagpole not long before a sudden and severe thunderstorm tore through the area, which is evident in the ominous clouds and shadows obscuring the otherwise vibrant colors on the flag.

This view brought to mind the final lines of “The Star-Spangled Banner”, which I pondered a few years ago during the Kaepernick kneeling kerfuffle and remain resonant today:

And the rockets’ red glare,
the bombs bursting in air,
Gave proof through the night
that our flag was still there

That flag survived the bombardment, and its survival was made evident by the bombardment itself.

You can pick the metaphor to represent what we’re living through now—just some turbulent weather or a straight-up bombardment. Either way, as a nation we’ve endured lots of them throughout history. (Today being Veteran’s Day is another reminder of this.) And yet our flag is still there.

I take comfort in Sam’s speech to Frodo near the end of Lord of the Rings: The Two Towers, when they’re stuck in Osgiliath in a particularly dark moment:

It’s all wrong. By rights we shouldn’t even be here. But we are. It’s like in the great stories, Mr. Frodo. The ones that really mattered. Full of darkness and danger they were. And sometimes you didn’t want to know the end. Because how could the end be happy? How could the world go back to the way it was when so much bad had happened? But in the end, it’s only a passing thing, this shadow. Even darkness must pass. A new day will come. And when the sun shines it will shine out the clearer.

Here’s hoping for sunnier days. (I do anticipate a brighter forecast starting on or around January 20.)

A cheerful failure

For Filmspotting’s latest poll, they ask which of the provided movie failures you are the biggest cheerleader for. The criteria: “These are movie ‘failures’ that paired well-respected, ‘auteurist’ filmmakers with existing properties—and high expectations—resulting in significant disappointments critically and (usually) at the box office.”

Check out the poll for all the options. I’ve only actually seen two of them, but there was only really one answer: Steven Spielberg’s Hook.

Sure, as a ’90s kid there was a little bit of nostalgia that influenced my vote. But it wasn’t nostalgia alone. I’ve rewatched it as an adult and found it to be a superbly directed, campy, and effervescent reimagining of a classic story, with a dynamic Robin Williams performance and jubilant John Williams score.

And as the father of a toddler, the part that really hit me on the rewatch was what Peter’s wife Moira said to him after he snaps at his kids:

Your children love you. They want to play with you. How long do you think that lasts? Soon Jack may not even want you to come to his games. We have a few special years with our children, when they’re the ones that want us around. After that you’ll be running after them for a bit of attention. It’s so fast, Peter. It’s a few years, then it’s over. And you are not being careful. And you are missing it.

Media of the moment

An ongoing series on books, movies, and music I’ve encountered recently.

Portrait of a Lady on Fire. Fire!

Watchmen (TV show). This whole limited series is something special, but the three-episode stretch of “This Extraordinary Being”, “An Almost Religious Awe”, and “A God Walks Into Abar” is spectacular. I went into this basically as a Watchmen neophyte and came out a believer.

My Octopus Teacher and The Social Dilemma. An accidentally insightful Netflix documentary double feature.

Breaking Bread with the Dead: A Reader’s Guide to a More Tranquil Mind by Alan Jacobs. “If it is foolish to think that we can carry with us all the good things from the past—from our personal past or that of our culture—while leaving behind all the unwanted baggage, it is a counsel of despair and, I think, another kind of foolishness to think that if we leave behind the errors and miseries of the past, we must also leave behind everything that gave the world its savor.”

The Vast of Night. A fairly astounding debut feature. The Twilight Zone meets Pleasantville meets Super 8. Available on Amazon Prime, and I’d recommend learning as little as possible about it before watching.

The Last Dance. Can be summed up in one Larry Bird GIF.

Downhill. As a remake of the 2014 Swedish film Force Majeure (big fan), I was very curious how this version would adapt itself to American sensibilities. Pretty well, it turns out.

Hamilton: An American Musical. Duh.

1917. Still glad Parasite won Best Picture, but this deserved all the awards it got.

Pick up your kid

There’s a post by Jason Kottke I’ve thought about almost every day since he wrote it last year. He links to an animated version of The Very Hungry Caterpillar, then reminisces about reading picture books with his now-older kids:

We’ll likely never read any of those books together again. It reminds me of one of the saddest things I’ve ever heard about parenting: one day you’ll pick up your kid, put them down, and never pick them up again…and you won’t remember it happening.

This is why I never, ever get tired of picking up Mr. 20 Months. He’s only getting taller and heavier (though his weight has plateaued since he’s so freakin’ active), but I will continue to pick him up as long as possible, if only to smooch him yet again. I mean, how could you not want to scoop this up:

Are You Paying Attention? On ‘The Social Dilemma’ and ‘My Octopus Teacher’

I don’t have to go looking for synchronicity because it always finds me. This time it was on Netflix.

The other day I watched Netflix’s new docu-drama The Social Dilemma (trailer) based on the recommendation from a friend and a lively text thread about its implications.

The film’s thesis is that social networks are engineered to hack human psychology and prey upon our attention as a means to serve advertisers, which is detrimental to humans specifically and society generally. We learn this from the talking heads of former Silicon Valley executives, whose firsthand experience with the dark side of social media have motivated them to speak out against their former employers and advocate for reform.

Interwoven with the talking heads is the drama part of the film, which depict a family wrestling with the many ways technology can negatively affect our lives: the son slowly being radicalized by extremist propaganda, the tween daughter tormented by insecurity and social media bullying, the mother witnessing the fraying of family cohesion.

