An ongoing series on music I’ve encountered recently.
“Strange American Dream” by Rayland Baxter, Wide Awake
Recently I decided I wanted to find a way to regularly hear new music. If only there were a podcast, I thought, from a renowned media company that featured new music every week. Then I realized that was NPR’s All Songs Considered, a podcast I’ve known about for years but never listened to. The first episode I heard featured this song. I was hooked right away, dove into his back catalog, and then found out he was playing in Chicago exactly when I could make it. It was a great show: he’s like the lovechild of Tom Petty and Steve Miller Band, with a dash of U2.
“Waiting on a Song” by Dan Auerbach, Waiting on a Song
I was on a Black Keys-adjacent kick and realized I hadn’t listened to Auerbach’s solo stuff. I didn’t care for Keep It Hid, but Waiting on a Song is a sparkling mix of pop, rock, and soul.
“To the Great Unknown” by Cloud Cult, The Seeker
A buddy of mine told me about Cloud Cult in the midst of a deep conversation about the mysteries of the universe. Turns out Cloud Cult is a great guide in that journey. I can’t decide if I actually like Minowa’s voice or not, but the combination of stargazing lyrics and indie rock just does something for me.
“The Last Goodbye” by Uncle Earl, Waterloo, Tennessee
Pretty sure I have Abigail Washburn’s Wikipedia page to thank for stumbling upon this band she was in before her solo work. Combining her voice and banjo-fueled folk music can never go wrong.
“Steamboat Whistle Blues” by John Hartford, Aereo-Plain
Without realizing it, the first Hartford song I heard was Sara Watkins’ cover of “Long Hot Summer Days” almost a decade ago. It took until recently to look into his stuff, and the banjo-heavy “newgrass” of Aereo-Plain emerged as the favorite. It has several straight-up weird songs, but this one ain’t one of them: