Refer Madness spotlights strange, intriguing, or otherwise noteworthy questions I encounter at the library reference desk.
A patron who calls regularly — usually looking for the value of an old book or baseball card — had a pretty direct question for me today: “Was Lee J. Cobb blacklisted?”
Nope, but just barely.
Born Leo Jacoby (get it? Lee J. Cobb[y]?), Cobb most iconically featured in 1954’s On the Waterfront and 1957’s 12 Angry Men, two highly regarded and politically aware films that comment on the Red Scare paranoia of 1950s America. According to Victor Navasky’s 1980 book Naming Names, Cobb was accused of being a Communist in a 1951 HUAC testimony by actor and actual former Communist Larry Parks. Called to testify but refusing to do so for two years, Cobb finally relented in 1953 and named twenty former Community Party members.
Cobb’s reason for doing so, as told in Naming Names, is fascinating and blunt:
When the facilities of the government of the United States are drawn on an individual it can be terrifying. The blacklist is just the opening gambit—being deprived of work. Your passport is confiscated. That’s minor. But not being able to move without being tailed is something else. After a certain point it grows to implied as well as articulated threats, and people succumb. My wife did, and she was institutionalized. The HUAC did a deal with me. I was pretty much worn down. I had no money. I couldn’t borrow. I had the expenses of taking care of the children. Why am I subjecting my loved ones to this? If it’s worth dying for, and I am just as idealistic as the next fellow. But I decided it wasn’t worth dying for, and if this gesture was the way of getting out of the penitentiary I’d do it. I had to be employable again.
And he was, the next year, in On the Waterfront, written by Elia Kazan and Budd Schulberg, two other Hollywood figures who testified to HUAC.