Though the dramatized storyline sometimes felt a little “anti-smoking PSA” to me, as a morality tale it was an effective companion to the talking heads. (This interview with Tristan Harris, one of the subjects and co-founder of the Center for Humane Technology, gives some needed context to his contributions.)

The documentary stimulated a valuable discussion between my wife and I about social media’s role in our family. But it wasn’t until later that night when its lessons sank into my consciousness in a tangible way.

Diving into the divine milieu

Later that same night, I decided to watch My Octopus Teacher, another new Netflix documentary featuring freediver and filmmaker Craig Foster. The banal description (“A filmmaker forges an unusual friendship with an octopus living in a South African kelp forest, learning as the animal shares the mysteries of her world”) belies the transcendent richness of what we see develop on screen—both between Foster and the octopus and between Foster and the underwater environment.

He describes how diving in the cold seawater makes you “come alive to the world” and focuses your mind intently on your surroundings. I’ve written about freediving before, and how the “divine milieu” of the sea—or any uncivilized landscape—can open us to transformation.

Foster’s own transformation happens over the course of a year as he encounters and befriends a common octopus. And thanks to his abundant underwater footage, we get to witness a series of moments—surprises, scares, sorrows, and simplicities—that teach so much about a reclusive and otherworldly creature. Due to Foster’s soothing narration, the gentle piano score, and the meditative quality of being immersed underwater, it’s a beautiful and emotional story that shows the stunning possibilities of what being present in nature can offer.

That also makes it a fascinating contrast to The Social Dilemma, chiefly in how it offers an antidote to all the ails social media can create. If we feel distracted, we should seek focus. If we feel fragmented, we should seek embodiment. (Brené Brown: “We move what we’re learning from our heads to our hearts through our hands”—a lesson I have to constantly relearn.)

Being in nature, in silence, or at least away from screens allow for both of those things if you let it. And recently I did.

My toddler teacher

A few days after watching both of these films, for undetermined reasons Mr. 19 Months was refusing to fall asleep. I brought him out to his play area and he started tinkering with a wooden train set we recently put into toy circulation. He usually doesn’t focus on one activity for very long, yet for at least 15 minutes he sat there quietly exploring and experimenting with this new contraption.

Usually my phone is with me in our living room post-bedtime, but it wasn’t that night. I could have retrieved it, but I didn’t want to break this spell as I knew he’d either want to follow me or jump to another activity. I soon realized that if I did have my phone, I would have missed so much.

I would have missed his subtle gestures as he figured out how to put the cylindrical blocks into their corresponding holes in the train car.

I would have missed trying to decipher his thought process of how to slot the various discs onto their poles.

I would have missed out on pondering how toddlers can be ferocious one moment and beautifully serene the next—not unlike octopuses.

Similarly, Foster’s unique story wouldn’t have happened if he didn’t dedicate himself to visiting the kelp forest every day, and if he hadn’t noticed the octopus beneath its camouflaged hideout, and if he didn’t intentionally seek to cultivate trust with a marvelous and mysterious creature.

My own marvelous and mysterious creature has taught me a lot in his short time on Earth. (See his tag for the continuing journey.) Just by living out his full self—and toddlers can’t do anything else—he demonstrates the rewards of using your attention wisely, whether it’s for a glowing screen or a wooden train set or an inquisitive toddler or a reclusive cephalopod.

You don’t have to choose one, but you do have to choose.

An Iceberg to Remember

One of my favorite books of all time is Walter Lord’s A Night to Remember, a retelling of the Titanic’s demise. I finally got around to watching Roy Ward Baker’s 1958 film adaptation of the book on a beautiful Criterion Blu-ray from the library, and it got me wondering: what about the iceberg?

In both the 1958 film and James Cameron’s mega-blockbuster, we get some ominous shots of the iceberg as the ship tries to avoid it, and then some ice chunks sliding across the deck. But after that, the iceberg disappears. For how much we know about the Titanic and its passengers, there’s far less out there about what turned the Titanic story into legend.

I love this article from Gizmodo that charts the iceberg’s incredible journey, beginning as “snowfall on the western coast of Greenland somewhere around 1,000 BCE” and ending when it “likely broke off from Greenland in 1910 or 1911 and was gone forever by the end of 1912 or sometime in 1913.” In all likelihood, “the iceberg that sank the Titanic didn’t even endure to the outbreak of World War I, a lost splash of freshwater mixed in imperceptibly with the rest of the North Atlantic.”

Despite that, we have pictures of it! Not an easy feat in 1912:

In the parlance of The Rewatchables podcast, this may be one of the greatest heat-check performances by a natural formation in history. Basically comes out of nowhere, ventures far beyond where it should be, gets suddenly and violently rammed in the middle of the night by an enormous ship, then melts away within the year.

Such an improbable journey dovetails with the fate of the Titanic itself, as Lord wrote in the original book:

What troubled people especially was not just the tragedy—or even its needlessness—but the element of fate in it all. If the Titanic had heeded any of the six ice messages on Sunday . . . if ice conditions had been normal . . . if the night had been rough or moonlit . . . if she had seen the berg fifteen seconds sooner—or fifteen seconds later . . . if she had hit the ice any other way . . . if her watertight bulkheads had been one deck higher . . . if she had carried enough boats . . . if the Californian [just ten miles away] had only come. Had any one of these ifs turned out right, every life might have been saved. But they all went against her—a classic Greek tragedy.